Sunday, June 30, 2024

Coming Attractions- The Beast Within (2024)

 


Director- Alexander J. Farrell


Cast- Kit Harington, Ashleigh Cummings, James Cosmo, Caoilinn Springall, Ian Giles, Martina McClements


Release Date- July 26, 2024


The story of two parents trying to protect their only child from a horrible secret is simple and effective, enhanced by the dangers of a bloodthirsty werewolf. Keeping things under wraps for showing Kit Harington’s full werewolf form was a good choice. The secrecy adds to the mystique, and if we’re using his daughter’s horrified reactions as a measuring stick, you get the idea that a fully transformed Harington is a terrifying monster.


The Beast Within’s trailer has signs of a good werewolf movie. I’m guessing the curse is hereditary? The daughter peels off her fingernails, and you can clearly see her fangs in one shot. But there’s also a chance we’re just looking at a pair of fake out nightmare sequences.


I’m always a big fan of placing horror movies in an isolated or desolate area. Only one car, and outside of her mother, the daughter might have to rely on an elderly man for protection. Not too reassuring, when you’re assessing your chances for survival. That’s truly scary. 



Coming Attractions- Venom: The Last Dance (2024)


 


Director- Kelly Marcel


Cast- Tom Hardy, Chiwetel Ejiofor, Juno Temple, Rhys Ifans, Peggy Lu, Alanna Ubach, Stephen Graham, Clark Backo, Cristo Fernandez


Release Date- October 25, 2024


Tom Hardy’s dedication to Eddie Brock is admirable. Hardy is clearly passionate about the Venom series, but the previous two films were too hit and miss for me. Venom (2018) was decent at best. Venom: Let There Be Carnage peaked and fell off of a cliff after Carnage escaped from prison. The Spider-Man tease in the mid-credits for the long awaited confrontation between Venom and Spider-Man was the only truly memorable moment in Let There Be Carnage. 


A good trailer for The Last Dance, featuring a lot the over the top wackiness (a symbiote horse!) you’d expect from the Venom films. Mrs. Chen is back for a few good laughs, and I’m wondering if Rhys Ifans appearance is somehow connected to Lizard from 2012’s The Amazing Spider-Man? Possibly a special cameo or a little nod to Andrew Garfield’s Spider-Man films, because I highly doubt Ifans having a part in a Venom film is just a mere coincidence.


One thing I’ll say about The Last Dance is, they did a great job of hyping up the high stakes and selling the storyline for Eddie and Venom’s possible last hurrah. I don’t have big expectations for this one, but hopefully they’ll finally hit a home run for Venom’s final standalone film. 



Coming Attractions- Heretic (2024)

 



Directors- Scott Beck, Bryan Woods


Cast- Hugh Grant, Sophie Thatcher, Chloe East


Release Date- November 15, 2024


No sightings of demons, monsters, or any other supernatural events? No teases for exorcisms? Surprising for a horror movie that’s centered around religion. If I had to guess, they’re going with the idea that Hugh Grant IS the monster, someone who deviously wants to test the limits of Sister Barnes and Sister Paxton’s faiths and their beliefs in a higher power. Is it possible he’s a satanist? That, or he’s just some creepy and lonely guy, possibly a serial killer, who lives out in the middle of nowhere. 

Heretic’s trailer is intriguing and eerie, showcasing a tense and life threatening game of cat and mouse, and the reveal for the blueberry pie candle was excellent. 

Coming Attractions- Red One (2024)

 



Director- Jake Kasdan


Cast- Dwayne Johnson, J.K. Simmons, Lucy Liu, Chris Evans, Kiernan Shipka, Nick Kroll, Jenna Kanell, Bonnie Hunt, Wesley Kimmel, Kristofer Hivju, Mary Elizabeth Ellis


Release Date- November 15, 2024

I’m interested to see how they use Krampus overall, because they’re obviously going with a lighthearted approach to Santa’s shadow. 


Red One should be a harmless fun Christmas movie. J.K. Simmons is a good fit to play a jacked up and manly version of Santa Claus. Dwyane Johnson and Chris Evans as a duo has some potential, and Red One perfectly lands in Johnson’s comfort zone: lots of action, and a movie that doesn’t take itself too seriously.



Coming Attractions- Smile 2 (2024)

 






Director- Parker Finn


Cast- Naomi Scott, Kyle Gallner, Lukas Gage, Rosemarie DeWitt, Ray Nicholson, Peter Jacobson, Dylan Gelula, Raul Castillo, Miles Gutierrez-Riley


Release Date- October 18, 2024


Smile (2022) was a surprise hit horror film. They were able to take a premise that should’ve been silly, and turn it into something serious and dark. The smiley facial expressions were creepy, a crucial foundation for the movie to avoid any unintentionally funny moments and scenes. 

So far, it looks like Kyle Gallner’s Joel is the only character with a connection to the original film. A standalone sequel is the best option, because Smile’s story and the lore behind it is strong enough to the point, where you don’t necessarily need returning characters. 


With all that said, I have mixed feelings about a sequel. Naomi Scott looks good in the trailer. I like the idea of her character being a popular pop star. Skye (Scott) is someone, who will always be surrounded by hordes of people, so it’ll be hard or almost impossible for her to avoid everything that comes with the curse. But Smile (2022) had a nearly perfect ending. A real jaw-dropper for a finale, including the shocking and grotesque reveal of the entity. I’m expecting another cliffhanger, because there’s a good chance we’re looking at a new horror franchise, if Smile 2 has a successful run at the box office. 

Coming Attractions- Fly Me To The Moon (2024)

 



Director- Greg Berlanti


Cast- Channing Tatum, Scarlett Johansson, Woddy Harrelson, Joe Chrest, Ray Romano, Will Jacobs, Jim Rash, Noah Robbins, Colin Woodell, Anna Garcia, Nick Dillenburg, Eva Pilar, Ashley Kings, Chad Crowe, Donald Elise Watkins, Art Newkirk, Jonathan Orea Lopez, Melissa Litow, Christian Zuber, Lauren Revard


Release Date- July 12, 2024


I’m usually not a big fan of romantic comedies. The vast majority of mainstream romantic comedies follow a predictable pattern, and no matter what happens, it’s not hard to predict there’s a good chance Channing Tatum and Scarlett Johansson will end up together. Woody Harrelson is always capable of delivering a show stealing performance, but there’s also no denying that Scarlett Johansson looks great here, a perfect fit for her character. 


Fly Me To The Moon has high stakes. Pulling off a successful moon landing is a big deal, and the1960’s setting feels genuinely nostalgic. 

Coming Attractions- The Killer’s Game (2024)

 



Director- J.J. Perry 


Cast- Dave Bautista, Terry Crews, Sofia Boutella, Ben Kingsley, Drew McIntyre, Pom Klementieff, Lee Hoon, Marko Zaror, Daniel Bernhardt, Lucy Cork, Raffaello Degruttola, Shaina West, Scott Adkins


Release Date- September 13, 2024


The wrestling fan in me is pumped to see Drew McIntyre and Dave Bautista squaring off against each other!


Dave Bautista is a consistent actor. Whether it’s a leading or supporting role, I honestly can’t remember one truly awful film from him over the years after he got his big break in Guardians Of The Galaxy.


The assassin having a moral awakening, and deciding that it’s time to get out of the life is a cliched and overused storyline. The Killer’s Game makes an attempt to put a comedic spin on things, with Joe realizing he has to fight back.


A solid cast, and the trailer shows a promising mix of brutal hard hitting action and playful humor. One day I’ll have to read the novel the movie is based on, because it’s always interesting to see what changes are made, or how far the powers that be will go with tie-ins and staying true to the source material. 

Coming Attractions- Nosferatu (2024)

 



Director- Robert Eggers


Cast- Willem Dafoe, Nicholas Hoult, Lily-Rose Depp, Bill Skarsgard, Aaron Taylor-Johnson, Emma Corrin, Ralph Ineson, Simon McBurney


Release Date- December 25, 2024 


A gothic mainstream horror film, with a Christmas Day release date? They obviously have big hopes for Nosferatu. Robert Eggers is the right choice for a director, because his style perfectly fits for what you would expect from a Nosferatu film. 

It’s been years since I’ve rewatched Nosferatu 1922, and I’ve never seen Nosferatu The Vampyre (1979). The trailer for Nosferatu (2024) is phenomenal. A spooky and creepy trailer, and I’m glad they only showed a slight glimpse of Bill Skarsgard as Nosferatu. Save the full reveal for the movie. 

Coming Attractions- The Front Room (2024)

 


Directors- Max Eggers, Sam Eggers


Cast- Brandy, Kathryn Hunter, Andrew Burnap, Neal Huff


Release Date- September 6, 2024


Based on the short story of the same name, The Front Room has realism and relatability for a storyline involving a woman, who’s struggling to deal with a pesky in-law. You can tell Belinda (Brandy) is kind of hesitant to cross that line of really tearing into Solange (Kathryn Hunter) at first out of respect for her husband, but there comes a point, where you need to stand up for yourself. 

The first trailer for The Front Room is kooky and creepy. Kathryn Hunter looks fantastic, and religion and racism will obviously play a big role in the story. Another potentially good or possibly great horror film, and A24 is known for its track record of consistency. 


Coming Attractions- Oddity (2024)

 




Director- Damian Mc Carthy


Cast- Gwilym Lee, Steve Wall, Joe Rooney, Jonathan French, Carolyn  Bracken, Caroline Menton, Tadhg Murphy


Release Date- July 19, 2024


A spooky wooden mannequin and other toys? Paranormal horror films featuring toys or dolls are too hokey sometimes, but Oddity’s trailer maintains a serious tone. 


Potentially a creepy and tense paranormal horror film, the trailer for Oddity shows just enough without spoiling any major plot points. It’s one of those trailers, where you have to try and put the pieces of the puzzle together. Are evil forces responsible for the sinister events? Or is this a case of heartbreak and grief causing extreme paranoid delusions? It’s easy to lean on the side of supernatural evil, because it’s obvious that’s the direction they’re going in with the trailer, but there’s always a chance for a curveball. 





Coming Attractions- Wolfs (2024)




Director- Jon Watts


Cast- George Clooney, Brad Pitt, Richard Kind, Amy Ryan, Zlatko Buric, Poorna Jagannathan, Austin Abrams


Release Date- September 20, 2024


The story is basic enough, but it’s clear the superstar duo of George Clooney and Brad Pitt is the main attraction for Wolfs. There’s some promise with Pitt and Clooney’s odd couple relationship as expert fixers, the banter, and the playful one-upmanship between the two. Wolfs should be a fun and stylish action/comedy, and it’s Jon Watts’ first film outside of the MCU/Spider-Man world in seven years. 

Thursday, June 27, 2024

Fantasy Island (2020)

 

**This post contains spoilers**


The Story- Contest winners Gwen (Maggie Q), Melanie (Lucy Hale), Patrick (Austin Stowell), J.D. (Ryan Hansen), and his step brother, Brax (Jimmy O. Yang) journey to Fantasy Island, an island with mysterious powers capable of turning guest’s fantasies into reality. Mr. Roarke (Michael Pena), the host and the island’s ambassador, lays out two strict rules: only one fantasy per guest is allowed, and each guest must see their fantasy through to its natural conclusion, no matter what. 


The island is a seemingly fun getaway for the guests, but things take a bizarre turn, when Melanie encounters her kidnapped childhood bully, Sloane (Portia Doubleday). Melanie teams up with Sloane, and a private investigator named Damon (Michael Rooker) to escape the island. Damon reveals the secrets behind the island’s dark powers, leading to a startling revelation about Roarke’s motivations and his top assistant, Julia (Parisa Fitz-Henley). 


My Thoughts- The performances were really hit and miss for me. Ryan Hansen and Jimmy O. Yang’s routine as obnoxious dude-bros was okay for a few cheap laughs. Maggie Q and Austin Stowell carry a lot of the emotional weight with their performances. Gwen and Patrick are haunted by missed opportunities from their pasts and heartbreaking tragedies, so you can easily understand why it’s not so easy for them to move on. 


Lucy Hale plays a confident Melanie, who just wants to have a good time on the island. Melanie realizes she made a mistake seeking vengeance on Sloane, but it’s all a ruse (more on that later), and Hale did a good job of believably showing Melanie’s twisted side, when she reveals her true intentions.


Michael Rooker adds to the pulse of the cast, with his grizzled and rugged performance as the cagey private investigator. Mr. Roarke? It’s a strange case, because I just didn’t get anything out of Michael Pena’s performance. Roarke is supposed to be a mysterious, important, and powerful man. But Pena weirdly sounds like a guy just plainly reading lines off of a script throughout the movie. A noticeable lack of energy, so I couldn’t buy into the obvious enigmatic presence they were going for with Roarke.


Overkill is always a problem. It’s a bigger problem, when you’re constantly beating a dead horse for something that’s just not working. Dr. Torture is the evil physical manifestation of Melanie’s hated psychiatrist, complete with lips that are stapled shut. He’s supposed to be the unstoppable monster, who tortures and hunts Sloane. Dr. Torture should be scary, a frightening menace. Overall, he’s a character who’s just too goofy, with the muffled grunting behind the face mask, and the sleeveless scrubs to show off his muscles. 


The sight of Nick’s (Evan Evagora) burnt corpse could’ve been shocking, IF they limited his appearances. I get it. Everyone is haunted by Nick’s tragic death, especially Gwen. But seeing a lifeless and charred Nick over and over again killed any chances for a strong reaction. 


The zombies oozing black goo from their eyes is a sign the guest’s fantasies are making a disturbing transition from dreams to a living nightmare. The zombies are supposed to be an unstoppable threat, but the running mascara look is too silly.


As far as spooky stuff goes, Sloane has a creepy doppelgänger. It’s a simple idea. Sloane having to face herself, including all the bad mean girl parts of her past, shows Sloane actually had remorse, and she wanted to make a serious effort to change. 


Fantasy Island has all the right ingredients, but it’s also a film that tries way too hard to do too much. Gwen regrets rejecting Allen’s (Robbie Jones) marriage proposal, and she’s directly responsible for the fire that killed Nick. Patrick has a deep wound for growing up without his father, Lieutenant Sullivan (Mike Vogel), who sacrificed himself to save his troops by jumping onto an exploding grenade. 


The drama between Melanie and Sloane, and Sloane cheating on her husband is a storyline that could’ve been its own movie. There’s also the revelation involving Julia. She’s actually Roarke’s wife, weakened by an illness. A living but sickened Julia is Roarke’s fantasy, a fantasy that only remains intact, if Roarke faithfully serves the island. 


You can easily take your pick between Gwen, Roarke, or Patrick, because either one of their stories is strong enough to be the sole focus for the movie. Melanie’s troubles with Sloane and Melanie regretting missing a date with Nick is another worthy candidate. Fantasy Island actually did a decent enough job of connecting the guest’s backstories, including piecing everything together to show how everyone had some kind of involvement with Nick’s death. But it’s also a lot to digest, and it’s kind of hard to do that, when you jump from scene to scene with different characters and stories.


Revealing Melanie as the mastermind, who planned for everyone to arrive at the island is a decent surprise and a swerve. Melanie is holding a grudge against the guests for Nick’s death, and she still wants revenge for Sloane’s bullying. Lucy Hale is definitely convincing as the unhinged and bitter psychopath. While you can understand why Melanie is hurting, it’s obvious she went overboard with her quest for revenge and Nick’s justice. Melanie got what she deserved in the end. 

The big finale is a whirlwind of cluttered events. Roarke actually listening to Julia’s pleas to do the right thing is a big moment. Patrick fighting the evil version of his father, Sloane fighting her doppelgänger, Gwen facing her demons, Brax struggling to accept J.D.’s death, and Melanie’s vengeance? That’s SIX stories all playing out back to back. 


Some breathing room between the different stories would’ve helped, a chance to truly feel the impact of the tough decisions the main characters were forced to make. Instead, they rushed through the finale to tie up all the loose ends in an obvious attempt to avoid any plot holes before the clock ran out. 

Fantasy Island had a lot of potential. There’s some noticeable messages about dealing with regret, moving on after tragedies, and learning to forgive yourself. Patrick’s sacrifice ironically mirrors his father’s sacrifice. Patrick found the courage to save lives, something he didn’t do, when he was a cop, while Nick was trapped in the fire. 


But Fantasy Island lacks excitement and thrills, moving from one scene to the next without any real tension or suspense. It’s a dull film, where the negatives greatly outweigh the positives. They sort of tease a sequel that’ll never happen, when Brax chooses to stay on the island as Roarke’s assistant in exchange for J.D.’s resurrection. Brax chooses the name Tattoo for a connection and a nod to the show, and it’s a nice way of paying tribute to Herve Villechaize. It’s also a tie-in and a joke for Brad’s tattoo, which is literally a tattoo of the word tattoo.


I do wonder if working in the confines of a PG-13 rating hurt Fantasy Island, because for a PG-13 film it’s still too tamed. You don’t need extreme amounts of blood and gore to make a good horror film, but if you’re truly going with a horror approach for a prequel and a Fantasy Island reimagining, maybe a touch of gruesomeness could’ve helped during certain scenes. 


Rating- 3/10



Bones And All (2022)

 


**This post contains spoilers**


The Story- A young Maren (Taylor Russell) flees Virginia with her father, Frank (Andre Holland) after she tries to eat a friend’s finger at a slumber party. Frank, feeling the pressure of constantly covering up Maren’s cannibalistic attacks, eventually abandons his daughter. 


Maren meets another cannibal named Sully (Mark Rylance) during her journey. Sully, offering his help and guidance, informs Maren that she is an eater, and the urge to feed on human flesh is too strong to ignore, a problem that’ll only get worse as Maren ages. 


Maren crosses paths with Lee (Timothee Chalamet), another young eater, who agrees to help Maren find her estranged mother, Janelle (Chloe Sevingy). Maren and Lee develop feelings for each other, but Maren runs into trouble, when Sully returns with hopes of rekindling their partnership.


My Thoughts- Taylor Russell delivers an excellent performance, bringing the necessary vulnerability to Maren. There’s a noticeable layer of innocence to Maren’s character, but it’s also hard to ignore the fact that she’s willfully ignorant about the lifestyle of a cannibal. Russell did a good job of showing frustration and anger, because after all the eating and the deaths, Maren slowly realizes there’s no real moral high ground to stand on, when you’re attacking and killing innocent people. 


Timothee Chalamet plays the edgy bad boy loner type, but he’s also a kid, who’s hurting inside, a broken young man. Choosing the path of a self imposed exile from his family, Lee wants to reconnect and bond with his sister, Kayla (Anna Cobb), but he’s carrying around the heavy burden of being an eater and killing his father. Chalamet nails a wide variety of emotions with a good performance. Lee is dangerous, but he can also be endearing and charismatic.


Taylor Russell and Timothee Chalamet share believable chemistry together. Maren and Lee are two people, who need each other, sharing a dark secret and a highly unusual lifestyle that only both of them can truly understand. Lee and Maren’s relationship feels real. A lot of ups and downs, with Maren slowly trusting Lee to the point, where she feels safe enough to lower her guard.


Mark Rylance is phenomenal as Sully, easily delivering the best performance here. Rylance brings a charming  presence to Sully, complete with a soft southern accent. But there’s also a dangerous side to Sully, and there’s no denying he’s extremely creepy. 

Rylance smoothly switches gears between the seemingly wise and helpful old man and a menacing threat. Sully wants to be the mentor and father figure that Maren needs. You’re isolated and alone in the world as an eater, so that’s why Sully was heartbroken, when Maren ran away from him after they ate the old lady. Great facial expressions from Rylance. The scene where a frozen and shocked Sully watches Maren leave on the bus with that devastated look on his face is just perfect. 


Loneliness, abandonment, and how it affects people plays a big role in Bones And All. Frank was put in a tough spot, but you can understand why he left Maren. Still, it’s rough for a teenage girl to go out in the world alone after her father leaves without a warning, or any real preparations for survival. To make matters worse, Barbara (Jessica Harper), Maren’s adoptive grandmother, insists she honors her promise to never visit her again.


Sully is old. Living so many years alone with a secretive lifestyle will inevitably take its toll on anyone. That’s why Sully lashed out, when Maren sternly rejected his friendship. And it’s clear Sully was depressed about his family choosing not to look for him after he ran away as a child. 


A lot of important details to pay attention to, as Sully and Maren are eating the old lady. You’ll see a bunch of pictures telling the story of a woman, who once had a family and friends. Imagine dying alone in that big house, while two strangers literally eat what’s left of you, leaving your mangled corpse on the ground surrounded by flies. That’s a depressing ending for anyone. 


Maren has a rocky transition into adulthood, because she’s quickly forced to learn lessons about life on the fly. Maren runs away from Sully, and she runs away from Lee, when she panics for different reasons. Eventually, Maren realizes she can’t just run away from all of her problems. Confrontations and reconciling are cornerstones for adult life. Maren’s no longer in a position, where she can hide behind her father, while he takes care of everything. 


Two big moments for Maren, starting with telling Sully that she no longer wants to be around him, and patching things up with Lee at the lake. Standing up for yourself and burying the hatchet takes guts. It’s uncomfortable, and Taylor Russell did a good job of showing how nervous Maren was with Sully, while also realizing shutting him out of her life was something that needed to be done.


She starts her journey into the world alone, only to wind up alone after killing Sully with Lee’s help. The timing of Sully’s attack was impeccable. Maren and Lee are living a normal and peaceful life together, but it’s all ripped away from them in an instant. It’s an unfortunate ending, with Maren eating a dying Lee. If anyone was going to eat Lee, he’d obviously choose Maren to do it, someone who cared about and understood him. 


There’s also a callback to Jake’s (Michael Stuhlbarg) “bones and all” line at the campfire during Lee’s death scene. Lee wants Maren to eat him, bones and all, an experience that Jake romanticized as something special. According to Jake, leaving a bare bones corpse counts as the first real experience as an eater, passing the stage of foreplay, and transitioning to a legitimate achievement that’s basically a badge of honor. 


Did Maren and Lee actually deserve a happy ending? Yeah, you could say they were young, two people with a strange condition doing what they had to do to survive, but that doesn’t erase the fact that they’re also murderers. The ending works as a full circle moment and karma coming to collect. Sully and Lee got what they deserved, while Maren is left to deal with the emotional and devastating aftermath alone.


Too many examples throughout the movie that clearly showed there’s no real happy ending for an eater. Maren was disgusted by Brad (David Gordon Green) and Jake’s joyous approach to cannibalism, especially Brad, who’s not an eater, but he still gets a kick out of the lifestyle. Sully and Lee were both predators. The big difference is, Lee was more of a cerebral tactician, manipulating his victim’s emotions before he attacked. And you can’t forget about Maren’s mother, Janelle. She’s alone, heavily medicated and deranged, living out the rest of her days in an institution.


So when you look at the big picture, Maren’s options are she can either spend the rest of her life running, hiding, or basically living off the grid. It’s a vicious cycle to literally feed her addiction. One problem after another, and not spending the rest of her life in prison or an institution is the best that Maren could hope for. I’m sure one of the reasons why Sully made Maren’s skin crawl is, she didn’t want to follow the same path during the later stages of her life: a monster, who was too enamored with the lifestyle, collecting locks of hair (including Kayla’s hair) from his victims. 


Bones And All is a bloody and brutal love story, with a grotesque horror twist. All of the storylines and themes seamlessly connected for a smooth style of storytelling, leading to a gut-wrenching finale. Bones And All shows how having an addiction can ruin your life, and how it affects those closest to you. A bleak and genuinely emotional film, featuring a superb cast, and a number of creepy and unsettling scenes. Jake chasing after Maren and Lee in the darkness, and the sight of a distributed Janelle, including her mangled arms, because she couldn’t control her cravings and ate her own hands are two of my top picks.


And maybe I’m looking too deep into this, but I do wonder if the little girl at the diner was an eater? Sully did say eaters can locate each other by picking up on a peculiar scent. The child seemingly gave Maren a knowing look, so I guess it’s a possibility, an intriguing what if, without any definitive clues or hints.


So much blood and graphic gore, but Bones And All ironically feels homely and nostalgic. Placing the story in the 1980’s helps, while Maren and Lee traveled along the quiet backroads, passing through all the small and quaint towns. 


Rating- 10/10

Sunday, June 9, 2024

As Above, So Below (2014)

 

**This post contains spoilers**


The Story- Determined to complete her deceased father’s work, a professor named Scarlett Marlowe (Perdita Weeks) sets out on a quest to find the philosopher’s stone, created by Nicolas Flamel. In Paris, Scarlett forms a team with her cameraman, Benji (Edwin Hodge) and a reluctant George (Ben Feldman). Needing further help to navigate the catacombs, where the stone is located, Scarlett persuades Papio (Francois Civil), Souxie (Marion Lambert), and Zed (Ali Marhyar) to join her team as guides, promising the trio half of the storied treasures. 


Strange occurrences disrupt the group’s quest to find the philosopher’s stone, escalating to a life-or-death struggle to survive, when Papio’s old friend, La Taupe (Cosme Castro) appears. 


My Thoughts- Scarlett is haunted by her father’s suicide, believing she could’ve done more to save him. Finding the philosopher’s stone is really the only form of redemption she has left to honor her father. George clearly wants nothing to do with Scarlett, when they reunite. Their relationship and how it ended left a bad taste in his mouth, but under extreme and unprecedented circumstances, George and Scarlett reconcile towards the end.


Scarlett is a daredevil. She takes bold risks, and you could say Scarlett is reckless, but it’s understandable. Coping with the deaths of loved ones and trying to move on is the foundation for As Above, So Below’s story. A parent committing suicide is a deep wound that truly never heals, so it’s easy to understand Scarlett’s fierce firmness to finish the quest. 


Teamwork! There’s usually that one obnoxiously selfish character in horror movies, or any kind of movie, who’s determined to screw everyone else over to survive, when things go south. EVERYONE works together to try and help each other out in As Above, So Below. Are the rescue attempts successful? For the most part, the simple answer is no. The survival rate is low. Still, there’s a strong and refreshing no man or woman left behind mentality amongst the main characters here. 


John Erick and Drew Dowdle did a good job of smoothly weaving Papio, George, and Scarlett’s tragedies into a handful of the eerie scenes throughout the movie. The grisly sight of Scarlett’s father and his hanging corpse, George seeing visions of his dead brother, and George franticly sifting through the bones to try and save his ghost from drowning. Papio being pulled into the burning car was a real jaw dropper. A good surprise, because it’s not so easy to predict what’s going to happen, when you see the car engulfed in flames, and Papio’s legs sticking out the ground is truly a freaky visual.


The group faces tougher emotional challenges, as they go deeper into the catacombs. There’s a full circle moment towards the end, when Scarlett realizes herself, George, and Zed have to forgive themselves and move on. In a way, they were all trapped in their own personal versions of hell for years. Scarlett urging George and Zed to literally take a leap of faith together to escape works for a satisfying ending, because facing your demons plays a big role in As Above, So Below’s story.


One big problem that drives me nuts about this one revolves around the unknown young woman, who constantly pops up throughout the movie. She makes her first appearance at the club, where she constantly stares at Benji’s camera with that weird blank look on her face. Why is she consistently wearing all white? Why is she targeting Benji? Why is she holding a presumably dead baby? Is there a reason why she’s seemingly the leader of that cult in the catacombs? The mysterious woman is an important character. She’s directly responsible for Benji’s death, but they don’t give any hints or clues about who she is, what she does, or why she’s stalking the group. 


And why is the group blindly trusting La Taupe to guide them through the catacombs? He’s obviously a demon, or a malevolent ghost, a deceiver, who’s leading them to certain doom. It’s painfully obvious he’s not the same guy Papio remembers. La Taupe’s odd mannerisms and his spaced-out facial expressions are dead giveaways. 


It’s a found-footage film, so of course you have to expect a lot of shaky cam. But there’s always a logical reason for recording, or seeing things from unusual angles. Finding the philosopher’s stone is an important discovery. Everything SHOULD be recorded, so it makes sense for everyone to wear GoPro headbands. The way As Above, So Below is presented, you’re lead to believe you’re watching a documentary that devolves into chaos in real time, adding some realism to the movie. 


The thrills during the home stretch were fantastic. After three deaths from the main cast of characters, you could buy into the possibility of anyone dying. A lot of believable close calls, including that creepy moment, when one of the hooded figures dressed in all black slowly stands up, revealing his pale white and disfigured face. 


It’s not perfect, but As Above, So Below is still a good found-footage horror film. Consistently tense, some genuinely spooky sequences, gnarly visuals (Scarlett struggling to escape the pool of blood), a solid cast, and an effective usage of claustrophobia. The darkness, the tight spaces, and Edwin Hodge selling Benji’s hysteria and panic for being stuck, while trying to climb is one of best scenes here, because it felt real, and you definitely wouldn’t want to be in Benji’s position. 


The emotional layer is relatable. Dealing with the deaths of loved ones is an agonizing process, so you can understand what Scarlett and the others were going through. As Above, So Below is truly an underrated found-footage film, and a gem for an overly crowded sub-genre. I’m also glad they went with a complete ending. No cheap cliffhangers, and it’s an appropriate ending for a movie that’s ultimately about finding closure. 


Rating- 8/10

Talk To Me (2022)

 


**This post contains spoilers**


The Story- Mia (Sophie Wilde) struggles to move on after her mother, Rhea (Alexandria Steffensen) commits suicide. A strained relationship with Mia’s father, Max (Marcus Johnson) complicates things, but Mia finds comfort with her best friend, Jade (Alexandra  Jensen), Jade’s younger brother, Riley (Joe Bird),  Jade’s mother, Sue (Miranda Otto), and her ex boyfriend and Jade’s current boyfriend, Daniel (Otis Dhanji). 


In an attempt to fit in, Mia plays an unusual party game called Talk To Me, with Hayley (Zoe Terakes) and Joss (Chris Alosio) filling the roles of the game masters. Powered by a pale severed hand, players have the ability to have direct contact with the spirit world, but refusal to break the connection after ninety seconds comes with severe consequences.


Riley seemingly makes contact with Rhea, but Riley is sucked into the spirit world after passing the time limit. Riley is possessed and controlled by the evil spirits, trapped in their realm as a prisoner, who’s constantly forced to injure himself. Can Mia save Riley before it’s too late?


My Thoughts- Her mother is dead. Outside of Jade and Riley, Mia struggles to make friends. She clings to Jade’s family for emotional support, and Mia’s relationship with Max is broken. That’s a lot of weight to carry around that’s capable of crushing anyone, let alone a teenager. 


Sophie Wilde truly delivers an incredible performance. It’s impressive how Wilde is capable of nailing the roller-coaster of emotions Mia endures throughout the movie. Wilde continuously takes everything to the next level, as the story progresses. You can see the pain and the agonizing heartbreak she’s experiencing. The desperation Mia has for companionship plays a big role in her descent into madness. She made a terrible mistake allowing Riley to play the game, and while it’s understandable she clearly regrets everything that happened, it’s hard to ignore the fact that Mia is responsible for Riley’s severe injuries.


Miranda Otto plays the fiery and stern mother, with a sharp sense of humor. Sue wants to be the mother figure Mia desperately needs, but she crossed a line by putting her son’s life in danger. Jade is the supportive best friend. The problem? The calamity with Riley is obvious, but it’s clear Mia still has feelings for Daniel. And the spirit revealing Daniel’s disparaging thoughts about Jade didn’t help matters. At some point, you have to draw that line in the sand with friendships.


The coming-of-age side of Talk To Me works, featuring some good realism. Mia is socially awkward. She wants to fit in, but she’s ignored at the party early on in the movie. Hayley, one of the cool kids at school, wants nothing to do her, because she believes Mia is a weirdo. When you stop and think about it, a lot of trouble could’ve been avoided, if Mia never decided to play the game. But Mia was desperate for validation and the chance to make new friends.


Riley is a good kid, who’s currently going through the usual growing pains. He wants to prove he’s ready to put on his big boy pants, but he’s still scared to the point, where he doesn’t want to sleep alone after witnessing the spooky side of the game. There’s also the expected sibling rivalry with Jade, with Riley scolding her for being the mean big sister.

You can easily draw a connection between Mia and Duckett (Sunny Johnson). Duckett, another victim of the game, commits suicide in the opening scene of the movie. Duckett and Mia were both awkward outcasts, two shining examples of  how far some kids might go for the chance to be accepted.

Why didn’t Mia follow through with the mercy killing for the kangaroo? Riley is urging her to put the injured kangaroo out of its misery, but she decides to stop at the last second. It’s an important scene, when you connect the dots. Mia, clearly distraught, obviously recognized similarities between the dying kangaroo and her mother. Putting an end to the kangaroo’s suffering might’ve been the best option, but it’s possibly a reminder of Rhea’s mindset before she took her own life, so Mia just couldn’t do it. 


If we’re talking about the evil spirits and the possessions, Talk To Me gets it right.  Far too often possession or demonic horror films have too many unintentionally funny moments, when characters are possessed, but that’s not the case here. There’s a highlight reel of sorts, where things look silly during gameplay, but the main idea was to showcase Mia finally having fun and being accepted into the group.


When things are serious, you really get to see just how dangerous the game is, a quick escalation of harmless fun to life threatening trouble, while the clock is ticking. The little details, including the bulging black pupils, the rotting flesh for the participants and the spirits, and the crazed personalities adds that necessary layer of creepiness. Daniel kissing the dog and dry humping floor, and quickly reverting to a state of shock, when the connection breaks is a good example of showing how the game takes complete control over the current player.


There’s two strong cases of tragic irony during the finale. Mia, believing she had to kill Riley to set him free before ultimately deciding to commit suicide by jumping into traffic on the freeway, is a genuine gut wrenching moment. Mentally Mia was just too far gone towards the end. The whirlwind of emotions for her mother and the guilt of dealing with what happened to Riley was just too much. It’s a sad ending for Mia, going the same route as her mother and choosing suicide. To make matters worse, Sue and Jade were clearly ready to forgive Mia. 


Throughout the movie, Mia noticeably shuns her father, ignoring his calls and choosing to spend more time with Jade and her family. Max reading Rhea’s suicide note to Mia and embracing her afterwards is the only moment the two share together here. Imagine how bad things are between a father and his daughter, when they have to bond over a suicide note?


Mia avoids Max for the majority of the movie, but the irony hits, when Mia frantically calls out to him after she’s dead. The final moments serve as a stark reminder that Mia is just a kid, who’s begging her father to protect or comfort her, because she’s scared. Mia finally realizing that she’s dead, before she has a chance to fully process what just happened, and that frightened gasp from Sophia Wilde right before the credits roll? That is a damn good ending and a cliffhanger. Mia didn’t want to hurt Riley. She shared a big sister/little brother relationship with him, but her actions had irreversible consequences. 


I understand Mia’s clarity is obstructed by her grief, but Rhea’s ghost is obviously an imposter or a deceiver. If you’ve watched enough horror films, it’s easy to know the usual trick with the evil spirit or a demon appearing as a beloved family member or a friend to puppeteer a protagonist’s emotions.


But there’s no denying Talk To Me is a superb horror film. Talk To Me is a bleak and emotional story about death, suicide, and facing the harsh realities of life at a young age. Death is a natural part of life, but it really stings for Mia, because someone she adored and loved deeply chose to end her life, leaving her without a mother. 


The brutal violence and gross-out scenes are good for a handful of squirmy reactions. Duckett jamming a knife into his skull sets the tone, while Riley’s scenes when he’s possessed consistently deliver the more hard to watch moments. The scene with Riley bashing his head against the wall, and licking up his own blood? Yikes!


The entire cast is excellent, with Miranda Otto providing the robust presence of a veteran actress. That scene in the car, where Jade tries to hold Sue’s hand, only for Sue to reject her is filled so many nuances. Jade betrayed Sue’s trust. As a parent, it was Sue’s way of basically telling Jade she’s in timeout until further notice. 


There’s a lot of potential for the sequel. Mia could return to warn others about the game. Unlike the other spirits, Mia was presumably still fully aware of who she was, possibly having the advantage of someone who knows all the fine details about the game. Going the route of a standalone sequel also works. Talk To Me has a solid premise. A lot of different avenues to explore, especially the origins of the hand and its dark history.


Rating- 9/10