Friday, April 26, 2024

Coming Attractions- The Exorcism (2024)

 


Director- Joshua John Miller

Cast- Russell Crowe, Sam Worthington, Ryan Simpkins, Chloe Bailey,  David Hyde Pierce, Samantha Mathis, Adrian Pasdar, Adam Goldberg, Tracey Bonner, Marcenae Lynette


Release Date- June 7, 2024

The Final Girls is one of my all time favorite slasher films, so I’ll always make an effort to watch anything that involves Joshua John Miller and M.A. Fortin. 

The Exorcism? I’m actually optimistic about this one. Some fourth wall breaking, with Chloe Bailey mentioning strange occurrences on the sets for The Omen and The Exorcist, and how all the weird events will obviously play a role in Russell Crowe’s possession. I wonder how far they’ll go with the movie within a movie approach, because the trailer clearly shows a strong effort. 

There’s a lot of material to work with here. Crowe having to fight his personal demons. How he’s seemingly possessed by the forces surrounding the movie, and well, you get the feeling he’s a burnt out has-been actor, who had to take this role because he’s out of options. That’s a big cliche. Still, the positives in the trailer outweigh the negatives. I’m just really hoping they don’t go overboard with the zany theatrics for the exorcism finale. 






Coming Attractions- The Watchers (2024)






 


Director- Ishana Night Shyamalan

Cast- Dakota Fanning, Georgina Campbell, Oliver Finnegan, Olwen Fouere

Release Date- June 7, 2024


A promising trailer that doesn’t show a lot, but they still managed to drop a few clues. I’m leaning towards a big twist. Creatures? Watching a bunch of strangers in the middle of nowhere? It’s obviously some kind of experiment, and I’m guessing Dakota Fanning is the final girl. Or maybe it’s a post-apocalyptic film, and the creatures want to see, who should live or die?

Ishana Shyamalan’s directorial debut has a lot of potential. I haven’t read the book the movie is based on yet, but it’ll be interesting to see, if Shyamalan decided to make any major changes. 



Coming Attractions- Alien: Romulus (2024)

 

Director- Fede Alvarez

Cast- Cailee Spaney, David Jonsson, Archie Renaux, Isabela Merced, Spike Fearn, Aileen Wu


Release Date- August 16, 2024


Prometheus had an excellent cast, but overall the movie was weirdly too preachy and overly pretentious. Covenant was forgettable, so I always have a hard time feeling any real excitement for an Alien film. A good friend made a comparison for the Alien and Terminator franchises a while back. Alien and Terminator eerily share a familiar pattern. The first two films in both series are iconic, bonafide classics. Everything after that ranges from solid to mediocre for quality, with a few memorable moments and scenes, but nothing ever comes close to the early stages of either franchise. 

The Alien VS Predator films never lived up to the hype. AVP 2004 was too tamed and dull, and while Requiem compensated for the lack of gore and brutal violence in the 2004 film, Requiem still had its own problems. 

In a perfect world, I still believe Alien 3 could’ve been the definitive finale for the series. It just made too much sense for Ripley to be the one to sacrifice herself, finally putting an end to the madness. 

I’ll always have my doubts, but Romulus’ first trailer looks good. Romulus truly looks and feels like an Alien film so far, and saving the only appearance from a Xenomorph for the last shot of the trailer was a nice touch. Don’t Breathe was fantastic. Evil Dead 2013 is a top three Evil Dead film, so Fede Alvarez is a great choice for a director. 





Coming Attractions- Trap (2024)

 

Director- M. Night Shyamalan

Cast- Josh Hartnett, Ariel Donoghue, Saleka Shyamalan, Hayley Mills, Allison Pill, Marnie McPhail, Vanessa Smythe


Release Date- August 9, 2024


M. Night Shyamalan, the man of many twists and shocking swerves! Sometimes that’s a good thing, and sometimes the surprises in Shyamalan’s films are horribly disappointing. The Sixth Sense is a shining example of Shyamalan at his best, you can also add Signs to that list. 


But it’s hard to forget about the misfires throughout Shyamalan’s career. The twist for The Village was too far fetched and ridiculous. The Happening? A big letdown after so much anticipation for the reasons behind the pandemic, which basically led to a borderline silly film, that’s about people offing themselves in creative ways.

Shyamalan can be streaky with his films, but Trap has a lot of potential so far. A unique premise, and I’m having a hard time believing Josh Hartnett is actually the killer. Surely there’s no way they would reveal a big storyline in the trailer? It’s just too straightforward, considering Shyamalan’s track record.


Setting a trap in a packed arena? Why would the authorities put so many innocent lives in danger? Something BIG has to happen, a lot of paths and different possibilities to go with. 

Coming Attractions- Bad Boys: Ride Or Die (2024)

 

Directors- Adil El Arbi, Bilall Fallah


Cast- Martin Lawrence, Will Smith, Vanessa Hudgens, Alexander Ludwig, Paola Nunez, Eric Dane, Tasha Smith, Joe Pantoliano, Rhea Seehorn, Jacob Scipio, DJ Khaled, Tiffany Haddish


Release Date- June 7, 2024


Killing off Joe Pantoliano in Bad Boys For Life was a good “anything can happen” surprise for a series that plays it safe for deaths from the main cast of reoccurring characters. The main villains are usually forgettable, but the duo of Martin Lawrence and Will Smith is the main attraction in Bad Boys’ films.


Bad Boys For Life actually has an intriguing mystery, with someone trying to frame Captain Howard. Interested to see what role Mike’s son, Armando plays in the series going forward, and how Theresa Randle’s absence will impact the movie. 

Coming Attractions- Tarot (2024)

 

Directors- Spenser Cohen, Anna Halberg

Cast- Harriet Slater, Jacob Batalon, Avantika Vandanapu, Olwen Fouere, Wolfgang Novogratz, Larsen Thompson, Adain Bradley, Humberly Gonzalez


Release Date- May 3, 2024



Tarot is based on the novel Horrorscope by Nicholas Adams. The trailer? It’s really hit and miss for me. The spooky atmosphere looks good, but I see one too many scenarios, where the main characters will make stupid decisions that could’ve easily been avoided. A lot of jump scares in the trailer, and it’s a trick that loses its shock factor, if you rely on it too much. The kids trapped in the car, with the proximity sensors going off could’ve been a nice surprise. It’s something I haven’t seen before, but by the looks of things, they showed most of the sequence in the trailer. 


Tarot has an intriguing premise with a lot of promise. Although, if this trailer is an accurate sign of things to come, Tarot will stick to the usual cookie-cutter formula for mainstream PG-13 horror films.


Coming Attractions- MaXXXine (2024)

 

Director- Ti West


Cast- Mia Goth, Elizabeth Debicki, Moses Sumney, Michelle Monaghan, Lily Collins, Halsey, Giancarlo Esposito, Kevin Bacon, Bobby Cannavale


Release Date- July 5, 2024


While X was a solid slasher throwback, Pearl truly took everything to another level. Mia Goth’s performance was phenomenal in Pearl. Unhinged, disturbing, and delusional, Goth nailed every layer of that character. And they’re clearly sticking with the storyline for the obsession to achieve stardom by any means necessary.


AHS 1984 is the last time I remember seeing The Night Stalker/Richard Ramirez playing a role in a movie or TV show, but I’m banking on a swerve for MaXXXine. They never say his real name, and Ramirez doesn’t make an appearance in the trailer. Is it possible that Maxine is The Night Stalker? She is determined to be a star, so murdering the competition is a possibility.


I’m interested to see how things play out after the audition scene. The disastrous fallout with Pearl not being to handle rejection was one of the bigger highlights in Pearl, and a major turning point in the movie. I’m a sucker for 80’s vibes and 80’s nostalgia. The 80’s setting fits perfectly with the boom period for slasher films, and I’m curious to see how Bates Motel and any possible Psycho references are related to the story. The cast looks great, so hopefully MaXXXine delivers for Ti West’s unconventional trilogy.

Coming Attractions- Cuckoo (2024)

 

Director- Tilman Singer


Cast- Hunter Schafer, Dan Stevens, Jessica Henwick, Jan Bluthardt, Marton Csokas, Greta Fernandez, Astrid Berges-Frisbey, Konrad Singer, Proschat Madani, Kalin Morrow


Release Date- May 3, 2024


The trailer for Cuckoo shows a lot, but there’s still some unanswered questions to ask. The only thing that’s presumably confirmed is, Dan Stevens has to be the bad guy. But what’s so special about Gretchen (Hunter Schafer)? Why is she a target? Why does her family need to stay at an eerie place, that’s seemingly out in the middle of nowhere? 


Cuckoo’s trailer cleverly builds anticipation for a promising movie, without spoiling any major plot points. There’s a genuinely creepy and unsettling vibe here, so hopefully Cuckoo makes some noise, as one of the under the radar hits for horror this year. 

Thursday, April 25, 2024

Coming Attractions- Deadpool & Wolverine (2024)


 

Director- Shawn Levy


Cast- Ryan Reynolds, Hugh Jackman, Morena Baccarin, Emma Corrin, Rob Delaney, Leslie Uggams, Brianna Hildebrand, Shioli Kutsuna


Release Date- July 26, 2024


Wolverine had the perfect send-off in Logan, but we’re in the era of multiverses and alternate timelines for superhero films. Hugh Jackman is Wolverine. There’s no denying Jackman consistently delivers. If you’re going to bring him back, pairing him with Deadpool is justifiably a big comeback, while setting a grand stage for the MCU debut of two wildly popular characters. The trailer definitely has a grand, big time feel to it, perfectly building the hype for the biggest superhero film in 2024.

The Deadpool films rely on the fourth wall breaking a bit too much sometimes, but it also works to help Deadpool’s inventive style. Add in the slick and over the top violence, and you have a set of superhero films with a unique identity. 


Deadpool & Wolverine will surely deliver a lot of surprises and cameos. The odd couple pairing with Reynolds and Jackman is almost guaranteed to bring a spark to the MCU, a spark that’s needed, because it’s mostly been a dull stretch after Endgame and No Way Home. 



Tuesday, April 23, 2024

Coming Attractions- I Saw The TV Glow (2024)

 


Director- Jane Schoenbrun

Cast- Justice Smith, Brigette Lundy-Paine, Helena Howard, Fred Durst, Danielle Deadwyler, Lindsey Jordan, Amber Benson, Conner O’Malley, Emma Portner, Phoebe Bridgers, Haley Dahl, Kristina Esfandiari


Release Date- May 3, 2024


Going by the trailer, I Saw The TV Glow definitely has the potential to be a unique and memorable coming-of-age film. The vibrant colors, the nostalgic retro look from the TV show, and the premise has a lot of promise, with fantasy bleeding into the real world.


Justice Smith is at his best, when he’s playing the jumpy and nerdy kid, who delivers on the courageous moments, when the situation calls for it. Franklin from Jurassic World: Fallen Kingdom, or if you’re into survival horror games, Ryan from The Quarry are a few good examples. The trailer shows a good amount of footage. But there’s still enough restraint to try and piece together some clues to figure out the mystery, and the questions surrounding Maddy’s disappearance. 

Sunday, April 21, 2024

The Angry Black Girl And Her Monster (2023)(Minor Spoilers Review)

 

**This post contains MINOR spoilers**


The Story- After her brother Chris’ (Edem Atsu-Swanzy) death, Vicaria ( Laya DeLeon Hayes) promises to cure the disease that destroyed her family. The disease? Death. Vicaria plans to resurrect Chris, and she succeeds, but the results are disastrous.


Vicaria runs into trouble with a gang leader named Kango (Denzel Whitaker) and his ruthless right hand man, Jamaal (Keith Holliday). Meanwhile, Chris’ rampage grows more violent and bloody, as Vicaria fights to protect a pregnant Aisha (Reilly Brooke Stith), Jada (Amani Summer), and her father, Donald (Chad L. Coleman). 


My Thoughts- Vicaria is a smart kid, the mad scientist with a good heart. She fiercely stands on what she believes in, and there’s no denying Laya DeLeon Hayes delivers a strong performance in the leading role. Yeah, she’s a smart-ass, who’s quick with clever comebacks, but Vicaria’s environment punishes anyone with a passive personality, so she has to be tough to survive.


Amani Summer brings a positive spark to the cast. She’s sassy, and her peculiar friendship with Chris’ is ironically hilarious. This carefree little girl is friends with The Monster, and for the vast majority of the movie, Jada is really the only person, who Chris consistently communicates with for some kind of normalcy. 


Chad L. Coleman has one of the big highlights here, during the scene, where Donald and Vicaria are at a meeting with Vicaria’s teacher, Mrs. Kempe (Beth Felice). You can see the fire in his eyes, and really hear the anger in his voice, as he’s tearing into Mrs. Kempe. A really good scene that shows a supportive and loving father standing by his daughter, and Coleman delivers a good emotional performance overall. 


Donald is a broken and exhausted man working two jobs. He developed a drug habit to cope with the loss of Chris and his wife. The scene, where Vicaria finds a picture of Chris face down in his room was a nice touch. You have to believe Donald couldn’t handle looking at the picture, because it’s just too painful.


TABGAHM pushes the idea that death is a disease, a disease that causes catastrophic emotional damage. Donald is struggling to be the leader and the provider that Vicaria needs. Vicaraia is trying her best to live a normal life, but she’s angry, because death has taken so much away from her. Add in the fact that she’s still a kid, and you can understand why Vicaria is having a lot of trouble processing losing her brother to gang violence and her mother’s death. 


The struggles and setbacks in the black community are prevalent throughout TABGAHM, and the social commentary works. Vicaria mentions Valerie Thomas as an inspiration, and while she has big goals and high expectations for herself, Vicaria is not ignorant to the fact that she lives in a rough neighborhood. 


There’s a scene, where Aisha is trying to stress the importance of knowing the differences between the truth and lies for Freeman (Dale Cordice Jr.). The problems with public schools presenting a fabricated version of history, and to illustrate the differences between the truth and lies, Aisha shows Freeman two books: one on Malcolm X, and another book on Christopher Columbus. Aisha also stresses the importance of learning to Jada, pushing a routine for her to learn the alphabet.


Vicaria tries to help one of the neighborhood kids named Jerome (Ellis Hobbs IV). She wants to steer him away from Kango and his gang, but Jerome feels the need to join the gang because of a lack of options. As a child, Jerome is still smart enough to know he’s in shark infested waters, and no one is coming to save him.


Vicaria scolds Kango for poisoning and flooding the community with drugs, but Kango’s simple counter argument is, that he’s just a product of his environment. Kango is cold hearted. He knows he can capitalize off of being a drug dealer and a respected and feared man, who doesn’t care about taking or ruining lives, while lining his own pockets. 


The Angry Black Girl And Her Monster is a refreshing and inventive version of Mary Shelley’s Frankenstein, a brutal and gory tale of vengeance, featuring an emotional story about the hardships of dealing with death. Laya DeLeon Hayes is fantastic in the leading role. And TABGAHM doesn’t hold back on the bloody gruesomeness and gross out moments. It’s more than enough to pull a reaction out of you, especially the scenes, where Vicaria is preparing Chris for the big resurrection.


I’m glad writer/director Bomani J. Story decided to take the path for a happy ending. Severe mistakes were made, lessons were learned. Vicaraia’s life would’ve drastically changed either way. But the ending really balanced things out for a film that’s heavy on a harsh reality, and a seemingly never ending cycle of death and hopelessness.


Rating- 8/10





The Angry Black Girl And Her Monster (Spoiler Review)(2023)

 

**This post contains spoilers**


The Story- After her brother Chris’ (Edem Atsu-Swanzy) death, Vicaria ( Laya DeLeon Hayes) promises to cure the disease that destroyed her family. The disease? Death. Vicaria plans to resurrect Chris, and she succeeds, but the results are disastrous.


Vicaria runs into trouble with a gang leader named Kango (Denzel Whitaker) and his ruthless right hand man, Jamaal (Keith Holliday). Meanwhile, Chris’ rampage grows more violent and bloody, as Vicaria fights to protect a pregnant Aisha (Reilly Brooke Stith), Jada (Amani Summer), and her father, Donald (Chad L. Coleman). 


My Thoughts- Vicaria is a smart kid, the mad scientist with a good heart. She fiercely stands on what she believes in, and there’s no denying Laya DeLeon Hayes delivers a strong performance in the leading role. Yeah, she’s a smart-ass, who’s quick with clever comebacks, but Vicaria’s environment punishes anyone with a passive personality, so she has to be tough to survive.


Amani Summer brings a positive spark to the cast. She’s sassy, and her peculiar friendship with Chris’ is ironically hilarious. This carefree little girl is friends with The Monster, and for the vast majority of the movie, Jada is really the only person, who Chris consistently communicates with for some kind of normalcy. 


Chad L. Coleman has one of the big highlights here, during the scene, where Donald and Vicaria are at a meeting with Vicaria’s teacher, Mrs. Kempe (Beth Felice). You can see the fire in his eyes, and really hear the anger in his voice, as he’s tearing into Mrs. Kempe. A really good scene that shows a supportive and loving father standing by his daughter, and Coleman delivers a good emotional performance overall. 


Donald is a broken and exhausted man working two jobs. He developed a drug habit to cope with the loss of Chris and his wife. The scene, where Vicaria finds a picture of Chris face down in his room was a nice touch. You have to believe Donald couldn’t handle looking at the picture, because it’s just too painful.


TABGAHM pushes the idea that death is a disease, a disease that causes catastrophic emotional damage. Donald is struggling to be the leader and the provider that Vicaria needs. Vicaraia is trying her best to live a normal life, but she’s angry, because death has taken so much away from her. Add in the fact that she’s still a kid, and you can understand why Vicaria is having a lot of trouble processing losing her brother to gang violence and her mother’s death. 


The struggles and setbacks in the black community are prevalent throughout TABGAHM, and the social commentary works. Vicaria mentions Valerie Thomas as an inspiration, and while she has big goals and high expectations for herself, Vicaria is not ignorant to the fact that she lives in a rough neighborhood. 


There’s a scene, where Aisha is trying to stress the importance of knowing the differences between the truth and lies for Freeman (Dale Cordice Jr.). The problems with public schools presenting a fabricated version of history, and to illustrate the differences between the truth and lies, Aisha shows Freeman two books: one on Malcolm X, and another book on Christopher Columbus. Aisha also stresses the importance of learning to Jada, pushing a routine for her to learn the alphabet.


Vicaria tries to help one of the neighborhood kids named Jerome (Ellis Hobbs IV). She wants to steer him away from Kango and his gang, but Jerome feels the need to join the gang because of a lack of options. As a child, Jerome is still smart enough to know he’s in shark infested waters, and no one is coming to save him.


Vicaria scolds Kango for poisoning and flooding the community with drugs, but Kango’s simple counter argument is, that he’s just a product of his environment. Kango is cold hearted. He knows he can capitalize off of being a drug dealer and a respected and feared man, who doesn’t care about taking or ruining lives, while lining his own pockets. 


Well, you had to know bad things would happen, when Vicaria finally resurrected Chris. Chris’ gruesome killing rampage quickly turns into a big problem, and it gets to a point where a conflicted Vicaria has to make a tough decision: she has to kill Chris….again. Chris leaves a mark on whoever he touches, a noticeable diseased mark that gives the appearance of burnt, rotting flesh. Truly an eerie and ironic twist, because Vicaria wanted to cure death, but she’s directly responsible for spreading the disease throughout the neighborhood. 


It’s a gut wrenching decision to make, and it’s easy to understand the struggle Vicaria is going through. Yeah, you could say it was a foolish plan to try and bring someone back from the dead without consequences. But you have to remember, Vicaria is just a kid, who was heartbroken over her brother’s death. It wasn’t fair that his life was cut short at an early age. IF she had the slightest chance to bring Chris back, Vicaria was going to take it, and no one was going to stop her.


Everyone’s dead! Or is there still a chance to bring them back to life? Towards the end of the film, Chris has already murdered anyone in his path, but after an unexpected hint from Jada, Vicaria realizes she still has a chance to revive the people Chris killed. Vicaria comes to the realization that Chris’ victims are still “fresh.” 


The reason why Chris’ resurrection was a failure is, Vicaria waited too long to the point, where Chris was basically just a rotting corpse. Chris could recognize his family, but overall he was too far gone, a zombified killing machine without a conscience. Vicaria makes an important point before Chris dies. Chris wasn’t truly a monster. People around the neighborhood and the police told him he was a monster in one form or another. They were terrified of him, so naturally Chris had a violent reaction to the backlash. But the spirit of the kid, who loved his sister and his father was still alive, especially in Chris’ final moments.


TABGAHM ends with the start of a happy reunion, when a coherent and resurrected Aisha wakes up after her death. Vicaria has this big smile on her face, because she realizes she finally got it right. Vicaria can successfully bring her family back from the dead the right way. Considering everything she had to suffer through, Vicaria definitely deserved a happy ending. 


The Angry Black Girl And Her Monster is a refreshing and inventive version of Mary Shelley’s Frankenstein, a brutal and gory tale of vengeance, featuring an emotional story about the hardships of dealing with death. Laya DeLeon Hayes is fantastic in the leading role. And TABGAHM doesn’t hold back on the bloody gruesomeness and gross out moments. It’s more than enough to pull a reaction out of you, especially the scenes, where Vicaria is preparing Chris for the big resurrection.


I’m glad writer/director Bomani J. Story decided to take the path for a happy ending. Severe mistakes were made, lessons were learned. Vicaraia’s life would’ve drastically changed either way. But the ending really balanced things out for a film that’s heavy on a harsh reality, and a seemingly never ending cycle of death and hopelessness.


Rating- 8/10

Wednesday, April 17, 2024

Truth Or Dare (2018)

 



**This post contains spoilers**



The Story- During a spring break trip to Mexico, Carter (Landon Liborion) lures Olivia (Lucy Hale) and her friends into playing a seemingly harmless game of truth or dare. Olivia, her best friend, Markie (Violett Beane), her boyfriend, Lucas (Tyler Posey), Tyson (Nolan Gerard Funk), his girlfriend, Penelope (Sophia Taylor Ali), Ronnie (Sam Lerner), and Brad (Hayden Szeto) all join in on the game. But things take a dark turn, when Carter reveals the sinister consequences for the game: all players must fully participate, and death is the penalty for lying, or anyone who refuses to follow through on their dares.


The group lures another player named Giselle (Aurora Perrineau) out of hiding in an attempt to find more answers. Giselle mistakenly reveals Carter’s real name, but Olivia and the others are forced to deal with a bigger problem, when Giselle reveals an unknown rule for the game.


My Thoughts- Lucy Hale and Violett Beane carry the weight for the more serious and emotional side of Truth Or Dare with a pair of solid performances. Sam Lerner, Nolan Gerard Funk, and Hayden Szteo balance things out with comedy. Tyson and Ronnie are both narcissists. The big difference is, Ronnie is more of a goofball and a fool. Tyson has the bigger and more fragile ego, as he continues to forge prescription slips, while he also masquerades as a legitimate doctor. 


Aurora Perrineau deserves a lot of credit for her performance. The poor hygiene and the dirty clothes were a nice touch, but Perrineau perfectly encapsulates how the game can destroy someone mentally and emotionally. Giselle is broken and desperate. There’s a lot of similarities to Carter’s motivations, because Giselle wants her freedom from the game, by any means necessary. 


Follow the rules, or you die. Humiliation and betrayal? Yes, it can hurt, but if you refuse to play, certain death is the ultimate penalty. That’s truly terrifying for something that’s supposed to be nothing more than a silly kid’s game. 


Truth Or Dare takes things a step further by using the main character’s traumas, issues, and secrets for the truths and dares in the game. An already drunk Penelope having to drink a bottle of vodka, while walking the edges of the roof, because she has a drinking problem. Brad being forced to tell his strict father, Officer  Han Chang (Tom Choi), the truth about his homosexuality. And Olivia carrying the burden of  telling Markie about how her father tried to force himself on her, before he committed suicide. To add to that, an angry Olivia told Markie’s father that his daughter would be better off, if he was dead.


Sure, some of the truths and dares are just harmless fun at first. Ronnie backing out of a dare to show his “business” at a bar is a good example. But things quickly escalate to truths and dares that have more serious consequences. Truth Or Dare does a good job of matching the severity of the truths and dares with the actual gameplay. If the participants do manage to successfully complete either one, everyone is scarred one way or another, after everything is done.


The friendship between Markie and Olivia is, well it’s complicated. Olivia has feelings for Lucas, but she lied to Markie (Lucas is like a big brother to me!) about it. Olivia finally exposed Markie’s infidelity after a dare, embarrassing Lucas in the library. And to make things more awkward, Olivia lied about being forced into choosing to have sex with Lucas for one of her dares. There’s also the problem with Olivia carrying around the guilt of hiding the truth about the events that led up to Markie’s father killing himself. 


The tension, the anger on both sides, and the feeling of being betrayed by Olivia on Markie’s side plays a big part in the story. But maybe it’s all just too much? The drama between Olivia and Markie is overwhelming. Their story could’ve had its own movie. Hale and Beane did a fantastic job of making everything believable, but the ups and downs in Markie and Olivia’s friendship disrupts the story’s momentum. 


Truth or dare. The High stakes. You play, or you die. This is serious business, but the weird faces coming from the people, who ask the participants to choose truth or dare? Oh, boy. I get it. The people asking the questions are obviously possessed, so their faces look like “messed up Snapchat filters,” but I’d say it’s worse than that. The wide, red eyes, and the stretched cheek to cheek smiles? It just looks too silly. You’re about to ask someone to participate in a game that’ll determine, whether they live or die, but it’s hard not to laugh, when you see the supposed evil faces.


The story from Inez (Vera Taylor) about the game’s origins and the demon Calux possessing the game adds that essential sinister and dark layer to Truth Or Dare. It’s a tragic story. Inez wanted to punish the disgusting priest, who terrorized her and her friends, but Calux killed everyone, leaving Inez as the sole survivor. How did Inez survive? She performed a ritual, which included cutting out her own tongue.


The ending? Calux tells Olivia there’s no way to escape the game after Sam/Carter’s death. But Olivia can temporarily delay her next turn and Markie’s turn in the game, if she can find more players. So Olivia uploads a video to You Tube, inviting millions of potential players to play Truth Or Dare. It’s a clever and logical ending, that could leave things open for a future film. Was Olivia’s decision selfish? Yes, there’s no denying that at all. But if you put yourself in Olivia’s place, it’s understandable how someone could make that decision, when you’re young and facing certain death.


Truth Or Dare features a good amount of grisly images. Ronnie breaking his neck on the pool table dare, a possessed Tyson ramming his own pen into his head, and Inez’s severed tongue are some good notable picks. And Giselle lighting the innocent woman on fire at the gas station really worked to set the tone for the rest of the movie. After that scene, you’ll know this version of truth or dare is not a fun and carefree game. 


There’s also a decent message about friendship involving Olivia and Markie. After everything they went through, Markie and Olivia’s bond was stronger in the end. After all the lies and keeping secrets from her, Olivia chose to make the hard decision to protect Markie. It’s a story about what happens, when friends are pushed to their limits for trust and betrayal, and how different people react, when you reach the point of no return for forgiveness. 


Truth Or Dare has the right ingredients, but it’s a horror film with some noticeable problems. Why would you follow a complete stranger (Carter/Sam) to an abandoned church in a different country? Trusting Carter is an irreversible mistake that has deadly ramifications throughout the movie. And Truth Or Dare’s biggest problem is, it’s just not scary at all. There’s the one decent scene with the homeless man (Andrew Howard) ambushing Olivia to pick truth or dare, but that’s about it. 


There’s also too many unintentionally funny moments, when things are supposed to be serious. Truth Or Dare has a solid cast, and a premise with a lot of potential. But it’s a movie that has one too many misfires, and it joins the already crowded pack of so-so mainstream PG-13 horror films.


Rating- 4/10


 








Imaginary (2024)(Spoiler Review)

 **This post contains spoilers**


The Story- Jessica (DeWanda Wise) moves into her childhood home with her husband, Max (Tom Payne), and her stepdaughters, Alice (Pyper Braun) and Taylor (Taegen Burns). Alice develops an unusual relationship with a teddy bear named Chauncey. Jessica slowly realizes that Chauncey is more than just an imaginary friend, as Chauncey’s games become more sinister.


Gloria (Betty Buckley), Jessica’s neighbor and her former babysitter, offers her help. But Jessica will have to confront her past and traumas from her childhood, if she wants to save Alice.


My Thoughts- DeWanda Wise holds her own well in the leading role, and Pyper Braun delivers a solid performance. Braun does a good job of playing this innocent and bright-eyed kid, who’s way too attached to her imaginary friend. 


There’s a scene during a session with Dr. Soto (Veronica Falcon), where Alice has a breakdown, because Chauncey is trying to intimidate her. Braun shows how the stress of dealing with Chauncey is effecting her. How it’s just too much for a young child to handle, and the therapy scene is easily one of the bigger highlights here. 


Betty Buckley was the right fit for Gloria. Gloria is this sweet old lady, but she’s also kooky. A lot of horror films have that one elderly character, who tries to warn everyone about the severity of the impending threats. Filling the role of the harbinger of doom, Buckley also nails the storyteller side of Gloria, as she explains Chauncey’s origins and motivations to Jessica and Taylor. 


The family dynamic between Jessica, Taylor, and Alice features some familiar cliches. Jessica is trying her best to be the positive and helpful stepmother. Taylor is the bratty and rebellious teenager. She resents Jessica for forcing her way into the family. Samantha (Alix Angelis) is Taylor’s biological mother, committed to a mental institution. Taylor tries to reconnect with Samantha, but the brief reunion has a sad ending, driving a bigger wedge between Jessica and Taylor.


The big fake out happens, when it’s revealed that Chauncey isn’t real, because he’s an imaginary friend! There’s no physical version of the teddy bear. Jessica and Alice are the only two people, who can actually see Chauncey. It’s a logical reveal, because Alice and Jessica both share a connection with Chauncey, but it’s not a shocking reveal. Pay close attention, and you’ll notice Jessica is the only person, who acknowledges seeing a teddy bear throughout the movie.


After so many teases and hints, we’re ready for the big finale in the Never Ever. The Never Ever is Chauncey’s realm, and you can quickly see how it’s a comforting and safe place for children. It’s not too spooky, no rivers of blood or skeletons, and it’s a place where a child’s imagination has endless possibilities. 


In the Never Ever, Alice creates her own world, where she has everything she wants. She’s a princess. Alice also imagines her biological mother into her world, so everything is perfect, right? Well, of course Alice comes to her senses, with some help from Jessica. She escapes the Never Ever with Taylor and Jessica, and Alice lights Chauncey on fire, burning the house down in the process to finally escape Chauncey.


The journey into the Never Ever is rocky, but it’s also predictable. I didn’t buy into the attempted swerve, where Jessica seemingly escaped, but she realizes she’s still stuck in the Never Ever. Gloria sealing the exit, because of her obsession with wanting to stay in the Never Ever? It’s another surprise that’s not too shocking, if you pay attention. 


Gloria was way too obsessed with Jessica, her childhood, and everything that was going on in her life. She was more concerned with gaining knowledge about Chauncey, so you had to know she was just waiting for the right moment to sabotage the rescue mission. 


Chauncey’s monstrous form? It’s not scary or intimidating. I was expecting Chauncey’s demonic look to resemble an actual bear, or at least something that’s more believably ferocious.


What happened to Dr. Soto’s colleague? After the therapy session with Alice, Dr. Soto mentions she knows a colleague, who can help Alice, but they never mention whoever this person is again? Going by what Dr. Soto said, I’m guessing this person was someone, who deals with unprecedented situations. It’s just really strange how they seemingly forgot about this mystery man at a crucial point in the story. 


Imaginary undeniably has a lot of good ideas, and Alice and Jessica are two likable main characters. Chances are most of us had an imaginary friend at Alice’s age. It’s a way to escape the real world, or soften the blow of not being able to make real friends. And it’s obvious Alice is upset about Samantha’s absence from her life.


Jessica having a strong and vibrant imagination in her adult years as an author of children’s books, with her character Simon (a big spider), helps strengthen her bond with Alice. Jessica’s unique imagination is the main reason for Chauncey’s obsession with her, and you could say the same thing about Alice.


The scene with Jessica visiting her father, Ben (Samuel Salary) is a bit over the top, but it gets the point across to show just how dangerous Chauncey is, and the consequences Ben had to suffer through for his sacrifice.


The potential for a truly good horror film is there. I’d go as far as saying it could’ve been great, but Imaginary follows the usual playbook for mainstream PG-13 horror films. The repetitive scare tactic with ghostly figures lurking in the background. The jump scares, and overall Imaginary just feels dull. There’s ONE good sequence, when Chauncey terrorizes the neighbor, Liam (Matthew Sato), but that’s about it. And you’ll see some of that sequence in one of the trailers, so it’s not a big shock, because you already know how it ends.


Rating- 4/10







Imaginary (2024)(Minor Spoilers Review)


**This post contains MINOR spoilers**


The Story- Jessica (DeWanda Wise) moves into her childhood home with her husband, Max (Tom Payne), and her stepdaughters, Alice (Pyper Braun) and Taylor (Taegen Burns). Alice develops an unusual relationship with a teddy bear named Chauncey. Jessica slowly realizes that Chauncey is more than just an imaginary friend, as Chauncey’s games become more sinister.


Gloria (Betty Buckley), Jessica’s neighbor and her former babysitter, offers her help. But Jessica will have to confront her past and traumas from her childhood, if she wants to save Alice.


My Thoughts- DeWanda Wise holds her own well in the leading role, and Pyper Braun delivers a solid performance. Braun does a good job of playing this innocent and bright-eyed kid, who’s way too attached to her imaginary friend. 


There’s a scene during a session with Dr. Soto (Veronica Falcon), where Alice has a breakdown, because Chauncey is trying to intimidate her. Braun shows how the stress of dealing with Chauncey is effecting her. How it’s just too much for a young child to handle, and the therapy scene is easily one of the bigger highlights here. 


Betty Buckley was the right fit for Gloria. Gloria is this sweet old lady, but she’s also kooky. A lot of horror films have that one elderly character, who tries to warn everyone about the severity of the impending threats. Filling the role of the harbinger of doom, Buckley also nails the storyteller side of Gloria, as she explains Chauncey’s origins and motivations to Jessica and Taylor. 


The family dynamic between Jessica, Taylor, and Alice features some familiar cliches. Jessica is trying her best to be the positive and helpful stepmother. Taylor is the bratty and rebellious teenager. She resents Jessica for forcing her way into the family. Samantha (Alix Angelis) is Taylor’s biological mother, committed to a mental institution. Taylor tries to reconnect with Samantha, but the brief reunion has a sad ending, driving a bigger wedge between Jessica and Taylor.


Imaginary undeniably has a lot of good ideas, and Alice and Jessica are two likable main characters. Chances are most of us had an imaginary friend at Alice’s age. It’s a way to escape the real world, or soften the blow of not being able to make real friends. And it’s obvious Alice is upset about Samantha’s absence from her life.


Jessica having a strong and vibrant imagination in her adult years as an author of children’s books, with her character Simon (a big spider), helps strengthen her bond with Alice. Jessica’s unique imagination is the main reason for Chauncey’s obsession with her, and you could say the same thing about Alice.


The scene with Jessica visiting her father, Ben (Samuel Salary) is a bit over the top, but it gets the point across to show just how dangerous Chauncey is, and the consequences Ben had to suffer through for his sacrifice.


The potential for a truly good horror film is there. I’d go as far as saying it could’ve been great, but Imaginary follows the usual playbook for mainstream PG-13 horror films. The repetitive scare tactic with ghostly figures lurking in the background. The jump scares, and overall Imaginary just feels dull. There’s ONE good sequence, when Chauncey terrorizes the neighbor, Liam (Matthew Sato), but that’s about it. And you’ll see some of that sequence in one of the trailers, so it’s not a big shock, because you already know how it ends.


Rating- 4/10




Wednesday, April 10, 2024

Countdown (2019)

 

**This post contains spoilers**


The Story- A nurse named Quinn Harris (Elizabeth Lail) downloads the Countdown app, an app that features a clock that’s capable of pinpointing the exact time and date of the user’s death. Quinn shockingly learns she only has two days to live, and to make matters worse, Quinn’s younger sister, Jordan (Talitha Bateman) also downloads Countdown, revealing an identical time frame for her death.


Quinn works together with Matt (Jordan Calloway), Father John (P.J. Byrne), and a tech guru named Derek (Tom Segura) to escape certain death. Father John has a plan to help Quinn, Matt, and Jordan, but time is not on their side, as the demon Ozhin targets the group.


My Thoughts- The death app? Now that’s truly a unique idea for a horror film! Yes, you can say it’s a gimmicky trick, but Countdown still reinforces the inevitability and the hopelessness of death with a modern twist.


Think about the opening of the movie. Courtney (Anne Winters) didn’t want to get in the car with her drunk boyfriend, Evan (Dillon Lane), because she believed she had a better chance of escaping death, if she walked home. What happened? Ozhin murdered her at the house. And to add another eerie layer to Courtney’s demise, she would’ve died anyways, when Evan crashed his car.


Father John’s circle to stop Ozhin? It didn’t work, because Matt was lured away by Ozhin impersonating his dead brother. Derek rigging the app to add more years for a longer life? The clocks rolled back to the original time frames. Quinn planning to kill  Dr. Sullivan (Peter Facinelli) before his time runs out to break the curse? Ozhin prevented it from happening.


It’s a strong reoccurring theme throughout Countdown. You can’t escape or outsmart death. Your fate is unavoidable, and the end comes whether  you’re ready for it or not. Big difference in Countdown is, you know exactly when you’re going to die, and there’s nothing you can do about it. That’s truly terrifying.


Read the user agreement! It’s something we’ve all done, myself included, when you’re downloading an app or a new program. You see this massive wall of text, all these paragraphs, and there’s a chance you have no idea what most of it means. So you just scroll down to click or tap that “I agree” button. In Countdown, breaking the user agreement comes with deadly consequences. 


There’s a good amount of realism behind the characters in Countdown not reading the user agreement, because I’m sure it’s something we’ve all done before. South Park’s memorable HumancentiPad episode took the more comical approach to show how bad things can happen, if you don’t carefully read the user agreement. Obviously things are more serious in Countdown. Maybe all the trouble could’ve been avoided, if Quinn and others just decided to read?


Ozhin’s design is fairly gruesome. A demonic creature, the grim reaper who draws closer, as your time in the living world runs out. There’s a good backstory for Ozhin’s origins involving the story with the prince trying to avoid his death. The prince’s backstory proves you can have everything you want. Riches and a luxurious life, but none of that will save you from death. 


And it’s a trick that’s been overused in a lot of horror films, but Ozhin appearing as dead loved ones related to the main characters in an attempt to deceive them still works. Quinn is a good example. Ozhin disguises himself as her deceased mother, Jamie (Andrea Anders). Remember, Quinn never got a chance to say goodbye to her mother, before she was killed by a drunk driver.


Looking at the cast, Peter Facinelli delivers a solid performance as Dr. Sullivan. Dr. Sullivan is a creepy pervert. There’s just something slimy about him, and how he carries himself.


Tom Segura is genuinely hilarious as Derek or “Doc.” Derek is a sarcastic and brash know-it-all, and Segura absolutely nails Derek’s personality. P.J. Byrne’s enthusiasm as the unconventional priest brings a spark to the cast, and you can tell he’s having fun with the character. And he’s only in one scene, but John Bishop makes the most of his limited screen time, as Gerry, an unhinged and nutty conspiracy theorist. 


Segura, Byrne, and Bishop all deliver the laughs in their own unique ways, but it’s a problem. Countdown’s comedic side is far more entertaining and effective than the horror side of the movie. It’s strange, because Countdown has a promising opening. After Courtney leaves the party, it’s dark outside and she’s clearly being stalked by Ozhin. A good spooky sequence, but the problem is, Ozhin lurking in the background gets a a bit repetitive. 


I understand what they were they going for, Ozhin is the shadow that you can’t run from, and it doesn’t matter where you are. But after the fiasco with Courtney, Evan in the hallways at the hospital, and Quinn in the parking lot, Ozhin suddenly appearing out of nowhere loses its wow factor.


If we’re talking about cliches, Jordan being the bratty and rebellious teenager is the only one that’s too on the nose, but there’s a good reason for it. Jordan, similar to Quinn and their father, Charlie (Matt Letscher), is still grieving over the loss her mother. She’s too young to process everything, and she’s upset Quinn is not adequately filling the role of the protective big sister.


Quinn dealing with the ramifications of Dr. Sullivan forcing himself on her is the big subplot. Quinn feels alienated, and Nurse Amy (Tichina Arnold) is one of the only people, who she can talk to, and Sullivan manages to sabotage that relationship. Solid execution for this subplot, because Sullivan is a lying weasel, a cretin who deserves his comeuppance for targeting women, while abusing his position of authority. 


The swerve during the ending, with Jordan using the syringe to revive Quinn? Well, you had to know Quinn had something up her sleeve, because she didn’t want to leave Jordan behind. And it’s no surprise Quinn’s plan didn’t work. Countdown ends on a cliffhanger, revealing Countdown version 2.0 downloaded itself on Quinn’s phone. Sorry, but it just wasn’t believable that Quinn beat the clock, because it’s proven throughout the movie, that no matter what you do, it’s impossible to cheat death. 


Countdown is a gimmicky horror film, but the potential is undeniable. It’s a story about loss, learning to deal with death and everything that comes with it, and the fear of not being able to alter your fate, when you have good intentions to do so. There’s a good scene during the ending, where Quinn, Jordan, and Charlie visit Jamie’s grave together as a family. They’re looking for the closure they all desperately need, a good somber moment, when you consider all the obstacles the family had to endure to get there, especially Quinn and Jordan.


Countdown is hampered by the usual PG-13 mainstream horror movie setbacks. Too many predictable jump scares, a step by step process of storytelling, and a cheap cliffhanger that’s most likely not going to go anywhere (Countdown was released in 2019). There’s a solid story to work with here, and using an app for death is a creative idea. Countdown is not a horrible film, but it could’ve been so much better.


Rating- 5/10


Monday, March 25, 2024

Nerve (2016)

 

**This post contains spoilers**


The Story- Living in Staten Island, Vee (Emma Roberts) wants to take a risk and step outside of her comfort zone, so she decides to join Nerve, an online game where players take their chances with dangerous challenges to win money. Vee quickly outshines her best friend, Sydney (Emily Meade) as one of Nerve’s popular players, while her friend Tommy (Miles Heizer) and Vee’s mother, Nancy (Juliette Lewis) worry about her safety.


Another player named Ian (Dave Franco) forms a duo with Vee, as the dares become more dangerous. Nerve’s watchers throw their support behind Ian and Vee as the flavor of the night. But the it team will have to deal with Ty (Machine Gun Kelly), Nerve’s most dedicated and fearless player, if they want win and escape the game. 


My Thoughts- Vee is a simple and relatable character. She’s young, she’s scared about going out into the world on her own, and Vee doesn’t want to leave her single mother alone after her brother’s death. Vee is at that stage in her life, where it’s time to take that big leap into the real world. Emma Roberts delivers a believable performance, as a nerdy kid, who’s still stuck in her shell, going through the growing pains of transitioning into adulthood.


The friendship and dynamic between Vee and Sydney is one of the bigger storylines in Nerve. Vee is frustrated with being Sydney’s sidekick. Sydney is noticeably jealous, as Vee’s popularity continues to rise. Sydney resents Vee, because Sydney craves attention and validation. Vee is stealing her spotlight, but Vee doesn’t see it that way. She’s just trying to have fun, breaking away from her usual safe and predictable lifestyle. 


Of course, you know at some point there’s going to be a big argument between Vee and Sydney. They’ll angrily hurl deeply personal insults at each other, and that’s exactly what happens at the party. It’s a predictable step by step process, leading up to the moment where Vee and Sydney decide to bury the hatchet.


Emily Meade really nailed Sydney’s outbursts at the party. You can buy into the anger and heartbreak, as she’s tearing into Vee, because she’s upset her best friend vented to someone else (Ian), who’s basically a complete stranger. Solid execution for playing out the drama between Sydney and Vee, but as soon as Vee decides to join Nerve, and you see Sydney’s reaction to it, it’s easy to see where everything is going. 


Dave Franco delivers a solid performance as Ian. He’s charming and ambitious, and Ian is someone Vee can trust. Franco and Roberts share good chemistry as a duo, with Ian being the guy, who helps bring Vee out of her comfort zone. 


Tommy having a crush on Vee is hinted at and teased, but ultimately Vee and Ian fall for each other. Roberts and Franco did a good job of playing off of each other, with their opposite personalities. Their relationship easily had more of a spark. Going the route of putting Vee and Tommy together would’ve been the more cliched and boring choice, because Vee and Ian were a more entertaining impromptu duo/couple.


My biggest problem with Nerve is, I never believed the main characters were in any real danger. Nerve is supposed to be this extremely dangerous game, where ANYTHING can happen. Sure, some of the dares are nail-biters. The ladder dare, and Ian needing to hit 60 mph on his bike blindfolded, while Vee guides him are a few good examples. Yeah, they showed a highlight reel of failed dares, and the one tragedy, where a player fell to his death during one of Ian’s old games. But Nerve leaned too heavily on the side of teasing that something bad could happen, instead of actually showing a truly disastrous outcome in the current storyline.


The final challenge? Ty shooting and “killing” Vee just wasn’t believable. Vee faking her death as a ruse to help shutdown Nerve for good was way too obvious. I get the idea behind Vee wanting to sacrifice herself to put a stop to Nerve, and scaring all the watchers into believing they’re accessories to murder. They tried to throw in another curveball, with Vee leaving Ian in the dark about her plans to make her death feel more realistic. I could’ve actually bought into Franco’s devastated reaction, if Nerve was more convincing about death being a serious possibility throughout the movie. 


Nerve was released in 2016, but the social commentary is still relevant today. I’d go as far as saying it’s more relevant today than it was eight years ago. Whether it’s TikTok, Twitter/X, or any other social media platform, the urge to go viral is something that continues to escalate. 


There’s definitely a lot of realism with people feeling the need to record themselves doing absolutely stupid things, hoping they’ll possibly turn their fifteen minutes of fame into a career. Add in the fact that Nerve players receive a bigger payout for bolder and more riskier dares, and you can easily see the connections to modern social media influencers or content creators.


Ty and Sydney are two perfect examples for real people that you would expect to play Nerve. Before she acknowledges her mistakes, Sydney is obsessed with the little bit of fame that comes from Nerve. She was willing to get suspended from school for flashing her butt, but Sydney didn’t care that much, because she gained more followers. Ty? He has the openly narcissistic and cocky personality that you’d expect from someone, who lives for the thrill of being watched and showing off.


There’s a happy ending all around, with Tommy and his hacker friend, Kween (Samira Wiley) working together to shutdown Nerve. Vee decides to go art school with her mother’s blessings, and Ian and Vee are officially together. 


New York was the right setting for Nerve. The bright lights, and the idea of the city that never sleeps, fits perfectly with Nerve’s non-stop and lively characteristics. There’s also a connection to Wu-Tang. Vee is a big fan of the legendary group. There’s a scene, where Vee raps along to C.R.E.A.M. as a distraction to help her get through the tattoo challenge, easily the perfect choice for a Wu-Tang song. 


Nerve is a vibrant and fun thriller, that moves at a fast pace. Roberts and Franco are two likable lead characters, and taking an interactive POV approach throughout the movie was a nice touch. It fits with Nerve’s theme to give you the impression that you’re apart of the game, or you’re at least watching everything unfold in real time. Some decent laughs every now and then, and there’s a handful of unanswered questions, but Nerve has a definitive ending, without any cheap cliffhangers.


Rating- 6/10

Wednesday, March 20, 2024

Takers (2010)

 


**This post contains spoilers**


The Story- A tight crew of professional bank robbers contemplates accepting a high stakes job from Ghost (Tip Harris), a member of the gang, who just finished a five year prison sentence. Thomas (Idris Elba), John (Paul Walker), Jake (Michael Ealy), and A.J. (Hayden Christensen) all have their doubts, but the money is just too tempting to resist. 


The gang questions Ghost’s motivations, but John, A.J., Thomas, Jake, and his younger brother, Jesse (Chris Brown) execute their plans to follow through with the heist. The crew is pursued by Detective Jack Welles (Matt Dillion) and his partner, Eddie Hatcher (Jay Hernandez). Risks are apart of a bank robber’s life, and a betrayal from within the group threatens to jeopardize the mission.


My Thoughts-They’re bank robbers, but the crew in Takers are also presented as likable characters. Thomas is struggling to help his sister, Naomi (Marianne Jean-Baptiste) with her drug addiction. Jake is serious about caring for and protecting Jesse, and Jake loves his girlfriend, Lilly (Zoe Saldana). Thomas and A.J. are just two cool and easygoing  guys, who are dedicated team players. There’s nothing sleazy about the crew. They’re not into blowing all their money on drugs and women. It’s a gang featuring efficient professionals, a close family willing to die for each other, if things go south.


The opposition? Matt Dillion’s Jack is a burnt-out detective trying to juggle work and his family life, often prioritizing his duties as a detective over his own daughter. Eddie stole money from a drug bust, but he did it to try and help his family, because he’s drowning in debt. To cap off a sad ending for Eddie, he drops his guard during a face-off with Jesse, allowing Jesse to shoot and kill him.


Outside of just doing their jobs, there’s really not a strong conflict between both sides. You can look at the majority of the characters in Takers, and easily find redeemable qualities. I was hoping for a stronger blood feud, but it’s more of a simple “they’re bad guys, and we have to stop them” mindset from Jack’s side.


One big score! The job, where everything could possibly go wrong…and that’s exactly what happens. Ghost is a traitor, playing both sides. His plan involved pitting his crew and Sergei’s (Gideon Emery) gang against each other, allowing Ghost to take all the money for himself after everyone else is dead.


Okay. I get that, but did they REALLY have to make it so obvious? You can easily tell Ghost is still bitter about being caught on old job, that cost him five years of his life in prison. Ghost also resents Jake for stealing Lilly away from him, while he was locked away. The snide look Ghost gave Lilly before the heist, his constant smart remarks throughout the movie, and he’s very open about how resents the gang for forgetting about him. And to make matters worse, the crew openly acknowledges Ghost is someone, who can’t be trusted.


They could’ve tried to throw a curveball? At least make an attempt at a believable swerve, or tease the possibility of Ghost being a true team player. Ghost’s impending betrayal kills a lot of the tension in Takers. You know it’s coming eventually, so it’s just a lot of waiting around for the moment, when he officially turns on the gang.


T.I. delivers a solid performance. I could easily believe and buy into his character. Ghost has a skeevy personality, an irritating and cocky jerk, who only cares about himself and punishing his friends. Idris Elba always brings a strong presence to his characters. Thomas is a leader, and Elba does a good job of showing frustration and anger, as he tries to help Naomi through an agonizing rehab process. 


There’s a lot of showing off in the early stages of the movie. The crew lives a lavish lifestyle. They wear nice suits, a fancy club is their hangout spot, and it’s a cool all-star team of bank robbers. 


The opening heist provided a good spark for the movie. The action and the thrills picked up again after the chaotic fallout from the final heist. And the shootout scene at the hotel really worked, as the violent and intense turning point before the big standoff at the airport. Takers had a lot of potential. It’s predictable, but Takers is still a decent and entertaining heist film, that delivers a solid adrenaline rush during the home stretch.


Rating- 5/10


Sunday, March 17, 2024

Jumper (2008)

 


**This post contains spoilers**

The Story- After a failed attempt to impress his crush, Millie (AnnaSophia Robb), and a run-in with his pesky bully, Mark (Jesse James), a young David Rice (Max Thieriot) accidentally discovers he has the ability to jump. A Jumper can instantly teleport to any place on earth, and David uses his powers to escape his strict and abusive father, William (Michael Rooker).


Years later, David (Hayden Christensen) has mastered his powers, using jumping to rob banks, so he can live a luxurious lifestyle. David finds Millie (Rachel Bilson) working at a bar. He convinces Millie to travel with him to Rome to see the Colosseum, fulfilling one of Millie’s childhood dream vacations. 


But the trip is disrupted, when David runs into another Jumper named Griffin (Jamie Bell). To make matters worse, David and Griffin are hunted by Roland Cox (Samuel L. Jackson). Roland leads the Paladins, a secret group fiercely dedicated to capturing and killing Jumpers. David will need Griffin’s help to stop Roland and protect Millie. And David’s situation takes a bizarre turn, when his estranged mother, Mary (Diane Lane) reappears.


My Thoughts- Samuel L. Jackson and Jamie Bell easily deliver the two best performances here. Jackson is a mean and relentless jerk, and he does a fantastic job of selling Roland’s hatred for Jumpers. You really believe Roland is genuinely disgusted by Jumpers, and he will do anything to exterminate them. Also, the obsessive religious fanaticism tied into the Paladins and Roland’s character truly helps solidify his status, as a clear-cut villain throughout the movie.

Jamie Bell plays the angsty tough guy type. He’s closed off and refuses to open up to David about his past, and Bell brings believable intensity to Griffin. Griffin can be a loose cannon, but he still has enough common sense to be responsible, when it matters.


The dynamic and the relationship between Griffin and David hits all the right notes. David is reckless and greedy with his jumping abilities. His lifestyle draws too much attention. Griffin? He quietly lives in a cave. Sure, you could say Griffin is a bit unhinged, but he’s careful and far more disciplined than David. 


As the story progresses, we learn that Mary is a Paladins. That’s why she abandoned David and his father years ago, because as a Paladins, she had to make a choice: leave the family, or kill her own son. It’s kind of a somber ending, when David realizes his mother simply moved on and continued living her life without him. She lives in a nice house, and David has a sister named Sophie (Kristen Stewart).


I wouldn’t say they reach eye rolling levels, but Jumper is loaded with a lot of familiar cliches. As a kid, David is shy and socially awkward. He has a crush on his dream girl, but his bully Mark is one of the dark clouds hanging over his life. 


William? He’s the typical verbally abusive drunk father, but it’s possible to have sympathy for him. Mary bailed on the family, leaving William to raise David on his own. That’s a lot of stress and heartbreak to deal with alone, but William changes as David ages. You can see he wants to have a relationship with his son. He wants to understand him, and William lies to Roland in a failed attempt to protect David.


Jumper delivers some good thrills, but they kind of went overboard with showing how cool it is to be a Jumper. David eating on top of a Sphinx’s head in Egypt is one moment that sticks out, and Griffin showing off his advanced skills to steal a Mercedes, jumping through the dealership at full speed without breaking the glass. Early on the movie, it’s easy to understand what jumping is and how David and Griffin do it, so some of the “jumping is so cool and awesome!” scenes were unnecessary. 


Jumper features a solid cast, and it’s a movie that moves at a quick pace. The runtime flies by with consistent action and a good sense of urgency, as David and Griffin figure out their next moves. 


Jumper is a decent and fun action/sci-fi film, but it also feels incomplete. David and Mary accepted they’ll always share an awkward relationship, and they’re also on opposite sides of the never ending war between Jumpers and Paladins, so that’s a cliffhanger. Millie finally accepted David for what he is, and they end the movie with David and Millie in a seemingly happy relationship. Griffin? David left him trapped in the wires (large amounts of electricity hinders a Jumper’s ability to jump) in another country. Will Griffin trust David again? Or is he looking for revenge?


Roland is still alive, stuck in the Grand Canyon with no help to escape. And we don’t know what happened to William after David dropped him off at the hospital. A lot of loose ends, but we’re in 2024 now, and Jumper was released all the way back in 2008. I still haven’t seen it, but the Impulse series has two seasons. The problem is, Impulse is a stand alone series, so it’s not connected to this movie.


They planted enough seeds to lay the foundation for a sequel, and Jackson could’ve been an excellent villain. Jumper wasn’t perfect, but the potential was there, and the premise definitely had more roads to explore.


Rating- 5/10




Friday, March 15, 2024

The Baker (2022)

 

**This post contains spoilers**


The Story- Peter (Joel David Moore) hits the jackpot, when he stumbles across a bloody and botched drug deal at the airport. Peter has big plans to cash in, and start a new luxurious life with his mute daughter, Delphi (Emma Ho), but he’ll need his father’s help. Pappi (Ron Perlman), living a quiet life running a bakery, reluctantly agrees to look after Delphi, while Peter plans to unload a bag full of heroin. 


But Peter runs into a bigger problem, when Vic (Elias Koteas) surprises him at home. Vic is the main enforcer for The Merchant (Harvey Keitel), a powerful drug lord. The Merchant wants his product, but unbeknownst to Peter, Delphi switched out the heroin in the bag with her clothes.


Pappi goes on a mission to find out what happened to Peter, while being pursued by Vic, his cronies, and Detective Petra Weintrager (Samantha Kaine) and her partner, Detective Luca Rispoli (Paolo Mancini). Will Pappi be able to keep Delphi safe?


My Thoughts- Ron Perlman plays the old grizzled tough guy role with ease, but Pappi is also a man, who’s haunted by his past. The intense bouts of PTSD, and you can tell Pappi wishes he had a better relationship with his son. Perlman does a fantastic job of nailing Pappi’s whirlwind of emotions, and he easily delivers the best performance here.


The relationship between Pappi and Delphi is the driving force behind The Baker. There’s a point, where Pappi offers money to Peter’s neighbor to look after Delphi, because he believes he’s just not cut out to raise her, if Peter is dead.


The uneasy grandfather and granddaughter dynamic between Delphi and Pappi is executed to perfection. Pappi is the old and grouchy man, who doesn’t like showing his emotions. And Delphi is the frustrated young brat, who desperately needs a father figure, especially after her mother’s death.


Delphi is mute, but Emma Ho does a great job of conveying her emotions through facial expressions and body language. There’s some good laughs between the two, as Delphi tries to have fun with Pappi throughout the movie. On the other side of the comedic moments, there’s also a believable emotional layer for their relationship. Peter might be dead. Delphi is upset, and Pappi might’ve lost his son. Pappi and Delphi truly need each other. You can clearly see the ups and downs, while they’re trying to form a bond, and considering the circumstances, it’s a tough process for both of them.


Elias Koteas is always reliable for a solid performance. Vic is cold and efficient, but a life full of murder and crime is starting to take a toll on him. He’s serious about his job, but he’s also tired of living in fear of what The Merchant might do, if he doesn’t get the job done. Vic is moved by Peter’s love and devotion to his daughter. It’s a heavy burden for Vic, because the father/daughter relationship plays a big part in changing how he views his current situation.


Harvey Keitel’s appearances are limited. It’s an approach that really works, because it feels like a big deal, when The Merchant appears, and Keitel still brings the strong presence of a veteran actor. Joel David Moore looks like a goof during his brief screen time. He’s kind of a klutz, but he’s also a man who loves his daughter. Moore showed a lot of emotion, when he was facing certain death. Peter was beaten and bloodied, but all he could think about was leaving his daughter behind without a mother and father to raise her.


It’s a somber ending, when Vic shows Pappi the location of Peter’s body. Pappi decides to spare Vic’s life, while Vic seemed content with being put out of his misery. A good emotional moment, where Pappi knows comforting Delphi after her father’s death is more important than revenge. There’s a flashback, where Pappi remembers how he almost lost Peter in the woods, when he was a kid. The flashback meshes together, with Delphi eerily standing in a similar position that mirrors a young Peter, and it’s enough to snap him out of his rage.


The Merchant and Papi coming face to face is a big scene that’s rightfully saved for the final moments of the movie. It’s supposed to be a special moment, with two strong characters coming to a peaceful resolution for both of their problems. 


The Baker does provide some joy during the ending. Delphi finally speaks. She was traumatized after witnessing her mother’s death in a car accident (mom wasn’t wearing a seatbelt), so it’s a sign that Delphi trusts her grandfather, and she’s ready to move on. I wouldn’t call it a happy ending. It’s more of a start for new beginnings, while Delphi and Pappi try and figure out their lives together.


Who killed The Merchant? There’s a mid-credits scene that shows The Merchant’s death, but we never see the gunman. It had to be Vic? The Merchant is not the kind of man that tolerates failure. Vic knows he was on thin ice, so he had to kill The Merchant, while he still had the chance.


There’s a lot of mystery surrounding Pappi. He obviously faked his death, so he could have a chance at a normal life. But we still don’t know all of the fine details about his character, and that’s a good thing. I’m glad they didn’t turn Pappi into an invincible killing machine. Yes, he has the lethal skills, but Pappi is also an old man. He struggles in some of the fight scenes. Pappi having to really work to defeat some of the bad guys adds a touch of realism, because he’s at an age, where he can’t just easily tear through his opponents.


The Baker is a solid action film, featuring a good emotional story. They could’ve settled on taking the easy way out with a comedic approach. The old man, who’s a baker, with military training protecting his granddaughter from thugs? It sounds completely ridiculous. But the premise still worked for a more serious film, and that’s an impressive accomplishment.


Rating- 7/10

Sunday, March 10, 2024

Character Spotlight- Corey Cunningham- Halloween Ends

 


**This post contains spoilers**


We’re finally here! It’s time for the final showdown between Michael Myers and Laurie Strode, but what about Corey Cunningham? Corey becomes the number one outcast in Haddonfield after accidentally murdering young Jeremy Allen (Jaxon Goldenberg) during a disastrous night of babysitting. It’s a horrific sight, with Jeremy’s body laying in a pool of his own blood. Jeremey’s mother Mrs. Allen (Candice Rose) is frantically screaming for a response from Jeremy, while Corey helplessly stands at the top of the staircase with a knife in his hand. 


The tragedy was an accident, and time is supposed to heal all wounds, right? Corey tries to keep to himself. You can tell he wants to keep a low profile, but Terry (Michael Barbieri) and his gang of hooligans are determined to make Corey’s life a living hell after he refuses to buy them beer.


Little by little, you can see it. Corey is going to snap. He’s angry. Corey is tired of taking the abuse, but there’s still hope! Laurie (Jamie Lee Curtis) introduces Corey to her granddaughter, Allyson (Andi Matichak). 


The relationship between Corey, Laurie, and Allyson starts off well enough. Laurie sees this poor guy, who’s become a villain in Haddonfield. Laurie knows EXACTLY how that feels after the tragic fallout from being one of the main figures, who inspired a lynch mob against Michael Myers in Halloween Kills. Allyson is lonely after the death of her parents and her friends, and she’s one of the few people, who can say she fought and survived Michael Myers. Allyson can be the emotional support system that Corey needs, while Corey helps her recover from the heartache she had to endure in Halloween and Halloween Kills.


So Allyson takes Corey to a Halloween party. He’s having fun, dancing, and Corey is finally coming out of his shell and starting to enjoy himself. But things take a turn for the worst, when Mrs. Allen (Candice Rose) viciously berates Corey about Jeremy’s death. You can see that look of rage on Corey’s face, when he’s leaving the bar.


After another run-in with Terry and his gang, Corey comes face to face with Michael Myers. It’s an eerie scene, where Michael has Corey by the throat, and you see the flashbacks piecing Corey’s story together. This is the big moment, where Corey looked into Michael’s eyes and gave into all the anger and bitterness boiling up inside of him. Michael Myers is not someone to let his victims go free. It’s an unprecedented moment for Myers, because you have to believe he could feel the evil in Corey’s heart. 


Corey’s first kill? Well, you could say Corey murdering the deranged homeless man, who wanted Michael’s mask was self defense. Corey’s visibly upset and shaken up after the murder. But it’s only a matter of time before Corey crosses that fine line for standing up for himself and choosing vengeance. 


You’ll notice the pattern, when Corey takes a more sinister path for setting a trap for Officer Mulaney (Jesse C. Boyd). It’s the first kill, where the odd partnership between Michael and Corey truly starts to materialize. Corey officially gives up on trying to turn his life around, as he encourages Michael to kill Mulaney. The duo team up to beat and slaughter Mulaney. Corey wants Michael to show him how to kill, as Michael regains his strength, and Corey’s bloodlust gets stronger after this scene.


Corey increasingly becomes more brutal and smarter, with how he chooses to approach his murders. The trap he sets for Terry and his gang, and how he calmly slithered into the radio station to kill Willy The Kid (Keraun Harris) and his receptionist (Diana Prince), are two good examples of seeing how things escalate during Corey’s transformation into a cold- blooded killer. 


The big scene where Corey and Michael team up to kill Dr. Mathis (Michael O’Leary), and Deb (Michele Dawson) perfectly encapsulates Michael and Corey’s relationship and Corey’s story. Corey killing Dr. Mathis? It was sloppy and over the top. On the flip side of that, Michael’s approach to murdering Deb was clean and quick. Also, Michael looks at Corey before he stabs Deb to show him how to do it the right way. 


The master teaching the apprentice is a key moment during Deb’s death scene, but there’s a lot more going on here. There’s a look of admiration on Corey’s face, when he witnesses Michael murdering Deb. He’s clearly in awe of Michael, as he unwraps the bandages on his injured hand, another strange and ironic connection to Michael. Remember, Michael’s hand is severely injured after Laurie blew parts of it off with the shotgun in Halloween 2018. Corey was already too far gone, so he gravitated towards Michael. Corey sees Michael as a father figure, a role his stepdad, Ron (Rick Moose) failed to fill, no matter how hard he tried. 


Corey slowly becomes The Shape, mimicking Michael’s movements and mannerisms. There’s a great callback to the original Halloween film, when a stoic Corey is standing outside near Laurie’s house. He’s waiting for Allyson, and the shot with Corey standing behind the bushes is similar to Laurie seeing Michael standing outside of her house in the 1978 film. Seeing Corey in Michael’s mask was strange. If we’re going down the road of someone directly following in Michael’s footsteps or at least teasing it, you’d have to go all the way back to Halloween 4 and Jaime, and Laurie in Rob Zombie’s Halloween films. 


Corey’s mother, Joan (Joanne Baron) undoubtedly played a role in his troubles. Joan was overprotective and had an unhealthy obsession with her son. It’s a twisted mother/son relationship, because Joan couldn’t stand the thought of Allyson taking her sweet baby boy away from her. Corey murdered Joan after she slapped him. Unbeknownst to Joan, her innocent son had already reached a point in his life, where he was determined to punish anyone who disrespected him. 


“If I can’t have her, no one will.” Corey’s final words before an attempted suicide to pin his death on Laurie, driving a bigger and more permanent wedge between Laurie and Allyson. Corey and Allyson loved and trusted each other as the only two people in the world, who could make each other happy. Corey knew Allyson was frustrated with Laurie before he stabbed himself. That was his backup plan to punish Laurie with a life of misery and loneliness, if he couldn’t have Allyson. Luckily, his plan backfired, when Allyson came to her senses.


There’s some strong irony with Corey being Michael’s final victim and his final kill. Of all the people in this world, how can you be so stupid to betray Michael Myers? But Corey’s buffoonery after he failed to kill Laurie proved he was reckless, and he was a little bit too cocky for his own good. 


Corey could’ve left Haddonfield for good with Allyson. He could’ve had a happy and romantic life with Allyson after he killed the homeless man. That should’ve been his wake up call, but Corey chose vengeance over love and happiness. He wanted to light the match and burn it down. 


Early on in the movie, before she realized what he was turning into, Corey had support from Laurie. Laurie was actually willing to help Corey. As the story progresses, Laurie offered professional help for his “infection,” combined with the nonnegotiable condition of staying away from Allyson. He had a strong support system with Allyson, and Hawkins (Will Patton) believed Corey deserved a second chance after Jeremy’s death. The scene after the disaster at the Halloween party with Allyson is one to remember. Corey didn’t want Allyson to waste her time trying to fix him. Allyson had her hands out, with tears in her eyes, basically begging Corey to allow her to comfort him.


Rohan Campbell did a wonderful job capturing all of Corey’s emotions. You can see the rage, the confusion, and the conflict within Corey, and Campbell nailed the more geeky and innocent side of Corey’s character.


Corey made the choice to worship at the altar of Michael Myers, but there’s a chance Corey always had evil in his heart. He didn’t have to kick the door THAT hard, when Jeremy locked him in the room upstairs. It’s an incident that makes you think about what Jeremy’s father, Roger (Jack William Marshall) told Laurie. Roger wanted to forgive Corey for Jeremey’s death, but he saw a different person, when he looked into Corey’s eyes after he murdered the homeless man. It wasn’t the same nerdy kid who mowed his lawn. This version of Corey made the hairs on the back of his neck stand up, so maybe the darkness inside of Corey was always there.


Halloween Ends features two boogeymen, and who knows, maybe Michael would’ve eventually succumbed to his injuries and old age in the sewers, if he never crossed paths with Corey. There’s also the babysitter connection between Laurie and Corey. Laurie was a hero for protecting Lindsey (Kyle Richards) and Tommy Doyle from Michael in the 70’s, but Corey became a villain after his dreadful night of babysitting. 


Laurie sums up evil, and Michael and Corey’s stories with that final line in her book: evil never truly dies, it just changes shape. For a brief period, Corey was The Shape. There’s almost no chance for another evil infection spreading throughout Haddonfield with Michael and Corey dead, finally bringing peace to a small and quiet town that desperately needed it. 

Sunday, March 3, 2024

Coming Attractions- Abigail (2024)

 



**This post contains POSSIBLE spoilers**


Directors- Matt Bettinlli-Olpin, Tyler Gillet


Cast- Alisha Weir, Angus Cloud, Giancarlo Esposito, Melissa Barrera, Kathryn Newton, Kevin Durand, Dan Stevens


Release Date- April 19, 2024


Welcome to Coming Attractions! In this new post series, I’ll give my thoughts on upcoming movies and TV shows that I’m interested in, so I’ll start things off with Abigail.


Abigail is supposed to be a reboot or a reimagining of 1934’s Dracula’s Daughter. Just going by the title of the 1934 film and knowing Abigail is a vampire, it’s not hard to put two and two together to figure out who her father might be. They’re intentionally keeping the identity of Abigail’s father a secret in the trailer, so it’s easy to guess they’re setting up a big reveal for Dracula, possibly in a mid-credits or post- credits scene?


Going by the trailer, you get the feeling this won’t be an overly serious movie. Hopefully a good balance of humor and horror, and they’re really putting a lot of emphasis on Abigail being a “ballerina vampire.” You can also see this is going to be a bloody and gory horror flick. The bodies floating around in that underground pool, and Abigail dancing with a headless corpse are two scenes that really stick out in the trailer.


And the kidnappers were obviously lured into a trap? The house is clearly designed to trap Abigail’s prey inside. Giancarlo Esposito possibly orchestrated the setup, because the no names and no cell phones rule is just too fishy. It’s also worth pointing out that Melissa Barrera has a son, and she makes an effort to form a connection with Abigail. 


Maybe this whole ordeal is a test for Abigail from her father, or it’s some kind of sick and twisted training exercise, but Abigail looks good so far. Maybe we’re looking at one of the sleeper hit horror films for 2024, and the introduction of a new character that could possibly have some longevity.


Universal’s Dark Universe had some potential. Sofia Boutella brought a refreshing spark to The Mummy. Dracula Untold was a promising film, and Luke Evans played a solid and strong version of Dracula. It’s just a bummer that everything completely fell apart, before they had any kind of chance to build up some momentum with the Dark Universe.


Going forward, standalone films are probably the best option. The Invisible Man is a good example for a success story. Universal has a gold mine loaded with storied horror icons and characters. Maybe it’s best that each character has their own film or films for more breathing room and a bigger showcase, without having to worry about connecting everything for a shared universe.


 




Coming Attractions- Longlegs (2024)

 


Director- Osgood Perkins


Cast- Maika Monroe, Nicolas Cage, Alicia Witt, Blair Underwood


Release Date- July 12, 2024


We’re clearly getting a darker version of an unhinged and nutty Nicolas Cage in Longlegs. It’s an ambiguous trailer, where you have to put the pieces of the puzzle together. Maika Monroe is the detective that’s chasing Cage, and she’ll have to outthink him and play his game, if she wants to catch him. 


I’m sure Cage will deliver a phenomenal performance. He’s an actor that doesn’t have a comfort zone, and he’s always willing to take chances on something different. Monroe should be a good fit for her character, playing the sharp and resourceful detective, who realizes she’s truly dealing with a monster. 


Longlegs has a lot of mystery surrounding it so far, and they did a good job of providing an intriguing trailer without giving away too much. 

Coming Attractions- Imaginary (2024)

 

Director- Jeff Wadlow


Cast- DeWanda Wise, Pyper Braun, Tom Payne, Betty Buckley, Taegen Burns, Dane DiLiegro, Veronica Falcon, Matthew Sato


Release Date- March 8, 2024


So it looks like Chauncey is a conduit for evil spirits or demons, and the teddy bear is targeting Alice. The retro Chauncey The Bear commercial is a nice touch for the innocent kid’s toy with a sinister dark side approach they’re clearly going for. My only problem with the trailer is, it looks like Imaginary will rely on jump scares too much.


Blumhouse is usually reliable for decent and solid horror movies. A few surprises, because I never expected M3GAN to be as good as it was. Imaginary looks like a balanced horror flick, delivering the shocking irony of a seemingly harmless teddy bear orchestrating a diabolical scheme to corrupt a little girl. 


Evil toys or evil doll horror movies can be tricky, because there’s always a chance the movie can wind up being too silly. Chucky usually takes a more comedic path with dark humor, and more often than not, Annabelle got it right on the more serious side.


DeWanda Wise’s Jessica is obviously hiding something about her childhood that ties into Chauncey. I have a feeling Imaginary will end with a cliffhanger to possibly set up a franchise, or things will end in a way where the door is open for a sequel. I just get that feeling every time I watch certain horror trailers, and there’s always the chance Imaginary could be a sleeper hit.