American Ultra (2015)

 

**This post contains spoilers**

The Story- Mike Howell (Jesse Eisenberg) is a convenience store clerk living in a small town in Virginia with his girlfriend, Phoebe Larson (Kristen Stewart). Mike’s peaceful and ordinary life is upended, when he’s attacked by two unknown assailants. 

Mike is targeted and hunted by dangerous operatives, while he’s caught in the middle of a deadly feud between CIA agent Victoria Lasseter (Connie Britton) and her coworker and adversary Adrian Yates (Topher Grace). Phoebe and his drug dealer buddy Rose (John Leguizamo) are Mike’s only allies, but Mike soon learns shocking secrets about himself and the reasons behind the government’s relentless pursuit to eliminate him.

My Thoughts- Jesse Eisenberg plays to his strengths with his familiar quirky and socially awkward persona, and it’s something he always excels at. Mike is a peaceful and carefree pothead. But he’s also a klutz and he’s not too bright at times, so the irony of Mike quickly switching gears to be this lethal and efficient sleeper agent is just hilarious. 

The boyfriend/girlfriend chemistry between Eisenberg and Kristen Stewart is fantastic. Mike is a stoner. He’s clumsy, he continuously makes stupid mistakes, but Phoebe never gives up on him. She knows he’s a good person with a big heart, and she’s willing to risk her life to protect him. Stewart and Eisenberg were believable as an unusual couple. Phoebe plays the role of his protector, and it’s easy to buy into the fact that these two are willing to do anything to keep each other safe.

Topher Grace did a good job as a pompous and condescending weasel. Connie Britton’s Victoria is a perfect foil for Grace’s Yates. Victoria is a kind, hard working, and compassionate person. She wants to protect Mike, because she knows he’s innocent. On the opposite side, Yates is a selfish and cold jerk, who climbed the corporate ladder with brown nosing and butt kissing. He sees Mike as a disposable asset. It’s his chance to further advance his career, and the dynamic between Britton and Grace is one of the true highlights here.

The approach on how to use Bill Pullman’s Raymond Krueger throughout the movie really works. Krueger’s appearances are limited, so when he shows up it’s more of a big deal, and you’re not exactly sure what his precise title is. It’s clear he outranks Yates and Victoria, and Pullman brings a commanding presence to Krueger. You firmly know he’s the boss, and Krueger means business, whenever he shows up.

Walton Goggins delivers one of the top performances as Laugher. You can immediately see Laugher is someone who has a few screws loose. Laugher is a top pick for a lot of the good comedic moments, because he’s a pesky and persistent stinker, who keeps coming back to terrorize Mike and Phoebe. Goggins perfectly sells Laugher’s nutty and violent personality, with that crazed look on his face and the constant cackling. He’s Mike’s main adversary in hand to hand combat and Yates’ got to guy throughout the movie, and Goggins truly nailed this character.

As far as John Leguizamo goes, I could’ve done without the N word stuff with Rose. It’s not malicious at all, but Rose definitely leans more towards the cringey side at times. Leguizamo is solid enough as the paranoid and low level drug kingpin, so the N word stuff just felt unnecessary. 

Tony Hale deserves credit for a noteworthy performance as Pete Douglas. He’s a nice and genuinely good guy, who turns into a nervous mess, because he’s torn between helping his friend (Victoria) and Yates, who bullies him and threatens his life, if he doesn’t fall in line.

When Mike finds out who he truly is, and Yates is still holding Phoebe hostage, it’s easy to guess how things will play out. Phoebe was actually Mike’s handler, and she wasn’t completely honest with him, so you know he’ll go through the dilemma of wanting to trust her again, because he believes she betrayed him. It all leads to the big showdown at the end, where Mike has to take on the rest of Yates’ Toughguy team and rescue Phoebe. It’s a predictable series of events, but the wild finale still delivers some good action and fight sequences. 

They did a good job with the contrast between Yates’ Toughguy sleeper agents and Victoria’s Wiseman sleeper agents. Yates’ agents are cold and more ruthless. On the flip side of that, Mike came from the Wisemam program. He’s someone who’s compassionate. There’s humanity in him, and he’s noticeably different from Laugher, who’s a mindless killing machine following orders. The differences between the Wiseman and Toughguy programs is a reflection of Yates and Victoria’s personalities. It’s a hilarious and ironic twist, with Mike being a stoner and a slacker as the success story over Yates’ supposedly more efficient team with tighter screws. 

The final showdown between Mike and Laugher delivered a satisfying brawl. Mike and Laugher were the two star recruits from their respective programs, so it made perfect sense for both guys to be the last men standing. There’s a heartfelt moment, when Laugher admits defeat and admires Mike’s performance and progress. Laugher talks about being broken (Yates used mental patients for his program), and Mike refuses to kill him, because he finally sees Laugher as a human being, who fell into an unfortunate situation.

There’s more irony when Yates is killed by Krueger for his massive blunder. Early on in the movie, Yates threatened Pete with death by execution outside, and that’s exactly how Yates was killed. The only difference is Yates wasn’t shot in “the f****** head,” but he still got what he deserved.

American Ultra has a happy ending. Victoria clearly receives a promotion with Pete by her side. Phoebe and Mike are working together as agents, and they can finally embrace their relationship. Also, it’s cool and unique how they ended the final moments of the movie with Mike’s The Adventures Of Apollo Ape & Chip The Brick cartoon. The success of Mike and Phoebe working together is shown through the cartoon, and it’s truly a fitting ending for this one.

American Ultra is a sharp and fun action comedy with a solid cast. The laughs and humor are consistent, and Mike trying to propose to Phoebe is a big running gag here. Mike is always trying to find the right moment to pop the question throughout the movie, but something always goes wrong. Mike finally gets his chance and Phoebe accepts after the big fight at the end, but the happy moment gets cut short, when Mike and Phoebe are tased by the agents. American Ultra has a strong pulse. There’s never truly a dull moment here, and after so many years, it’s still one of Jesse Eisenberg’s best films.

Rating- 8/10

Kick-Ass 2 (2013)

**This review contains spoilers**

After inspiring others to fight crime and clean up the streets, Dave Lizewski (Aaron-Taylor Johnson) decides to retire his Kick-Ass persona. Still inspired by her father’s mission and dedicated to keeping her promise to Big Daddy, Mindy Macready (Chloe Grace Moretz ) refuses to give up her life as Hit-Girl, until she receives pressure from Sergeant Marcus Williams (Morris Chestnut),  Mindy’s guardian and the man, who swore to protect her from any danger. Mindy tries to train Dave, so he can be a real hero without having to put on the costume, but Marcus steps in, and forces Mindy to retire the Hit-Girl persona and her life of crime fighting for good. Furious about the perceived awkward relationship with Mindy at school and a neglectful attitude, Dave’s girlfriend, Katie (Lyndsy Fonseca) dumps him in the hallways by slapping him in the face one day.

Meanwhile, Chris D’Amico (Christopher Mintz-Plasse) is still looking for revenge after Kick-Ass used a rocket launcher to murder his father. After an argument with his mother, Chris accidentally kills Ms. D’Amico by kicking her tanning bed, causing it to malfunction. Determined to get his hands on Kick-Ass, Chris assumes the identity of The Mother Fucker with the hopes of becoming the world’s first supervillian. With his inheritance and some help from his personal assistant Javier (John Leguizamo), The Mother Fucker assembles his own team of villains including Mother Russia (Olga Kurkulina), Black Death (Daniel Kaluuya), Genghis Carnage (Tom Wu), and The Tumor (Andy Nyman). Forming a stable of villains known as The Toxic Mega-Cunts, The Mother Fucker vows to destroy the city with crime, and kill Kick-Ass.

Unable to convince Mindy to become Hit Girl again and not wanting to fight alone, Dave becomes Kick-Ass again and joins a group of heroes called Justice Forever. Led by Colonel Stars and Stripes (Jim Carrey), Kick-Ass joins the team of Night Bitch (Lindy Booth), Doctor Gravity (Donald Faison), Team Remembering Tommy (two parents, who became crime fighters after their son was abducted), as a team made up of Tommy’s mother (Monica Dolan) and Tommy’s father (Steven Mackintosh), and Battle Guy, who eventually reveals himself as Marty (Clark Duke), one of Dave’s best friends.

The Toxic Mega-Cunts and Justice Forever are headed for an inevitable clash, as the police crack down on anyone wearing a mask. And things take a devastating turn for the worst, when Marty and Dave’s friend, Todd (Augustus Prew) gives away Kick-Ass’s real identity, putting Dave’s father, Mr. Lizewski (Garrett M. Brown) in harm’s way. And Mindy has a change of heart, after the most popular girl in high school and her clique pull a mean prank, forcing Mindy to think twice about being “normal.” Will Mindy become Hit Girl one last time, so she can join Justice Forever in the war against The Toxic-Mega Cunts?

Well, I’ll just get this out of the way now. Whether or not you agree with his decision to not promote Kick-Ass 2, because of the violence in this film, don’t get your hopes up for anything special from Jim Carrey. Colonel Stars and Stripes’ screen time is VERY limited, and you won’t see too much of him. Plus, Carrey’s character takes a backseat to the other sub-plots in Kick-Ass, so in the grand scheme of things, Colonel Stars and Stripes doesn’t have a significant impact on the story. Carrey is funny during his short time on screen, and you can tell he’s genuinely having fun with the character, but again, don’t go into this film expecting great things from Carrey, because you’ll be disappointed.

Moretz is still entertaining as the foul-mouthed and fearless bad ass, but as Mindy, we get to see a more vulnerable side of the character here. We saw glimpses of Mindy’s softer side with her father Big Daddy in the original, especially during his death, and the scenes where they both shared hot chocolate and marshmallows. But in the sequel, we get to see Mindy try and adjust to life in high school, as she tries to fit in. Moretz did a fantastic job of showing some emotion (most notably the scene, where she goes to Dave’s house for comfort after the prank), and showing the confliction of being torn between Hit-Girl and Mindy.

Anyway, Mintz-Plasse is appropriately annoying and loathsome as The Mother Fucker. The Mother Fucker is a spoiled brat, who uses his money to get what he wants, and Plasse is a suitable replacement for Mark Strong as the primary antagonist. The supporting cast isn’t bad. Clark Duke is able to provide a few laughs as the unapologetic comedian of the group. Lindy Booth is just eye candy for the most part, but she deserves some credit for her acting chops during scenes at the hospital with Dave, and The Toxic-Mega Cunts invasion at her home. But Mother Russia is the stand out star from the supporting cast. Having the physical presence of a scary and evil She Hulk helps, and trust me, when it comes to the scene, where she attacks the cops by herself, the trailers just show the tip of the iceberg. It’s way more outrageous and shocking, when you see the whole thing in its entirety. And don’t expect anything from Lyndsy Fonseca. Her appearances are limited to cameo status here.

So Kick-Ass keeps the vulgarity, the blood and violence, and for the most part, they maintained the raunchy edge that made the first film popular. Plus, they add in a “Mean Girls” sub-plot for Mindy’s character, and it’s not a bad idea, because it helped the audience connect to and understand Mindy’s vulnerable side. BUT Kick-Ass 2 isn’t something to brag about. You can say being something different and fresh helped the first film’s success, but Kick-Ass 2 didn’t have that luxury. The blood and the vulgar dialogue should please fans of the first film, but it felt like Kick-Ass 2 was playing it way too safe most of the time. I don’t mean safe as in watered down or restricted. I mean safe as in “let’s try our best to copy the blueprint of the first film without making any major changes” safe.

Remember how Bruce Wayne wanted to retire from being Batman in The Dark Knight Rises? But a good old fashioned beating from Bane and the bomb in Gotham changed his mind? Or more recently how Tony Stark wanted to be done with Iron Man after the trauma following the events of The Avengers? Well Kick-Ass 2 follows in the footsteps of the superhero wanting to retire for good, and leave a life of crime fighting behind them after a traumatic experience blueprint. Dave wants to be done with Kick-Ass after he promised his father he would never wear the costume again. And Mindy is reminded of who her real father was by Marcus, and the need for her to have a real childhood, so Mindy swears to never be Hit-Girl again. Problem with this formula is, we all know how it’s going to end. Somehow, someway, Dave and Mindy were going to become Kick-Ass and Hit-Girl again. And guess what? They did. They broke their promises, so they can help stop the growing threat of The Toxic Mega-Cunts. That’s the problem with this formula. It’s NEVER convincing enough to the point, where you’ll seriously believe said hero will hang it up for good, so when they actually make a comeback, it’s not genuinely surprising or shocking in the slightest.

But Kick-Ass 2 isn’t 100% through the motions and predictable all the time. The death of Chris’s mother and Dave’s father completely caught me off guard, and Hit-Girl using the shot of adrenaline to take out Mother Russia was a nice shock, because throughout the movie, you were lead to believe the stuff inside the syringe was a lethal injection, used to put someone out of their misery before an agonizing death.

And in an unrelated plot twists complaint, did anyone else notice Todd’s betrayal at the end? Todd was upset because Dave and Marty constantly ignored his efforts to become a superhero, so he tried to join The Toxic-Mega Cunts as Ass-Kicker. And guess what, Todd is the one, who revealed Kick-Ass’s identity as Dave to The Mother Fucker. After acquiring this info, The Mother Fucker sends out two of his goons to beat Dave’s father to death. After the big brawl between The Toxic-Mega Cunts and Justice Forever, Todd celebrates with Kick-Ass and the heroes? Eh, Todd is solely responsible for the death of Dave’s father, and they never mention that? On  top of that, he celebrates with the good guys like NOTHING happened, and he doesn’t have to suffer any consequences, when it’s all said and done? I’m sorry, but that’s a HUGE gap in logic that’s hard to ignore.

Still, Kick-Ass isn’t without some highlights. The final brawl was so much fun to watch, with the one on one duel between Mother Russia and Hit-Girl stealing the show. It’s a match up that had to happen, because Hit-Girl and Mother Russia are the top two bad asses and toughest characters in this film, so logic suggests both characters having to square off against each other in a “must-see“ fight to the death. And I can’t forget about Mindy’s rescue of Dave, as she’s fighting the bad guys in the speeding van on the highway. Amazing action sequence. Also, the tie-in of social media really enhanced the realism part of this film. During the beginning, a thug tries to use his cell phone to a record a fight with Kick-Ass, so he can reach “a million” hits on YouTube. And The Mother Fucker uses Twitter to brag about his feats of crime. 

I laughed a lot throughout this movie, but Kick-Ass 2 is a weird one for me. I enjoyed the film, but nothing here left me with a urge to see a part three after I walked out of the theater. It’s a satisfying sequel, and fans of the original should enjoy it, but I wasn’t foaming at the mouth for more Kick-Ass, when the credits started rolling.

Rating: 7/10

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The Impact of Kick-Ass 2's Failure At The Box Office This Weekend

Courtesy of Box Office Mojo, this weekend's box office stats: http://boxofficemojo.com/weekend/chart/?yr=2013&wknd=33&p=.htm

Sad to say, but this doesn't surprise me too much, and I don't want to sound like a bragging Captain Hindsight (nod to you all you South Park fans out there!), but I saw this coming.

The more and more I saw of the trailers and TV spots, the more I was convinced Kick-Ass 2 was going to flop at the box office this weekend. Why? I didn't see anything new. In the red band trailers, I saw all the same violence and vulgarity I saw in the first film. And Hit-Girl and Kick-Ass being conflicted about quitting the life, and wanting to be done with crime fighting for good? Eh, just to toss out a few examples, we've seen similar storylines in The Dark Night Rises, Spider-Man 2, Batman Forever, and more recently Iron Man 3.

Kick-Ass was supposed to be something new and unique. A more hardcore version of Mystery Man with bloody violence, cursing, and edge we haven't seen in too many mainstream superhero films. I know some of you will say "Hey, Mitch! What about Super with Rainn Wilson and Ellen Paige?" Well, yeah we had Super, but Kick-Ass managed to make a bigger splash on a larger landscape.

Anyway, we had the nerdy hero to root for in Dave Lizweski/Kick-Ass, and his ass kicking, foul mouthed partner, Hit-Girl. Moretz and Johnson still bring their A-Games in the sequel (review will have to come tomorrow or the day after guys, my tank is on E right now), and Mintz-Plasse is entertaining as The Mother Fucker, but Kick-Ass 2 was more of the same old, same old from the first film, with a little Mean Girls sub-plot thrown in, as Mindy tries to figure out, who she is. And as I alluded to before, they reintroduced the storyline of the heroes contemplating retirement, something we've seen too many times before, and we all know how that ends.   

There was so much buzz surrounding  the first Kick-Ass film, and while I enjoyed the sequel, I didn't leave the theater hoping for a part three. It's a shame, because with this awful opening weekend (and things aren't going to get any better next week), there's a good chance this could be the end of Kick-Ass before we see a reboot or remake in the future. Or even worse, they'll try and pull off a straight-to-video sequel.

Think of all the potential Kick-Ass had to be something different. No supernatural powers, no rich billionaire primary protagonists, and no fancy high tech gadgets or machines. And on top of all that, Kick-Ass was a fun parody of the superhero genre, and neither film takes itself too seriously. Now? The end of Kick-Ass is almost a sure thing, because I can't imagine another sequel after such a disappointing opening. And that means we'll probably get more of the same ordinary and cliched superhero films with flashy, loud special effects and stylish fight scenes, as Hollywood continues to reboot, remake, spin-off, and add sequels to the likes of Spider-Man, Batman, and other giants in the genre for years to come. Sorry, but it's going to be hard to top the likes of Nolan's Batman trilogy, Bryan Singer's X2, and Sam Raimi's Spider-Man and Spider-Man 2.    




   

One For The Money (2012)

**This review contains spoilers**

Stephanie Plum (Katherine Heigl) has fallen on hard times. She can’t find a job, she’s almost out of money, and her fancy sports car has been repossessed. Stephanie doesn’t want to be forced into a situation, where she might have to move back in with her parents, so she needs to find a job, and she needs to find one fast.

With no other available options to choose from, Stephanie turns to her cousin Vinnie (Patrick Fischler). Vinnie is the boss/owner of a bail bonds operation, but he doesn’t want to hire Stephanie at first. Vinnie only wants tough bounty hunters, who can hold their own in the most dangerous situations. Stephanie isn’t too bright, and she really isn’t qualified for the position at all. But Stephanie eventually blackmails her way into a job, and she has her eyes on the big prize. Joe Morelli (Jason O’Mara) is an ex-cop, and Stephanie could earn a $50,000 paycheck, if she brings him in. Stephanie doesn’t have any experience in bounty hunting, but she does receive some help from Ranger (Daniel Sunjata), the only true expert bounty hunter in this film. Stephanie needs the money, and she is more than determined to capture Morelli, because she still has some bitter feelings towards her ex-boyfriend. During her high school years, Morelli seduced Stephanie, took her virginity, and quickly dumped her afterwards. Stephanie is still pissed, and she won’t let anyone get in her way, as she tries to capture her ticket for a new life.

Well, Katherine Heigl was the star of this film, so I guess I couldn’t expect anything good or decent. Heigl was awful as usual, but One For The Money is just a bad film overall.

First of all, One For The Money is supposed to be a COMEDY, but I couldn’t laugh at all. The humor in this film is just dreadful, and the barrage of corny jokes almost gave me a headache. I really did try, but I just couldn’t laugh at anything in this film. The humor felt so forced, and the highly annoying characters didn’t help anything.

And then there’s Katherine Heigl. I’m not a fan of this woman at all, and this is no secret. She is a terrible actress, and she always portrays the same type of character in all of her films (the annoying, pompous, stuck up, self-centered, pretentious bitch). Heigl has starred in some very bad romantic comedies over the years, but she still receives a good amount of work every year. She’s been the leading lady in a handful of mainstream films, but for some asinine reason, Hollywood refuses to pull the plug on her. Heigl CAN’T ACT, she’s not funny, and she has to have one of the most annoying on-screen personas I’ve seen in years.

The Stephanie Plum character does have the backstory of someone, who you would want to feel for. She lost her job, she’s facing some hard times, and she seems like an innocent person, who wanted a chance. But I lost any sort of sympathy for Stephanie pretty quickly. Stephanie is a real klutz throughout this film. She constantly puts other peoples lives in danger, and she is somewhat responsible for one man’s death. They wanted Stephanie to be the loveable screw-up, who you could root for, but for the most part, I despised this character. Of course, Heigl just made everything worse. She delivers the same type of persona, that you will see in her terrible romantic comedies, and Heigl‘s brown hair is the only real change you‘ll see in this film. Heigl really doesn’t have any range at all, she’s not funny, and her performance really drags this film down a lot.

They tried to throw in a shocking surprise at the very end, but I had already given up on One For The Money at this point. Jimmy Alpha (John Leguizamo) is the real murderer, but Joe Morelli was suppose to take the fall. Alpha is the owner of an MMA/boxing gym, and he’s about to kill the only two people, who could connect him to the murder (Stephanie and Joe). But Stephanie manages to kill Alpha with a series of gunshots, and Morelli becomes a free man. Still, Stephanie needs the money, so she decides to capture Morelli. She turns him into the police, and Stephanie collects her $50,000 payday.

Umm, yeah, this might’ve worked for some people, but One For The Money had already pissed me off enough, and I didn’t care about the attempted jaw-dropping surprise. I just wanted this to be over, and for me, nothing could save this film. Robert De Niro, Al Pacino, and Jack Nicholson could’ve all made surprise cameos at the same time, and I still would’ve hated this film. Leguizamo did do a good job with his character, and this surprise did feel unexpected, but this particular shocking effort at the end did have this strong “too little, too late” feeling.

One For The Money should be an early contender for one of the worst films in 2012, because this was a complete train wreck. One For The Money couldn’t provide any laughs for me, and there are way too many annoying characters in this film. The majority of the characters in this film did bring legit feelings of anger out of me, and I felt like punching a hole through something most of the time.

Katherine Heigl will probably receive more starring roles in the future, but one day, I’m hoping the powers that be in Hollywood will realize this woman truly has no talent at all. One For The Money has been a box office flop so far, so Heigl’s reign of terror might come to an end soon enough.

Final Rating: 1/10