Showing posts with label drama. Show all posts
Showing posts with label drama. Show all posts

Tuesday, June 2, 2026

Maggie (2015)

 **This post contains spoilers**

The Story- Infected with an incurable zombie virus, Maggie Vogel (Abigail Breslin) runs away from home. Maggie’s father, Wade (Arnold Schwarzenegger), eventually brings Maggie back to the family’s ranch, determined to protect his oldest child from a legally mandated quarantine.

Maggie is supported by Wade, and her stepmother, Caroline (Joely Richardson), but the clock is ticking, as Maggie’s condition deteriorates…

My Thoughts- Maggie turning into a zombie is a slow process from start to finish. You won’t see any bloody and violent zombie attacks, or the survivors running for their lives, while being chased by hordes of the undead here. Instead, Maggie chooses to put the focus on the emotional toll the outbreak takes on everyone involved. Wade loves and deeply cares about his daughter. Wade’s options are limited, and he doesn’t want to make the difficult decision to send his daughter off to quarantine, an inhumane death sentence for infected humans.

Maggie? She knows there’s no way out. She doesn’t want to be a burden to her friends and her family, so she isolates herself. Maggie drifts in and out of trying to live a normal life. The waiting room scene at the doctor’s office does a good job of shining some light on Maggie’s problems. A mother notices Maggie’s bite wound, and she quickly urges her children to stay away from her. Another example of Maggie trying to be a normal teenage girl, but it’s just not possible without a cure or a vaccine. 

Abigail Breslin nails Maggie. The fear for what’s about to happen to her, the conflict for Maggie wanting to give up on herself, but she doesn’t want to disappoint her father, so she tries to live a normal life, and she knows time is running out, fast. You can see and feel everything Maggie is going through, and Breslin’s sympathetic performance is one of the true highlights here. You’ll see every agonizing stage of Maggie’s transformation, whether it’s the decaying skin, Maggie’s cravings for flesh, or Maggie’s gory solution for dealing with a broken finger.

So what’s the solution? Does Maggie FINALLY go to quarantine? Does Wade give in to Maggie’s heart-wrenching request for a mercy killing? Well, Maggie chooses death in the form of suicide by jumping off of the roof.  

I had my fingers crossed for a cure, or at least the realistic possibility for introducing a cure to add more suspense to the story, but it’s still a good and poignant finale. Towards the end, Maggie is just too far gone. She’s ninety-five percent zombie, but she still had enough clarity to choose death without attacking Wade. And Maggie knew Wade having to be the one to pull the trigger would’ve destroyed him, so she decided to take herself out of the picture. 

Also, Maggie using memories of spending time with her deceased mother, Sarah, was a nice touch. Maggie remembers Sarah, as she’s falling to the ground, and you could say it was Maggie’s way of easing herself into the afterlife, with comforting memories of a cherished relationship with her mother. Good stuff.

I’m of two minds about Maggie. On one hand, if you’ve seen enough zombie movies, you already know what’s going to happen after the infection. But Maggie takes a slow burn approach to the full turn. Is she going to turn into a zombie or not? It’s a question I asked myself more than once throughout the movie. I KNOW where this whole thing is going, so can we just get there already? But Maggie does make an earnest attempt at trying to be a different zombie film. It’s a dreary and somber horror drama about a viral outbreak that completely tears families and friends apart. 

Maggie does a really job of showing everyone’s perspectives for what’s going on. Sheriff Ray Pierce (Douglas M. Griffin) is Wade’s friend, and he respects him, but he has a job to do. Deputy Holt (J.D. Evermore) comes off as an asshole. He’s more strict, serious, and you can tell he’s annoyed at the fact that Wade is getting preferential treatment for keeping Maggie away from quarantine. But Holt makes a good point: Maggie is infected. It’s far too dangerous to keep her around healthy people, and it’s the police force’s job to protect the community at all costs. 

Maggie’s ex-boyfriend, Trent (Bryce Romero) is infected. Trent is scared. Similar to Maggie, he’s beyond the point of no return. He doesn’t want to go to quarantine, but his options are severely limited. Maggie’s friend, Allie (Raeden Greer) tries to hold it together during a friendly reunion. But Allie can’t hide an emotional reaction, because she knows she’s going to lose her best friend.

Maggie feels a bit dull at times, because without the possibility of a cure, or a cure that’s available, there’s only one solution to Maggie’s problem. Still, I have to give a thumbs up for Maggie taking an unconventional and mostly successful approach to a zombie horror film. Arnold Schwarzenegger delivers a dedicated performance, as a father, who’s carrying around a heavy heart. Wade is a simple man, who lives a quiet life, and he loves his old rusty pickup truck. A solid all around cast, a fantastic ending, and Schwarzenegger and Breslin share believable father/daughter chemistry together. 

I’m also glad the vast majority of Maggie takes place in the countryside, and the more rural parts of America. Maggie’s set pieces are a perfect fit for the story. It’s eerily quiet, and you can see the devastation from the outbreak. Old homes, fields of burning crops, and a seemingly abandoned gas station. A clear visual representation that Wade, Maggie, and the rest of the cast are currently living in a hopeless world. No one is coming to save them, everyone is scared, and you have to worry about the possibility of your neighbors turning into zombies. 

Rating- 8/10

 

Maggie (2015)(Minor Spoilers)

 **This post contains MINOR spoilers**


The Story- Infected with an incurable zombie virus, Maggie Vogel (Abigail Breslin) runs away from home. Maggie’s father, Wade (Arnold Schwarzenegger), eventually brings Maggie back to the family’s ranch, determined to protect his oldest child from a legally mandated quarantine.

Maggie is supported by Wade, and her stepmother, Caroline (Joely Richardson), but the clock is ticking, as Maggie’s condition deteriorates…

My Thoughts- Maggie turning into a zombie is a slow process from start to finish. You won’t see any bloody and violent zombie attacks, or the survivors running for their lives, while being chased by hordes of the undead here. Instead, Maggie chooses to put the focus on the emotional toll the outbreak takes on everyone involved. Wade loves and deeply cares about his daughter. Wade’s options are limited, and he doesn’t want to make the difficult decision to send his daughter off to quarantine, an inhumane death sentence for infected humans.

Maggie? She knows there’s no way out. She doesn’t want to be a burden to her friends and her family, so she isolates herself. Maggie drifts in and out of trying to live a normal life. The waiting room scene at the doctor’s office does a good job of shining some light on Maggie’s problems. A mother notices Maggie’s bite wound, and she quickly urges her children to stay away from her. Another example of Maggie trying to be a normal teenage girl, but it’s just not possible without a cure or a vaccine. 

Abigail Breslin nails Maggie. The fear for what’s about to happen to her, the conflict for Maggie wanting to give up on herself, but she doesn’t want to disappoint her father, so she tries to live a normal life, and she knows time is running out, fast. You can see and feel everything Maggie is going through, and Breslin’s sympathetic performance is one of the true highlights here. You’ll see every agonizing stage of Maggie’s transformation, whether it’s the decaying skin, Maggie’s cravings for flesh, or Maggie’s gory solution for dealing with a broken finger.

I’m of two minds about Maggie. On one hand, if you’ve seen enough zombie movies, you already know what’s going to happen after the infection. But Maggie takes a slow burn approach to the full turn. Is she going to turn into a zombie or not? It’s a question I asked myself more than once throughout the movie. I KNOW where this whole thing is going, so can we just get there already? But Maggie does make an earnest attempt at trying to be a different zombie film. It’s a dreary and somber horror drama about a viral outbreak that completely tears families and friends apart. 

Maggie does a really job of showing everyone’s perspectives for what’s going on. Sheriff Ray Pierce (Douglas M. Griffin) is Wade’s friend, and he respects him, but he has a job to do. Deputy Holt (J.D. Evermore) comes off as an asshole. He’s more strict, serious, and you can tell he’s annoyed at the fact that Wade is getting preferential treatment for keeping Maggie away from quarantine. But Holt makes a good point: Maggie is infected. It’s far too dangerous to keep her around healthy people, and it’s the police force’s job to protect the community at all costs. 

Maggie’s ex-boyfriend, Trent (Bryce Romero) is infected. Trent is scared. Similar to Maggie, he’s beyond the point of no return. He doesn’t want to go to quarantine, but his options are severely limited. Maggie’s friend, Allie (Raeden Greer) tries to hold it together during a friendly reunion. But Allie can’t hide an emotional reaction, because she knows she’s going to lose her best friend.

Maggie feels a bit dull at times, because without the possibility of a cure, or a cure that’s available, there’s only one solution to Maggie’s problem. Still, I have to give a thumbs up for Maggie taking an unconventional and mostly successful approach to a zombie horror film. Arnold Schwarzenegger delivers a dedicated performance, as a father, who’s carrying around a heavy heart. Wade is a simple man, who lives a quiet life, and he loves his old rusty pickup truck. A solid all around cast, a fantastic ending, and Schwarzenegger and Breslin share believable father/daughter chemistry together. 

I’m also glad the vast majority of Maggie takes place in the countryside, and the more rural parts of America. Maggie’s set pieces are a perfect fit for the story. It’s eerily quiet, and you can see the devastation from the outbreak. Old homes, fields of burning crops, and a seemingly abandoned gas station? A clear visual representation that Wade, Maggie, and the rest of the cast are currently living in a hopeless world. No one is coming to save them, everyone is scared, and you have to worry about the possibility of your neighbors turning into zombies. 

Rating- 8/10



Sunday, December 28, 2025

Love Lies Bleeding (Minor Spoilers)(2024)

 

**This post contains MINOR spoilers**

The Story- Working as the manager at a local gym in New Mexico, Lou (Kristen Stewart) meets Jackie (Katy O’Brian), an aspiring bodybuilder. Lou finds happiness with Jackie during a rocky romantic relationship, but the sudden appearance of FBI agent O’Riley (Orion C. Carrington) disrupts Lou’s quiet lifestyle. Lou struggles to juggle murder, dead bodies, and tumultuous relationships with her father, Lou Sr. (Ed Harris), her sister Beth (Jena Malone), her husband, JJ (Dave Franco), and a kooky woman named Daisy (Anna Baryshinkov).

My Thoughts- Kristen Stewart believably plays a quirky and awkward young woman, who’s dealing with a lot. You can tell she wants to distance herself from her family, but she loves Beth too much to ignore her abusive relationship with JJ. Stewart also brings an emotional side to Lou. The weight of working a dead end job in a small and hopeless town is clearly crushing Lou’s spirit. But Lou is still willing to help others, while she navigates a lot of tricky paths in her own life. The big test? Lou has to choose between her family, standing up to her father, and her relationship with Jackie. 

Jackie appears, and we’re not exactly sure what’s going on with her. Is she just a drifter and a shameless opportunist? Does she actually love Jackie? All the questions surrounding Jackie are definitively answered as the story progresses. Jackie is tough, she’s strong, and she doesn’t put up with bullshit. But you can also see someone, who’s hurting inside, because Jackie has a few vulnerable and emotional moments.

Katy O’Brian does an excellent job of portraying Jackie. She starts out as this happy and positive lady, who’s determined to chase her dreams. But she gets sucked into a whirlwind of chaos, as she struggles to hold herself together before she completely cracks. 

Jackie and Lou together? Well, there’s no denying it’s a toxic relationship. Jackie ran away from her hometown, chasing a new life. Lou is miserable. She hates her father, she misses her mother, and Lou knows there’s a low ceiling for her future, if she doesn’t leave New Mexico.

It’s love at first sight, when Jackie walks into the gym, but things go downhill quickly, when Lou gives Jackie steroids. Jackie quickly spirals out of control, but Lou NEVER gives up on her. The romance between Lou and Jackie is truly one of Love Lies Bleeding’s greatest strengths, filled with turbulent ups and downs. And kudos to Katy O’Brian for shifting gears to a more frazzled and angry version of Jackie during the ‘roid rage fits.

Ed Harris does it again with another good performance. Lou Sr. is a mean and crusty old bastard, a devious manipulator, who won’t stop until he gets what he wants. On top of all that, Lou Sr. is oddly fascinated with bugs. Harris plays a powerful man, but it’s hard to ignore the truth: Lou Sr. is a relic of the past. He’s an old man, who’s desperately clinging on to the power of being a big fish in a small pond, because without his status as a scary big shot, his life is empty. It’s kind of sad and pathetic, when you step back and look at the big picture.

Hats off to Dave Franco for his performance. JJ is scum. He’s a cheater, he beats his wife, and JJ is a sniveling coward. Franco does a fantastic job with JJ’s body language, his demeanor, and some good facial expressions. You can take one look at JJ, and you’ll instantly know this guy is a bad dude, with a cold and nasty mean streak.

It’s almost impossible to not feel any sympathy for Jena Malone’s Beth, a caring mother and a dedicated wife. She takes care of everything around the house, but she’s married to a monster. They don’t actually show JJ beating Beth, but the aftermath is equally horrifying. The scars, the bumps, the bruises, and Beth lying in a hospital bed with that huge knot on her face is an unpleasant sight. Also, the dinner date scene with JJ, Beth, Lou, and Jackie is genuinely uncomfortable to watch. You can feel the awkward tension at the table, and the situation reaches a boiling point, when JJ overreacts after Beth accidentally drops food on his lap.

Anna Baryshinkov could’ve stole the show here with more screen time. Daisy is a nutty and obsessive stalker. The lovey-dovey feelings she has for Lou are not reciprocated. She loves Lou, she’s willing to do anything to have a relationship with her, but Lou can’t stand Daisy. The mere sight of Daisy annoys Lou to the point, where it’s easy to believe she disgusts Lou. To top it off, Daisy’s story has an unfortunate ending before the credits start rolling.

Rose Glass’ work behind the camera is just phenomenal. Love Lies Bleeding looks and feels like a hypnotic fever dream. So many shots with great details, and the small New Mexico town is a perfect setting for this one. Lou’s hometown is a desolate and quiet hellhole out in the middle of nowhere. It’s a dreary and depressing place that kills any hopes and dreams. Escape is the only way to make it, because it’s a town that’s populated by too many people, who are stubbornly stuck in their own ways, and the bad guys hold too much power.

I’m also glad they didn’t lean into 80’s nostalgia too much. It’s a more subtle approach with the wardrobes, the hairstyles, the cars, and the phones. I can clearly see the movie is set in the 80’s, without constant in-your-face reminders in every scene, or every other scene. That’s enough for me.

Love Lies Bleeding fires on all cylinders. It works as a crime drama, it works as a thriller, and there’s some good black humor during the final moments of the movie. The overall cast is excellent. Kristen Stewart and Katy O’Brian share great chemistry as two people, who are willing to do anything for each other, no matter how risky the consequences are after the smoke clears. 

A bloody and strange fairy tale filled with violence and some gruesome gore, Love Lies Bleeding lives up to its title by delivering a wild and chaotic love story. Lots of bumpy ups and downs for Lou and Jackie, setbacks that should’ve marked the point of no return for both women. 

Going with the happy ending was the right move. Why? Because after all the bloodshed, the betrayals, and dealing with messy family drama, it’s safe to say Lou and Jackie truly earned their freedom from Lou Sr., a man who’s clearly hell-bent on being a tyrant and a nasty control freak. And there’s always a chance Jackie will get another shot at entering a different bodybuilding competition! 

Rating- 9/10


Love Lies Bleeding (2024)

 

**This post contains spoilers**


The Story- Working as the manager at a local gym in New Mexico, Lou (Kristen Stewart) meets Jackie (Katy O’Brian), an aspiring bodybuilder. Lou finds happiness with Jackie during a rocky romantic relationship, but the sudden appearance of FBI agent O’Riley (Orion C. Carrington) disrupts Lou’s quiet lifestyle. Lou struggles to juggle murder, dead bodies, and tumultuous relationships with her father, Lou Sr. (Ed Harris), her sister Beth (Jena Malone), her husband, JJ (Dave Franco), and a kooky woman named Daisy (Anna Baryshinkov).

My Thoughts- Kristen Stewart believably plays a quirky and awkward young woman, who’s dealing with a lot. You can tell she wants to distance herself from her family, but she loves Beth too much to ignore her abusive relationship with JJ. Stewart also brings an emotional side to Lou. The weight of working a dead end job in a small and hopeless town is clearly crushing Lou’s spirit. But Lou is still willing to help others, while she navigates a lot of tricky paths in her own life. The big test? Lou has to choose between her family, standing up to her father, and her relationship with Jackie. 

Jackie appears, and we’re not exactly sure what’s going on with her. Is she just a drifter and a shameless opportunist? Does she actually love Jackie? All the questions surrounding Jackie are definitively answered as the story progresses. Jackie is tough, she’s strong, and she doesn’t put up with bullshit. But you can also see someone, who’s hurting inside, because Jackie has a few vulnerable and emotional moments.

Katy O’Brian does an excellent job of portraying Jackie. She starts out as this happy and positive lady, who’s determined to chase her dreams. But she gets sucked into a whirlwind of chaos, as she struggles to hold herself together before she completely cracks. 

Jackie and Lou together? Well, there’s no denying it’s a toxic relationship. Jackie ran away from her hometown, chasing a new life. Lou is miserable. She hates her father, she misses her mother, and Lou knows there’s a low ceiling for her future, if she doesn’t leave New Mexico.

It’s love at first sight, when Jackie walks into the gym, but things go downhill quickly, when Lou gives Jackie steroids. Jackie quickly spirals out of control, but Lou NEVER gives up on her. The romance between Lou and Jackie is truly one of Love Lies Bleeding’s greatest strengths, filled with turbulent ups and downs. And kudos to Katy O’Brian for shifting gears to a more frazzled and angry version of Jackie during the ‘roid rage fits.

Ed Harris does it again with another good performance. Lou Sr. is a mean and crusty old bastard, a devious manipulator, who won’t stop until he gets what he wants. On top of all that, Lou Sr. is oddly fascinated with bugs. Harris plays a powerful man, but it’s hard to ignore the truth: Lou Sr. is a relic of the past. He’s an old man, who’s desperately clinging on to the power of being a big fish in a small pond, because without his status as a scary big shot, his life is empty. It’s kind of sad and pathetic, when you step back and look at the big picture.

Hats off to Dave Franco for his performance. JJ is scum. He’s a cheater, he beats his wife, JJ is a sniveling coward, AND it’s revealed he’s an informant for the FBI. Franco does a fantastic job with JJ’s body language, his demeanor, and some good facial expressions. You can take one look at JJ, and you’ll instantly know this guy is a bad dude, with a cold and nasty mean streak.

It’s almost impossible to not feel any sympathy for Jena Malone’s Beth, a caring mother and a dedicated wife. She takes care of everything around the house, but she’s married to a monster. They don’t actually show JJ beating Beth, but the aftermath is equally horrifying. The scars, the bumps, the bruises, and Beth lying in a hospital bed with that huge knot on her face is an unpleasant sight. Also, the dinner date scene with JJ, Beth, Lou, and Jackie is genuinely uncomfortable to watch. You can feel the awkward tension at the table, and the situation reaches a boiling point, when JJ overreacts after Beth accidentally drops food on his lap.

Anna Baryshinkov could’ve stole the show here with more screen time. Daisy is a nutty and obsessive stalker. The lovey-dovey feelings she has for Lou are not reciprocated. She loves Lou, she’s willing to do anything to have a relationship with her, but Lou can’t stand Daisy. The mere sight of Daisy annoys Lou to the point, where it’s easy to believe she disgusts Lou. To top it off, Daisy’s story has an unfortunate ending before the credits start rolling.

Jackie, as a GIANT, pulverizes Lou Sr.! It’s a bizarre ending. Yes, Lou Sr. got what he deserved, and I’m glad Lou didn’t pull the trigger. She obviously wanted her father to rot in prison, because killing him would’ve been too easy. A small part of me was hoping for a more serious tone during Lou Sr.’s beat down. Lou Sr. was truly an evil man. He deserved to suffer, but Giant Jackie playing around with Lou Sr., while Lou watches with a smile on her face crossed the line for being too silly for me. 

Although, I guess you have to look at the ending through Lou’s eyes. She deeply loves Jackie, and it’s obvious Lou admires her. For Lou, Jackie is someone, who’s larger than life itself, so it makes sense that she sees Jackie as a giant, who’s beating the crap out of her father, a man, who’s directly responsible for a lot of heartache in Lou’s life. 

To add to that, I have to believe steroids played a big part in Jackie’s hallucinogenic transformations. Going back to the scene, where Jackie brutally murders JJ, you’ll notice Jackie is taller, towering over JJ’s mangled corpse.

Rose Glass’ work behind the camera is just phenomenal. Love Lies Bleeding looks and feels like a hypnotic fever dream. So many shots with great details, and the small New Mexico town is a perfect setting for this one. Lou’s hometown is a desolate and quiet hellhole out in the middle of nowhere. It’s a dreary and depressing place that kills any hopes and dreams. Escape is the only way to make it, because it’s a town that’s populated by too many people, who are stubbornly stuck in their own ways, and the bad guys hold too much power.

I’m also glad they didn’t lean into 80’s nostalgia too much. It’s a more subtle approach with the wardrobes, the hairstyles, the cars, and the phones. I can clearly see the movie is set in the 80’s, without constant in-your-face reminders in every scene, or every other scene. That’s enough for me.

Love Lies Bleeding fires on all cylinders. It works as a crime drama, it works as a thriller, and there’s some good black humor during the final moments of the movie. The overall cast is excellent. Kristen Stewart and Katy O’Brian share great chemistry as two people, who are willing to do anything for each other, no matter how risky the consequences are after the smoke clears. 

A bloody and strange fairy tale filled with violence and some gruesome gore, Love Lies Bleeding lives up to its title by delivering a wild and chaotic love story. Lots of bumpy ups and downs for Lou and Jackie, setbacks that should’ve marked the point of no return for both women. 

Going with the happy ending was the right move. Why? Because after all the bloodshed, the betrayals, and dealing with messy family drama, it’s safe to say Lou and Jackie truly earned their freedom from Lou Sr., a man who’s clearly hell-bent on being a tyrant and a nasty control freak. And there’s always a chance Jackie will get another shot at entering a different bodybuilding competition! 

Rating- 9/10

Friday, September 26, 2025

The Iceman (2012)(2025 Redo)

 

**This post contains spoilers**

The Story- Unbeknownst to his wife, Deborah (Winona Ryder), and his daughters, Anabel (McKaley Miller) and Betsy (Megan Sherrill), Richard Kuklinski (Michael Shannon) lives a secret double life as a hitman, working exclusively for Roy DeMeo (Ray Liotta). Richard’s relationship with Roy hits a snag, so Richard forms a duo with Robert Pronge (Chris Evans) to fulfill more murder contracts. 

After a botched hit, Richard draws the ire of Leo Merks (Robert Davi), and Richard runs into more problems after threats from an irate Roy Demeo. The arrival of Dominick Provenzano (Eduardo Yanez) further complicates a messy situation, as Richard struggles to keep his family life separate from the seedy underworld of a contract killer and the mafia. 

My Thoughts- Michael Shannon is undoubtedly one of the masters for showing believable rage, and his talents are on full display here, including the tirades, the tantrums, and his facial expressions. Shannon does a phenomenal job of convincing you that Richard Kuklinski is a seemingly normal guy, with a hushed voice on the surface, but he’s also a ticking time bomb, who’s capable of exploding in the blink of an eye. You really get to see how dangerous Richard’s temper is in certain scenes, when his anger slowly reaches a boiling point, because you know something bad is about to happen. 

But there’s another side of Richard. At home, and around his family, Richard is the dedicated husband and a loving father. Michael Shannon nails the family guy side of Richard. Kuklinski was a violent mess of a man, but there’s no denying the fact that he truly loved his family. Shannon also shows a calmer and more normal version of Richard. The first coffee date with Deborah and his speech at Anabel’s birthday party? You won’t see a raging lunatic or The Iceman. No, Richard is socially awkward, and he’s noticeably nervous during both scenes.

Winona Ryder truly delivers a good performance as Deborah. Ryder plays the sweet and innocent wife, but she’s also not afraid to stand up to Richard, to push back, and Deborah calls Richard out on his BS. Shannon and Ryder share believable chemistry together, as a married couple going through their ups and downs. 

The relationship between Deborah and Richard is a strange one. Deborah is the pure and good-hearted woman, who’s married to Richard, the fire-breathing dragon. Richard and Deborah’s marriage adds another emotional layer to the movie, more drama for the good woman, who married a monster with horrible secrets. 

Ray Liotta? He was always a perfect fit for mob or mob related movies. Liotta excelled at playing a jerk, and he delivers as Roy DeMeo, a mean and merciless bastard. John Ventimiglia has a handful of moments as one of DeMeo’s goons. And a thumbs up for David Schwimmer playing the clueless dope, who makes one too many stupid mistakes, as the guy, who just can’t get out of his own way. 

Chris Evans’ Robert Pronge teaming up with Kuklinski adds some dark humor to the movie. Evans’ notable performance as the hitman, who moonlights as an ice cream truck driver is one of the highlights here. Chris Evans knocks it out of the park, because you can easily see Pronge is completely insane. Unlike Richard, Pronge doesn’t have a moral code, none whatsoever. If he has to kill women and children, he will, no questions asked. 

Pronge casually and gleefully talks about freezing dead bodies, how he easily chops up corpses, and Pronge openly brags about the conveniences of murdering people with cyanide. The dynamic between Pronge and Kuklinski adds another sinister layer to the movie, because you’re looking at two extremely dangerous men working together. You could say Pronge is more of a cerebral and crafty assassin, while Richard was a far more direct and brutal killer. As the story progresses, the partnership between the two gets more tense after two botched hits. 

It’s a setup! Dominick Provenzano reveals himself as an undercover agent, and Richard is hauled off to jail for the rest of his life. A surprising ending to Richard’s story? Well, no, it’s not, not at all. Look, even if you don’t know anything about Richard Kuklinski, or his story, hitmen and serial killers don’t have happy endings. SOMETHING bad always happens, when they’re ready to or close to getting out of the life. It’s a tale as old as time itself.

But the big sting operation to end the movie brings the drama. Richard locking eyes with Deborah, as the police car drives off is one moment that sticks out for me. Notice the reactions. Deborah is heartbroken, confused, and she’s completely hysterical. Richard? Stone faced. After he calms down, no tears, he’s not banging on the window, and he doesn’t have any reassuring words for his wife. Why? Well, it’s easy to assume Richard finally accepted his fate. No more hiding, or lies for Deborah, because the truth about who he was, and his second life was going to be exposed soon. 

Fact or fiction? It’s the big question to ask about Richard Kuklinski’s life as a mafia hitman. Did he work for Roy DeMeo? Is Kuklinski’s actual total kill count greatly exaggerated? Did he work for other mafia families? I just finished reading The Ice Man: Confessions Of A Mafia Contract Killer, by Philip Carlo, so I wanted to rewatch The Iceman.

It’s easy to come to the conclusion that Kuklinski was full of shit, or at least mostly full of it. One thing in Carlo’s book that caught my eyes was Kuklinski supposedly being DeMeo’s “secret weapon.” Okay, IF Kuklinski was DeMeo’s big secret, then how is it possible Richard was filling murder contracts with other mafia families, traveling across the US to execute his targets, and his services were requested in Europe and South America? How did other people know about his efficiency, if he shared a tight-lipped relationship with DeMeo? You’re telling me word-of-mouth praises about Kuklinski’s work reached other parts of the world? It doesn’t make any sense. Roy DeMeo and his crew were a pack of vicious and sadistic killers, so why would they need “The Big Guy” to kill people for them? 

And some of the stories about the people Kuklinski allegedly killed are a bit too theatrical and over the top. One good example here is the scene, with James Franco playing a creepy pervert. Marty (Franco) starts begging for God’s help, and Kuklinski tells him he’ll spare his life, if God comes down and intervenes. Well, you could probably guess what happens next, but it’s one of Kuklinski’s more infamous stories about his days as a hitman. 

The hits for high profiled mafia bosses? Kuklinski was supposedly requested to join the hit squads to take out big time mafia bosses. But going by his own words, there was no reason at all for Kuklinski to participate. Why? Because he was a stealthy killer, and they wouldn’t see him coming? Bottom line, his presence wasn’t necessary, and they already had more than enough guns on the scene.

All of the random murders, where Kuklinski killed people to hone his craft, or if someone simply did something to piss him off? Yeah, I have a hard time believing those stories. There’s a story in the book about Kuklinski shooting a hitchhiker, because the guy flipped him off. Kuklinski felt disrespected, so he shot the hitchhiker to death, where anyone could see him.

The funny thing about Philip Carlo’s book is, once you know and start to realize it’s mostly fabricated bullshit, Confessions Of A Mafia Contract Killer reads like a crime fiction novel, or a mafia thriller. I can understand being lucky, but no one is that lucky. The book has numerous stories from Richard about how he killed people, sometimes luring them to their deaths with a flat tire, but over the years, someone would’ve inevitably caught him in the act. 

There’s also a lot to unpack with Richard’s family life. The Iceman definitely leans in the direction of trying to show a more sympathetic tone for Kuklinski. He had a terrible childhood. His father was an abusive asshole, and maybe you could make the argument that Richard never had a chance. 

Well, there’s a lot of truths about Richard’s upbringing. Stanley, his father, was a monster. Kuklinski himself said he should’ve killed him, and he regretted missing the chance to do it. And Richard’s mother, in his own words, was “cancer,” because she was also someone, who could be physically abusive. 

The Iceman tries to paint Richard and Deborah’s marriage as this mushy fairy tale-esque romance, complete with the turmoil and trials and tribulations of any other married couple, but the real story doesn’t fall under the happily ever after tab. 

Richard was violent towards his real wife, Barbara. It didn’t matter if they were in front of their children, or alone in the house, or the same room together, Richard wouldn’t hesitate to fly off the handle and beat Barbara. Also, Kuklinski was a very possessive man. Richard stabbed Barbara with a knife and he threatened to kill her family in the early stages of their relationship, because Barbara was feeling smothered by Richard. His idea of pursuing Barbara revolved around becoming an obsessive stalker, and she couldn’t take it anymore. 

Kuklinski did have two daughters named Merrick and Chris. After everything he did, Merrick still deeply loved her father. But there was a time, where Chris and Barbara plotted to kill Richard together. Chris and Barbara ultimately decided against it, because it was too risky, if they didn’t finish the job. Richard also had a son named Dwayne with Barbara. Only two daughters in The Iceman. No son, no references, or any hints for a third child. It’s no real surprise, but Dwayne was not fond of Richard growing up.

If you’ve ever seen any of the HBO interviews/documentaries, Kuklinski actually comes off as someone that’s possibly credible. Kuklinski calmly sits down, going over the gruesome details of his murders, cracking a sinister grin as he goes every now and then. He was a big guy, and Kuklinski had a cold demeanor. He looked the part, and he played it well. To add to that, Kuklinski was a captivating storyteller. More than capable of having anyone, who listened to him hanging on his every word, Kuklinski’s gory tales checked off all the boxes for true crime lore. 

Of course, there’s always a chance Kuklinski dabbled in mob related activities. Maybe he also filled a handful of murder contracts? Who knows for sure, but everything starts to go off the rails, when Kuklinski’s status as a hitman reaches the levels of an underground legend, with cat-like reflexes, who eluded certain death and law enforcement agencies for years. Tearing off the layers of fiction, Kuklinski was certainly a predator, a serial killer, a crook, and a guy, who also made money from bootlegging porn. And Richard apparently blew a lot of his money, because he was a careless gambling addict. 

But one thing’s for sure, Kuklinski’s story is a perfect fit for a Hollywood movie. What can or what can’t be corroborated, the lies, and all the smoke and mirrors. Sure, you can easily label Richard Kuklinski as a pathological liar. Still, the family man living in the suburbs of New Jersey, while he quietly operates in the shadows as a mafia hitman, is a story that’s capable of raising eyebrows. 

The Iceman plays out like a predictable true crime drama. It moves from point A to point B and so on. And as soon as Richard realizes the big problem with his cyanide from Dominick, you know what’s about to happen. But the cast is simply excellent from top to bottom, including Robert Davi and Stephen Dorff. During Dorff’s first and only appearance in the movie, you’ll immediately know Joesph Kuklinski is a massive slimeball. Joesph Kuklinski never deserved an ounce of sympathy, and rotting in prison was a justified punishment for him.

Lots of violence and a decent amount of blood for the story about an ice-cold killer. Good acting saves The Iceman from being a complete dud. There’s a lot of potential for a truly great film here, but they weirdly settled for going through the motions from start to finish, the kind of movie, where you’ll know what happens before it actually happens.

Rating- 7/10

The Iceman (2012)(2025 Redo)

 

**This post contains MINOR spoilers**

The Story- Unbeknownst to his wife, Deborah (Winona Ryder), and his daughters, Anabel (McKaley Miller) and Betsy (Megan Sherrill), Richard Kuklinski (Michael Shannon) lives a secret double life as a hitman, working exclusively for Roy DeMeo (Ray Liotta). Richard’s relationship with Roy hits a snag, so Richard forms a duo with Robert Pronge (Chris Evans) to fulfill more murder contracts. 

After a botched hit, Richard draws the ire of Leo Merks (Robert Davi), and Richard runs into more problems after threats from an irate Roy Demeo. The arrival of Dominick Provenzano (Eduardo Yanez) further complicates a messy situation, as Richard struggles to keep his family life separate from the seedy underworld of a contract killer and the mafia. 

My Thoughts- Michael Shannon is undoubtedly one of the masters for showing believable rage, and his talents are on full display here, including the tirades, the tantrums, and his facial expressions. Shannon does a phenomenal job of convincing you that Richard Kuklinski is a seemingly normal guy, with a hushed voice on the surface, but he’s also a ticking time bomb, who’s capable of exploding in the blink of an eye. You really get to see how dangerous Richard’s temper is in certain scenes, when his anger slowly reaches a boiling point, because you know something bad is about to happen. 

But there’s another side of Richard. At home, and around his family, Richard is the dedicated husband and a loving father. Michael Shannon nails the family guy side of Richard. Kuklinski was a violent mess of a man, but there’s no denying the fact that he truly loved his family. Shannon also shows a calmer and more normal version of Richard. The first coffee date with Deborah and his speech at Anabel’s birthday party? You won’t see a raging lunatic or The Iceman. No, Richard is socially awkward, and he’s noticeably nervous during both scenes.

Winona Ryder truly delivers a good performance as Deborah. Ryder plays the sweet and innocent wife, but she’s also not afraid to stand up to Richard, to push back, and Deborah calls Richard out on his BS. Shannon and Ryder share believable chemistry together, as a married couple going through their ups and downs. 

The relationship between Deborah and Richard is a strange one. Deborah is the pure and good-hearted woman, who’s married to Richard, the fire-breathing dragon. Richard and Deborah’s marriage adds another emotional layer to the movie, more drama for the good woman, who married a monster with horrible secrets. 

Ray Liotta? He was always a perfect fit for mob or mob related movies. Liotta excelled at playing a jerk, and he delivers as Roy DeMeo, a mean and merciless bastard. John Ventimiglia has a handful of moments as one of DeMeo’s goons. And a thumbs up for David Schwimmer playing the clueless dope, who makes one too many stupid mistakes, as the guy, who just can’t get out of his own way. 

Chris Evans’ Robert Pronge teaming up with Kuklinski adds some dark humor to the movie. Evans’ notable performance as the hitman, who moonlights as an ice cream truck driver is one of the highlights here. Chris Evans knocks it out of the park, because you can easily see Pronge is completely insane. Unlike Richard, Pronge doesn’t have a moral code, none whatsoever. If he has to kill women and children, he will, no questions asked.

Pronge casually and gleefully talks about freezing dead bodies, how he easily chops up corpses, and Pronge openly brags about the conveniences of murdering people with cyanide. The dynamic between Pronge and Kuklinski adds another sinister layer to the movie, because you’re looking at two extremely dangerous men working together. You could say Pronge is more of a cerebral and crafty assassin, while Richard was a far more direct and brutal killer. As the story progresses, the partnership between the two gets more tense after two botched hits. 

Fact or fiction? It’s the big question to ask about Richard Kuklinski’s life as a mafia hitman. Did he work for Roy DeMeo? Is Kuklinski’s actual total kill count greatly exaggerated? Did he work for other mafia families? I just finished reading The Ice Man: Confessions Of A Mafia Contract Killer, by Philip Carlo, so I wanted to rewatch The Iceman.

It’s easy to come to the conclusion that Kuklinski was full of shit, or at least mostly full of it. One thing in Carlo’s book that caught my eyes was Kuklinski supposedly being DeMeo’s “secret weapon.” Okay, IF Kuklinski was DeMeo’s big secret, then how is it possible Richard was filling murder contracts with other mafia families, traveling across the US to execute his targets, and his services were requested in Europe and South America? How did other people know about his efficiency, if he shared a tight-lipped relationship with DeMeo? You’re telling me word-of-mouth praises about Kuklinski’s work reached other parts of the world? It doesn’t make any sense. Roy DeMeo and his crew were a pack of vicious and sadistic killers, so why would they need “The Big Guy” to kill people for them?

And some of the stories about the people Kuklinski allegedly killed are a bit too theatrical and over the top. One good example here is the scene, with James Franco playing a creepy pervert. Marty (Franco) starts begging for God’s help, and Kuklinski tells him he’ll spare his life, if God comes down and intervenes. Well, you could probably guess what happens next, but it’s one of Kuklinski’s more infamous stories about his days as a hitman. 

The hits for high profiled mafia bosses? Kuklinski was supposedly requested to join the hit squads to take out big time mafia bosses. But going by his own words, there was no reason at all for Kuklinski to participate. Why? Because he was a stealthy killer, and they wouldn’t see him coming? Bottom line, his presence wasn’t necessary, and they already had more than enough guns on the scene.

All of the random murders, where Kuklinski killed people to hone his craft, or if someone simply did something to piss him off? Yeah, I have a hard time believing those stories. There’s a story in the book about Kuklinski shooting a hitchhiker, because the guy flipped him off. Kuklinski felt disrespected, so he shot the hitchhiker to death, where anyone could see him.

The funny thing about Philip Carlo’s book is, once you know and start to realize it’s mostly fabricated bullshit, Confessions Of A Mafia Contract Killer reads like a crime fiction novel, or a mafia thriller. I can understand being lucky, but no one is that lucky. The book has numerous stories from Richard about how he killed people, sometimes luring them to their deaths with a flat tire, but over the years, someone would’ve inevitably caught him in the act. 

There’s also a lot to unpack with Richard’s family life. The Iceman definitely leans in the direction of trying to show a more sympathetic tone for Kuklinski. He had a terrible childhood. His father was an abusive asshole, and maybe you could make the argument that Richard never had a chance. 

Well, there’s a lot of truths about Richard’s upbringing. Stanley, his father, was a monster. Kuklinski himself said he should’ve killed him, and he regretted missing the chance to do it. And Richard’s mother, in his own words, was “cancer,” because she was also someone, who could be physically abusive. 

The Iceman tries to paint Richard and Deborah’s marriage as this mushy fairy tale-esque romance, complete with the turmoil and trials and tribulations of any other married couple, but the real story doesn’t fall under the happily ever after tab. 

Richard was violent towards his real wife, Barbara. It didn’t matter if they were in front of their children, or alone in the house, or the same room together, Richard wouldn’t hesitate to fly off the handle and beat Barbara. Also, Kuklinski was a very possessive man. Richard stabbed Barbara with a knife and he threatened to kill her family in the early stages of their relationship, because Barbara was feeling smothered by Richard. His idea of pursuing Barbara revolved around becoming an obsessive stalker, and she couldn’t take it anymore. 

Kuklinski did have two daughters named Merrick and Chris. After everything he did, Merrick still deeply loved her father. But there was a time, where Chris and Barbara plotted to kill Richard together. Chris and Barbara ultimately decided against it, because it was too risky, if they didn’t finish the job. Richard also had a son named Dwayne with Barbara. Only two daughters in The Iceman. No son, no references, or any hints for a third child. It’s no real surprise, but Dwayne was not fond of Richard growing up.

If you’ve ever seen any of the HBO interviews/documentaries, Kuklinski actually comes off as someone that’s possibly credible. Kuklinski calmly sits down, going over the gruesome details of his murders, cracking a sinister grin as he goes every now and then. He was a big guy, and Kuklinski had a cold demeanor. He looked the part, and he played it well. To add to that, Kuklinski was a captivating storyteller. More than capable of having anyone, who listened to him hanging on his every word, Kuklinski’s gory tales checked off all the boxes for true crime lore. 

Of course, there’s always a chance Kuklinski dabbled in mob related activities. Maybe he also filled a handful of murder contracts? Who knows for sure, but everything starts to go off the rails, when Kuklinski’s status as a hitman reaches the levels of an underground legend, with cat-like reflexes, who eluded certain death and law enforcement agencies for years. Tearing off the layers of fiction, Kuklinski was certainly a predator, a serial killer, a crook, and a guy, who also made money from bootlegging porn. And Richard apparently blew a lot of his money, because he was a careless gambling addict. 

But one thing’s for sure, Kuklinski’s story is a perfect fit for a Hollywood movie. What can or what can’t be corroborated, the lies, and all the smoke and mirrors. Sure, you can easily label Richard Kuklinski as a pathological liar. Still, the family man living in the suburbs of New Jersey, while he quietly operates in the shadows as a mafia hitman, is a story that’s capable of raising eyebrows. 

The Iceman plays out like a predictable true crime drama. It moves from point A to point B and so on. And as soon as Richard realizes the big problem with his cyanide from Dominick, you know what’s about to happen. But the cast is simply excellent from top to bottom, including Robert Davi and Stephen Dorff. During Dorff’s first and only appearance in the movie, you’ll immediately know Joesph Kuklinski is a massive slimeball. Joesph Kuklinski never deserved an ounce of sympathy, and rotting in prison was a justified punishment for him.

Lots of violence and a decent amount of blood for the story about an ice-cold killer. Good acting saves The Iceman from being a complete dud. There’s a lot of potential for a truly great film here, but they weirdly settled for going through the motions from start to finish, the kind of movie, where you’ll know what happens before it actually happens.

Rating- 7/10



Sunday, June 29, 2025

Kid Cannabis (2014)

 

**This post contains spoilers**

The Story- Nate Norman (Jonathan Daniel Brown) teams up with his best friend, Christopher (Kenny Wormald) to smuggle marijuana from Canada to Idaho. Motivated by dreams to provide a better life for his mother, Teressia (Amanda Tapping), and his little brother, Philip (Mark Hills), Nate relentlessly pursues the life of a drug kingpin.

In Canada, Nicole Grefard (Merritt Patterson) introduces Nate and Christopher (or “Topher”) to her father, John (John C. McGinely), her mother, Elke (Christina Cox), and her little sister, Ella. John, the mastermind behind growing and selling a high quality strain of marijuana, becomes Nate and Topher’s trusted supplier. And Nate further strengthens his empire by forming a partnership with Barry Lerner (Ron Perlman). 

Nate builds a team of runners, including Topher, Scuzz (Bryce Hodgson), and others. Millions are rolling in, as Nate’s team sneaks bricks of marijuana across the Canadian border. But Nate runs into some trouble during a feud with his rival, Brendan Butler (Aaron Yoo).

My Thoughts- Really? THIS guy? If you take one look at Nate Norman, you’d never guess he was capable of smoothly running a weed empire worth millions. Jonathan Daniel Brown delivers a convincing and good performance as Nate Norman. The nasally voice, Nate’s awkward demeanor, his attempts at trying to play it cool during Nate’s close calls, and Nate’s hilarious transition to being a more cocky drug kingpin. I wouldn’t go as far as calling it a show-stealing performance, but there’s no denying Brown’s dedication to playing Nate Norman.

Ron Perlman brings a strong and commanding presence to Barry Lerner. The scene in the car, where Barry warns Nate about betraying him is terrific. Perlman is genuinely menacing, while Barry calmly threatens Nate. A good scene, with a bit of humor added to it, because Barry’s young and oblivious son is in the backseat, while Barry goes over the gory details for what’ll happen, if Nate flips on him.

John C. McGinely plays the enlightened weed supplier. Together, The Grefard Family shares a bond as a carefree and relaxed clan. They’re basically stoner hippies, and with limited screen time, McGinely really nails John for one of the best performances in the movie, easily. 

Brendan Butler? Oh, boy. Kudos to Aaron Yoo for believably playing an egotistical and annoying shithead. Butler is obviously trying way too hard to be tough and crazy, because he’s a deeply insecure young man.

Nate’s empire crumbles, and he’s going to jail! Is it a big surprise? Well, no. You could see it all coming from a mile away. As soon as Topher starts complaining about Nate screwing him out of his fair share of the money, you know what’s coming. 

Someone in the crew, who was trying to make some extra money on the side gets caught, and guess what? He chooses to be an informant to save his own ass. Of course, Kid Cannabis has a heavier comedic tone, but if you’ve seen enough crime dramas, you should know there’s never a happy ending for the big kingpin. 

Although, I’ll give a thumbs up for how they presented the interrogations. Everyone in Nate’s crew turns on him. Topher is shown as the last one to expose Nate as the ringleader. Just going by his facial expressions, Topher looks like someone, who’s conflicted about giving up his friend, but he’s also angry and bitter about Nate treating him like another lackey, after they started the business together by themselves, while Topher was doing most of the groundwork and the heavy lifting. Remember, Topher is the one, who started the conversation with Nicole, a conversation that led both of them to John.

Clowns. They’re both clowns. It’s hard to believe Nate Norman and Brendan Butler were able to pull this off, building two empires, while raking in tons of cash. But I guess that’s the appeal of Kid Cannabis? The irony and the absurdity for two young guys, cosplaying as hardcore gangsters, works as a crazy story that’s almost too impossible to believe. And of course, when Nate finally realizes he’s way in over his head for trying to control his crew, while dodging the authorities, it’s too late.

Kid Cannabis follows a lot of the familiar tropes for movies based on a true crime story. I didn’t need to do any kind of research online, or use Google to figure out how Nate’s story ends. The mistrust between Nate and Topher, Topher questioning Nate’s leadership, crack’s in Nate’s crew, Nate’s greed, his ego, his carelessness, AND you add cocaine into the mix? Too many missteps and bad habits. It’s only a matter of time before it all comes back to bite you in the ass.

A strange real-life story, because I can at least understand why Nate chose a risky path. He’s a high school dropout, who works a dead end job delivering pizzas for a living. And Nate’s mother works as a waitress, so of course money is tight.

You could say being broke, and the frustrations for living a life that’s clearly going nowhere gave Nate the push that he needed. But Nate was truly inspired, when he delivered a pizza to a successful weed dealer named Taser (Lochlyn Munro). The big house, lots of women, and Taser is a wealthy and confident man. 

Is it foolish to risk your life and a lengthy jail sentence for that lifestyle? Yes, but you can also understand why it appeals to Nate. He’s a geeky and socially awkward guy, who was bullied in high school. Nate is shy and nervous around women, so of course he’s going to jump all over the chance to be the cool guy in town, knowing women will throw themselves at him, because he’s rich and powerful. Simply put, tearing off the label for being a loser means A LOT to someone like Nate.

The tedious cliches are hard to ignore. And what happened to the relationship between Nicole and Topher? Nicole just disappears, as the story progresses. No explanations, and they didn’t mention her again, after she helps Topher with one of his weed runs through the woods. Nicole is the reason why Nate and Topher were able to take their business to the next level, so the vanishing act is kind of strange.

But Kid Cannabis is still an entertaining true crime comedy. Director/writer John Stockwell makes some successful attempts to bring an energetic spark to Kid Cannabis. A handful of GoPro style shots, and the numerous scenes featuring security camera footage works to add more realism to the movie. And the violence is kept to a minimum here. You’ll only see one bloody scene, when a hitman Brendan hired turns on him by choking and stabbing Brendan to death. Giovanni (Corey Large) brutally murders Brendan, while his brother watches, one of the scenes that’s on a short list of heavy and series moments. 

Kid Cannabis features a well-rounded cast, including two notable and good performances from John C. McGinely and Ron Perlman. If we’re talking about different personalities, Bryce Hodgson’s Scuzz stands out in Nate’s crew of grunts, as the rebellious live-wire, who’s not afraid to challenge Nate’s authority. The laughs are also consistent. One scene that sticks out for me happens, when Nate, wearing an obvious fake mask, goes to visit a lawyer named Joe Loya (Ben Cotton) for legal advice. A genuinely hilarious scene from start to finish. 

Also, Kid Cannabis opens with some social commentary about “the war on pot.” Nate starts off the movie talking about the feds prioritizing spending $42 billion going after his operation over the war on terror, and stopping Osama Bin Laden. And let’s not forget Teressia tearfully dismissing Nate’s impending legal troubles, because “it’s just pot.” 

Kid Cannabis is a refreshing pick, if you’re looking for something different in the realm of stoner comedies. Maybe it’s a toss up for landing on the side of sympathy for Nate, what he did, and how he chose to handled everything. But one thing’s for sure, the story about a young pizza delivery driver turned weed kingpin from a small town in Idaho, is filled with a hefty amount of turbulent ups, downs, twists, and turns. 


Rating- 7/10

Kid Cannabis (2014)(Minor Spoilers)

 

**This post contains MINOR spoilers**

The Story- Nate Norman (Jonathan Daniel Brown) teams up with his best friend, Christopher (Kenny Wormald) to smuggle marijuana from Canada to Idaho. Motivated by dreams to provide a better life for his mother, Teressia (Amanda Tapping), and his little brother, Philip (Mark Hills), Nate relentlessly pursues the life of a drug kingpin.

In Canada, Nicole Grefard (Merritt Patterson) introduces Nate and Christopher (or “Topher”) to her father, John (John C. McGinely), her mother, Elke (Christina Cox), and her little sister, Ella. John, the mastermind behind growing and selling a high quality strain of marijuana, becomes Nate and Topher’s trusted supplier. And Nate further strengthens his empire by forming a partnership with Barry Lerner (Ron Perlman). 

Nate builds a team of runners, including Topher, Scuzz (Bryce Hodgson), and others. Millions are rolling in, as Nate’s team sneaks bricks of marijuana across the Canadian border. But Nate runs into some trouble during a feud with his rival, Brendan Butler (Aaron Yoo).

My Thoughts- Really? THIS guy? If you take one look at Nate Norman, you’d never guess he was capable of smoothly running a weed empire worth millions. Jonathan Daniel Brown delivers a convincing and good performance as Nate Norman. The nasally voice, Nate’s awkward demeanor, his attempts at trying to play it cool during Nate’s close calls, and Nate’s hilarious transition to being a more cocky drug kingpin. I wouldn’t go as far as calling it a show-stealing performance, but there’s no denying Brown’s dedication to playing Nate Norman.

Ron Perlman brings a strong and commanding presence to Barry Lerner. The scene in the car, where Barry warns Nate about betraying him is terrific. Perlman is genuinely menacing, while Barry calmly threatens Nate. A good scene, with a bit of humor added to it, because Barry’s young and oblivious son is in the backseat, while Barry goes over the gory details for what’ll happen, if Nate flips on him.

John C. McGinely plays the enlightened weed supplier. Together, The Grefard Family shares a bond as a carefree and relaxed clan. They’re basically stoner hippies, and with limited screen time, McGinely really nails John for one of the best performances in the movie, easily.

Brendan Butler? Oh, boy. Kudos to Aaron Yoo for believably playing an egotistical and annoying shithead. Butler is obviously trying way too hard to be tough and crazy, because he’s a deeply insecure young man.

Clowns. They’re both clowns. It’s hard to believe Nate Norman and Brendan Butler were able to pull this off, building two empires, while raking in tons of cash. But I guess that’s the appeal of Kid Cannabis? The irony and the absurdity for two young guys, cosplaying as hardcore gangsters, works as a crazy story that’s almost too impossible to believe. And of course, when Nate finally realizes he’s way in over his head for trying to control his crew, while dodging the authorities, it’s too late.

Kid Cannabis follows a lot of the familiar tropes for movies based on a true crime story. I didn’t need to do any kind of research online, or use Google to figure out how Nate’s story ends. The mistrust between Nate and Topher, Topher questioning Nate’s leadership, cracks in Nate’s crew, Nate’s greed, his ego, his carelessness, AND you add cocaine into the mix? Too many missteps and bad habits. It’s only a matter of time before it all comes back to bite you in the ass.

A strange real-life story, because I can at least understand why Nate chose a risky path. He’s a high school dropout, who works a dead end job delivering pizzas for a living. And Nate’s mother works as a waitress, so of course money is tight.

You could say being broke, and the frustrations for living a life that’s clearly going nowhere gave Nate the push that he needed. But Nate was truly inspired, when he delivered a pizza to a successful weed dealer named Taser (Lochlyn Munro). The big house, lots of women, and Taser is a wealthy and confident man. 

Is it foolish to risk your life and a lengthy jail sentence for that lifestyle? Yes, but you can also understand why it appeals to Nate. He’s a geeky and socially awkward guy, who was bullied in high school. Nate is shy and nervous around women, so of course he’s going to jump all over the chance to be the cool guy in town, knowing women will throw themselves at him, because he’s rich and powerful. Simply put, tearing off the label for being a loser means A LOT to someone like Nate.

The tedious cliches are hard to ignore. And what happened to the relationship between Nicole and Topher? Nicole just disappears, as the story progresses. No explanations, and they didn’t mention her again, after she helps Topher with one of his weed runs through the woods. Nicole is the reason why Nate and Topher were able to take their business to the next level, so the vanishing act is kind of strange.

But Kid Cannabis is still an entertaining true crime comedy. Director/writer John Stockwell makes some successful attempts to bring an energetic spark to Kid Cannabis. A handful of GoPro style shots, and the numerous scenes featuring security camera footage works to add more realism to the movie. And the violence is kept to a minimum here. 

Kid Cannabis features a well-rounded cast, including two notable and good performances from John C. McGinely and Ron Perlman. If we’re talking about different personalities, Bryce Hodgson’s Scuzz stands out in Nate’s crew of grunts, as the rebellious live-wire, who’s not afraid to challenge Nate’s authority. The laughs are also consistent. One scene that sticks out for me happens, when Nate, wearing an obvious fake mask, goes to visit a lawyer named Joe Loya (Ben Cotton) for legal advice. A genuinely hilarious scene from start to finish.

Also, Kid Cannabis opens with some social commentary about “the war on pot.” Nate starts off the movie talking about the feds prioritizing spending $42 billion going after his operation over the war on terror, and stopping Osama Bin Laden. And let’s not forget Teressia tearfully dismissing Nate’s impending legal troubles, because “it’s just pot.” 

Kid Cannabis is a refreshing pick, if you’re looking for something different in the realm of stoner comedies. Maybe it’s a toss up for landing on the side of sympathy for Nate, what he did, and how he chose to handled everything. But one thing’s for sure, the story about a young pizza delivery driver turned weed kingpin from a small town in Idaho, is filled with a hefty amount of turbulent ups, downs, twists, and turns.


Rating- 7/10

Sunday, February 2, 2025

Coming Attractions- The Alto Knights

 


Director- Barry Levinson

Release Date- March 21, 2025


Robert De Niro playing dual roles is more than enough for me. You could say De Niro is more streaky in the later stages of his career, but there’s no denying the man is still capable of delivering great performances. Whether it’s Goodfellas, Casino, The Godfather Part II, The Irishman, and other movies, De Niro is always at his best in gangster biopics and crime dramas. 

I’m also interested to see Cosmo Jarvis’ performance as Vincent “Chin” Gigante. Vincent D’ Onofrio sets the bar pretty high on Godfather Of Harlem. I know it’s a TV series, so D’Onofrio has more time and breathing room to portray a detailed and fleshed out version of Gigante, but D’Onofrio is always the first person, who pops into my head, when I think of Gigante.

Friday, November 29, 2024

Black Mass (2015)

 

**This post contains spoilers**

The Story- Flanked and supported by his enforcers Kevin Weeks (Jesse Plemons), Steve Flemmi (Rory Cochrane), John Martorano (W. Earl Brown), FBI agent John Connolly (Joel Edgerton), and FBI agent John Morris (David Harbour), Irish mobster James “Whitey” Bulger (Johnny Depp) builds a criminal empire in Boston during the 1970s and 1980’s. Bulger’s relationship with his brother William (Benedict Cumberbatch), the President of the Massachusetts Senate, brings some peace to his life. 

Connolly tangles with his superior, Charles McGuire  (Kevin Bacon) over restrictions for Whitey’s rampages, but a bigger problem threatens to expose Connolly’s dirty tactics. Whitey’s seemingly invincible shield is threatened, when Assistant US Attorney Fred Wyshak (Corey Stoll) returns to Boston, fiercely determined to put a stop to Bulger’s tyranny.


My Thoughts- Whoa, that’s really Johnny Depp! That was my reaction to the first Black Mass trailer years ago. It’s not just the makeup, or the thinning white hair, Johnny Depp truly takes a dedicated approach to becoming Whitey Bulger. The voice, the mannerisms, the leering, the cold stares, and Depp does a good job of being a convincing cold blooded and narcissistic killer with sociopathic tendencies. Of course, it’s obvious Depp exaggerates every now and then to play up the tough guy side of Bulger, but he still reels it in just enough so his overall performance isn’t too hammy or ridiculous.

Depp also shows the more normal and human side of Bulger. During scenes and interactions with his brother, William or “Billy,” his mother (Mary Klug), his girlfriend, Lindsey Cyr (Dakota Johnson), and their son, Douglas (Luke Ryan), there’s a slight chance for believing Bulger was capable of being a good guy. That, and Bulger apparently had a soft spot for helping elderly women, namely Mrs. Cody (Jamie Donnelly). But you’re quickly reminded Bulger was an evil and scummy man throughout the movie. Bulger’s cruelty cancels out the possibility of him being a deeply flawed person, with the potential to turn his life around, if he just made some serious changes.

A number of scenes to confirm that Whitey Bulger wasn’t a good bad guy, or a sort of Robin Hood figure, and he surely wasn’t misunderstood. One big scene involves Bulger viciously murdering Deborah Hussey (Juno Temple). There’s also the creepy scene, where Bulger intimidates John Connolly’s wife, Marianne (Julianne Nicholson), another example of Bulger being a petty bully. 

When you see how John Connolly operates, it’s easy to notice just how phony and full of crap he truly is, a man only concerned with feeding his own ego. It’s not a surprise Bulger and Connolly formed a duo. They’re both narcissists, egomaniacs, and pathological liars in their own ways, so of course they’ll form a bond as a well oiled machine for all the wrong reasons. 

Joel Edgerton delivers a strong performance as Connolly. Edgerton is effortlessly convincing, as the flaky FBI agent, who actually believes in his own BS, and there’s no denying that Connolly basically worships Bulger. 

The foundation for Connolly’s loyalty is rooted in Bulger looking out for him as a kid, and Whitey was a hero of sorts for Connolly. Did Connolly take things too far by looking the other way and enabling Bulger to run roughshod through Boston? Of course he did, but you can understand why he did it, and why his need for respect and validation from Bulger was ultimately his undoing.

So Whitey makes a final goodbye call to Bill, then the story fast forwards to Whitey’s arrest in 2011 after the long manhunt, and that’s it? A flat and dull ending for a story that’s loaded with material. I understand they had to condense things, otherwise Black Mass might’ve had a runtime almost hitting four total hours. But there’s no real suspense or drama leading up to the big ending. 

If you don’t know anything about Bulger’s life, you can still easily see where everything is going, when the walls start closing in, and the final series of events ends with a dry whimper. There’s a scene towards the end, where Connolly is heartbroken, and complaining about Whitey using him, when it’s clear lengthy jail sentences are coming. I laughed out loud, because Connolly is trying to play the victim, when he was fully aware of what he was doing.

I circled back around to Black Mass again after reading Whitey: The Life Of America’s Most Notorious Mob Boss, by Dick Lehr and Gerard O’Neill. To be clear, Black Mass is not based on this book. Black Mass is actually based on Black Mass: The True Story Of An Unholy Alliance Between The FBI And The Irish Mob, also written by Dick Lehr and Gerard O’Neill. 

I can understand leaving stuff out or exaggerating certain events and characteristics for entertainment purposes, or to try and help the movie move at a faster pace. But I’m kind of surprised they didn’t mention Teresa Stanley and Catherine Greig, ESPECIALLY Greig. No appearances from Whitey’s girlfriends after things fell apart with Lindsey Cyr. Stanley and Greig played big roles in Whitey’s life, with Stanley eventually talking to authorities, and the fallout from that, including Stanley being shunned and ostracized by Bulger’s family.

Catherine Greig was Whitey Bulger’s loyal ride or die support system. Hell, you could’ve made an entire movie about Bulger and Greig hiding out in Santa Monica for over a decade, freely living the golden years of their lives as retirees, using Charlie and Carol Gasko as aliases. 

Black Mass is a fast tracked and microwaved version of Whitey Bulger’s story. This is a movie that’s supposed to be about an “unholy alliance” between one of the more memorable and ruthless crime bosses using the FBI to strengthen his reign of terror.

The enormity of Bulger’s real life story is something that should’ve packed a more powerful punch. There’s still more meat on the bones for Bulger supposedly being the secret weapon to take down the Italian mafia and Gennaro “Jerry” Angiulo (Bill Haims) in Boston, and how much did Bill Bulger really know about his brother’s life of crime? But Black Mass goes with the routine step by step rise and fall approach to storytelling for a crime lord, concluding with a dull and lifeless ending.

Still, it’s almost impossible to ignore Black Mass’ impeccable ensemble cast, led by an outstanding performance from Johnny Depp. Dakota Johnson and Corey Stoll also made strong impressions with only a handful of appearances and limited screen time. 

Corey Stoll nails Fred Wyshak, the “bulldog,” who flat out refuses to tolerate Connolly’s buffoonery. The scene, where Wyshak meets Connolly for the first time is loaded with so many little nuances. How Wyshak waits for Connolly to lower his guard before tearing him apart, and how Wyshak didn’t fall for Connolly’s smooth talking and his schemes, rejecting a pair of Red Sox tickets and a drink at a bar. His eyes and the look on Corey Stoll’s face tells the whole story: Wyshak immediately sees right through Connolly’s persona, and Wyshsk knows he’s someone, who can’t be trusted. 

Black Mass had the potential and all the ingredients to be a great film, but it’s still a solid biopic. There’s more than enough brutal violence on the crime drama side of things, and the cast is loaded with noteworthy performances. Walking the fine line for embellishing facts and how things played out in real life (e.g. how Whitey murdered Brian Halloran broad daylight), and trying to balance both sides will always be a problem for any kind of biopic. But Black Mass churns out enough positives for mostly successful results. 

Rating- 8/10 

Sunday, June 30, 2024

Coming Attractions- The Beast Within (2024)

 


Director- Alexander J. Farrell


Cast- Kit Harington, Ashleigh Cummings, James Cosmo, Caoilinn Springall, Ian Giles, Martina McClements


Release Date- July 26, 2024


The story of two parents trying to protect their only child from a horrible secret is simple and effective, enhanced by the dangers of a bloodthirsty werewolf. Keeping things under wraps for showing Kit Harington’s full werewolf form was a good choice. The secrecy adds to the mystique, and if we’re using his daughter’s horrified reactions as a measuring stick, you get the idea that a fully transformed Harington is a terrifying monster.


The Beast Within’s trailer has signs of a good werewolf movie. I’m guessing the curse is hereditary? The daughter peels off her fingernails, and you can clearly see her fangs in one shot. But there’s also a chance we’re just looking at a pair of fake out nightmare sequences.


I’m always a big fan of placing horror movies in an isolated or desolate area. Only one car, and outside of her mother, the daughter might have to rely on an elderly man for protection. Not too reassuring, when you’re assessing your chances for survival. That’s truly scary. 



Coming Attractions- Fly Me To The Moon (2024)

 



Director- Greg Berlanti


Cast- Channing Tatum, Scarlett Johansson, Woddy Harrelson, Joe Chrest, Ray Romano, Will Jacobs, Jim Rash, Noah Robbins, Colin Woodell, Anna Garcia, Nick Dillenburg, Eva Pilar, Ashley Kings, Chad Crowe, Donald Elise Watkins, Art Newkirk, Jonathan Orea Lopez, Melissa Litow, Christian Zuber, Lauren Revard


Release Date- July 12, 2024


I’m usually not a big fan of romantic comedies. The vast majority of mainstream romantic comedies follow a predictable pattern, and no matter what happens, it’s not hard to predict there’s a good chance Channing Tatum and Scarlett Johansson will end up together. Woody Harrelson is always capable of delivering a show stealing performance, but there’s also no denying that Scarlett Johansson looks great here, a perfect fit for her character. 


Fly Me To The Moon has high stakes. Pulling off a successful moon landing is a big deal, and the1960’s setting feels genuinely nostalgic. 

Sunday, May 26, 2024

Coming Attractions- Megalopolis (2024)

  


Director- Francis Ford Coppola


Cast- Adam Driver, Dustin Hoffman, Laurence Fishburne, Aubrey Plaza, Nathalie Emmanuel, Giancarlo Esposito, Talia Shire, Kathryn Hunter, Shia LaBeouf, Jon Voight, Jason Schwartzman, Grace VanderWaal, Chloe Fineman, James Remar, D.B. Sweeney, Haley Sims, Romy Mars, Balthazar Getty, Isabelle Kusman, Bailey Ives, Madeleine Gardella


Release Date- September 27, 2024


It’s a Francis Ford Coppola film, so Megalopolis should naturally generate some buzz. A big and extravagant speedy trailer full of some really nice awe-inspiring visuals, and it’s a lot to digest in less than two minutes. Still, Megalopolis’ trailer does a wonderful job of hyping up the movie. 

Adam Driver consistently delivers good and great performances. The ensemble cast is full of potential, with a handful of strong veterans. Potentially a wild and dazzling spectacle, but my only concern is Megalopolis might devolve into an incoherent mess.


Friday, May 17, 2024

Midnight Special (2016)

 


**This post contains spoilers**


The Story- Pursued by a cult and the government, a young boy named Alton (Jaeden Martell) with supernatural abilities only means of survival and safety is to reach a secluded location before he runs out of time. Protected by ex cult members, including his father, Roy (Michael Shannon) and his mother, Sarah (Kirsten Dunst), Alton does his best to maintain his composure during a rocky journey. Roy’s childhood friend, Lucas (Joel Edgerton) is a dedicated and trusted supporter, but the group is severely outnumbered.


Pastor Calvin Meyer (Sam Shepard) is determined to bring Alton back to the cult to fulfill a prophecy. The government closes in, but Alton, Roy, Sarah, and Lucas find an unlikely ally in Paul Sevier (Adam Driver).


My Thoughts- Alton is a unique prodigy. He’s smart. Alton has incredible powers, but he’s still a child. Alton knows what’s at stake, and he fully accepts his destiny, but Alton is also scared. 


Towards the end of the film, Alton finally manages to control and smoothly use his powers. He’s confident, but not cocky or dangerous. The scene where Alton is being interrogated at the military base is a great example. Alton could’ve easily been more aggressive, using his powers for a more destructive escape. Instead, he was polite, but also firm during the interrogation. He created a diversion, so he could quietly sneak away with Paul to reunite with his family. 


Roy, Sarah, Lucas, and Paul were all willing to risk their lives to protect Alton. Why? It’s not because he has cool powers. They all believed in HIM. Alton is a good person. He’s someone who’s worth fighting for, and through no fault of his own, he’s an outcast, who needs a strong support system.


Jaeden Martell is fantastic, delivering an earnest and vulnerable performance. It’s also a nice touch to throw in some irony with Alton being enamored with Superman comics. He’s a kid, who’s understandably blown away by a popular fictional character, while also not realizing he’s basically a real-life Superman in his own way.


Micheal Shannon delivers a strong performance as Roy.  Shannon does a good job of showing believable desperation and anger, with great facial expressions. Roy is a dedicated, loving, and fearless father, who will do anything to protect his son. Roy risked everything, including having the guts to save his son from the cult after Pastor Meyer crossed the line by stealing Alton from him. And Roy fiercely protects Alton, while the cult and every government agency in the US is breathing down his neck. 


Joel Edgerton really nails Lucas, the trusted and devoted friend. Edgerton’s best scenes involve Roy, when both men clash on what lines should or shouldn’t be crossed to protect Alton, and Lucas knowing his place, when it comes to making big decisions about Alton.


You can clearly see Sarah is lonely. She finds some happiness again, when she reunites with Alton and Roy, and Dunst did a good job of capturing Sarah’s emotions. Sam Shepard, filling the role of a cult leader, makes the most of his short screen time. Shepard is a reliable veteran actor, and his character represents everything you’d expect from a cult leader. Calvin Meyer is a textbook narcissist and a master at manipulation, forcibly adopting Alton, when he realized Alton was the one person, who could justify his delusional vision.


Paul Sevier is an important character. He’s basically the man who’s responsible for safely delivering Alton to Roy and Sarah after the government captures him. Adam Driver is believably quirky and timid as Paul. Paul is really the only character with any comedic moments throughout the movie. Driver is never too goofy or over the top. Paul’s comedy fits perfectly in certain scenes, and Paul’s well-placed funny moments work as a convenient break from Midnight Special’s overall seriousness and emotional drama. 


The father/son relationship between Roy and Alton is the foundation for Midnight Special. The little details and nuances for Roy protecting Alton are noticeable from the opening scene until the end of the movie. 

Roy doesn’t hold his hand. He carries Alton. The scene at the gas station, where the lady almost removes Alton’s goggles? Roy SPRINTS across the gas station before the lady has a chance to touch him. Roy is protective of Alton, but he’s not overprotective, especially when you consider the consequences and the unprecedented circumstances surrounding Alton. 

There’s also a stretch in the film, where Alton is clearly sick. It’s a gut-wrenching experience for a parent to see their children ill and suffering, and in Roy’s case, he can’t just waltz into a hospital with Alton. Sarah and Lucas panicked, when Alton couldn’t breathe on the highway, but Roy confidently trusts Alton’s decisions. 


Roy knows at some point he’s going to have to say goodbye to Alton, and he’ll most likely never see his son again. Of course there’s a fictional twist to it, but there’s some realism about a parent trusting their child to make the right decisions for their future. Roy is forced to make sacrifices, and Roy strongly supports Alton, but it’s tough. He has to push through the heartbreak of losing his only child to do the right thing. 


Midnight Special undoubtedly has a lot of answered questions. What’s the exact reason for Alton needing to join the others in the unseen world? Is it because Alton is sick, and there’s a chance he’ll die, if he stays on earth? Alton’s deteriorating health becomes a real problem at one point, sparking serious concerns from Lucas. Are the people from the unseen world supernatural humans? Aliens?


If you’re looking for concrete answers, you won’t find any here. Midnight Special doesn’t rely on spoon-feeding crucial plot points. Writer/director Jeff Nichols presents thought-provoking questions, and you’ll see enough clues to form your own conclusions. Alton is clearly important, because he’s greeted by people from the unseen world. The unseen world has a sleek and futuristic look to it, but it’s also built with ordinary materials. It’s a sign that the unseen world is old, possibly dating back to ancient times, and the people from the unseen world are not malicious. 


One big plot hole that drives me nuts happens, when Roy and the others chase after Doak (Bill Camp) and Levi (Scott Haze) after they kidnap Alton. The Army soldier stops Roy, and the soldier looks directly at Roy. The soldier aggressively instructs Roy to rejoin the other cars on the road, and that’s it? Why didn’t the soldiers detain Roy and the others? Why did they just let him go? Keep in mind we’re at a point in the movie, where Roy’s face has been all over the news, so there’s no excuse for the soldiers to not recognize him. 


There’s a handful of awe-inspiring scenes and visuals throughout the movie. The final full reveal for the gargantuan and extravagant unseen world, the scenes featuring Alton using or losing control of his powers, and my personal favorite scene at the gas station, where Alton takes out the satellite.


Midnight Special is a tense and emotional sci-fi thriller, featuring a superb cast. A lot of believable close calls throughout the movie, and the big finale was executed to perfection. Shannon, Martell, Dunst, and Edgerton all did a wonderful job of selling the nervousness and the strong sense of urgency from the main characters. The group knew they only had one chance to get it right, to safely deliver Alton to the open field. There was no room for mistakes or any botches.


The sci-fi side of the film never overwhelms or undercuts a story about love, family, friendship, sacrifices, and an unbreakable father and son bond. Jeff Nichols seamlessly blends everything together for a quaint film with a satisfying ending. Midnight Special joins Take Shelter as another great collaboration for Michael Shannon and Jeff Nichols, truly one of the more underrated modern sci-fi films. 


Rating- 9/10


Friday, March 15, 2024

The Baker (2022)

 

**This post contains spoilers**


The Story- Peter (Joel David Moore) hits the jackpot, when he stumbles across a bloody and botched drug deal at the airport. Peter has big plans to cash in, and start a new luxurious life with his mute daughter, Delphi (Emma Ho), but he’ll need his father’s help. Pappi (Ron Perlman), living a quiet life running a bakery, reluctantly agrees to look after Delphi, while Peter plans to unload a bag full of heroin. 


But Peter runs into a bigger problem, when Vic (Elias Koteas) surprises him at home. Vic is the main enforcer for The Merchant (Harvey Keitel), a powerful drug lord. The Merchant wants his product, but unbeknownst to Peter, Delphi switched out the heroin in the bag with her clothes.


Pappi goes on a mission to find out what happened to Peter, while being pursued by Vic, his cronies, and Detective Petra Weintrager (Samantha Kaine) and her partner, Detective Luca Rispoli (Paolo Mancini). Will Pappi be able to keep Delphi safe?


My Thoughts- Ron Perlman plays the old grizzled tough guy role with ease, but Pappi is also a man, who’s haunted by his past. The intense bouts of PTSD, and you can tell Pappi wishes he had a better relationship with his son. Perlman does a fantastic job of nailing Pappi’s whirlwind of emotions, and he easily delivers the best performance here.


The relationship between Pappi and Delphi is the driving force behind The Baker. There’s a point, where Pappi offers money to Peter’s neighbor to look after Delphi, because he believes he’s just not cut out to raise her, if Peter is dead.


The uneasy grandfather and granddaughter dynamic between Delphi and Pappi is executed to perfection. Pappi is the old and grouchy man, who doesn’t like showing his emotions. And Delphi is the frustrated young brat, who desperately needs a father figure, especially after her mother’s death.


Delphi is mute, but Emma Ho does a great job of conveying her emotions through facial expressions and body language. There’s some good laughs between the two, as Delphi tries to have fun with Pappi throughout the movie. On the other side of the comedic moments, there’s also a believable emotional layer for their relationship. Peter might be dead. Delphi is upset, and Pappi might’ve lost his son. Pappi and Delphi truly need each other. You can clearly see the ups and downs, while they’re trying to form a bond, and considering the circumstances, it’s a tough process for both of them.


Elias Koteas is always reliable for a solid performance. Vic is cold and efficient, but a life full of murder and crime is starting to take a toll on him. He’s serious about his job, but he’s also tired of living in fear of what The Merchant might do, if he doesn’t get the job done. Vic is moved by Peter’s love and devotion to his daughter. It’s a heavy burden for Vic, because the father/daughter relationship plays a big part in changing how he views his current situation.


Harvey Keitel’s appearances are limited. It’s an approach that really works, because it feels like a big deal, when The Merchant appears, and Keitel still brings the strong presence of a veteran actor. Joel David Moore looks like a goof during his brief screen time. He’s kind of a klutz, but he’s also a man who loves his daughter. Moore showed a lot of emotion, when he was facing certain death. Peter was beaten and bloodied, but all he could think about was leaving his daughter behind without a mother and father to raise her.


It’s a somber ending, when Vic shows Pappi the location of Peter’s body. Pappi decides to spare Vic’s life, while Vic seemed content with being put out of his misery. A good emotional moment, where Pappi knows comforting Delphi after her father’s death is more important than revenge. There’s a flashback, where Pappi remembers how he almost lost Peter in the woods, when he was a kid. The flashback meshes together, with Delphi eerily standing in a similar position that mirrors a young Peter, and it’s enough to snap him out of his rage.


The Merchant and Papi coming face to face is a big scene that’s rightfully saved for the final moments of the movie. It’s supposed to be a special moment, with two strong characters coming to a peaceful resolution for both of their problems. 


The Baker does provide some joy during the ending. Delphi finally speaks. She was traumatized after witnessing her mother’s death in a car accident (mom wasn’t wearing a seatbelt), so it’s a sign that Delphi trusts her grandfather, and she’s ready to move on. I wouldn’t call it a happy ending. It’s more of a start for new beginnings, while Delphi and Pappi try and figure out their lives together.


Who killed The Merchant? There’s a mid-credits scene that shows The Merchant’s death, but we never see the gunman. It had to be Vic? The Merchant is not the kind of man that tolerates failure. Vic knows he was on thin ice, so he had to kill The Merchant, while he still had the chance.


There’s a lot of mystery surrounding Pappi. He obviously faked his death, so he could have a chance at a normal life. But we still don’t know all of the fine details about his character, and that’s a good thing. I’m glad they didn’t turn Pappi into an invincible killing machine. Yes, he has the lethal skills, but Pappi is also an old man. He struggles in some of the fight scenes. Pappi having to really work to defeat some of the bad guys adds a touch of realism, because he’s at an age, where he can’t just easily tear through his opponents.


The Baker is a solid action film, featuring a good emotional story. They could’ve settled on taking the easy way out with a comedic approach. The old man, who’s a baker, with military training protecting his granddaughter from thugs? It sounds completely ridiculous. But the premise still worked for a more serious film, and that’s an impressive accomplishment.


Rating- 7/10