Showing posts with label Nolan Gerard Funk. Show all posts
Showing posts with label Nolan Gerard Funk. Show all posts

Thursday, April 18, 2024

Truth Or Dare (2018)

 



**This post contains spoilers**



The Story- During a spring break trip to Mexico, Carter (Landon Liborion) lures Olivia (Lucy Hale) and her friends into playing a seemingly harmless game of truth or dare. Olivia, her best friend, Markie (Violett Beane), her boyfriend, Lucas (Tyler Posey), Tyson (Nolan Gerard Funk), his girlfriend, Penelope (Sophia Taylor Ali), Ronnie (Sam Lerner), and Brad (Hayden Szeto) all join in on the game. But things take a dark turn, when Carter reveals the sinister consequences for the game: all players must fully participate, and death is the penalty for lying, or anyone who refuses to follow through on their dares.


The group lures another player named Giselle (Aurora Perrineau) out of hiding in an attempt to find more answers. Giselle mistakenly reveals Carter’s real name, but Olivia and the others are forced to deal with a bigger problem, when Giselle reveals an unknown rule for the game.


My Thoughts- Lucy Hale and Violett Beane carry the weight for the more serious and emotional side of Truth Or Dare with a pair of solid performances. Sam Lerner, Nolan Gerard Funk, and Hayden Szteo balance things out with comedy. Tyson and Ronnie are both narcissists. The big difference is, Ronnie is more of a goofball and a fool. Tyson has the bigger and more fragile ego, as he continues to forge prescription slips, while he also masquerades as a legitimate doctor. 


Aurora Perrineau deserves a lot of credit for her performance. The poor hygiene and the dirty clothes were a nice touch, but Perrineau perfectly encapsulates how the game can destroy someone mentally and emotionally. Giselle is broken and desperate. There’s a lot of similarities to Carter’s motivations, because Giselle wants her freedom from the game, by any means necessary. 


Follow the rules, or you die. Humiliation and betrayal? Yes, it can hurt, but if you refuse to play, certain death is the ultimate penalty. That’s truly terrifying for something that’s supposed to be nothing more than a silly kid’s game. 


Truth Or Dare takes things a step further by using the main character’s traumas, issues, and secrets for the truths and dares in the game. An already drunk Penelope having to drink a bottle of vodka, while walking the edges of the roof, because she has a drinking problem. Brad being forced to tell his strict father, Officer  Han Chang (Tom Choi), the truth about his homosexuality. And Olivia carrying the burden of  telling Markie about how her father tried to force himself on her, before he committed suicide. To add to that, an angry Olivia told Markie’s father that his daughter would be better off, if he was dead.


Sure, some of the truths and dares are just harmless fun at first. Ronnie backing out of a dare to show his “business” at a bar is a good example. But things quickly escalate to truths and dares that have more serious consequences. Truth Or Dare does a good job of matching the severity of the truths and dares with the actual gameplay. If the participants do manage to successfully complete either one, everyone is scarred one way or another, after everything is done.


The friendship between Markie and Olivia is, well it’s complicated. Olivia has feelings for Lucas, but she lied to Markie (Lucas is like a big brother to me!) about it. Olivia finally exposed Markie’s infidelity after a dare, embarrassing Lucas in the library. And to make things more awkward, Olivia lied about being forced into choosing to have sex with Lucas for one of her dares. There’s also the problem with Olivia carrying around the guilt of hiding the truth about the events that led up to Markie’s father killing himself. 


The tension, the anger on both sides, and the feeling of being betrayed by Olivia on Markie’s side plays a big part in the story. But maybe it’s all just too much? The drama between Olivia and Markie is overwhelming. Their story could’ve had its own movie. Hale and Beane did a fantastic job of making everything believable, but the ups and downs in Markie and Olivia’s friendship disrupts the story’s momentum. 


Truth or dare. The High stakes. You play, or you die. This is serious business, but the weird faces coming from the people, who ask the participants to choose truth or dare? Oh, boy. I get it. The people asking the questions are obviously possessed, so their faces look like “messed up Snapchat filters,” but I’d say it’s worse than that. The wide, red eyes, and the stretched cheek to cheek smiles? It just looks too silly. You’re about to ask someone to participate in a game that’ll determine, whether they live or die, but it’s hard not to laugh, when you see the supposed evil faces.


The story from Inez (Vera Taylor) about the game’s origins and the demon Calux possessing the game adds that essential sinister and dark layer to Truth Or Dare. It’s a tragic story. Inez wanted to punish the disgusting priest, who terrorized her and her friends, but Calux killed everyone, leaving Inez as the sole survivor. How did Inez survive? She performed a ritual, which included cutting out her own tongue.


The ending? Calux tells Olivia there’s no way to escape the game after Sam/Carter’s death. But Olivia can temporarily delay her next turn and Markie’s turn in the game, if she can find more players. So Olivia uploads a video to You Tube, inviting millions of potential players to play Truth Or Dare. It’s a clever and logical ending, that could leave things open for a future film. Was Olivia’s decision selfish? Yes, there’s no denying that at all. But if you put yourself in Olivia’s place, it’s understandable how someone could make that decision, when you’re young and facing certain death.


Truth Or Dare features a good amount of grisly images. Ronnie breaking his neck on the pool table dare, a possessed Tyson ramming his own pen into his head, and Inez’s severed tongue are some good notable picks. And Giselle lighting the innocent woman on fire at the gas station really worked to set the tone for the rest of the movie. After that scene, you’ll know this version of truth or dare is not a fun and carefree game. 


There’s also a decent message about friendship involving Olivia and Markie. After everything they went through, Markie and Olivia’s bond was stronger in the end. After all the lies and keeping secrets from her, Olivia chose to make the hard decision to protect Markie. It’s a story about what happens, when friends are pushed to their limits for trust and betrayal, and how different people react, when you reach the point of no return for forgiveness. 


Truth Or Dare has the right ingredients, but it’s a horror film with some noticeable problems. Why would you follow a complete stranger (Carter/Sam) to an abandoned church in a different country? Trusting Carter is an irreversible mistake that has deadly ramifications throughout the movie. And Truth Or Dare’s biggest problem is, it’s just not scary at all. There’s the one decent scene with the homeless man (Andrew Howard) ambushing Olivia to pick truth or dare, but that’s about it. 


There’s also too many unintentionally funny moments, when things are supposed to be serious. Truth Or Dare has a solid cast, and a premise with a lot of potential. But it’s a movie that has one too many misfires, and it joins the already crowded pack of so-so mainstream PG-13 horror films.


Rating- 4/10


 








Tuesday, September 17, 2013

Bereavement (2010) (Minor Spoiler Review)



**This review contains MINOR spoilers, but no major plot twists, or surprises are revealed in this review.**

It’s 1989, and within the small town of Minersville, Pennsylvania, a local recluse named Graham Sutter (Brett Rickaby) lures a young Martin Bristol (Spencer List) away from his mother and the swing set in his backyard with the promise of a new bicycle. At the abandoned meat packing plant, where Graham worked with his father as a child, Graham forces Martin to witness his secret life as a serial killer, as Graham kidnaps, tortures, and murders young women within the plant. Too horrified to speak, and suffering from a rare condition where he’s unable to feel physical pain, Martin is forced into a life of being Graham’s pupil/assistant, as Graham continues his killing spree, while worshiping the skeletal remains in a shrine that include a bull’s skull.

Five years later, Allison Miller (Alexandra Daddario) arrives in Minersville to live with her uncle Jonathan Miller (Michael Biehn), his wife Karen (Kathryn Meisle), and their daughter Wendy (Peyton List). Allison is forced into her new life, because she had nowhere else to go after her parents were killed in a car accident by an SUV. Lonely and heartbroken, Allison forms a bond with a troubled local teen named William (Nolan Gerard Funk).

Meanwhile, Graham continues his secret life as a serial killer of young women with Martin at as his side. But moving on will be the least of Allison’s worries. One day, Allison accidentally spots Martin in the abandoned meat packing plant while jogging, and Allison’s curiosity will put her on a dangerous collision course with Graham.

Looking for a significant amount of spotlight on Michael Biehn? Don’t get your hopes up and don’t let the box cover fool you, because Biehn is the only actor with any real name value here, so they had to use the only form of star power they had to sell the movie. Biehn’s character is pushed into the background here, because the vast majority of focus goes to Allison, Graham, and Martin.

Daddario is believable in her role, as the lost teen, who’s looking for someone to bond with, and although he doesn’t speak a word here, List did a wonderful job of conveying his emotions through facial expressions (a lot of the cold, heartless stares towards the end) and body language. And Brett Rickaby is spot on as the delusional and bloodthirsty sociopath. Rickaby does a great job of selling Graham’s outrage (“WHO ARE YOU TO JUDGE ME!”) and his dedication to the shrine, and he’s able to convince you Graham is this delusional nutcase, who believes he’s doing the right thing (or a sort of cleansing service for mankind). Also, Bereavement is loaded with a handful of ear shattering scream queens (including Daddario). No joke, I had to turn the volume down a few times, because my ear drums couldn’t take it.

Writer/director Stevan Mena slowly merges both storylines together. On one hand, you have Allison trying to adjust to her new life, and move on after the death of her parents. On the other, you have Graham grooming and training Martin to be a cold-blooded killer. Mena does a good job of smoothly merging both storylines together, creating a hectic and suspenseful finale at the end. Plus, Mena deserves some credit for creating a few spooky atmospherics.

Of course, Bereavement isn’t perfect. One gaping hole in logic that bothered me, is how NOBODY in this small and quiet little town noticed the odd behavior of the creepy recluse, who drives around in a old, beat up black van. Still, Bereavement is a solid entry into the Indy American horror scene. Mena doesn’t go overboard with the blood, gore, and nasty stuff. He shows just enough to gross you out, and I usually appreciate this approach more, because this approach plays with the “OUCH! That had to hurt! Or “Wow. That must’ve been PAINFUL” side of your imagination.

Rating: 7/10

Both ebooks are back with new covers!

Looking for a change from Batman, Spider-Man, and Iron Man? Then get know the world's newest superheroine Freechelle Fantabulous for only $0.99 by following the link- http://www.amazon.com/dp/B00EFLI6VK

Or take a trip into world of madness that includes comedy, horror, and the supernatural in my book of short stories, also only $0.99-  http://www.amazon.com/dp/B00EFMYZ0U

Follow me on Twitter here- https://twitter.com/LQuigleyFan1

And don't forget to like both of my Facebook pages, because the Mitch MacReady 2 Facebook page includes quotes from both ebooks that can't fit into Tweets-

https://www.facebook.com/mitch.macready

https://www.facebook.com/pages/Mitch-Macready-2/439846799459035?ref=hl

Monday, September 16, 2013

Bereavement (2010) (Spoiler Review)


**This review contains spoilers**

It’s 1989, and within the small town of Minersville, Pennsylvania, a local recluse named Graham Sutter (Brett Rickaby) lures a young Martin Bristol (Spencer List) away from his mother and the swing set in his backyard with the promise of a new bicycle. At the abandoned meat packing plant, where Graham worked with his father as a child, Graham forces Martin to witness his secret life as a serial killer, as Graham kidnaps, tortures, and murders young women within the plant. Too horrified to speak, and suffering from a rare condition where he’s unable to feel physical pain, Martin is forced into a life of being Graham’s pupil/assistant, as Graham continues his killing spree, while worshiping the skeletal remains in a shrine that include a bull’s skull.

Five years later, Allison Miller (Alexandra Daddario) arrives in Minersville to live with her uncle Jonathan Miller (Michael Biehn), his wife Karen (Kathryn Meisle), and their daughter Wendy (Peyton List). Allison is forced into her new life, because she had nowhere else to go after her parents were killed in a car accident by an SUV. Lonely and heartbroken, Allison forms a bond with a troubled local teen named William (Nolan Gerard Funk).

Meanwhile, Graham continues his secret life as a serial killer of young women with Martin at as his side. But moving on will be the least of Allison’s worries. One day, Allison accidentally spots Martin in the abandoned meat packing plant while jogging, and Allison’s curiosity will put her on a dangerous collision course with Graham.

Looking for a significant amount of spotlight on Michael Biehn? Don’t get your hopes up and don’t let the box cover fool you, because Biehn is the only actor with any real name value here, so they had to use the only form of star power they had to sell the movie. Biehn’s character is pushed into the background here, because the vast majority of focus goes to Allison, Graham, and Martin.

Daddario is believable in her role, as the lost teen, who’s looking for someone to bond with, and although he doesn’t speak a word here, List did a wonderful job of conveying his emotions through facial expressions (a lot of the cold, heartless stares towards the end) and body language. And Brett Rickaby is spot on as the delusional and bloodthirsty sociopath. Rickaby does a great job of selling Graham’s outrage (“WHO ARE YOU TO JUDGE ME!”) and his dedication to the shrine, and he’s able to convince you Graham is this delusional nutcase, who believes he’s doing the right thing (or a sort of cleansing service for mankind). Also, Bereavement is loaded with a handful of ear shattering scream queens (including Daddario). No joke, I had to turn the volume down a few times, because my ear drums couldn’t take it.

Writer/director Stevan Mena slowly merges both storylines together. On one hand, you have Allison trying to adjust to her new life, and move on after the death of her parents. On the other, you have Graham grooming and training Martin to be a cold-blooded killer. Mena does a good job of smoothly merging both storylines together, creating a hectic and suspenseful finale at the end. Plus, Mena deserves some credit for creating a few spooky atmospherics. A prime example of a spooky setting would be Martin’s dream of finally escaping Graham. Martin is running for his life, until he stops in an open field. Martin stops in his tracks, when he spots the bull skull shrine Graham worships in the distance….and the bull skull quickly turns to make eye contact with Martin. After that, Martin snaps out of it, and he awakes in the real world. Eerie stuff.

Truth be told, I wasn’t too crazy about Bereavement, until the finale started to unfold. Don’t get me wrong, I was enjoying Bereavement, but nothing blew me away. But when Allison decides to go after Martin inside the meat packing plant on a rescue mission, I was hooked in, and I couldn’t take my eyes off the screen. Graham eventually returns, captures Allison, and congratulates Martin for the setup. Allison is locked inside a freezer, and it looks like William is about to rescue her…..but Graham sneaks up from behind him, and bashes William’s head in with a shovel.

Back at the Miller household, Graham decides to tie up any loose ends by burning down the house with the Miller’s dead bodies inside, so no one else will suspect anything fishy. After she escapes the meat packing plant with Martin, Allison tries to call 911, while the house is burning….but Martin pops out of a closet, and he brutally stabs Allison to death. Mena deserves credit for this genuinely surprising swerve, because I can honestly say Martin killing Allison caught me off guard. You could see Martin turning on Graham coming from a mile away, and he did (Martin kills Graham at the end), but killing Allsion? No way. I mean, it’s only natural to believe this young kid would  be overly grateful for the savior, who FINALLY rescued him from the clutches of the madman, who traumatized him and ruined his life, right?  That’s why Martin killing Allison was such a huge shock, because logic leads you to believe Martin wouldn’t hesitate to leave a life of murder and torture behind him.

My only complaint about the finale is Michael Biehn’s unceremonious death. Jonathan goes to Graham’s house to find Allison after she disappears. Graham denies ever seeing Allison, but Allison screams for her uncle. Graham gets a shotgun, and he kills Jonathan by putting a giant hole in his chest. Jonathan’s end was so abrupt and out of left field, and Biehn easily receives the most underwhelming and disappointing death in Bereavement.

Of course, Bereavement isn’t perfect. One gaping hole in logic that bothered me, is how NOBODY in this small and quiet little town noticed the odd behavior of the creepy recluse, who drives around in a old, beat up black van. Still, Bereavement is a solid entry into the Indy American horror scene. Mena doesn’t go overboard with the blood, gore, and nasty stuff. He shows just enough to gross you out, and I usually appreciate this approach more, because this approach plays with the “OUCH! That had to hurt! Or “Wow. That must’ve been PAINFUL” side of your imagination.

Rating: 7/10

Both ebooks are back with new covers!

Looking for a change from Batman, Spider-Man, and Iron Man? Then get know the world's newest superheroine Freechelle Fantabulous for only $0.99 by following the link- http://www.amazon.com/dp/B00EFLI6VK

Or take a trip into world of madness that includes comedy, horror, and the supernatural in my book of short stories, also only $0.99-  http://www.amazon.com/dp/B00EFMYZ0U

Follow me on Twitter here- https://twitter.com/LQuigleyFan1

And don't forget to like both of my Facebook pages, because the Mitch MacReady 2 Facebook page includes quotes from both ebooks that can't fit into Tweets-

https://www.facebook.com/mitch.macready

https://www.facebook.com/pages/Mitch-Macready-2/439846799459035?ref=hl