Coming Attractions- Ballerina (2025)

 

Director- Len Wiseman

Cast- Ana de Armas, Lance Reddick, Anjelica Huston, Ian McShane, Keanu Reeves, Norman Reedus, Sharon Duncan-Brewster, Gabriel Byrne, Catalina Sandino Moreno, David Castaneda

Release Date- June 6, 2025

There’s no denying all the untapped potential for John Wick films. The possibilities for different areas, characters, and factions to explore are nearly endless, a rich tapestry loaded with a lot of intriguing ideas and stories.

It’s another story about a relentless pursuit of vengeance. Ana de Armas looks great here, playing the assassin facing seemingly insurmountable odds. A lot similarities to the challenges John Wick had to fight through during his quests for revenge. 

A good amount of familiar faces throughout the trailer. I get the feeling Reeves’ appearances will be limited to cameo status, because this is Eve’s (Ana de Armas) story. Winston will obviously have an important role, and it’s good to see one final appearance from Lance Reddick. 

Hopefully, Ballerina succeeds as a film existing in the world of John Wick, without heavily relying on Wick himself to carry the movie. The trailer is loaded with the slick, crafty, and fast paced action sequences you’d expect from a John Wick film. And I’m sure Gabriel Byrne will successfully continue the trend of aristocratic villains, with sociopathic mean streaks. 

American Horror Story Asylum- Episode 9- The Coat Hanger

 

**This post contains spoilers**

The Story- In the present, a man named Johnny Morgan (Dylan McDermott) visits a therapist to talk about his compulsive disorder. But Morgan soon reveals his true dark nature as a killer, who skins woman alive. Morgan, the son of Dr. Thredson and Lana, is the modern day Bloody Face.

Back at Briarcliff, Jude struggles to adjust to life as a patient. Lana and Kit continue to work as a team to expose Dr. Thredson, but Sister Mary Eunice has other plans.

Meanwhile, Dr. Arden has a bizarre plan that involves Kit to summon the aliens once again.

My Thoughts- Sister Jude’s downfall continues. After one last desperate plea for Monsignor Howard’s help, reality finally sets in: she’s stuck in an impossible situation with too many enemies against her. A few of the nuns at Briarcliff were happy to see Jude in shambles, because her strict reign of terror is over. Mother Superior Claudia (Barbara Tarbuck) was probably Jude’s last ally, but her statement, along with everyone else’s statements, didn’t exactly paint a flattering picture of Jude. The perception of Jude being this unhinged woman is out there, and there’s just too much evidence to dismiss it. Jude finally expresses anger at Monsignor Howard during that scene, where Monsignor Howard pulls away from Jude, as she begs for his help. It’s a big moment, because hopefully Jude finally realizes Howard is not the bright light she thought he was for so long.

With Monsignor Howard stripping Jude of all her powers, and taking the fall for Frank’s murder, there’s seemingly no way out for her. On top of all that, Jude was basically forced to listen to a phony apology from a wounded Leigh Emerson. 

We also see a truly surreal moment, when Jude enters the common room for the first time as a patient. She looks raggedy, broken, and tired. Jude hopes to make things right with Lana. Of course, Lana is hesitant to trust Jude for obvious reasons, but Jude vows to help with Lana’s freedom. There’s also a funny moment here, when Jude breaks the record with the Dominique song, which is basically the common room’s anthem. 

Lana successfully goads Thredson into a confession, while Kit records it. But Lana also discovers a bigger problem: she’s pregnant with Thredson’s child. Disgusted at the thought of giving birth to Thredson’s child, Lana believes she successfully performed an abortion on herself with a coat hanger. But Mary Eunice is quick to shoot down her hopes. The child inside her is alive, and it’s a baby boy. 

Arden has a plan to see the aliens again, and it involves bringing Kit to “the brink of death” to accomplish it. With Kit temporarily incapacitated, the aliens return with a pregnant and seemingly healthy Grace. Pepper promises to take care of Grace. A stunned Dr. Arden agrees, and he also assists in Grace’s rehabilitation and monitoring her pregnancy.

Monsignor Howard’s plan to baptize a supposedly reformed Leigh backfires, when Leigh almost drowns him and he literally nails Howard to a cross. With Howard bleeding and losing hope, he receives a visit from the Angel Of Death.

Grace still being alive was a nice and happy moment in this episode, but it wasn’t a huge surprise. They dropped too many hints that Grace wasn’t actually dead, and you can look back at the situation with Alma and the aliens to have an idea that there was still a realistic chance of hope for her.

And speaking of spoiling surprises, it wasn’t a big shock that Lana’s attempt to kill her baby failed, when the episode opened up with Johnny Morgan revealing his true identity. 

Dylan McDermott was barely in this episode, but he did a good job of establishing Morgan as the modern day Bloody Face. You get the feeling Morgan is a sadistic and deeply disturbed man, as he talks about bouncing around foster homes and skinning animals as a child. He’s a sicko. Morgan was seemingly disappointed that he wasn’t as precise and careful as his father was with killing his victims. The flashbacks to Morgan killing Theresa shows how frustrated he was with the process. Morgan is a serious threat, and with the way things were going in his session with Dr. Gardner, it’s no surprise he killed her. 

It’s kind of hard to feel any sympathy for Monsignor Howard’s fate. It’s obvious he was more concerned with advancing his own career over actually helping Leigh, and Emerson took advantage of just how gullible and arrogant he was. The cliffhanger with Shachath visiting Howard, as he bleeds out was perfect. Does Monsignor Howard want to let go, or does he still have the will to live?

The Coat Hanger features some truly gruesome images, with Lana’s bloody abortion attempt, and Monsignor Howard nailed to a cross. A couple of good cliffhangers to end this episode. More than enough intriguing questions to carry over to the next episode, and Lana and Kit’s problems may have actually gotten worse. Mary Eunice released Dr. Thredson, spoiling Lana’s plans to kill him. Zachary Quinto’s acting in this episode was superb. The irony of seeing Thredson, who’s such a horrible person, beg for mercy, when Lana tells him she’s going to kill the baby was a big highlight here. He coldly murdered women, but now Thredson was powerless and vulnerable, the best possible example of him receiving a taste of his own medicine.

Now, Thredson is free again, and who knows what his next move will be, or when he’ll strike again. And Kit managed to hide the confession tapes from Dr. Thredson under a battub before Dr. Arden spotted him, but are the tapes really safe there? Arden gave a curious look towards the tub, and by now, it’s known that he’s smart enough to uncover a scheme, when he sees one.

Rating- 6/10

American Horror Story Asylum - Episode 8- Unholy Night

**This post contains spoilers**

The Story- In 1962, days before Christmas, Leigh Emerson (Ian Mcshane) murders a Salvation Army Santa Claus outside of a grocery store. Starting with a little girl’s family, Emerson goes on a killing spree dressed as Santa Claus to deliver his twisted version of justice. Emerson is sent to Briarcliff for his crimes, where Sister Jude forces him into solitary confinement and brutal cane beatings.

In the present, Lana and Kit team up to help each other out. Lana vows to clear Kit’s name after discovering the truth about Bloody Face, but a returning Dr. Thredson complicates her plans.

My Thoughts- Ian McShane delivers a great performance in this episode. Leigh Emerson is a genuinely sadistic and disturbed man. McShane brings dark charisma to this character, portraying a man who’s vicious, but he also revels in his misdeeds.

But we do get to see some moments of vulnerability from Leigh. When Sister Mary Eunice tells the story of how Leigh was imprisoned for stealing bread and how he was raped in jail by five men. You can see the sadness on his face, when he’s reminded of this, and it’s easy to point to this as the moment where Emerson broke mentally. 

Sister’s Jude’s plan to save Mary Eunice from her possession horribly backfires. She was escorted off the property at Briarcliff as a trespasser for the first time. Her second mistake? She was gullible enough to trust Dr. Arden’s fake pleas for help.

Arden pulling a bait and switch on Jude by locking her in her old office with a vindictive Leigh Emerson wasn’t a big surprise. They tried to throw a curveball with the perception that Arden secretly went to ask for Jude’s help without telling Mary Eunice, but it’s already been established that while Arden is a stubborn and arrogant narcissist, he knows possessed Mary Eunice is too powerful to betray.

Jude actually managed to stab Leigh in the throat, but what happens now? Arden and Mary Eunice already have their plans set in place. Monsignor Howard has turned his back on Jude, so when you consider all that, Jude has no support system. And to make matters worse, she’s locked in a room with a bloody man that she stabbed.

The bond between Mary Eunice and Dr. Arden seemingly grows stronger in this episode. Arden proved his loyalty to Mary Eunice by playing a big part in setting the trap for Sister Jude. But things also continue to be shaky between the two, because Arden still wants the pure and sweet version of Mary Eunice back. Arden gives Mary Eunice a pair of ruby red earrings he took from a Jewish woman at a concentration camp, after the woman’s failed attempts to hide the earrings by swallowing them.

Arden was disgusted Mary Eunice didn’t refuse the earrings. He knows the real Mary Eunice would’ve been horrified at the thought of taking “s*** stained earrings” that Arden had to retrieve by searching the woman’s feces. Mary Eunice mocked and scolded Dr. Arden for being pathetic, and she once again reminded him who’s truly in charge. 

Kit and Lana teaming up to expose Dr. Thredson is a big development in this episode. Kit has always been a forgiving man, so he didn’t have to think twice about trusting Lana. Lana was ready to kill Thredson, but Kit put a stop to it. A confession from Thredson is the last chance Kit has to avoid the death penalty, so they both agree to keep Thredson bound and gagged and hidden until they can figure out the next steps.

There’s also a somber dream sequence from Kit in this episode. Kit imagines he’s home safely, celebrating Christmas with a pregnant Alma and Grace. It shows you what could’ve been, if all the madness never happened, and it’s a dream sequence that does a good job building sympathy for Kit.

The big takeaway from this episode is, Jude has probably hit the point of no return. It’s going to look like she broke into Briarcliff and attacked a patient. To make matters worse, Sister Mary Eunice received Monsignor Howard’s full endorsement for her leadership, and her attempts to reform Leigh (although that was short lived. Very short lived). 

Mary Eunice also continued her relentless efforts to tie up any loose ends by killing Frank. A sad ending for Frank, because he wanted to come clean after accidentally killing Grace, but he hesitated after a warning about doing the right thing from Dr. Arden.

Another big question from this episode is, you have to wonder if we’ve seen the last of  Grace? The aliens took her body before Dr. Arden had the chance to dump her in the woods, so the creatures could eat the evidence. 

How long will Kit and Lana be able to keep holding Dr. Thredson as a hostage a secret? Will a confession do anything for either of them? Yes, Lana and Kit put a stop to Thredson’s second run as Bloody Face and his plans to claim Lana as his new victim. But Thredson revealed to Lana that he already cleared his home of any evidence tying him to Bloody Face, and Kit is already the prime suspect. 

Unholy Night is definitely an AHS style Christmas episode. Everything from the Christmas tree in the common room being decorated with personal items from the patients, including dentures and ribbons of freshly cut hair, to Ian McShane’s portrayal of a demented killer Santa Claus. It’s one of the best AHS guest star appearances, definitely a memorable performance. The only setback is Leigh Emerson is such a deeply layered character that he would’ve needed an entire season to be truly fleshed out. McShane knocked it out of the park here, but it’s the type of character, where it’s hard to predict the true potential for in the middle of the season, and possibly being limited to only a couple of episodes.

Rating- 10/10

Jack The Giant Slayer (2013)

**This review contains spoilers**

Sent on a simple mission from his uncle, Jack (Nicholas Hoult) is supposed to sell his horse for money to help his uncle’s farm. But when Jack finally reaches his destination, he’s persuaded by a peculiar offer from a strange monk. The monk agrees to exchange the horse for a rare set of magical beans. But Jack must promise to guard the magical beans, and keep them a secret. As Jack holds the bag of beans, the monk rides away on the horse in an attempt to escape the guards of Cloister.

Meanwhile, Princess Isabelle (Eleanor Tomlinson) dreads her pre-arranged marriage to Lord Roderick (Stanley Tucci). The king of Cloister, King Brahmwell (Ian McShane) trusts Lord Roderick, but unbeknownst to the king, Lord Roderick is planning a takeover of the Kingdom.

During one stormy night, Isabelle seeks refuge inside Jack’s house, while his uncle is away. Jack tries to control his nerves in the Princess’ presence, but he’ll have bigger problems to worry about. One bean slips through the cracks in the floor, and after a slight dab of water, the bean explodes into a giant beanstalk. Jack’s house is catapulted into the sky. Jack falls to the ground, but Isabelle is still stuck inside the house, as the beanstalk pushes her through the clouds.

Jack awakes to an angry King Brahmwell in the morning, and with a determination to save Isabelle, Jack joins the team of knights, who are sent to find the King’s daughter. Led by Elmont (Ewan McGregor) and his second in command, Crawe (Eddie Marsan), the search party climbs the beanstalk into a world of merciless giants.

Lord Roderick and his sniveling sidekick, Wicke (Ewen Bremner) decide to tag along, and with the help of a magical crown, Lord Roderick waits for the right moment to fulfill his diabolical conquest. Isabelle is at the mercy of Fallon (voiced by Bill Nighy & John Kassir- Nighy is the bigger head, and Kassir is the smaller head, or to be more clear, Nighy is the smart head, and Kassir is the dumb head), the two-headed leader of the giants. Time is running out, as Jack fights to rescue Isabelle, thwart Lord Roderick’s evil plans, and save the Kingdom Of Cloister from destruction.

Ian McShane delivers a strong, and for my money, the second most entertaining performance here, because the number one spot belongs to Ewan McGregor. McGregor really nails the cocky and charismatic knight persona. Nicholas Hoult is kind of dull in the leading role, though. Yes, I get the point of his character. He’s supposed to be the unlikely hero/common man, who must rise to the occasion, and find his courage. Still, Hoult’s performance just falls flat, and he’s carried by McGregor and CGI giants throughout the movie. Tomlinson is an attractive woman, but she’s horribly dull as Princess Isabelle. And Tucci is enjoyable, as the slimy traitor, who’ll do anything to gain control over Cloister.

Brian Singer delivers awe-inspiring visuals and wonder behind the camera, and an action-packed finale. I took a chance on the 3D version, and Singer was able to find the right balance for the 3D effects. Not too much, and the 3D never reaches the “well, this is pointless, they just did a 3D release for more money” not enough point. Cool 3D effects throughout the movie, and I don’t regret paying the extra cash.

For the most part, I enjoyed Jack The Giant Slayer, but the inconsistent tones for this film annoyed the shit of me. Is this supposed to be for kids? Or, are they trying to cater to a wider audience (kids, teenagers, adults)? Fallon’s throne is made of human bones, and the giants are portrayed as fearless monsters, who love to eat humans. And during the sporadic giant attacks throughout the movie, you’ll see brief glimpses of the CGI giants attacking, and in some cases, distant shots of giants trying to, and eating humans.

But Fallon’s smaller head behaves like a goofy child with mental problems. The giant chef, who tries to cook Elmont alive picks his nose and eats his boogers during the prep. And a sleeping giant, who’s guarding the entrance/exit to the giant’s world farts during his slumber. Jack The Giant Slayer strays into kiddy territory every now and then, and the tonal shifts are really annoying.

A lot of people blame Jack The Giant Slayer’s formulaic and predictable story, but the weak overall cast is the true Achilles heel. McShane, McGregor, and Tucci couldn’t overshadow Hoult’s dullness in the leading role, and yes, it’s problem, because Hoult’s character receives the bulk of the focus and screen time here. Isabelle is suppose to be a sympathetic character, but Tomlinson’s performance is unconvincing. Sorry, but when CGI giants (i.e. Fallon) are more entertaining and convincing than members of your human cast, you’ve got some serious problems.

Jack The Giant Slayer is adventurous and fun, and the final battle is loaded with thrills and good action. Yeah, it’s predictable, but what else can you expect from a film based on fairy tales? Good guys fight, bad guys fight harder, and crush the hopes of the good guys. But as always, the good guys band together in the end, and find a way to triumph over evil. Jack The Giant Slayer isn’t a ground-breaking film, but it’s a fun ride with a few good laughs here and there. 

Final Rating: 5/10

Case 39 (2010)

Social worker Emily Jenkins (Renee Zellweger) receives an assignment that will change her life forever. Emily is assigned to the case of ten year-old Liliahna Sullivan (Jodelle Micah Ferland). Liliahna’s (or “Lillith”) bad grades and awkward behavior raise some suspicious questions, and after the first visit with Liliahna’s parents, Emily suspects child abuse. Liliahna’s mother refuses to cooperate, and Liliahna’s father won’t speak to Emily directly. Instead, his wife relays his whispered messages to Emily.  Determined to help Liliahna, Emily keeps a close eye on her case, and after receiving a frightened phone call from Liliahna one night, Emily rushes to Liliahna’s house. With the help of her friend and detective Mike Barron (Ian McShane), Emily breaks into the Sullivan’s house after hearing Liliahna’s screams. Mike and Emily rescue Liliahna from a torturous death, because Liliahna’s parents planned to cook her alive by trapping their only child in an oven.

Liliahna’s parents are sent to separate mental hospitals, and Emily risks her reputation and job security by adopting Liliahna. But Emily questions Liliahna’s motives after two bizarre and mysterious deaths. Douglas J. Ames (Bradley Cooper) is a psychiatrist and he’s Emily‘s close friend, and after Liliahna’s routine evaluation, Douglas is visibly shaken by Liliahna’s peculiar questions. Liliahna’s devious behavior frightens Emily, so she decides to visit her father at the mental hospital for more answers. Here, Liliahna’s father reveals Liliahna’s shocking secret: Liliahna is a demon, who preys on vulnerable people, and if she doesn’t get her way, she will kill her victims.

I never understood the hype behind Renee Zellweger, but she delivers a good performance in this film. Zellweger really shines towards the end, as the Emily character realizes she made a mistake adopting Liliahna, and Zelleweger’s nervous breakdown act is just fantastic. Cooper is believable in the “caring friend” role, and McShane was the perfect choice for the hard-ass detective persona. And I can’t forget about Jodelle Micah Ferland. Ferland’s innocence as the helpless child is spot on, and she really nailed the devious and delightfully evil side of  Liliahna’s personality.

I know I’m in the minority, but I LOVED Case 39. At first, it’s a heartwrenching story of a young girl, who suffers abuse from her parents. But Case 39 slowly develops into a spooky demonic thriller, as Emily struggles to come up with a plan to get rid of Liliahna. Plus, Case 39 provides a few squirming gross-out scenes and deaths. Bradley Cooper’s hornet infestation scene in the bathroom was unreal, and it’s an easy pick for my favorite sickening moment in this film.

With all that said, I can see why a lot of critics and movie fans trashed this film. The story is kind of generic, BUT at the same time, I think the generic criticisms are somewhat overexaggerated. Case 39 features some good twists and turns, and you’re a lying sack of shit, if you “predicted” the ending (I’ve seen this in other places).  There’s NO WAY anyone could’ve predicted Emily’s decision at the end step by step. It’s just impossible. If you’re just burnt out on the “creepy demonic child reeking havoc” stuff, then I can understand that. But when you pull the “I could see everything coming” card, you just sound like one of those pretentious “it’s insulting to my intelligence” douchebags.

Case 39 delivers a few good jump scares, and I was hooked into the suspenseful turmoil of Liliahna’s diabolical attacks. I admired Christian Alvart’s stylish and precise directing, and his crafty guidance enhances Case 39‘s tense and eerie atmosphere. Renee Zellweger and Jodelle Micah Ferland provide strong performances, and the supporting cast is solid. Case 39 isn’t perfect, but on the flipside, it’s not an abomination of epic proportions. 

Final Rating: 7/10