Coming Attractions- Mortal Kombat II

 

Director- Simon McQuoid 

Release Date- May 15, 2026

Mortal Kombat (2021) was mostly a misfire for me. I just couldn’t get into it no matter how hard I tried. Cole Young was a boring and bland character. They weirdly tried to put the spotlight on Cole as the next big thing for Mortal Kombat films, and it just didn’t work for me.

The sequel looks far more polished in the trailer. Karl Urban playing Johnny Cage just works on so many different levels, and I love the look and design for Shao Kahn.

It’s mainly a nostalgia thing, but I’ll always prefer the 1995 Mortal Kombat film, and the animated films are always a lot of fun. Mortal Kombat Legends: Scorpion’s Revenge is a shining example for top notch quality. 

Visually, the animated films are easily the more successful path for Mortal Kombat film adaptations. The fast cartoonish violence, the gore, showcasing powers, the blood, everything. It’s always going to be difficult to stick the landing for a good Mortal Kombat live action film, because you simply can’t get around certain limitations. But Mortal Kombat II looks good so far, and it’s easy to see Johnny Cage’s arrival will surely give the sequel a more energetic boost and some good laughs. 

Coming Attractions- In The Lost Lands

 

Director- Paul W. S. Anderson

Cast- Dave Bautista, Milla Jovovich, Ian Hanmore, Caoilinn Springall, Arly Jover, Deirdre Mullins, Amara Okereke

Release Date- February 28, 2025

Not too sure about this one. I’ll admit I haven’t read the source material for In The Lost Lands. But the trailer gives off vibes for following the post-apocalyptic action/thriller playbook step by step, especially Bautista’s introduction to the story.

Dave Bautista is a versatile actor, and together with Milla Jovovich, they both have a mostly successful and consistent track record as action stars. The duo of Bautista and Jovovich has some potential, two fierce fighters tearing their way through different hellholes. A fifty-fifty reaction to the trailer for me, but fingers crossed for a fun ride, slick action sequences, and impressive set pieces. 

The Mortal Instruments: City Of Bones (2013) (Spoiler Review)

**This review contains spoilers**

Living in New York City, Clary Fray (Lily Collins) struggles to comprehend a strange and bizarre obsession with seeing mysterious symbols in various places. Clary’s mother, Jocelyn (Lena Headey) realizes her worst fears have come to life, but before she has a chance to explain the truth to her daughter, Joeclyn is attacked by an intruder.

One night, Clary pushes her nerdy best friend, Simon Lewis (Robert Sheehan) to go into into a night club after Clary spots the mysterious symbol on the entrance sign again. Inside the club, Clary witnesses a man named Jace Wayland (Jaime Campbell Bower) use his sword to kill a man, but Clary’s frightened screams are met with confused looks, because no one else was able to see the murder.

Clary’s mother is taken hostage after the attack, and Luke Garroway (Aidan Turner), Jocelyn’s best friend, who also lives with Clary and Jocelyn, mysteriously disappears. After seeing the ruins of her ravaged apartment in the aftermath of the attack, Clary is saved by Jace, who manages to kill a demon before it kills Clary. Eventually, Clary learns the truth about her true identity: like her mother, Clary is a a Shadowhunter, a warrior sworn to a life of killing demons and other malevolent forces, who hide in other forms (humans, animals, etc.) on Earth. 

Simon tags along with Clary and Jace, as Clary embarks on a mission to learn more about her past, and rescue her mother. At the secret headquarters for Shadowhunters, invisible to all Mundanes (normal humans), Clary and Simon meet Alec (Kevin Zegers) and Isabelle (Jemima West) Lightwood, a brother/sister duo of Shadowhunters, who form a team with Jace, and their leader/veteran retired Shadowhunter, Hodge Starkweather (Jared Harris), who is confined to the innards of the base after a curse was placed on him.

Hodge explains to Clary how her mother stole the Mortal Cup, a powerful and magical instrument, to protect it from Valentine Morgenstern (Jonathan Rhys Meyers), Jocelyn’s former lover, and a Shadowhunter, who turned into a madman. Obsessed with power and control over all Shadowhunters and evil forces, Valentine planned to use the Mortal Cup to complete his goal, but with Clary’s mother incapacitated (to protect the whereabouts of the Mortal Cup, Jocelyn drank a potion that put her into a deep sleep), it’s believed the location of the hidden Cup is buried in Clary’s memories.

After he escapes the clutches of Emil Pangborn (Kevin Durand) and Samuel Blackwell (Robert Maillet), Valentine’s henchmen, and the same men, who attacked and kidnapped Jocelyn,  Luke returns to reveal himself as a werewolf, who works with the Shadowhunters (the Shadowhunters have a pact with the werewolves), because Clary will need all the help she can get to stop Valentine, and save her mother.

Lily Collins was lucky enough to land a spot in The Blind Side, but of  course, she was overshadowed by the critical acclaim for Sandra Bullock’s performance, and Bullock winning the Oscar for Best Actress and various other Best Actress awards. She hit a rough spot with that abomination Abduction (still haven‘t seen Mirror, Mirror), but despite the negative backlash for this film, I think Collins handled herself well in the leading role. With Headey’s character on the shelf for the vast majority of the film, and limited focus on the other  noticeable veteran in the cast (Jared Harris), Collins had the task of carrying the load as the main character. She’s not quite there yet, but Collins showed  some strong signs of potential here. With the story revolving around her, Collins showed poise and confidence as Clary, while showcasing an emotional side during Clary’s hard times throughout the film.

Bower is your typical pretty boy rebel/bad ass, who only shows his soft side to the ladies. Not a bad performance, but nothing too special either. Headey’s character doesn’t receive enough conscious screen time here, so it’s not fair to judge her performance (or lack there of). And Sheehan is believable in his role as the nerdy and awkward outcast. I don’t think it’s fair to judge Jonathan Rhys Meyers Valentine. His character doesn’t make an appearance until the tail end of the film, and no one else is really worth mentioning by name.

The Mortal Instruments delivered a few twists and turns I didn’t see coming. For starters, Jocelyn hiding the Mortal Cup in a tarot card was a unique surprise, because that’s the last place anyone would think of. And Valentine revealing himself as the father of Clary and Jace (real name Jonathan). The shock factor of Valentine’s reveal was strong, because before Valentine told Jace the truth, you could clearly see Jace and Clary were starting to fall in love, and things hit a peak after a Romantic night in a magical garden. Of course, this reveal might remind people of the famous scene in Return Of The Jedi, where Luke realizes Leia is his sister after a talk with Obi-Wan. Add in the awkwardness of Han and Leia being in a relationship, and the look of guilt and shock on Luke’s face, and you can easily connect the dots between both films.

The love triangle between Jace, Simon, and Clary? Yeah, it’s predictable. Simon is tired of being in the infamous friend zone, so he opens up about his true feelings for Clary. But Clary is drawn to Jace, and after that, Clary goes through the dilemma of being attracted to the more desirable guy, and the friend, who’s always been there for her no matter what. You can see it all coming from a mile away. Although, Mortal Instruments adds an unexpected layer to the love triangle, when Clary openly accuses Alec of having feelings for Jace. Alec responds by threatening her life, if she ever mentions the situation again. Some nice food for thought, and I can honestly say I didn’t see this coming.

As far as a critical reception goes, The Mortal Instruments has received a strong, negative backlash. Complaints range from The Mortal Instruments trying to be a Harry Potter or Twilight knock-off, the film borrowing elements from damn near every fantasy/action film over the past thirty years or so, and so on. Well, a lot of that’s true. The Mortal Instruments isn’t completely original, not by a long shot. But at the same time, I think it’s unfair to bash a film for mimicking other fantasy films/stories or borrowing elements from said films, because if we use this criteria to bash other movies like The Mortal Instruments, then we would have a pretty lengthy list of bad movies. And on top of that, it would be damn near impossible to rate any movie that resembles Mortal Instruments with a positive score, IF we use this criteria.

The Mortal Instruments is loaded with enough dazzling visual eye candy to bring out a few “oooohhh” and “ahhhhh” moments, and there’s a handful of  surprisingly entertaining fight sequences throughout the movie. Plus, they’re able to mix in some decent humor every now and then, and fans of the Ghostbusters films should appreciate the wink to the original film. I’ll openly admit this here and now, I went in to The Mortal Instruments with a very negative mindset, but I found myself having a lot of fun with this one as the story developed.

Rating: 6/10

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The Mortal Instruments: City Of Bones (2013) (Minor Spoilers Review)

**This review contains minor spoilers, no major plot details, surprises, or reveals are mentioned in this review**

Living in New York City, Clary Fray (Lily Collins) struggles to comprehend a strange and bizarre obsession with seeing mysterious symbols in various places. Clary’s mother, Jocelyn (Lena Headey) realizes her worst fears have come to life, but before she has a chance to explain the truth to her daughter, Jocelyn is attacked by an intruder.

At a night club, Clary witnesses a man named Jace Wayland (Jaime Campbell Bower) use his sword to kill a man, but Clary’s frightened screams are met with confused looks, because no one else was able to see the murder. Why is Clary seeing symbols? Why is Clary the only one, who can see Jace? Clary’s determination to find the truth will lead her on a journey into a mysterious world to fight supernatural forces. And with the help of her best friend, Simon Lewis (Robert Sheehan), Jace, and others, Clary will uncover secrets that will change her life forever.

Lily Collins was lucky enough to land a spot in The Blind Side, but of  course, she was overshadowed by the critical acclaim for Sandra Bullock’s performance, and Bullock winning the Oscar for Best Actress and various other Best Actress awards. She hit a rough spot with that abomination Abduction (still haven‘t seen Mirror, Mirror), but despite the negative backlash for this film, I think Collins handled herself well in the leading role. With Headey’s character on the shelf for the vast majority of the film, and limited focus on the other  noticeable veteran in the cast (Jared Harris), Collins had the task of carrying the load as the main character. She’s not quite there yet, but Collins showed  some strong signs of potential here. With the story revolving around her, Collins showed poise and confidence as Clary, while showcasing an emotional side during Clary’s hard times throughout the film.

Bower is your typical pretty boy rebel/bad ass, who only shows his soft side to the ladies. Not a bad performance, but nothing too special either. Headey’s character doesn’t receive enough conscious screen time here, so it’s not fair to judge her performance (or lack there of). And Sheehan is believable in his role as the nerdy and awkward outcast.

As far as a critical reception goes, The Mortal Instruments has received a strong, negative backlash. Complaints range from The Mortal Instruments trying to be a Harry Potter or Twilight knock-off, the film borrowing elements from damn near every fantasy/action film over the past thirty years or so, and so on. Well, a lot of that’s true. The Mortal Instruments isn’t completely original, not by a long shot. But at the same time, I think it’s unfair to bash a film for mimicking other fantasy films/stories or borrowing elements from said films, because if we use this criteria to bash other movies like The Mortal Instruments, then we would have a pretty lengthy list of bad movies. And on top of that, it would be damn near impossible to rate any movie that resembles Mortal Instruments with a positive score, IF we use this criteria.

The Mortal Instruments is loaded with enough dazzling visual eye candy to bring out a few “oooohhh” and “ahhhhh” moments, and there’s a handful of  surprisingly entertaining fight sequences throughout the movie. Plus, they’re able to mix in some decent humor every now and then, and fans of the Ghostbusters films should appreciate the wink to the original film. I’ll openly admit this here and now, I went in to The Mortal Instruments with a very negative mindset, but I found myself having a lot of fun with this one as the story developed.

Rating: 6/10

Looking for a change from Batman, Spider-Man, and Iron Man? Then get know the world's newest superheroine Freechelle Fantabulous for only $0.99 by following the link- http://www.amazon.com/dp/B00EFLI6VK

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Jack The Giant Slayer (2013)

**This review contains spoilers**

Sent on a simple mission from his uncle, Jack (Nicholas Hoult) is supposed to sell his horse for money to help his uncle’s farm. But when Jack finally reaches his destination, he’s persuaded by a peculiar offer from a strange monk. The monk agrees to exchange the horse for a rare set of magical beans. But Jack must promise to guard the magical beans, and keep them a secret. As Jack holds the bag of beans, the monk rides away on the horse in an attempt to escape the guards of Cloister.

Meanwhile, Princess Isabelle (Eleanor Tomlinson) dreads her pre-arranged marriage to Lord Roderick (Stanley Tucci). The king of Cloister, King Brahmwell (Ian McShane) trusts Lord Roderick, but unbeknownst to the king, Lord Roderick is planning a takeover of the Kingdom.

During one stormy night, Isabelle seeks refuge inside Jack’s house, while his uncle is away. Jack tries to control his nerves in the Princess’ presence, but he’ll have bigger problems to worry about. One bean slips through the cracks in the floor, and after a slight dab of water, the bean explodes into a giant beanstalk. Jack’s house is catapulted into the sky. Jack falls to the ground, but Isabelle is still stuck inside the house, as the beanstalk pushes her through the clouds.

Jack awakes to an angry King Brahmwell in the morning, and with a determination to save Isabelle, Jack joins the team of knights, who are sent to find the King’s daughter. Led by Elmont (Ewan McGregor) and his second in command, Crawe (Eddie Marsan), the search party climbs the beanstalk into a world of merciless giants.

Lord Roderick and his sniveling sidekick, Wicke (Ewen Bremner) decide to tag along, and with the help of a magical crown, Lord Roderick waits for the right moment to fulfill his diabolical conquest. Isabelle is at the mercy of Fallon (voiced by Bill Nighy & John Kassir- Nighy is the bigger head, and Kassir is the smaller head, or to be more clear, Nighy is the smart head, and Kassir is the dumb head), the two-headed leader of the giants. Time is running out, as Jack fights to rescue Isabelle, thwart Lord Roderick’s evil plans, and save the Kingdom Of Cloister from destruction.

Ian McShane delivers a strong, and for my money, the second most entertaining performance here, because the number one spot belongs to Ewan McGregor. McGregor really nails the cocky and charismatic knight persona. Nicholas Hoult is kind of dull in the leading role, though. Yes, I get the point of his character. He’s supposed to be the unlikely hero/common man, who must rise to the occasion, and find his courage. Still, Hoult’s performance just falls flat, and he’s carried by McGregor and CGI giants throughout the movie. Tomlinson is an attractive woman, but she’s horribly dull as Princess Isabelle. And Tucci is enjoyable, as the slimy traitor, who’ll do anything to gain control over Cloister.

Brian Singer delivers awe-inspiring visuals and wonder behind the camera, and an action-packed finale. I took a chance on the 3D version, and Singer was able to find the right balance for the 3D effects. Not too much, and the 3D never reaches the “well, this is pointless, they just did a 3D release for more money” not enough point. Cool 3D effects throughout the movie, and I don’t regret paying the extra cash.

For the most part, I enjoyed Jack The Giant Slayer, but the inconsistent tones for this film annoyed the shit of me. Is this supposed to be for kids? Or, are they trying to cater to a wider audience (kids, teenagers, adults)? Fallon’s throne is made of human bones, and the giants are portrayed as fearless monsters, who love to eat humans. And during the sporadic giant attacks throughout the movie, you’ll see brief glimpses of the CGI giants attacking, and in some cases, distant shots of giants trying to, and eating humans.

But Fallon’s smaller head behaves like a goofy child with mental problems. The giant chef, who tries to cook Elmont alive picks his nose and eats his boogers during the prep. And a sleeping giant, who’s guarding the entrance/exit to the giant’s world farts during his slumber. Jack The Giant Slayer strays into kiddy territory every now and then, and the tonal shifts are really annoying.

A lot of people blame Jack The Giant Slayer’s formulaic and predictable story, but the weak overall cast is the true Achilles heel. McShane, McGregor, and Tucci couldn’t overshadow Hoult’s dullness in the leading role, and yes, it’s problem, because Hoult’s character receives the bulk of the focus and screen time here. Isabelle is suppose to be a sympathetic character, but Tomlinson’s performance is unconvincing. Sorry, but when CGI giants (i.e. Fallon) are more entertaining and convincing than members of your human cast, you’ve got some serious problems.

Jack The Giant Slayer is adventurous and fun, and the final battle is loaded with thrills and good action. Yeah, it’s predictable, but what else can you expect from a film based on fairy tales? Good guys fight, bad guys fight harder, and crush the hopes of the good guys. But as always, the good guys band together in the end, and find a way to triumph over evil. Jack The Giant Slayer isn’t a ground-breaking film, but it’s a fun ride with a few good laughs here and there. 

Final Rating: 5/10

Upside Down (2013)

**This review contains spoilers**

In an alternate universe, Adam lives on a planet that shares dual gravity with another planet above. After losing  his biological parents in a devastating explosion caused by an oil refinery from the upper world, Adam spends time at an orphanage before living with his aunt.

Adam’s bottom planet houses the poor and starved half of the population, but the rich and healthy half of the population lives on the upper planet. TransWorld, a corporation that employs citizens from both planets, is the only connection between both worlds. TransWorld controls the economy between both worlds, and selling unaffordable electricity to the bottom planet is an important factor for maintaining  the separation between both planets.

Contact or intrusion between both worlds is strictly forbidden, and the Natural Law Police show no mercy towards defiance. Although, the citizens from the bottom planet CAN intrude into the upper world with the help of forbidden weights, or an illegal anti-gravity material, but this material has a short lifespan, and it burns quickly.

One day, a young Adam meets Eden at a boundary point on two mountains between both worlds. Adam builds a secret relationship with Eden, who lives in the upper world. As teenagers, Adam (Jim Sturgess) and Eden (Kirsten Dunst) continue their forbidden friendship, but an attack from a group of border patrolmen ends a routine meeting between the two. Adam tries to use a rope to return Eden to her world, but a border patrolmen shoots him in the arm, causing him to drop Eden. Eden crashes into the ground above, and she suffers a nasty head injury. Devastated, Adam returns home to see his aunt arrested by the Natural Law Police.

Ten years later, Adam is trying to finish a project that could change everything, a matter with pink bee pollen. Working through the kinks, Adam believes his new matter can withstand the gravitational pull from both worlds. But Adam needs more money and resources, so he decides to get a job at TransWorld. Although, Adam runs into an unexpected dilemma, when he spots Eden on a game show for the upper world. As a cover-up, Adam perfects his new matter into a beauty cream for TransWorld, but he can’t fight his desires to reunite with Eden. Adam is willing to risk everything to convince an amnesic Eden, while trying to outsmart his ruthless employers.

I don’t have any real complaints about the acting. Jim Sturgess and Kirsten Dunce provide two very solid performances, and Timothy Spall is decent enough as Bob (Adam‘s buddy at work). The cast is just fine, but the story….that’s a different problem.

Upside Down features grandiose set pieces, and extravagant, breathtaking scenery, but I can’t ignore Juan Diego Solanas’ shallow and predictable love story. You can see every twist and turn coming during Adam’s journey to recapture Eden’s heart. The love story slowly goes through the motions, and Eden’s sudden remembrance of her relatinoship with Adam raises too many “how is that possible?” questions. Seriously, Eden’s just laying around in her apartment, she has a random dream about her childhood with Adam, and then BAM! She instantly falls in love with him again? Initially, Solanas took his time building the reconnection between Adam and Eden, and establishing the two main characters as adults. But the ending was rushed and underdeveloped, and I just couldn’t buy into Eden’s miraculous recollection of the past.

Juan Diego Solanas’ weak screenplay is very disappointing, but I enjoyed his directing. Take a good look at the movie poster I posted above, because that’s what you’ll see for 90% of this film. Adjusting to Upside Down’s topsy-turvy landscape takes some time. In fact, you might experience feelings of nausea during the first fifteen or twenty minutes, but Solanas’ steady guidance really pulls everything together. Behind the camera, Solanas stays true to the story’s gravitational rules. When Jim sneaks into the upper world for the first time, he pees on the ceiling of a bathroom, as his anti-gravity material burns. And you’ll see a few inverted scenes, as Solanas shows both points of view from both worlds.

Upside Down is a frustrating film. A unique premise is squandered, because stunning visuals, and awe-inspiring backdrops can’t cover up the “been there, done that” storyline between Adam and Eden. Also, the obvious plot holes (mainly the big ones towards the end) constantly straggle into a giant mess, as the story progresses. It’s so irritating, because Upside Down could’ve been a great movie, but an average love story destroys any chances for supremacy.

Upside Down was released in 2012 for Russian and Canadian audiences. Upside Down should receive a US theatrical release date in March, and if I can find any showings near me, I might watch Upside Down on the big screen. The big screen won’t help the quality of this film, but I’m expecting a more extravagant experience from a theater showing. The big screen should enhance Upside Down’s visual wonderland, and it won’t happen, but Upside Down would be an ideal candidate for an IMAX release.

Final Rating: 3/10

Jumanji (1995)

In 1969, a young Alan Parrish finds a board game named Jumanji. After taking a beating from a group of bullies, and hiding in his father’s shoe factory, Alan takes the board game home. Alan plans to run away from home after an argument with his father, but things change when Sarah, the girlfriend of the ring leader for the bullies, shows up to return his stolen bike. Alan convinces Sarah to play Jumanji with him, but after a roll of the dice, Alan is sucked into the board game, and Sarah is scared off by a swarm of bats.

Twenty-six years later, two young children named Judy (Kirsten Dunst) and Peter (Bradley Pierce) move into Alan’s childhood home after their parent’s sudden and tragic deaths. Aunt Nora (Bebe Neuwrith) is the guardian, and Nora will have her hands full with a disrespectful niece and a strange nephew. Plus, Jumanji will only complicate Nora’s problems. One day, while snooping around in the attic, Judy and Peter find the Jumanji board game. Unaware of its evil powers, Judy and Peter decide to play Jumanji. After a few rolls of the dice, Judy and Peter free Alan from the board game. Now twenty-six years older, Alan (Robin Williams) will have to find Sarah, and with Peter and Judy’s help, the group will have to finish one game of Jumanji. Finshing the game will restore Alan’s normal life as a child, send the wild jungle animals back to their homes, and stop Jumanji’s magical path of destruction.

Well, I’m burnt out on 2012 stuff right now, so I decided to watch Jumanji. As a kid, I LOVED this movie. Hell, I begged my mother to buy me the board game for my birthday.

It took me a while to realize it, but the kid, who plays Judy is a young Kirsten Dunce. Robin Williams is predictably whacky as usual, and the rest of the cast is solid. Although, David Alan Grier is annoying at times. I used to enjoy his work on Living Color, but with the exception of a flashback at the beginning, his character is so obnoxious and over the top. 

Jumanji was a fun experience as a child, but I’m older now, and this film didn’t do anything for me. The CGI monkeys look so fake, the special effects are horribly outdated, and it’s hard to ignore. The humor is pretty lame, and Johnathan Hyde is a problem here. I’m not complaining about his performances, but Hyde portrays two characters in this film: Alan’s father and Van Pelt, a hunter, who emerges from Jumanji. Even with the beard as Van Pelt, it’s so easy to see the same guy as two characters. There’s no illusion, and Hyde’s double duty just kills any interest in both characters.

I can watch the live action Ninja Turtles films (the first two, because I still despise the third one and the time travel bullshit) and Home Alone 2 now a days, and I’ll still experience those great feelings of nostalgia. I can’t say the same thing about Jumanji. I chuckled a few times, and I enjoyed some of the adventurous action sequences (mainly the flood and man-eating vine attacks in the house towards the end), but overall, Jumanji was too dull for me.

Final Rating: 4/10

The Odd Life Of Timothy Green (2012)

Cindy (Jennifer Garner) and Jim (Joel Edgerton) Green are fighting to keep their dreams of having a child alive. Distraught and unable to conceive as a couple, Jim comes up with a unique idea to give his wife some hope. Cindy and Jim write out lists of achievements and attributes for their dream child, Jim places the lists in a box, and Jim buries the box in the backyard garden.

One night, during a sudden and unexpected rainstorm, a child named Timothy (CJ Adams) pops up out of the garden, and he sneaks into the Green’s house. Bewildered and delighted, Cindy and Jim embrace and accept Timothy as their own child. But The Green’s delightful surprise has a bizarre physical condition. Cindy discovers leaves growing on Timothy ‘s legs, and soon enough, The Greens will have to introduce Timothy into the real world. Can Timothy gain the acceptance and trust from Tom and Cindy’s families, and fit in as a regular kid at school?

Director Peter Hedges provides some beautiful daytime shots during autumn season, but his style is simplistic.

CJ Adams is likeable as Timothy Green. Odeya Rush portrays Joni, Timothy’s only friend at school. Rush sheds a few tears towards the end, and she showed signs of real talent every now and then. Jennifer Garner and Joel Edgerton are believable sympathetic characters, Ron Livingston is spot on as Jim’s douchebag boss, and David Morse provides a solid performance, as the tough and old school father (Morse portrays Jim’s dad).

Peter Hedges also wrote the screenplay for this film, and as a writer, Hedges tries to provide a genuinely moving and emotional story. But I had trouble buying into the fantasy side of this film. It’s easy to feel sympathy for Jim and Cindy. They’re caring people, who want the experience of being parents, but Timothy’s origins raised too many mind-boggling questions.

Once Timothy’s leaves start to fall off and turn brown, his fate becomes painfully obvious. When Timothy starts to lose his leaves, the story turns into a predictable and boring snooze fest. “Yep. Just waiting for him to die now.” I couldn’t escape this feeling, and for me, The Odd Life Of Timothy Green’s home stretch was a chore to sit through.

The flimsy premise was too shaky for my taste, but The Odd Life Of Timothy Green features a strong cast and a nice set of likeable characters. Timothy’s life story is far fetched, but The Odd Life Of Timothy Green has a good heart. And more importantly, this film never reaches a too sappy point, because there’s a good balance of humor and drama.

Final Rating: 5/10