Showing posts with label Kirsten Dunst. Show all posts
Showing posts with label Kirsten Dunst. Show all posts

Friday, May 17, 2024

Midnight Special (2016)

 


**This post contains spoilers**


The Story- Pursued by a cult and the government, a young boy named Alton (Jaeden Martell) with supernatural abilities only means of survival and safety is to reach a secluded location before he runs out of time. Protected by ex cult members, including his father, Roy (Michael Shannon) and his mother, Sarah (Kirsten Dunst), Alton does his best to maintain his composure during a rocky journey. Roy’s childhood friend, Lucas (Joel Edgerton) is a dedicated and trusted supporter, but the group is severely outnumbered.


Pastor Calvin Meyer (Sam Shepard) is determined to bring Alton back to the cult to fulfill a prophecy. The government closes in, but Alton, Roy, Sarah, and Lucas find an unlikely ally in Paul Sevier (Adam Driver).


My Thoughts- Alton is a unique prodigy. He’s smart. Alton has incredible powers, but he’s still a child. Alton knows what’s at stake, and he fully accepts his destiny, but Alton is also scared. 


Towards the end of the film, Alton finally manages to control and smoothly use his powers. He’s confident, but not cocky or dangerous. The scene where Alton is being interrogated at the military base is a great example. Alton could’ve easily been more aggressive, using his powers for a more destructive escape. Instead, he was polite, but also firm during the interrogation. He created a diversion, so he could quietly sneak away with Paul to reunite with his family. 


Roy, Sarah, Lucas, and Paul were all willing to risk their lives to protect Alton. Why? It’s not because he has cool powers. They all believed in HIM. Alton is a good person. He’s someone who’s worth fighting for, and through no fault of his own, he’s an outcast, who needs a strong support system.


Jaeden Martell is fantastic, delivering an earnest and vulnerable performance. It’s also a nice touch to throw in some irony with Alton being enamored with Superman comics. He’s a kid, who’s understandably blown away by a popular fictional character, while also not realizing he’s basically a real-life Superman in his own way.


Micheal Shannon delivers a strong performance as Roy.  Shannon does a good job of showing believable desperation and anger, with great facial expressions. Roy is a dedicated, loving, and fearless father, who will do anything to protect his son. Roy risked everything, including having the guts to save his son from the cult after Pastor Meyer crossed the line by stealing Alton from him. And Roy fiercely protects Alton, while the cult and every government agency in the US is breathing down his neck. 


Joel Edgerton really nails Lucas, the trusted and devoted friend. Edgerton’s best scenes involve Roy, when both men clash on what lines should or shouldn’t be crossed to protect Alton, and Lucas knowing his place, when it comes to making big decisions about Alton.


You can clearly see Sarah is lonely. She finds some happiness again, when she reunites with Alton and Roy, and Dunst did a good job of capturing Sarah’s emotions. Sam Shepard, filling the role of a cult leader, makes the most of his short screen time. Shepard is a reliable veteran actor, and his character represents everything you’d expect from a cult leader. Calvin Meyer is a textbook narcissist and a master at manipulation, forcibly adopting Alton, when he realized Alton was the one person, who could justify his delusional vision.


Paul Sevier is an important character. He’s basically the man who’s responsible for safely delivering Alton to Roy and Sarah after the government captures him. Adam Driver is believably quirky and timid as Paul. Paul is really the only character with any comedic moments throughout the movie. Driver is never too goofy or over the top. Paul’s comedy fits perfectly in certain scenes, and Paul’s well-placed funny moments work as a convenient break from Midnight Special’s overall seriousness and emotional drama. 


The father/son relationship between Roy and Alton is the foundation for Midnight Special. The little details and nuances for Roy protecting Alton are noticeable from the opening scene until the end of the movie. 

Roy doesn’t hold his hand. He carries Alton. The scene at the gas station, where the lady almost removes Alton’s goggles? Roy SPRINTS across the gas station before the lady has a chance to touch him. Roy is protective of Alton, but he’s not overprotective, especially when you consider the consequences and the unprecedented circumstances surrounding Alton. 

There’s also a stretch in the film, where Alton is clearly sick. It’s a gut-wrenching experience for a parent to see their children ill and suffering, and in Roy’s case, he can’t just waltz into a hospital with Alton. Sarah and Lucas panicked, when Alton couldn’t breathe on the highway, but Roy confidently trusts Alton’s decisions. 


Roy knows at some point he’s going to have to say goodbye to Alton, and he’ll most likely never see his son again. Of course there’s a fictional twist to it, but there’s some realism about a parent trusting their child to make the right decisions for their future. Roy is forced to make sacrifices, and Roy strongly supports Alton, but it’s tough. He has to push through the heartbreak of losing his only child to do the right thing. 


Midnight Special undoubtedly has a lot of answered questions. What’s the exact reason for Alton needing to join the others in the unseen world? Is it because Alton is sick, and there’s a chance he’ll die, if he stays on earth? Alton’s deteriorating health becomes a real problem at one point, sparking serious concerns from Lucas. Are the people from the unseen world supernatural humans? Aliens?


If you’re looking for concrete answers, you won’t find any here. Midnight Special doesn’t rely on spoon-feeding crucial plot points. Writer/director Jeff Nichols presents thought-provoking questions, and you’ll see enough clues to form your own conclusions. Alton is clearly important, because he’s greeted by people from the unseen world. The unseen world has a sleek and futuristic look to it, but it’s also built with ordinary materials. It’s a sign that the unseen world is old, possibly dating back to ancient times, and the people from the unseen world are not malicious. 


One big plot hole that drives me nuts happens, when Roy and the others chase after Doak (Bill Camp) and Levi (Scott Haze) after they kidnap Alton. The Army soldier stops Roy, and the soldier looks directly at Roy. The soldier aggressively instructs Roy to rejoin the other cars on the road, and that’s it? Why didn’t the soldiers detain Roy and the others? Why did they just let him go? Keep in mind we’re at a point in the movie, where Roy’s face has been all over the news, so there’s no excuse for the soldiers to not recognize him. 


There’s a handful of awe-inspiring scenes and visuals throughout the movie. The final full reveal for the gargantuan and extravagant unseen world, the scenes featuring Alton using or losing control of his powers, and my personal favorite scene at the gas station, where Alton takes out the satellite.


Midnight Special is a tense and emotional sci-fi thriller, featuring a superb cast. A lot of believable close calls throughout the movie, and the big finale was executed to perfection. Shannon, Martell, Dunst, and Edgerton all did a wonderful job of selling the nervousness and the strong sense of urgency from the main characters. The group knew they only had one chance to get it right, to safely deliver Alton to the open field. There was no room for mistakes or any botches.


The sci-fi side of the film never overwhelms or undercuts a story about love, family, friendship, sacrifices, and an unbreakable father and son bond. Jeff Nichols seamlessly blends everything together for a quaint film with a satisfying ending. Midnight Special joins Take Shelter as another great collaboration for Michael Shannon and Jeff Nichols, truly one of the more underrated modern sci-fi films. 


Rating- 9/10


Wednesday, January 1, 2014

Melancholia (2011)(Minor Spoilers Review)


**This review contains MINOR spoilers. No major reveals or character deaths**

After an unexpected dilemma with their limo, Justine (Kirsten Dunst) and Michael (Alexander Skarsgard) are stranded on the road with no help. As newlyweds, Justine and Michael are late to their own wedding reception, and Justine receives an icy welcome from her family.

Justine’s sister, Claire (Charlotte Gainsbourg) and her husband, John (Kiefer Sutherland)  host the reception at their lavish estate, featuring a grand golf course, but the joyous night takes a turn for the worst after Justine and Michael’s arrival. Claire begs a distracted and moody Justine to enjoy the party, and Claire’s husband, John isn’t happy about wasting money on a dissatisfied Justine.

To make matters worse, Justine’s surly mother, Gaby (Charlotte Rampling) is still holding a grudge, the wedding planner (Udo Kier) avoids eye contact with Justine, because she ruined the wedding, and Justine’s pushy boss, Jack (Stellan Skarsgard) is looking for a new tagline for a recent ad. For a temporary escape from the madness at the party, Justine finds solace in Claire’s young son, Leo (Cameron Spurr) and her eccentric father, Dexter (John Hurt).

The party is a disaster, but Justine, Claire, John, and everyone else are forced to deal with a bigger problem. A large rogue plane name Melancholia is on a collision course with earth. With five days to prepare for the collision, a depressed and lonely Justine moves in with Claire and John. To ease Claire’s fears, John dismisses the scientists projections for Melancholia’s arrival, and he reassures Claire Melancholia will pass Earth without any problems. Is John right about a harmless flyby sighting from Melancholia? Or will Melancholia destroy earth during a once in a lifetime apocalyptic collision?

Kirsten Dunst delivers one of the best performances in her career as Justine. Justine is a miserable train wreck in every way imaginable. She doesn’t care about the reception or her new husband, she squanders a promotion from her boss, and there’s a scene, where Justine beats one of Claire’s horses out of frustration. Also, during a severe stage of depression, Justine bursts into tears during a meal with her favorite food (meatloaf), because everything tastes like “ashes.”

But you can feel sympathy for Justine during the fiasco at the wedding reception. Charlotte Rampling’s Gaby is just a bully, who taunts and degrades her own daughter. Claire openly expresses her hatred for Justine, and Jack is a real scumbag, because he’s forcing one of his employees to work on her wedding day.

And the irony behind the Justine character  comes full circle towards the end, because Justine is the voice of reason during the Melancholia dilemma. It’s strange, because throughout the movie, Justine is the primary source for everyone’s problems and headaches. Dunst really immersed herself in the Justine character. You’ll either hate or love Justine, because there’s no middle ground for this character, but it’s impossible to ignore the top notch quality of Dunst’s engrossing performance.

The supporting cast is rock solid, with Gainsbourg providing the second best performance as Claire. Although, Gainsbourg has the advantage of more screen time over everyone else. Rampling could’ve stole the show as the hateful mother, and you can say the same thing about Hurt’s  Dexter, as the loopy and carefree father. But the screen time for both characters is limited to the first half of the film focusing on Justine’s story. Stellan Skarsgard is a nice fit for the demanding and uncaring boss, and I can’t say too much about Alexander Skarsgard, because Michael’s screen time is cut short, and his character is overshadowed by Justine’s troubles and the calamity at the wedding reception. No complaints about Kiefer Sutherland’s John, and Spurr is harmless as Leo.

My biggest problem with Melancholia? It’s too uneven. The story is split into two parts. Part One focuses on Justine, and Part Two is titled “Claire,” but Melancholia is the primary focus. Part One did a good job of establishing the main characters, but the drama during the wedding reception didn’t do anything for me. In fact, Part One is very boring and uninteresting most of the time, and two of the most entertaining characters (Gaby and Dexter) don’t appear in the second half.

Part One can’t measure up to Part Two, because Part Two packs a powerful, gut-wrenching punch. Some will say it’s unfair to compare a failed wedding reception to the possibility of a doomsday threat, but I HAD to know what would happen during Part Two. On the flip side, Part One didn’t do enough to pique my interest for the second act.

Still, Melancholia isn’t a bad film. It’s an emotional and absorbing apocalyptic drama, featuring stunning visuals, a strong cast, and Lars Von Trier’s impeccable work behind the camera is something to admire. Melancholia might be too bleak and depressing for some people, but I couldn’t pull myself away from the screen during the grandiose finale. It’s an experience I’ll never forget, and I’m glad I took a chance on Melancholia.

Rating: 8/10

Michael Jordan had another run with the Wizards after winning six championships. Brett Favre was one step away from earning a second ring with the Vikings.

As the world's definitive multi-talented superstar athlete, Trisha Bunrastar is taking an unexpected and shocking leap into a new career path. Assuming the identity of Freechelle Fantabulous, Trisha vows to fight crime and battle evildoers as a superheroine. Will she conquer her new mission? Find out more here! http://www.amazon.com/dp/B00EFLI6VK

Or take a trip into my special world of madness that includes comedy, horror, and the supernatural in this collection of short stories- http://www.amazon.com/dp/B00EFMYZ0U

Remember Amazon offers free Kindle App downloads for various platforms. Follow this link to find out more- http://www.amazon.com/gp/feature.html?ie=UTF8&docId=1000493771

And don't forget to follow me on Twitter here- https://twitter.com/LQuigleyFan1

Melancholia (2011)(Spoiler Review)


**This review contains spoilers**

After an unexpected dilemma with their limo, Justine (Kirsten Dunst) and Michael (Alexander Skarsgard) are stranded on the road with no help. As newlyweds, Justine and Michael are late to their own wedding reception, and Justine receives an icy welcome from her family.

Justine’s sister, Claire (Charlotte Gainsbourg) and her husband, John (Kiefer Sutherland)  host the reception at their lavish estate, featuring a grand golf course, but the joyous night takes a turn for the worst after Justine and Michael’s arrival. Claire begs a distracted and moody Justine to enjoy the party, and Claire’s husband, John isn’t happy about wasting money on a dissatisfied Justine.

To make matters worse, Justine’s surly mother, Gaby (Charlotte Rampling) is still holding a grudge, the wedding planner (Udo Kier) avoids eye contact with Justine, because she ruined the wedding, and Justine’s pushy boss, Jack (Stellan Skarsgard) is looking for a new tagline for a recent ad. For a temporary escape from the madness at the party, Justine finds solace in Claire’s young son, Leo (Cameron Spurr) and her eccentric father, Dexter (John Hurt).

The party is a disaster, but Justine, Claire, John, and everyone else are forced to deal with a bigger problem. A large rogue plane name Melancholia is on a collision course with earth. With five days to prepare for the collision, a depressed and lonely Justine moves in with Claire and John. To ease Claire’s fears, John dismisses the scientists projections for Melancholia’s arrival, and he reassures Claire Melancholia will pass Earth without any problems. Is John right about a harmless flyby sighting from Melancholia? Or will Melancholia destroy earth during a once in a lifetime apocalyptic collision?

Kirsten Dunst delivers one of the best performances in her career as Justine. Justine is a miserable train wreck in every way imaginable. She doesn’t care about the reception or her new husband, she squanders a promotion from her boss, and there’s a scene, where Justine beats one of Claire’s horses out of frustration. Also, during a severe stage of depression, Justine bursts into tears during a meal with her favorite food (meatloaf), because everything tastes like “ashes.”

But you can feel sympathy for Justine during the fiasco at the wedding reception. Charlotte Rampling’s Gaby is just a bully, who taunts and degrades her own daughter. Claire openly expresses her hatred for Justine, and Jack is a real scumbag, because he’s forcing one of his employees to work on her wedding day.

And the irony behind the Justine character  comes full circle towards the end, because Justine is the voice of reason (more on that later) during the Melancholia dilemma. It’s strange, because throughout the movie, Justine is the primary source for everyone’s problems and headaches. Dunst really immersed herself in the Justine character. You’ll either hate or love Justine, because there’s no middle ground for this character, but it’s impossible to ignore the top notch quality of Dunst’s engrossing performance.

The supporting cast is rock solid, with Gainsbourg providing the second best performance as Claire. Although, Gainsbourg has the advantage of more screen time over everyone else. Rampling could’ve stole the show as the hateful mother, and you can say the same thing about Hurt’s  Dexter, as the loopy and carefree father. But the screen time for both characters is limited to the first half of the film focusing on Justine’s story. Stellan Skarsgard is a nice fit for the demanding and uncaring boss, and I can’t say too much about Alexander Skarsgard, because Michael’s screen time is cut short, and his character is overshadowed by Justine’s troubles and the calamity at the wedding reception. No complaints about Kiefer Sutherland’s John, and Spurr is harmless as Leo.

When the story shifts to Part Two, time is running out before the big collision with Melancholia, and Justine is a broken and lonely woman. At the wedding reception, a bewildered Michael abandons her. Jacks’ prodding pushes Justine over the edge, so she quits her job. Out of nowhere, Justine has sex with Jack’s assistant on the golf course, and Dexter breaks a promise to Justine. During the reception, Dexter promised to sleepover at the estate with Justine, so they could have breakfast the next morning. But Dexter leaves a note to Claire about catching a taxi to leave the estate. In the end, Dexter vanished without saying anything to Justine.

Justine is stuck in an immobile stage of misery. She won’t bathe herself, she refuses to eat, and she can’t walk without Claire’s help. After a while, Justine slowly climbs out of her hole, and her troubles take a backseat to a bigger problem: Melancholia. John’s projections for a harmless flyby are proven wrong after Melancholia circles earth. John spots Melancholia’s new trajectory in his telescope, and in a matter of hours, Melancholia will destroy earth.

During Claire‘s nap on the patio, John swallowed an entire bottle of pills (originally, Claire bought the bottle of pills, so everyone could commit suicide together without suffering a brutal death, if Melancholia hit earth) to commit suicide. Claire panics, when she uses Leo’s homemade apparatus to see an up close view of Melancholia, and Claire finds John’s lifeless body in the stable outside.

All the cars in the driveway won’t crank. Claire uses a golf cart to drive Leo and herself to a nearby village for one last desperate shot at safety, but the battery in the golf cart dies, so Claire returns to the estate with a nonchalant Justine. Claire wants a perfect setting for Leo’s final moments on earth with music and candles, but Justine shoots Claire’s idea down for a more favorable activity with Leo. Together, Leo and Justine build a shabby magical teepee with wood from a nearby forest. Justine, Leo, and Claire hold hands inside the teepee, as Melancholia crashes into earth. The last image of the movie shows Justine, Claire, and Leo together, as a big wave of fire destroys everything in its path, and the screen cuts to black.

An amazing sequence. I could feel the inescapable sense of dread and terror before Melancholia destroyed earth. The shot of Melancholia crashing into earth is a beautiful and breathtaking image. Plus, Gainsbourg did a wonderful job of selling the heartbreaking devastation, as Claire is scrambling to find a car that actually works.

During the final scene in the teepee, you get a chance to see three different POVs for Melancholia’s arrival. Leo is calm, because he’s too young to really understand the severity of what’s about to happen. Claire tries to hold everything together, but she falls apart in the final moments. And Justine simply accepts the end with no regrets or problems. It’s an incredible turn around, when you stop and think about. The roles are reversed during the final stages of Melancholia’s arrival, because Justine is the peacemaker, and Clarie is the one, who’s causing most of the problems.

My biggest problem with Melancholia? It’s too uneven. The story is split into two parts. Part One focuses on Justine, and Part Two is titled “Claire,” but Melancholia is the primary focus. Part One did a good job of establishing the main characters, but the drama during the wedding reception didn’t do anything for me. In fact, Part One is very boring and uninteresting most of the time, and two of the most entertaining characters (Gaby and Dexter) don’t appear in the second half.

Part One can’t measure up to Part Two, because Part Two packs a powerful, gut-wrenching punch. Some will say it’s unfair to compare a failed wedding reception to the possibility of a doomsday threat, but I HAD to know what would happen during Part Two. On the flip side, Part One didn’t do enough to pique my interest for the second act.

Still, Melancholia isn’t a bad film. It’s an emotional and absorbing apocalyptic drama, featuring stunning visuals, a strong cast, and Lars Von Trier’s impeccable work behind the camera is something to admire. Melancholia might be too bleak and depressing for some people, but I couldn’t pull myself away from the screen during the grandiose finale. It’s an experience I’ll never forget, and I’m glad I took a chance on Melancholia.

Rating: 8/10

Michael Jordan had another run with the Wizards after winning six championships. Brett Favre was one step away from earning a second ring with the Vikings.

As the world's definitive multi-talented superstar athlete, Trisha Bunrastar is taking an unexpected and shocking leap into a new career path. Assuming the identity of Freechelle Fantabulous, Trisha vows to fight crime and battle evildoers as a superheroine. Will she conquer her new mission? Find out more here! http://www.amazon.com/dp/B00EFLI6VK

Or take a trip into my special world of madness that includes comedy, horror, and the supernatural in this collection of short stories- http://www.amazon.com/dp/B00EFMYZ0U

Remember Amazon offers free Kindle App downloads for various platforms. Follow this link to find out more- http://www.amazon.com/gp/feature.html?ie=UTF8&docId=1000493771

And don't forget to follow me on Twitter here- https://twitter.com/LQuigleyFan1

Monday, January 7, 2013

Upside Down (2013)



**This review contains spoilers**

In an alternate universe, Adam lives on a planet that shares dual gravity with another planet above. After losing  his biological parents in a devastating explosion caused by an oil refinery from the upper world, Adam spends time at an orphanage before living with his aunt.

Adam’s bottom planet houses the poor and starved half of the population, but the rich and healthy half of the population lives on the upper planet. TransWorld, a corporation that employs citizens from both planets, is the only connection between both worlds. TransWorld controls the economy between both worlds, and selling unaffordable electricity to the bottom planet is an important factor for maintaining  the separation between both planets.

Contact or intrusion between both worlds is strictly forbidden, and the Natural Law Police show no mercy towards defiance. Although, the citizens from the bottom planet CAN intrude into the upper world with the help of forbidden weights, or an illegal anti-gravity material, but this material has a short lifespan, and it burns quickly.

One day, a young Adam meets Eden at a boundary point on two mountains between both worlds. Adam builds a secret relationship with Eden, who lives in the upper world. As teenagers, Adam (Jim Sturgess) and Eden (Kirsten Dunst) continue their forbidden friendship, but an attack from a group of border patrolmen ends a routine meeting between the two. Adam tries to use a rope to return Eden to her world, but a border patrolmen shoots him in the arm, causing him to drop Eden. Eden crashes into the ground above, and she suffers a nasty head injury. Devastated, Adam returns home to see his aunt arrested by the Natural Law Police.

Ten years later, Adam is trying to finish a project that could change everything, a matter with pink bee pollen. Working through the kinks, Adam believes his new matter can withstand the gravitational pull from both worlds. But Adam needs more money and resources, so he decides to get a job at TransWorld. Although, Adam runs into an unexpected dilemma, when he spots Eden on a game show for the upper world. As a cover-up, Adam perfects his new matter into a beauty cream for TransWorld, but he can’t fight his desires to reunite with Eden. Adam is willing to risk everything to convince an amnesic Eden, while trying to outsmart his ruthless employers.

I don’t have any real complaints about the acting. Jim Sturgess and Kirsten Dunce provide two very solid performances, and Timothy Spall is decent enough as Bob (Adam‘s buddy at work). The cast is just fine, but the story….that’s a different problem.

Upside Down features grandiose set pieces, and extravagant, breathtaking scenery, but I can’t ignore Juan Diego Solanas’ shallow and predictable love story. You can see every twist and turn coming during Adam’s journey to recapture Eden’s heart. The love story slowly goes through the motions, and Eden’s sudden remembrance of her relatinoship with Adam raises too many “how is that possible?” questions. Seriously, Eden’s just laying around in her apartment, she has a random dream about her childhood with Adam, and then BAM! She instantly falls in love with him again? Initially, Solanas took his time building the reconnection between Adam and Eden, and establishing the two main characters as adults. But the ending was rushed and underdeveloped, and I just couldn’t buy into Eden’s miraculous recollection of the past.

Juan Diego Solanas’ weak screenplay is very disappointing, but I enjoyed his directing. Take a good look at the movie poster I posted above, because that’s what you’ll see for 90% of this film. Adjusting to Upside Down’s topsy-turvy landscape takes some time. In fact, you might experience feelings of nausea during the first fifteen or twenty minutes, but Solanas’ steady guidance really pulls everything together. Behind the camera, Solanas stays true to the story’s gravitational rules. When Jim sneaks into the upper world for the first time, he pees on the ceiling of a bathroom, as his anti-gravity material burns. And you’ll see a few inverted scenes, as Solanas shows both points of view from both worlds.

Upside Down is a frustrating film. A unique premise is squandered, because stunning visuals, and awe-inspiring backdrops can’t cover up the “been there, done that” storyline between Adam and Eden. Also, the obvious plot holes (mainly the big ones towards the end) constantly straggle into a giant mess, as the story progresses. It’s so irritating, because Upside Down could’ve been a great movie, but an average love story destroys any chances for supremacy.

Upside Down was released in 2012 for Russian and Canadian audiences. Upside Down should receive a US theatrical release date in March, and if I can find any showings near me, I might watch Upside Down on the big screen. The big screen won’t help the quality of this film, but I’m expecting a more extravagant experience from a theater showing. The big screen should enhance Upside Down’s visual wonderland, and it won’t happen, but Upside Down would be an ideal candidate for an IMAX release.

Final Rating: 3/10

Friday, December 14, 2012

Jumanji (1995)



In 1969, a young Alan Parrish finds a board game named Jumanji. After taking a beating from a group of bullies, and hiding in his father’s shoe factory, Alan takes the board game home. Alan plans to run away from home after an argument with his father, but things change when Sarah, the girlfriend of the ring leader for the bullies, shows up to return his stolen bike. Alan convinces Sarah to play Jumanji with him, but after a roll of the dice, Alan is sucked into the board game, and Sarah is scared off by a swarm of bats.

Twenty-six years later, two young children named Judy (Kirsten Dunst) and Peter (Bradley Pierce) move into Alan’s childhood home after their parent’s sudden and tragic deaths. Aunt Nora (Bebe Neuwrith) is the guardian, and Nora will have her hands full with a disrespectful niece and a strange nephew. Plus, Jumanji will only complicate Nora’s problems. One day, while snooping around in the attic, Judy and Peter find the Jumanji board game. Unaware of its evil powers, Judy and Peter decide to play Jumanji. After a few rolls of the dice, Judy and Peter free Alan from the board game. Now twenty-six years older, Alan (Robin Williams) will have to find Sarah, and with Peter and Judy’s help, the group will have to finish one game of Jumanji. Finshing the game will restore Alan’s normal life as a child, send the wild jungle animals back to their homes, and stop Jumanji’s magical path of destruction.

Well, I’m burnt out on 2012 stuff right now, so I decided to watch Jumanji. As a kid, I LOVED this movie. Hell, I begged my mother to buy me the board game for my birthday.

It took me a while to realize it, but the kid, who plays Judy is a young Kirsten Dunce. Robin Williams is predictably whacky as usual, and the rest of the cast is solid. Although, David Alan Grier is annoying at times. I used to enjoy his work on Living Color, but with the exception of a flashback at the beginning, his character is so obnoxious and over the top. 

Jumanji was a fun experience as a child, but I’m older now, and this film didn’t do anything for me. The CGI monkeys look so fake, the special effects are horribly outdated, and it’s hard to ignore. The humor is pretty lame, and Johnathan Hyde is a problem here. I’m not complaining about his performances, but Hyde portrays two characters in this film: Alan’s father and Van Pelt, a hunter, who emerges from Jumanji. Even with the beard as Van Pelt, it’s so easy to see the same guy as two characters. There’s no illusion, and Hyde’s double duty just kills any interest in both characters.

I can watch the live action Ninja Turtles films (the first two, because I still despise the third one and the time travel bullshit) and Home Alone 2 now a days, and I’ll still experience those great feelings of nostalgia. I can’t say the same thing about Jumanji. I chuckled a few times, and I enjoyed some of the adventurous action sequences (mainly the flood and man-eating vine attacks in the house towards the end), but overall, Jumanji was too dull for me.

Final Rating: 4/10