Shelby Oaks (2025)(Minor Spoilers)

 

**This post contains MINOR spoilers**

The Story- A determined Mia Brennan-Walker (Camille Sullivan) refuses to give up on the search for her missing sister, Riley (Sarah Durn). Riley, the host of Paranormal Paranoids, a ghost-hunting You Tube show, mysteriously disappeared with her co-hosts and friends Laura (Caisey Cole), Peter (Anthony Baldasare), and David (Eric Francis Melaragni), while filming footage in a town named Shelby Oaks. 

Mia, hoping to piece together more clues, travels to Shelby Oaks to find answers, after her husband, Robert (Brendan Sexton III) rejects Mia’s claims of supernatural interference. In Shelby Oaks, Mia learns more about the town’s past, and the troubled story of a man named Wilson Miles (Charlie Talbert)….

My Thoughts- Camille Sullivan delivers a solid performance in the leading role. Playing the distraught and dedicated sister, who’s carrying a heavy heart, it’s easy to believe that Mia will do ANYTHING she can do to find Riley. She’s not afraid to take risks, including searching a spooky abandoned prison, or walking through the woods at night to find a house out in the middle of nowhere. It’s a case, where you can excuse the usual stupid horror movie mistakes or cliches, because it’s all up to Mia to find Riley. 

The police? One dead end after another. Robert coldly urges Mia to seek help for mental health problems. Robert wants to support his wife, but he also knows the stress of trying to find Riley is draining Mia. He’s conflicted, and Robert hits a breaking point during Mia’s search, because he realizes she’ll never move on with her life, until she knows Riley is safe. But Mia refuses to give up, because she believes Riley is still out there somewhere.

Shelby Oaks does a good of balancing found-footage, a documentary about Riley’s disappearance, news clips, and a traditionally shot full length feature film. They abandoned the found-footage POV during the early stages of the movie, but it’s a smooth transition. After that, you’ll only see the found-footage, if it adds something to the story, including shots of the evil force stalking Riley, Wilson Miles, and any other clues Mia might’ve missed on previous viewings. 

The setup for Mia’s documentary really works, especially towards the end. Director Chris Stuckmann’s approach gives you the impression you’re getting a behind the scenes look at the making of the documentary, while Mia tries to manage shaky emotions and a desperate mindset. There’s a sense of relief, when the documentary concludes, but Mia’s newfound sense of happiness doesn’t last long.

Shelby Oaks features an overall solid cast, and if I had to pick a standout star, I’d easily go with Robin Bartlett. Norma (Bartlett) perfectly encapsulates everything about the modern day version of Shelby Oaks: Old, evil, cold, and you wouldn’t want to cross paths with Norma, if you visited Shelby Oaks. And Keith David serves his purpose during a brief appearance, as the haunted prison warden, who tries to lend a helping hand.

No jokes, smart remarks, or playful scenes. Shelby Oaks does a great job of balancing the horror side of the movie and a drama about a woman searching for her missing sister, while effortlessly interweaving found-footage and mockumentary elements to shape a coherent and polished film. It’s one dark and disturbing reveal after another as the story progresses, and there’s no happy ending here. For me, it’s a perfect timing ending. Closure, happiness, smiles, and sunshine? Nope. All of the feel-good stuff evaporates instantly, as the movie concludes with a gory gut punch. 

Also, Shelby Oaks is a fantastic setting for the movie. The old small town with a dark past is a perfect fit for a horror movie. It’s eerily quiet, and a big thumbs up for the shots of the abandoned stadium, the abandoned prison, and the amusement park. 

Time and the modern world forgot about Shelby oaks. Too many incidents and tragedies to recover from, and unless you actively have a death wish, it’s way too risky to simply visit Shelby Oaks. The flashback footage paints the picture of a nice and homely all-American town, a place Mia and Riley enjoyed as kids, so it’s more tragic, when you look at the current state of Shelby Oaks. 

Rating- 8/10

Shelby Oaks (2025)

 

**This post contains spoilers**

The Story- A determined Mia Brennan-Walker (Camille Sullivan) refuses to give up on the search for her missing sister, Riley (Sarah Durn). Riley, the host of Paranormal Paranoids, a ghost-hunting You Tube show, mysteriously disappeared with her co-hosts and friends Laura (Caisey Cole), Peter (Anthony Baldasare), and David (Eric Francis Melaragni), while filming footage in a town named Shelby Oaks. 

Mia, hoping to piece together more clues, travels to Shelby Oaks to find answers, after her husband, Robert (Brendan Sexton III) rejects Mia’s claims of supernatural interference. In Shelby Oaks, Mia learns more about the town’s past, and the troubled story of a man named Wilson Miles (Charlie Talbert)….

My Thoughts- Camille Sullivan delivers a solid performance in the leading role. Playing the distraught and dedicated sister, who’s carrying a heavy heart, it’s easy to believe that Mia will do ANYTHING she can do to find Riley. She’s not afraid to take risks, including searching a spooky abandoned prison, or walking through the woods at night to find a house out in the middle of nowhere. It’s a case, where you can excuse the usual stupid horror movie mistakes or cliches, because it’s all up to Mia to find Riley. 

The police? One dead end after another. Robert coldly urges Mia to seek help for mental health problems. Robert wants to support his wife, but he also knows the stress of trying to find Riley is draining Mia. He’s conflicted, and Robert hits a breaking point during Mia’s search, because he realizes she’ll never move on with her life, until she knows Riley is safe. But Mia refuses to give up, because she believes Riley is still out there somewhere.

Riley is alive! But it’s not a happy reunion for the sisters. Riley was kidnapped by a possessed Wilson Miles, after he murdered Laura, Peter, and David. Who possessed Wilson? A demon named Tarion. Wilson’s mother, Norma (Robin Bartlett), a follower of and a servant for Tarion, worked with Wilson to hold Riley captive at her house, so she could give birth to Tarion’s child.

Shelby Oaks delivers an eerie, bloody, and tense finale. Kudos to Sarah Durn for her acting chops. Yes, the gray hair, Riley’s rotted teeth, and the dirty make-up helps, but you can take one look at Riley, and you’ll instantly know this is a woman, who’s been through hell, a broken survivor, who’s a shell of her former self. You have to feel for Riley. She was sucked into years of misery, without any hopes of possibly escaping one day. The shot of the blood-stained mattress with ankle chains is truly a disturbing visual. Think about Wilson, that bed, the baby, and it’s not hard to put two and two together to figure out how the child was conceived. 

So Riley tries to return to a normal life, living with Mia and Robert. But Riley, knowing her baby is pure evil, tries to kill the child. Riley is knocked through the window after a struggle with Mia. On the ground, Riley suffers a brutal death, as she’s viciously torn apart by Tarion’s hellhounds. The closing shot of the movie shows Tarion possessing a hysterical Mia…and the baby is still alive.

Throughout the movie, we’re lead to believe Tarion solely targeted Riley to birth his child, but a final flashback reveals Tarion had his sights set on both sisters. On one hand, it’s possible Tarion decided to use the hounds to kill Riley, because Riley crossed a line, when she tried to smother the child with a pillow. Although, there’s a chance Riley’s death after giving birth was the plan all along. Tarion targeted Riley AND Mia. Maybe Riley outlived her usefulness, and Mia was the more appropriate fit to be a mother. 

It’s a gut-wrenching finale. Mia accomplished her goal. She found her sister after years of heartache and setbacks. But it’s all ripped away from her in a matter of seconds. Mia wanted a child with Robert, but things just didn’t work out for one reason or another. Well, she finally has a child, but it’s a child that will undoubtedly grow into a pure evil being.

Shelby Oaks does a good of balancing found-footage, a documentary about Riley’s disappearance, news clips, and a traditionally shot full length feature film. They abandoned the found-footage POV during the early stages of the movie, but it’s a smooth transition. After that, you’ll only see the found-footage, if it adds something to the story, including shots of the evil force stalking Riley, Wilson Miles, and any other clues Mia might’ve missed on previous viewings. 

The setup for Mia’s documentary really works, especially towards the end. Director Chris Stuckmann’s approach gives you the impression you’re getting a behind the scenes look at the making of the documentary, while Mia tries to manage shaky emotions and a desperate mindset. There’s a sense of relief, when the documentary concludes, but Mia’s newfound sense of happiness doesn’t last long.

Shelby Oaks features an overall solid cast, and if I had to pick a standout star, I’d easily go with Robin Bartlett. Norma (Bartlett) perfectly encapsulates everything about the modern day version of Shelby Oaks: Old, evil, cold, and you wouldn’t want to cross paths with Norma, if you visited Shelby Oaks. And Keith David serves his purpose during a brief appearance, as the haunted prison warden, who tries to lend a helping hand.

No jokes, smart remarks, or playful scenes. Shelby Oaks does a great job of balancing the horror side of the movie and a drama about a woman searching for her missing sister, while effortlessly interweaving found-footage and mockumentary elements to shape a coherent and polished film. It’s one dark and disturbing reveal after another as the story progresses, and there’s no happy ending here. For me, it’s a perfect timing ending. Closure, happiness, smiles, and sunshine? Nope. All of the feel-good stuff evaporates instantly, as the movie concludes with a gory gut punch. 

Also, Shelby Oaks is a fantastic setting for the movie. The old small town with a dark past is a perfect fit for a horror movie. It’s eerily quiet, and a big thumbs up for the shots of the abandoned stadium, the abandoned prison, and the amusement park. 

Time and the modern world forgot about Shelby oaks. Too many incidents and tragedies to recover from, and unless you actively have a death wish, it’s way too risky to simply visit Shelby Oaks. The flashback footage paints the picture of a nice and homely all-American town, a place Mia and Riley enjoyed as kids, so it’s more tragic, when you look at the current state of Shelby Oaks. 

Rating- 8/10

 

Hell Of A Summer (2025)

 

**This review contains spoilers**

The Story- Jason (Fred Hechinger) returns to Camp Pineway, assuming the role of camp leader. The head counselors, Kathy (Rosebud Baker) and John (Adam Pally), are nowhere to be found, but Jason eagerly accepts the task of running the camp.

Jason faces a number of irritating challenges during his failed attempts to organize activities for the group. The team of counselors, including Mike (D’Pharaoh Woon-A-Tai), Demi (Pardis Saremi), Chris (Finn Wolfhard), Bobby (Billy Bryk), Shannon (Krista Nazaire), Miley (Julia Doyle), Ari (Daniel Gravelle), Noelle (Julia Lalonde), and Ezra (Matthew Finlan) all ignore Jason’s attempts to unite the group for a fun summer camp experience.

Claire (Abby Quinn) tries to support and protect Jason. But the counselors will have bigger problems to worry about, after a bloody dead body pops up, and a killer wearing a devil mask appears. Does Jason have what it takes to protect and save the group?

My Thoughts- Jason is a loser, but he’s also a likable loser. Yes, it’s easy to laugh and poke fun at a grown man, who’s weirdly excited and happy about returning to summer camp. But taking on the role of a head counselor means A LOT to Jason. He needs to grow up and find a real job, and Jason has a bad case of arrested development. There’s no denying Jason really needs to take those first big steps into the real world, but he’s a good and genuinely nice guy, who just wants to enjoy life before he’s sucked into the meat grinder known as adulthood.

Fred Hechinger really delivers a solid performance as Jason. It’s easy to believe he’s this socially awkward guy, and I did get a few good laughs out of Jason’s failed attempts at trying to crack jokes, or Jason’s cringy comedian act. I wanted Jason to succeed, because he takes a lot of crap from the other counselors, but he never lashes out, and he doesn’t have the urge to seek vengeance. Providing a positive and safe summer camp experience is important to Jason, even if he has to risk his life to accomplish those goals.

Two killers! Revealing Demi and Mike as the killers works as a solid and surprising twist. They’re both narcissists, but Mike comes off as more of a goofball and an airhead. Demi? She’s genuinely more nasty and aggressive. Demi basks in the glory of being the cerebral mastermind behind the murders. She wants all the credit, and Demi desperately seeks the fame that’ll inevitably come with being one of the survivors of a bloody massacre. 

One of my favorite moments in the movie happens towards the end. Jason is tied up. He’s pleading with Demi to come to her senses, because he still doesn’t believe she’s a bad person. Jason wants to believe Mike is the puppeteer, who’s controlling her. Demi’s response? She mocks the idea of needing to be guided and controlled by a man, reminding Jason that she’s a strong and fierce woman. Pardis Saremi’s snarky and hopeless victim act before she tears into Jason is just perfect, easily one of the best scenes in the movie. 

A good number of dead and mutilated bodies throughout Hell Of A Summer, but the characters still have depth and different personalities. Whether it’s Matthew Finlan playing the pretentious play-actor, Julia Lalonde’s Noelle believing she’s a clairvoyant, or Finn Wolfhard’s Chris filling the role of a normal and nerdy kid, Hell Of A Summer makes an earnest attempt to avoid the easy way out to raise the kill count with disposable characters. It’s mostly easy to predict who’ll make it to the end alive, but you’re still able to care about the main cast of characters, and you can at least believe in the possibility of everyone having a shot to make it out alive.

The humor and the jokes are fairly consistent, the overall cast is solid, and Pardis Saremi is easily the standout star in the supporting cast, playing a vain social media influencer with a dark side. Hell Of A Summer is a harmless slasher comedy, featuring a nice twist for revealing the bad guys. There’s a good balance for slasher movie elements, the comedy, and the approach to deliver an unconventional coming-of-age film. Also, I’ll give some bonus points for a handful of creative and gruesome kills. A knife dipped in peanut butter used to kill someone with a peanut allergy? Yikes! 

Is it predictable in certain spots? Yes, but Hell Of A Summer is still a fun film that’s not afraid to be fully self-aware, while leaning into a lot of horror cliches. Tires are slashed, cars won’t start, and Ezra happily saying “I’ve always wanted to say that!” when the group finds out the phone lines are down is just hilarious. 

In the end, the villains got what they deserved, and the survivors enjoyed their happy endings. That’s more than enough for a silly film that wasn’t trying to be a groundbreaking movie, or reinvent the formula for slashers. Also, it’s impossible to ignore the irony for the majority of the group pointing their fingers at Jason for being the original suspect. A man named Jason is being accused of murdering camp counselors? That sounds familiar, and maybe they could’ve used one a shot of a hockey mask, but I guess that would’ve been too much.

Rating- 7/10

Hell Of A Summer (2025)(Minor Spoilers)

 **This post contains MINOR spoilers**

The Story- Jason (Fred Hechinger) returns to Camp Pineway, assuming the role of camp leader. The head counselors, Kathy (Rosebud Baker) and John (Adam Pally), are nowhere to be found, but Jason eagerly accepts the task of running the camp.

Jason faces a number of irritating challenges during his failed attempts to organize activities for the group. The team of counselors, including Mike (D’Pharaoh Woon-A-Tai), Demi (Pardis Saremi), Chris (Finn Wolfhard), Bobby (Billy Bryk), Shannon (Krista Nazaire), Miley (Julia Doyle), Ari (Daniel Gravelle), Noelle (Julia Lalonde), and Ezra (Matthew Finlan) all ignore Jason’s attempts to unite the group for a fun summer camp experience.

Claire (Abby Quinn) tries to support and protect Jason. But the counselors will have bigger problems to worry about, after a bloody dead body pops up, and a killer wearing a devil mask appears. Does Jason have what it takes to protect and save the group?

My Thoughts- Jason is a loser, but he’s also a likable loser. Yes, it’s easy to laugh and poke fun at a grown man, who’s weirdly excited and happy about returning to summer camp. But taking on the role of a head counselor means A LOT to Jason. He needs to grow up and find a real job, and Jason has a bad case of arrested development. There’s no denying Jason really needs to take those first big steps into the real world, but he’s a good and genuinely nice guy, who just wants to enjoy life before he’s sucked into the meat grinder known as adulthood.

Fred Hechinger really delivers a solid performance as Jason. It’s easy to believe he’s this socially awkward guy, and I did get a few good laughs out of Jason’s failed attempts at trying to crack jokes, or Jason’s cringy comedian act. I wanted Jason to succeed, because he takes a lot of crap from the other counselors, but he never lashes out, and he doesn’t have the urge to seek vengeance. Providing a positive and safe summer camp experience is important to Jason, even if he has to risk his life to accomplish those goals.

A good number of dead and mutilated bodies throughout Hell Of A Summer, but the characters still have depth and different personalities. Whether it’s Matthew Finlan playing the pretentious play-actor, Julia Lalonde’s Noelle believing she’s a clairvoyant, or Finn Wolfhard’s Chris filling the role of a normal and nerdy kid, Hell Of A Summer makes an earnest attempt to avoid the easy way out to raise the kill count with disposable characters. It’s mostly easy to predict who’ll make it to the end alive, but you’re still able to care about the main cast of characters, and you can at least believe in the possibility of everyone having a shot to make it out alive.

The humor and the jokes are fairly consistent, the overall cast is solid, and Pardis Saremi is easily the standout star in the supporting cast, playing a vain social media influencer with a dark side. Hell Of A Summer is a harmless slasher comedy, featuring a nice twist for revealing the bad guys. There’s a good balance for slasher movie elements, the comedy, and the approach to deliver an unconventional coming-of-age film. Also, I’ll give some bonus points for a handful of creative and gruesome kills. A knife dipped in peanut butter used to kill someone with a peanut allergy? Yikes! 

Is it predictable in certain spots? Yes, but Hell Of A Summer is still a fun film that’s not afraid to be fully self-aware, while leaning into a lot of horror cliches. Tires are slashed, cars won’t start, and Ezra happily saying “I’ve always wanted to say that!” when the group finds out the phone lines are down is just hilarious. 

In the end, the villains got what they deserved, and the survivors enjoyed their happy endings. That’s more than enough for a silly film that wasn’t trying to be a groundbreaking movie, or reinvent the formula for slashers. Also, it’s impossible to ignore the irony for the majority of the group pointing their fingers at Jason for being the original suspect. A man named Jason is being accused of murdering camp counselors? That sounds familiar, and maybe they could’ve used one a shot of a hockey mask, but I guess that would’ve been too much.

Rating- 7/10

Blair Witch (2016)

 

**This post contains spoilers**

The Story- Lisa (Callie Hernandez) sets out to make a documentary. The subjects? The Blair Witch, and the mystery behind the strange disappearance of her friend James’ (James Allen McCune) sister, Heather Donahue. James, Lisa, Peter (Brandon Scott), and his girlfriend, Ashley (Corbin Reid) travel together to the Black Hills Forest in Burkittsville, Maryland. The group reluctantly allows Lane (Wes Robinson), and his sister, Talia (Valorie Curry), two Blair Witch obsessed locals, to tag along with the promise of filming their own footage.

After a distasteful hoax, James agrees to give up on the documentary, and the search for his sister. But a series of bizarre events confirms the group’s suspicions: Someone or something is watching them, and they’re not alone in the woods….

My Thoughts- Ear cameras? That’s a new one! Well, it’s new for me, I guess. Logically, the ear cameras for Blair Witch are a perfect fit for a found-footage film. Yes, the group is always recording everything. But they’re not wasting time making foolish mistakes by using their phones, or whatever recording device is available, because “PEOPLE NEED TO SEE THIS!” or one of the usual nonsensical reasons different characters cling to for recording in found-footage films. 

Lisa and Lane only use their handheld devices, when they’re trying to capture footage for their documentaries, or when they need the light for dark places, and that’s perfectly fine. And you can add a few bonus points for the drone POVs adding aerial shots, possibly giving the group a better chance to find any escape routes.

Is Heather alive? Well, no. During, the fiasco inside the house, James’ sightings of Heather were not real. Just more mind games and bait from the witch to lure James into the house. No one escapes The Blair Witch here. And Lisa had to murder Lane out of self defense, because Lane completely lost his mind.

Also, something to pay attention to here is the video that served as a possible shred of proof that led everyone to the Black Hills Forest. The video on You Tube, supposedly featuring a shot of Heather, was already recorded by Lisa before the current storyline. Tying into the time loop/paradox problem, the video was a trick used to lure the group into the forest, and they were already doomed before they made the trip. 

I wasn’t surprised Blair Witch had a high kill count. With the way the story was going, you could tell early on they didn’t have any real plans for a sequel, or to continue the stories for this particular set of characters. 

Blair Witch was always going to be a one and done movie, and maybe that’s the best option? You can only go to the well so many times for the storyline about a group of people going to the Black Hills Forest to find the truth about the Blair Witch. There’s a well documented history of bad things happening to people, who sniff around in the forest, so why would different people continue to go knowing there’s a good chance you’ll die or disappear forever? Maybe if you’re an adrenaline junkie, who’s looking for a bigger fix, but that’s still not a good enough reason to do it.

One of my bigger complaints for Blair Witch? The characters are too thin, and it’s to the point, where you know they’re disposable. You can feel sympathy for James. He’s a good guy, who’s determined to find his sister, and he’s willing to risk his life to uncover the truth, but that’s about it. 

I did get a few good chuckles out of the little feud between Peter and Lane, no matter how one sided it was. After Peter’s reaction to the confederate flag in Lane and Talia’s living room, and the meeting at the trailer, Peter quickly dismisses Lane and Talia as two loony locals, who have way too much free time on their hands. 

Still, you can pick anyone from the main cast of characters, and I wasn’t surprised, or I didn’t care that much, if anyone died. Everyone is a candidate for a spot on the chopping block. You expect it in horror movies similar to Blair Witch, whether it’s a found-footage or traditional POV film, but at least give me a reason to care.

Blair Witch 2016 is a more polished film. If we’re comparing it to the original, Blair Witch looks more clean and sharp. The majority of spooky and tense moments throughout the movie revolved around strange noises, roars, and things that go bump in the night during the nighttime scenes. 

The big finale mostly delivered for me. Some good nail-biting moments, featuring the main characters looking for a way out during a stormy night, and I’m glad they never fully showed or locked in on the witch for any close-ups. You’ll get a few brief glimpses of her, and that’s the right approach. Otherwise, you’re just killing the mystique for a monstrous creature. The witch isn’t just an unseen force in Blair Witch. She’s a deadly threat, but you can only see her, when you need to, or during perfect timing scenarios. 

Blair Witch didn’t feel the need to misuse the source materials. Rustin Parr is mentioned more here, the stick symbols, and adding more layers to the time loop/paradox in the Black Hills Forest works as a good thought-provoking dynamic for the movie. A few scenes of nasty gore (e.g. showing the aftermath for Talia’s broken and mangled corpse, and that loud crunch, when Ashley snapped the wooden symbol. Ouch!), and some gross-out amounts, mostly centered around the cut on Ashley’s foot and the growth in her leg. 

Overall, Blair Witch is an okay sequel. It’s not bad, but Blair Witch is still a forgettable film. You’ll see a lot of shaky cam stuff, and characters making questionable choices. Why are you splitting up, or going to do something by yourself, when it’s clear you’re not safe and lost in a dangerous place? 

This is my third or fourth rewatch for Blair Witch, and if I had to choose, I still prefer the 1999 original film. The grainy footage, and the rough cut feel of it added a strong sense of realism. It was easy to believe three ordinary people just wanted to make a documentary. But they got lost in the Black Hills Forest, and it was all downhill after that. 

Blair Witch 2016? I was very aware of the fact that I was watching a found-footage movie with actors. Bottom line, with or without the Blair Witch label, Blair Witch 2016 is just a decent enough film. The home stretch delivers in certain spots, but it’s another case, where the original film still holds on to the number one spot. 

Rating- 5/10

Blair Witch (2016)(Minor Spoilers)

 

**This post contains MINOR spoilers**

The Story- Lisa (Callie Hernandez) sets out to make a documentary. The subjects? The Blair Witch, and the mystery behind the strange disappearance of her friend James’ (James Allen McCune) sister, Heather Donahue. James, Lisa, Peter (Brandon Scott), and his girlfriend, Ashley (Corbin Reid) travel together to the Black Hills Forest in Burkittsville, Maryland. The group reluctantly allows Lane (Wes Robinson), and his sister, Talia (Valorie Curry), two Blair Witch obsessed locals, to tag along with the promise of filming their own footage.

After a distasteful hoax, James agrees to give up on the documentary, and the search for his sister. But a series of bizarre events confirms the group’s suspicions: Someone or something is watching them, and they’re not alone in the woods….

My Thoughts- Ear cameras? That’s a new one! Well, it’s new for me, I guess. Logically, the ear cameras for Blair Witch are a perfect fit for a found-footage film. Yes, the group is always recording everything. But they’re not wasting time making foolish mistakes by using their phones, or whatever recording device is available, because “PEOPLE NEED TO SEE THIS!” or one of the usual nonsensical reasons different characters cling to for recording in found-footage films. 

Lisa and Lane only use their handheld devices, when they’re trying to capture footage for their documentaries, or when they need the light for dark places, and that’s perfectly fine. And you can add a few bonus points for the drone POVs adding aerial shots, possibly giving the group a better chance to find any escape routes.

I wasn’t surprised Blair Witch had a high kill count. With the way the story was going, you could tell early on they didn’t have any real plans for a sequel, or to continue the stories for this particular set of characters. 

Blair Witch was always going to be a one and done movie, and maybe that’s the best option? You can only go to the well so many times for the storyline about a group of people going to the Black Hills Forest to find the truth about the Blair Witch. There’s a well documented history of bad things happening to people, who sniff around in the forest, so why would different people continue to go knowing there’s a good chance you’ll die or disappear forever? Maybe if you’re an adrenaline junkie, who’s looking for a bigger fix, but that’s still not a good enough reason to do it.

One of my bigger complaints for Blair Witch? The characters are too thin, and it’s to the point, where you know they’re disposable. You can feel sympathy for James. He’s a good guy, who’s determined to find his sister, and he’s willing to risk his life to uncover the truth, but that’s about it. 

I did get a few good chuckles out of the little feud between Peter and Lane, no matter how one sided it was. After Peter’s reaction to the confederate flag in Lane and Talia’s living room, and the meeting at the trailer, Peter quickly dismisses Lane and Talia as two loony locals, who have way too much free time on their hands. 

Still, you can pick anyone from the main cast of characters, and I wasn’t surprised, or I didn’t care that much, if anyone died. Everyone is a candidate for a spot on the chopping block. You expect it in horror movies similar to Blair Witch, whether it’s a found-footage or traditional POV film, but at least give me a reason to care.

Blair Witch 2016 is a more polished film. If we’re comparing it to the original, Blair Witch looks more clean and sharp. The majority of spooky and tense moments throughout the movie revolved around strange noises, roars, and things that go bump in the night during the nighttime scenes. 

The big finale mostly delivered for me. Some good nail-biting moments, featuring the main characters looking for a way out during a stormy night, and I’m glad they never fully showed or locked in on the witch for any close-ups. You’ll get a few brief glimpses of her, and that’s the right approach. Otherwise, you’re just killing the mystique for a monstrous creature. The witch isn’t just an unseen force in Blair Witch. She’s a deadly threat, but you can only see her, when you need to, or during perfect timing scenarios. 

Blair Witch didn’t feel the need to misuse the source materials. Rustin Parr is mentioned more here, the stick symbols, and adding more layers to the time loop/paradox in the Black Hills Forest works as a good thought-provoking dynamic for the movie. A few scenes of nasty gore (e.g. showing the aftermath for Talia’s broken and mangled corpse, and that loud crunch, when Ashley snapped the wooden symbol. Ouch!), and some gross-out amounts, mostly centered around the cut on Ashley’s foot and the growth in her leg. 

Overall, Blair Witch is an okay sequel. It’s not bad, but Blair Witch is still a forgettable film. You’ll see a lot of shaky cam stuff, and characters making questionable choices. Why are you splitting up, or going to do something by yourself, when it’s clear you’re not safe and lost in a dangerous place? 

This is my third or fourth rewatch for Blair Witch, and if I had to choose, I still prefer the 1999 original film. The grainy footage, and the rough cut feel of it added a strong sense of realism. It was easy to believe three ordinary people just wanted to make a documentary. But they got lost in the Black Hills Forest, and it was all downhill after that. 

Blair Witch 2016? I was very aware of the fact that I was watching a found-footage movie with actors. Bottom line, with or without the Blair Witch label, Blair Witch 2016 is just a decent enough film. The home stretch delivers in certain spots, but it’s another case, where the original film still holds on to the number one spot. 

Rating- 5/10

Curse Of The Blair Witch (1999)

 

**This post contains MINOR spoilers**

The Story- Curse Of The Blair explores and examines the mysterious disappearances of Heather Donahue, Joshua Leonard, and Michael C. Williams, after their journey into the Black Hills Forest to record footage for The Blair Witch Project documentary. 

My Thoughts- Is this real? Did the legend of The Blair Witch destroy this quiet little town in Maryland? Curse Of The Blair Witch looks and feels like a real documentary. The presentation is spot on, and the talking heads are phenomenal. 

Bill Barnes (Bill Dreggors), a Burkittsville historian, easily steals the show here. Dreggors is an excellent fit for the old timer, who’s also a great storyteller. Bill Barnes is a bit crusty, but it’s not to the point, where he’s yelling and shaking his fist, because a bunch of kids are on his lawn. No, Barnes is the old dude, who still has some fire left in him, and it’s easy to crack a smile, or laugh during some of his segments.

Lucan Johnson, a self-proclaimed Wiccan, is a close number two for the best interviewees throughout the documentary. Johnson is eccentric. He comes off as a weirdo, and there’s a chance you’ll think he’s completely full of BS, but Johnson strongly believes in his words. 

Curse Of The Blair Witch is a damn good mockumentary. News clips, interviews with professors and other experts, and family members sharing stories. There’s a strong effort to bring authenticity and a sense of realism to produce a “real” documentary. Curse Of The Blair Witch also does a good job of humanizing and adding more depth to Heather, Josh, and Mike’s personalities. And it’s no real surprise if you’ve seen the movie, but Mike’s brother reveals he was a rebel with some anger issues during his younger years. 

You’ll also learn more about Elly Kedward (the witch) and Rustin Parr (Frank Pastor). Parr eerily looks like a normal guy, and there’s some good black and white footage from Parr’s arrest, his trial, and Parr’s explanation for what happened in the woods. 

Curse Of The Blair Witch is an informative and thought-provoking mockumentary about a small town that just couldn’t escape decades of black clouds, and a series of bizarre and violent events. Remember, they never found the bodies, so the case is still open, adding another mysterious and haunting layer to the mockumentary. 

It’s worth checking out for Heather, Mike, and Josh’s backstories, and more in-depth explanations for the origins of Burkittsville and The Blair Witch curse, if you’re a fan of the films. I honestly wish I could go back and watch this one without any knowledge of the films. Whether you believe in supernatural stuff or not, Curse Of The Blair Witch is more than capable of at least planting some seeds of curiosity. Also, ending the mockumentary with a missing persons flyer featuring Heather, Mike, Josh, and contact information for the local authorities, was a nice touch.

Curse Of The Blair Witch is available on You Tube, and you can check it out below, if you’re interested!

Rating- 6/10 

Book Of Shadows: Blair Witch 2 (2000)

 

**This post contains spoilers**

The Story- Following the events of The Blair Witch Project, Jeff (Jeffrey Donovan) leads a tour group into the woods of Burkittsville, Maryland. Jeff, the leader, organizer, and owner of The Blair Witch-Hunt, a website and touring service, promises to deliver a surreal experience for Erica (Erica Leerhsen), Kim (Kim Director), Stephen (Stephen Barker Turner), and his girlfriend, Tristen (Tristine Skyler).

Jeff receives a series of stern warnings from Sheriff Ronald Cravens (Lanny Flaherty), and more troubling problems emerge for Jeff and his new clients, after a bizarre and baffling nighttime experience in the woods of Burkittsville….

My Thoughts- Erica is a Wiccan. Kim? She’s an eccentric young goth woman, who enjoys relaxing in graveyards. Oh, and apparently Kim also has psychic abilities. Stephen and Tristen are doing research together for a book on mass hysteria, and Jeff is the kooky Burkittsville local!

Yes, if we’re comparing this one to the original, Book Of Shadows features a variety of characters with more depth. The problem is, there’s a bit too much zaniness attached to the main cast. Erica’s act as a Wiccan is just too goofy and over the top. Jeff? Oh, boy. Jeffery Donovan is surely dedicated to playing Jeff. There’s no denying that, but the character just comes off as this unlikable and annoying douchebag, who ruins most of the serious moments throughout the movie.

Kim Director, playing the rebellious goth lady, looks the part, and she easily has some of the best scenes throughout the movie. Tristine Skyler and Stephen Barker Turner play the roles of two intellectuals, who really don’t fit in with the rest of the crowd. Kim and Stephen are boring characters, but I guess you could say that’s the whole point, to add to the dynamic and irony of two people, who decided to tag along with a group of kooks. 

Tristen is a witch! Or, maybe she’s not a witch? Security footage reveals the rest of the group (minus Erica, because she was already dead at that point) cornered and ganged up on Tristen. They tried to force a confession out of her, and Stephen is the one, who ultimately killed Tristen by hanging her from a rope.

Tristen was never a witch, so everyone in the group played a part in murdering her. We’re led to believe the group was under the influence of the evil forces from the woods, adding credibility to Erica’s claims about the group bringing something “back with them” from the woods after the short-lived tour. 

Tristen had a miscarriage in the woods. I’m guessing that was supposed to be the clincher, or the event that sparked Tristen’s slow transformation for being chosen to be a witch, but it’s clear she had a severe mental breakdown after the miscarriage happened, a breakdown that led to her erratic and bizarre behavior after the tour was over.

Well, the best thing I can say about the ending is, at least it’s an ending? The reveal for Tristen not being a witch was supposed to be a big shocker, but the twist didn’t do anything for me. When you sit through an overall bad viewing experience, a supposedly big shocking reveal is not going to save the movie, a strong case of too little, too late for this one.

I can’t remember the last time I watched Book Of Shadows. I barely remembered what happened, and I’m still confused about what they were trying to accomplish here. Is this supposed to be a straightforward horror film? Comedy horror? Or, a parody of a horror film?

Jeff and the locals are selling Blair Witch merchandise, including rocks, and you can buy official Blair Witch dirt, too! Seriously? Why would you shit all over the key items that added to the mystique and the spooky parts in the original? I just don’t understand the approach of making a mockery out of the dangerous and deadly physical reminders and warnings for the Blair Witch curse. Also, there’s a brief little feud between Jeff’s group and a different touring group named The Blair Witch Walk, because for some reason we needed more comedy.

Lanny Flaherty delivers a weirdly hammy performance as Burkittsville’s Sheriff, complete with a comically thick southern accent. It’s strange, because you would think the SHERIFF would be portrayed as a more serious character, but you could tell Flaherty was having fun.

The main cast? There’s nothing to write home about. I understand Jeff was abused in a local mental institution, but with the way his character is portrayed, it’s easy to get the impression they just decided to poke fun at the fact that he’s not all there upstairs. I honestly can’t think of one good or truly solid performance here, and the rigid dialogue in certain scenes is just terrible.

Blair Witch 2 adds more layers and details to the lore and the dark history behind the Blair Witch. But Book Of Shadows is a prime example for what you don’t want out of a follow-up sequel for a successful original film. 

The entire movie feels like a shameless cash grab, and they dropped the found-footage POV. Book Of Shadows opens with real news clips, clips from late night talk shows, interviews with locals, and Jeff talking about the Blair Witch and Burkittsville, but that’s it for the real footage side of the movie. Sure, you could say the production values are more professional and polished, but the end result is a forgettable and bad horror flick. 

The tone for Blair Witch 2 is all over the place, and all the attempts to be a more serious film are huge misfires. The reveal for the footage of what actually happened at Jeff’s warehouse and the woods at night during the tour is just laughable. Seeing the truth was supposed to deliver a big shocker, but it’s hard not to laugh at the footage from the woods. Yeah, I get it. Everyone is supposed to be possessed, but it’s easy to get the impression that you’re just watching a bunch of people, who were way too drunk and high doing silly things that intoxicated people would do. And of course, the group was drinking and smoking weed at the campsite, so that had to play a part in the evil shenanigans, right?

Rating- 2/10

Book Of Shadows: Blair Witch 2 (2000)(Minor Spoilers)

 

**This post contains MINOR spoilers**

The Story- Following the events of The Blair Witch Project, Jeff (Jeffrey Donovan) leads a tour group into the woods of Burkittsville, Maryland. Jeff, the leader, organizer, and owner of The Blair Witch-Hunt, a website and touring service, promises to deliver a surreal experience for Erica (Erica Leerhsen), Kim (Kim Director), Stephen (Stephen Barker Turner), and his girlfriend, Tristen (Tristine Skyler).

Jeff receives a series of stern warnings from Sheriff Ronald Cravens (Lanny Flaherty), and more troubling problems emerge for Jeff and his new clients, after a bizarre and baffling nighttime experience in the woods of Burkittsville….

My Thoughts- Erica is a Wiccan. Kim? She’s an eccentric young goth woman, who enjoys relaxing in graveyards. Oh, and apparently Kim also has psychic abilities. Stephen and Tristen are doing research together for a book on mass hysteria, and Jeff is the kooky Burkittsville local!

Yes, if we’re comparing this one to the original, Book Of Shadows features a variety of characters with more depth. The problem is, there’s a bit too much zaniness attached to the main cast. Erica’s act as a Wiccan is just too goofy and over the top. Jeff? Oh, boy. Jeffery Donovan is surely dedicated to playing Jeff. There’s no denying that, but the character just comes off as this unlikable and annoying douchebag, who ruins most of the serious moments throughout the movie.

Kim Director, playing the rebellious goth lady, looks the part, and she easily has some of the best scenes throughout the movie. Tristine Skyler and Stephen Barker Turner play the roles of two intellectuals, who really don’t fit in with the rest of the crowd. Kim and Stephen are boring characters, but I guess you could say that’s the whole point, to add to the dynamic and irony of two people, who decided to tag along with a group of kooks. 

I can’t remember the last time I watched Book Of Shadows. I barely remembered what happened, and I’m still confused about what they were trying to accomplish here. Is this supposed to be a straightforward horror film? Comedy horror? Or, a parody of a horror film?

Jeff and the locals are selling Blair Witch merchandise, including rocks, and you can buy official Blair Witch dirt, too! Seriously? Why would you shit all over the key items that added to the mystique and the spooky parts in the original? I just don’t understand the approach of making a mockery out of the dangerous and deadly physical reminders and warnings for the Blair Witch curse. Also, there’s a brief little feud between Jeff’s group and a different touring group named The Blair Witch Walk, because for some reason we needed more comedy.

Lanny Flaherty delivers a weirdly hammy performance as Burkittsville’s Sheriff, complete with a comically thick southern accent. It’s strange, because you would think the SHERIFF would be portrayed as a more serious character, but you could tell Flaherty was having fun.

The main cast? There’s nothing to write home about. I understand Jeff was abused in a local mental institution, but with the way his character is portrayed, it’s easy to get the impression they just decided to poke fun at the fact that he’s not all there upstairs. I honestly can’t think of one good or truly solid performance here, and the rigid dialogue in certain scenes is just terrible.

Blair Witch 2 adds more layers and details to the lore and the dark history behind the Blair Witch. But Book Of Shadows is a prime example for what you don’t want out of a follow-up sequel for a successful original film. 

The entire movie feels like a shameless cash grab, and they dropped the found-footage POV. Book Of Shadows opens with real news clips, clips from late night talk shows, interviews with locals, and Jeff talking about the Blair Witch and Burkittsville, but that’s it for the real footage side of the movie. Sure, you could say the production values are more professional and polished, but the end result is a forgettable and bad horror flick.

The tone for Blair Witch 2 is all over the place, and all the attempts to be a more serious film are huge misfires. The reveal for the footage of what actually happened at Jeff’s warehouse and the woods at night during the tour is just laughable. Seeing the truth was supposed to deliver a big shocker, but it’s hard not to laugh at the footage from the woods. Yeah, I get it. Everyone is supposed to be possessed, but it’s easy to get the impression that you’re just watching a bunch of people, who were way too drunk and high doing silly things that intoxicated people would do. And of course, the group was drinking and smoking weed at the campsite, so that had to play a part in the evil shenanigans, right?

Rating- 2/10

The Blair Witch Project (1999)(Minor Spoilers)

 

**This post contains MINOR spoilers**

The Story- Heather (Rei Hance), Josh (Joshua Leonard), and Mike (Michael C. Williams) travel to Burkittsville, Maryland to film a documentary about The Blair Witch during Halloween season in 1994. Titled The Blair Witch Project, Heather leads the trio into the woods to shoot the documentary.

The group runs into a series of setbacks and mishaps, but they’ll have bigger problems to worry about. After a handful of strange occurrences, it’s clear Heather, Mike, and Josh are not alone in the woods, because someone or something is following them, watching, and waiting for the right moment to strike…..

My Thoughts- My one big complaint about The Blair Witch Project? Too much bickering. Yes, I get it. Heather, Mike, and Josh are scared. They’re frustrated, tired, hungry, cold, and they’re alone in the woods, while a witch is hot on their trails. But all the screaming, finger-pointing, and arguments eats up way too much time here. Occasionally, you’ll get the feeling the movie is picking up some momentum, but everything comes to a screeching halt, because Josh has to scold Heather for being a terrible human being.

If we’re putting the spotlight on the main trio, you can tell Heather is a good person, but she also pushes too hard. She wants to get the documentary done, feeling it’ll be the crowning achievement in her life, because she doesn’t have anything else to look forward to. The big problem is, she recklessly threw the group into a meat grinder, without any real backup plans, or an escape route.

Josh tries to be the glue that holds everything together until he finally reaches a breaking point with Heather. Mike? He’s a hotheaded asshole, but Mike actually has a few tranquil moments, when he realizes pouring more gasoline on already roaring fire will only make things worse.

I’m old enough to remember, when The Blair Witch Project was first released. The buzz, the hype, people questioning whether it was real or not. I HAD to see it. Decades later, my opinion on it hasn’t really changed. Lots of shaky cam, the movie hits one too many dull stretches, and while I understand the justifiable reasons behind it, all the constant arguing and fighting drives me nuts. Also, you can point to more than one scene, where there’s really no reason to record anything at all. Please, focus on protecting yourselves, and finding a safe place to hide!

Still, The Blair Witch Project has some positives. The strong sense of realism is believable. The grainy picture quality, blooper style footage (e.g. Mike munching on a giant leaf), and interviews with the locals, with Mary Brown (Patricia DeCou) stealing the show as that one old kooky resident, who tells wild stories. 

It’s a found-footage film that gives you the feeling you’re watching real, raw, and uncut footage about three people, who set out to make a seemingly harmless documentary. And you’re getting an unfiltered firsthand behind the scenes experience, documenting the chaos showing how everything devolved into a tragic mess. The Blair Witch Project taking place during Halloween season was a nice touch, and I’m always a sucker for horror films about a small town filled with dark secrets and a troubled past. Some good spooky nighttime scenes, and the finale truly delivers, complete with a strong and eerie cliffhanger. 

Whether or not The Blair Witch Project is overrated or rated appropriately, is something that’ll be debated for a long time. But you can’t deny the overall impact on the horror genre and what The Blair Witch Project did for found-footage films. We’re inching towards a thirty year anniversary for this one, and it’s a movie that’s still remembered and talked about in 2026. You can hate it, love it, or possibly fall somewhere in the middle, but a small team working with a tight budget managed to create a memorable horror flick with a lasting legacy, a truly remarkable accomplishment that deserves recognition.

Rating- 6/10 

The Blair Witch Project (1999)

 

**This post contains spoilers**

The Story- Heather (Rei Hance), Josh (Joshua Leonard), and Mike (Michael C. Williams) travel to Burkittsville, Maryland to film a documentary about The Blair Witch during Halloween season in 1994. Titled The Blair Witch Project, Heather leads the trio into the woods to shoot the documentary.

The group runs into a series of setbacks and mishaps, but they’ll have bigger problems to worry about. After a handful of strange occurrences, it’s clear Heather, Mike, and Josh are not alone in the woods, because someone or something is following them, watching, and waiting for the right moment to strike…..

My Thoughts- My one big complaint about The Blair Witch Project? Too much bickering. Yes, I get it. Heather, Mike, and Josh are scared. They’re frustrated, tired, hungry, cold, and they’re alone in the woods, while a witch is hot on their trails. But all the screaming, finger-pointing, and arguments eats up way too much time here. Occasionally, you’ll get the feeling the movie is picking up some momentum, but everything comes to a screeching halt, because Josh has to scold Heather for being a terrible human being.

If we’re putting the spotlight on the main trio, you can tell Heather is a good person, but she also pushes too hard. She wants to get the documentary done, feeling it’ll be the crowning achievement in her life, because she doesn’t have anything else to look forward to. The big problem is, she recklessly threw the group into a meat grinder, without any real backup plans, or an escape route.

Josh tries to be the glue that holds everything together until he finally reaches a breaking point with Heather. Mike? He’s a hotheaded asshole, but Mike actually has a few tranquil moments, when he realizes pouring more gasoline on already roaring fire will only make things worse.

Long stretches of boredom throughout The Blair Witch Project, but there’s no denying the finale delivers. The final ten minutes or so of the movie are tight, tense, and genuinely creepy. The old abandoned house was the perfect setting. It’s dark, dirty, quiet, and when you see all the strange markings and hand prints on the wall, you’ll instantly know the house is a bad and horrible place, where unspeakable things happened inside. 

The final shot of an emotionless and dazed Mike standing in a corner of the basement, with Heather’s screams in the background before the camera falls to the ground to end the movie really works as a haunting visual. It’s a memorable moment, and it’s a shot that really sticks before the credits start rolling. Genuinely chilling stuff. 

I’m old enough to remember, when The Blair Witch Project was first released. The buzz, the hype, people questioning whether it was real or not. I HAD to see it. Decades later, my opinion on it hasn’t really changed. Lots of shaky cam, the movie hits one too many dull stretches, and while I understand the justifiable reasons behind it, all the constant arguing and fighting drives me nuts. Also, you can point to more than one scene, where there’s really no reason to record anything at all. Please, focus on protecting yourselves, and finding a safe place to hide!

Still, The Blair Witch Project has some positives. The strong sense of realism is believable. The grainy picture quality, blooper style footage (e.g. Mike munching on a giant leaf), and interviews with the locals, with Mary Brown (Patricia DeCou) stealing the show as that one old kooky resident, who tells wild stories. 

It’s a found-footage film that gives you the feeling you’re watching real, raw, and uncut footage about three people, who set out to make a seemingly harmless documentary. And you’re getting an unfiltered firsthand behind the scenes experience, documenting the chaos showing how everything devolved into a tragic mess. The Blair Witch Project taking place during Halloween season was a nice touch, and I’m always a sucker for horror films about a small town filled with dark secrets and a troubled past. Some good spooky nighttime scenes, and the finale truly delivers, complete with a strong and eerie cliffhanger. 

Whether or not The Blair Witch Project is overrated or rated appropriately, is something that’ll be debated for a long time. But you can’t deny the overall impact on the horror genre and what The Blair Witch Project did for found-footage films. We’re inching towards a thirty year anniversary for this one, and it’s a movie that’s still remembered and talked about in 2026. You can hate it, love it, or possibly fall somewhere in the middle, but a small team working with a tight budget managed to create a memorable horror flick with a lasting legacy, a truly remarkable accomplishment that deserves recognition.

Rating- 6/10 

Maggie (2015)

 **This post contains spoilers**

The Story- Infected with an incurable zombie virus, Maggie Vogel (Abigail Breslin) runs away from home. Maggie’s father, Wade (Arnold Schwarzenegger), eventually brings Maggie back to the family’s ranch, determined to protect his oldest child from a legally mandated quarantine.

Maggie is supported by Wade, and her stepmother, Caroline (Joely Richardson), but the clock is ticking, as Maggie’s condition deteriorates…

My Thoughts- Maggie turning into a zombie is a slow process from start to finish. You won’t see any bloody and violent zombie attacks, or the survivors running for their lives, while being chased by hordes of the undead here. Instead, Maggie chooses to put the focus on the emotional toll the outbreak takes on everyone involved. Wade loves and deeply cares about his daughter. Wade’s options are limited, and he doesn’t want to make the difficult decision to send his daughter off to quarantine, an inhumane death sentence for infected humans.

Maggie? She knows there’s no way out. She doesn’t want to be a burden to her friends and her family, so she isolates herself. Maggie drifts in and out of trying to live a normal life. The waiting room scene at the doctor’s office does a good job of shining some light on Maggie’s problems. A mother notices Maggie’s bite wound, and she quickly urges her children to stay away from her. Another example of Maggie trying to be a normal teenage girl, but it’s just not possible without a cure or a vaccine. 

Abigail Breslin nails Maggie. The fear for what’s about to happen to her, the conflict for Maggie wanting to give up on herself, but she doesn’t want to disappoint her father, so she tries to live a normal life, and she knows time is running out, fast. You can see and feel everything Maggie is going through, and Breslin’s sympathetic performance is one of the true highlights here. You’ll see every agonizing stage of Maggie’s transformation, whether it’s the decaying skin, Maggie’s cravings for flesh, or Maggie’s gory solution for dealing with a broken finger.

So what’s the solution? Does Maggie FINALLY go to quarantine? Does Wade give in to Maggie’s heart-wrenching request for a mercy killing? Well, Maggie chooses death in the form of suicide by jumping off of the roof.  

I had my fingers crossed for a cure, or at least the realistic possibility for introducing a cure to add more suspense to the story, but it’s still a good and poignant finale. Towards the end, Maggie is just too far gone. She’s ninety-five percent zombie, but she still had enough clarity to choose death without attacking Wade. And Maggie knew Wade having to be the one to pull the trigger would’ve destroyed him, so she decided to take herself out of the picture. 

Also, Maggie using memories of spending time with her deceased mother, Sarah, was a nice touch. Maggie remembers Sarah, as she’s falling to the ground, and you could say it was Maggie’s way of easing herself into the afterlife, with comforting memories of a cherished relationship with her mother. Good stuff.

I’m of two minds about Maggie. On one hand, if you’ve seen enough zombie movies, you already know what’s going to happen after the infection. But Maggie takes a slow burn approach to the full turn. Is she going to turn into a zombie or not? It’s a question I asked myself more than once throughout the movie. I KNOW where this whole thing is going, so can we just get there already? But Maggie does make an earnest attempt at trying to be a different zombie film. It’s a dreary and somber horror drama about a viral outbreak that completely tears families and friends apart. 

Maggie does a really job of showing everyone’s perspectives for what’s going on. Sheriff Ray Pierce (Douglas M. Griffin) is Wade’s friend, and he respects him, but he has a job to do. Deputy Holt (J.D. Evermore) comes off as an asshole. He’s more strict, serious, and you can tell he’s annoyed at the fact that Wade is getting preferential treatment for keeping Maggie away from quarantine. But Holt makes a good point: Maggie is infected. It’s far too dangerous to keep her around healthy people, and it’s the police force’s job to protect the community at all costs. 

Maggie’s ex-boyfriend, Trent (Bryce Romero) is infected. Trent is scared. Similar to Maggie, he’s beyond the point of no return. He doesn’t want to go to quarantine, but his options are severely limited. Maggie’s friend, Allie (Raeden Greer) tries to hold it together during a friendly reunion. But Allie can’t hide an emotional reaction, because she knows she’s going to lose her best friend.

Maggie feels a bit dull at times, because without the possibility of a cure, or a cure that’s available, there’s only one solution to Maggie’s problem. Still, I have to give a thumbs up for Maggie taking an unconventional and mostly successful approach to a zombie horror film. Arnold Schwarzenegger delivers a dedicated performance, as a father, who’s carrying around a heavy heart. Wade is a simple man, who lives a quiet life, and he loves his old rusty pickup truck. A solid all around cast, a fantastic ending, and Schwarzenegger and Breslin share believable father/daughter chemistry together. 

I’m also glad the vast majority of Maggie takes place in the countryside, and the more rural parts of America. Maggie’s set pieces are a perfect fit for the story. It’s eerily quiet, and you can see the devastation from the outbreak. Old homes, fields of burning crops, and a seemingly abandoned gas station. A clear visual representation that Wade, Maggie, and the rest of the cast are currently living in a hopeless world. No one is coming to save them, everyone is scared, and you have to worry about the possibility of your neighbors turning into zombies. 

Rating- 8/10

 

Maggie (2015)(Minor Spoilers)

 **This post contains MINOR spoilers**

The Story- Infected with an incurable zombie virus, Maggie Vogel (Abigail Breslin) runs away from home. Maggie’s father, Wade (Arnold Schwarzenegger), eventually brings Maggie back to the family’s ranch, determined to protect his oldest child from a legally mandated quarantine.

Maggie is supported by Wade, and her stepmother, Caroline (Joely Richardson), but the clock is ticking, as Maggie’s condition deteriorates…

My Thoughts- Maggie turning into a zombie is a slow process from start to finish. You won’t see any bloody and violent zombie attacks, or the survivors running for their lives, while being chased by hordes of the undead here. Instead, Maggie chooses to put the focus on the emotional toll the outbreak takes on everyone involved. Wade loves and deeply cares about his daughter. Wade’s options are limited, and he doesn’t want to make the difficult decision to send his daughter off to quarantine, an inhumane death sentence for infected humans.

Maggie? She knows there’s no way out. She doesn’t want to be a burden to her friends and her family, so she isolates herself. Maggie drifts in and out of trying to live a normal life. The waiting room scene at the doctor’s office does a good job of shining some light on Maggie’s problems. A mother notices Maggie’s bite wound, and she quickly urges her children to stay away from her. Another example of Maggie trying to be a normal teenage girl, but it’s just not possible without a cure or a vaccine. 

Abigail Breslin nails Maggie. The fear for what’s about to happen to her, the conflict for Maggie wanting to give up on herself, but she doesn’t want to disappoint her father, so she tries to live a normal life, and she knows time is running out, fast. You can see and feel everything Maggie is going through, and Breslin’s sympathetic performance is one of the true highlights here. You’ll see every agonizing stage of Maggie’s transformation, whether it’s the decaying skin, Maggie’s cravings for flesh, or Maggie’s gory solution for dealing with a broken finger.

I’m of two minds about Maggie. On one hand, if you’ve seen enough zombie movies, you already know what’s going to happen after the infection. But Maggie takes a slow burn approach to the full turn. Is she going to turn into a zombie or not? It’s a question I asked myself more than once throughout the movie. I KNOW where this whole thing is going, so can we just get there already? But Maggie does make an earnest attempt at trying to be a different zombie film. It’s a dreary and somber horror drama about a viral outbreak that completely tears families and friends apart. 

Maggie does a really job of showing everyone’s perspectives for what’s going on. Sheriff Ray Pierce (Douglas M. Griffin) is Wade’s friend, and he respects him, but he has a job to do. Deputy Holt (J.D. Evermore) comes off as an asshole. He’s more strict, serious, and you can tell he’s annoyed at the fact that Wade is getting preferential treatment for keeping Maggie away from quarantine. But Holt makes a good point: Maggie is infected. It’s far too dangerous to keep her around healthy people, and it’s the police force’s job to protect the community at all costs. 

Maggie’s ex-boyfriend, Trent (Bryce Romero) is infected. Trent is scared. Similar to Maggie, he’s beyond the point of no return. He doesn’t want to go to quarantine, but his options are severely limited. Maggie’s friend, Allie (Raeden Greer) tries to hold it together during a friendly reunion. But Allie can’t hide an emotional reaction, because she knows she’s going to lose her best friend.

Maggie feels a bit dull at times, because without the possibility of a cure, or a cure that’s available, there’s only one solution to Maggie’s problem. Still, I have to give a thumbs up for Maggie taking an unconventional and mostly successful approach to a zombie horror film. Arnold Schwarzenegger delivers a dedicated performance, as a father, who’s carrying around a heavy heart. Wade is a simple man, who lives a quiet life, and he loves his old rusty pickup truck. A solid all around cast, a fantastic ending, and Schwarzenegger and Breslin share believable father/daughter chemistry together. 

I’m also glad the vast majority of Maggie takes place in the countryside, and the more rural parts of America. Maggie’s set pieces are a perfect fit for the story. It’s eerily quiet, and you can see the devastation from the outbreak. Old homes, fields of burning crops, and a seemingly abandoned gas station? A clear visual representation that Wade, Maggie, and the rest of the cast are currently living in a hopeless world. No one is coming to save them, everyone is scared, and you have to worry about the possibility of your neighbors turning into zombies. 

Rating- 8/10

Bodies Bodies Bodies (2022)

 

**This post contains spoilers**

The Story- Sophie (Amandla Stenberg) brings her new girlfriend, Bee (Maria Bakalova) to a hurricane party at her best friend David’s (Pete Davidson) mansion. At the party, Sophie reunites with Jordan (Myha’la), Emma (Chase Sui Wonders), and Alice (Rachel Sennott). 

Before the storm hits, the group agrees to play Bodies Bodies Bodies, a murder mystery party game. But the game takes a dark turn, when a real death happens. Alice’s new boyfriend, Greg (Lee Pace) is the primary suspect. And Max (Conner O’Malley), another friend in the group, is nowhere to be found after a heated altercation with David. Mistrust and nasty finger-pointing slowly tears the group apart, as they struggle to answer one crucial question: Who is the killer?

My Thoughts- Bee is struggling to fit in, but at least she’s trying? If I had to go with a pick for the best performance, Maria Bakalova easily takes the top spot. It’s easy to believe and buy into Bee’s personality. The shyness, Bee being afraid to speak up, Bee nervously voicing her opinions, and the awkwardness Bee feels, as she tries to loosen up. 

Sophie and her friends? They’re vultures ready to pick any bones clean, after the first dead body pops up. Bee? You can see she’s scared and nervous, carefully choosing her words, because Bee knows someone is waiting to snap on her during all the mud slinging. Bakalova does a good job of building sympathy for Bee. She’s a genuinely good person, who just wants to make friends, and she doesn’t want to disappoint Sophie. But she’s stuck in a mansion with a bunch of overly dramatic and whiny narcissists and cry babies, who are actively looking for a reason to shit on each other.

The overall cast features a number of good performances. Pete Davidson plays a goof, but David is also a jealous, deeply insecure, and thin-skinned young man. Lee Pace is hilarious as Greg. On the surface, Greg comes off as a laid back guy, with a hippie/surfer dude personality. But if you push Greg’s buttons too much, he flips the switch to activate a more mean and serious personality. 

Myha’la, playing an angry and agitated character, really nails Jordan. Taking Jordan’s side during the arguments works as the logical choice. She’s not afraid to speak unfiltered truths, but on the other side of that, it’s hard to not roll your eyes, because she’s clearly a bitter and mean-spirited person.

Rachel Sennott delivers a lot of laughs as Alice, complete with some genuinely funny hysterics. Alice is perky, and she’s kind of an airhead, and Sennott’s comedic timing is excellent. Also, Chase Sui Wonders delivers a solid performance as Emma, the actress, who makes herself an easy target in shark infested waters, because she’s too emotional.

Who is the killer? Well, David accidentally slit his own throat with a sword. That’s right. No mystery, no killer, David offed himself, because he was trying to prove he could pop a cork on a champagne bottle. Greg effortlessly did it earlier in the movie, and of course, David couldn’t handle another man upstaging him, or watching all the attention and praise go to someone else.  So David’s solution was to show he’s also capable of doing the sword trick, but it cost him his life.

Truly a surprising ending. I didn’t see it coming at all, but David doing something stupid is believable. Imagine that. Four friends said hurtful and unforgivable things to each other. Pointed fingers with serious accusations, and destroyed their friendships, because they believed one of them was a killer running around in the dark. David and Emma’s deaths were freak accidents, Bee murdered Greg, and Jordan accidentally shot and killed Alice. The stupefied looks on Sophie and Bee’s faces during the end, when Bee realizes she has reception on her phone, after watching David’s video with the champagne bottle and the sword is just perfect.

Bodies Bodies Bodies does a good job of balancing the comedy and serious moments for the appropriate reactions, whether it’s laughs or a jaw-dropping moments, cleverly interweaving the tonal shifts, when it’s necessary. It’s almost impossible to not laugh at the cast of characters here. There’s a chance a killer is on the loose, you’re stuck in a mansion with no power during a hurricane, but you’re wasting time arguing over petty bullshit? Please, take one second and look at the big picture!

You can feel sympathy for the victims here, but it’s also hilarious once you realize the bloodshed (excluding one death) could’ve been avoided, if everyone just came together as friends, one unit working TOGETHER to figure out what’s going on. What happened instead? A bunch of spoiled and rich youngsters wasted too much time trying to belittle and one-up each other for their manufactured “struggles.” 

One of my favorite scenes in the movie happens towards the end during the big group argument. Alice coldly reminds Jordan that she comes from an “upper middle-class” background…and Jordan gets upset? So someone else reminds you that your journey in life hasn’t been difficult, and that’s enough to piss you off? Seriously?

They threw in the car won’t start cliche for this one. There’s a good reason for it, and you can see it coming from a mile away. Personally, I’m just not a big fan of car trouble mishaps in horror movies. Still, Bodies Bodies Bodies really works as a funny and entertaining whodunit black comedy slasher-esque horror film, complete with a genuinely shocking finale for the big reveal. 

Screenwriter Sarah DeLappe does a phenomenal job of convincing you that anyone is capable of being the killer, leading to a conclusion that’ll either make you laugh, or at least crack a smile at how a seemingly normal party descended into chaos. The casting is great. Everyone is a perfect fit for their characters, and you can easily pick one highlight reel worthy moment from each member of the cast throughout the movie. 

Bodies Bodies Bodies hits all the right checkpoints as a riff on people (usually the younger crowd), who will go to great lengths to convince themselves that their alleged hardships in life are too much to deal with. They’re stuck in a loop of always complaining and feeling sorry for themselves, because they can’t break out of their victim complexes. Also, I’m always a big fan of horror films with isolated settings. The big quiet mansion out in the middle of nowhere. A hurricane is roaring outside. No power, it’s dark indoors, and the remaining survivors are slowly turning on each other? Truly a good recipe for a chaotic, nutty, and hilarious film.

Rating 8/10

Bodies Bodies Bodies (2022)(Minor Spoilers)

 

**This post contains MINOR spoilers**

The Story- Sophie (Amandla Stenberg) brings her new girlfriend, Bee (Maria Bakalova) to a hurricane party at her best friend David’s (Pete Davidson) mansion. At the party, Sophie reunites with Jordan (Myha’la), Emma (Chase Sui Wonders), and Alice (Rachel Sennott). 

Before the storm hits, the group agrees to play Bodies Bodies Bodies, a murder mystery party game. But the game takes a dark turn, when a real death happens. Alice’s new boyfriend, Greg (Lee Pace) is the primary suspect. And Max (Conner O’Malley), another friend in the group, is nowhere to be found after a heated altercation with David. Mistrust and nasty finger-pointing slowly tears the group apart, as they struggle to answer one crucial question: Who is the killer?

My Thoughts- Bee is struggling to fit in, but at least she’s trying? If I had to go with a pick for the best performance, Maria Bakalova easily takes the top spot. It’s easy to believe and buy into Bee’s personality. The shyness, Bee being afraid to speak up, Bee nervously voicing her opinions, and the awkwardness Bee feels, as she tries to loosen up.

Sophie and her friends? They’re vultures ready to pick any bones clean, after the first dead body pops up. Bee? You can see she’s scared and nervous, carefully choosing her words, because Bee knows someone is waiting to snap on her during all the mud slinging. Bakalova does a good job of building sympathy for Bee. She’s a genuinely good person, who just wants to make friends, and she doesn’t want to disappoint Sophie. But she’s stuck in a mansion with a bunch of overly dramatic and whiny narcissists and cry babies, who are actively looking for a reason to shit on each other.

The overall cast features a number of good performances. Pete Davidson plays a goof, but David is also a jealous, deeply insecure, and thin-skinned young man. Lee Pace is hilarious as Greg. On the surface, Greg comes off as a laid back guy, with a hippie/surfer dude personality. But if you push Greg’s buttons too much, he flips the switch to activate a more mean and serious personality. 

Myha’la, playing an angry and agitated character, really nails Jordan. Taking Jordan’s side during the arguments works as the logical choice. She’s not afraid to speak unfiltered truths, but on the other side of that, it’s hard to not roll your eyes, because she’s clearly a bitter and mean-spirited person.

Rachel Sennott delivers a lot of laughs as Alice, complete with some genuinely funny hysterics. Alice is perky, and she’s kind of an airhead, and Sennott’s comedic timing is excellent. Also, Chase Sui Wonders delivers a solid performance as Emma, the actress, who makes herself an easy target in shark infested waters, because she’s too emotional.

Bodies Bodies Bodies does a good job of balancing the comedy and serious moments for the appropriate reactions, whether it’s laughs or a jaw-dropping moments, cleverly interweaving the tonal shifts, when it’s necessary. It’s almost impossible to not laugh at the cast of characters here. There’s a chance a killer is on the loose, you’re stuck in a mansion with no power during a hurricane, but you’re wasting time arguing over petty bullshit? Please, take one second and look at the big picture!

You can feel sympathy for the victims here, but it’s also hilarious once you realize the bloodshed (excluding one death) could’ve been avoided, if everyone just came together as friends, one unit working TOGETHER to figure out what’s going on. What happened instead? A bunch of spoiled and rich youngsters wasted too much time trying to belittle and one-up each other for their manufactured “struggles.” 

One of my favorite scenes in the movie happens towards the end during the big group argument. Alice coldly reminds Jordan that she comes from an “upper middle-class” background…and Jordan gets upset? So someone else reminds you that your journey in life hasn’t been difficult, and that’s enough to piss you off? Seriously?

They threw in the car won’t start cliche for this one. There’s a good reason for it, and you can see it coming from a mile away. Personally, I’m just not a big fan of car trouble mishaps in horror movies. Still, Bodies Bodies Bodies really works as a funny and entertaining whodunit black comedy slasher-esque horror film, complete with a genuinely shocking finale for the big reveal. 

Screenwriter Sarah DeLappe does a phenomenal job of convincing you that anyone is capable of being the killer, leading to a conclusion that’ll either make you laugh, or at least crack a smile at how a seemingly normal party descended into chaos. The casting is great. Everyone is a perfect fit for their characters, and you can easily pick one highlight reel worthy moment from each member of the cast throughout the movie. 

Bodies Bodies Bodies hits all the right checkpoints as a riff on people (usually the younger crowd), who will go to great lengths to convince themselves that their alleged hardships in life are too much to deal with. They’re stuck in a loop of always complaining and feeling sorry for themselves, because they can’t break out of their victim complexes. Also, I’m always a big fan of horror films with isolated settings. The big quiet mansion out in the middle of nowhere. A hurricane is roaring outside. No power, it’s dark indoors, and the remaining survivors are slowly turning on each other? Truly a good recipe for a chaotic, nutty, and hilarious film.

Rating 8/10

Character Spotlight- Skye Riley-Smile 2

 **This post contains spoilers**

Skye Riley (Naomi Scott) is back! The comeback tour is in full swing, after a successful and positive interview on The Drew Barrymore Show. The wildly popular pop star is almost ready to start a highly anticipated world tour, but there’s one big problem: Skye is the next target for the tortuous curse that already claimed the lives of Dr. Rose Cotter (Sosie Bacon) and Joel (Kyle Gallner).

Rose and Joel didn’t have the luxury of a solid support system around them to help fight the curse. Skye? Yes, you could say she’s surrounded by people, who actually care about her, including her mother, Elizabeth (Rosemarie DeWitt), her assistant, Joshua (Miles Gutierrez-Riley), and Darius (Raul Castillo), the head of Skye’s record label. But everyone in Skye’s circle has one main goal in common: they’re all there to keep the machine known as Skye Riley running smoothly, at full speed, and Skye is a machine that prints a lot of money. 

Is Skye a diva and a brat sometimes? Yeah, she’ll throw her tantrums and she can be demanding, but we’re also talking about a young woman, who’s clearly burnt out. Skye is cracking under the pressure in real time. Keeping up with appearances, photo shoots, dance rehearsals, autograph signings, and Skye having to give a speech at a disastrous banquet dinner. 

The life of a world famous pop star is exhausting. Always on move, constantly surrounded by people, and you’re always expected to present the absolute best version of yourself, whether it’s on stage during a performance, or if you’re just going out to do normal things that normal people do. No time to rest, breathe, or relax. It’s full speed ahead, move on to the next task, rinse and repeat, and maybe you can have some peace, when you’re sleeping. 

Labeling those closest to Skye as vultures is taking things too far. But there’s a fine line for pushing someone, when they need to be pushed, and pushing someone too hard to the point, where said person can’t take it anymore. They’re going to crack at some point, but you can sense more genuine compassion from Skye’s dance instructor/choreographer, Anton (Jon Rua). Anton is quick to suggest a break for Skye, when she shows signs of back pain. When Skye freaks out during a rehearsal after a gory mind trick from the curse, Skye berates her dancers. Anton? He’s quick to make an effort to help Skye calm down. He doesn’t get angry, or raise his voice, because he’s genuinely concerned.

The curse feeds off of trauma, and Skye can’t escape the demons from her past, a past filled with drug abuse, and a troubled relationship with her deceased boyfriend, Paul Hudson (Ray Nicholson). Skye is still carrying around the guilt for causing the accident that killed Paul. Skye also didn’t leave the accident unscathed, because she’s still dealing with chronic pain and nagging injuries. And Skye torpedoed her friendship with Gemma (Dylan Gelula).

Is Skye perfect? No, far from it, and there’s no denying she’s a flawed human being. But she’s also someone, who was clearly not ready for the spotlight at such a young age. She turned to drugs and a turbulent unhealthy lifestyle, because the pressure was just too much for her. Towards the end, you could see Skye was just sick and tired of being an icon, or in her own words, “a fucking wind-up doll.”

Skye truly suffered. She didn’t have one true moment of relief, when the curse entered her life. Eventually, it’s revealed the reunion with Gemma was just one long and elaborate mind trick from the entity, and Skye was devastated. Still, Skye tried to push forward, determined to break the curse’s chain, with some help from Morris (Peter Jacobson), a nurse, who lost his brother to the curse. The big problem with Morris’ plan to end the curse and stop The Monstrosity? Morris wasn’t real, just more mind games from the entity.

Skye pours her heart out in the freezer of an abandoned Pizza Hut, and we finally get to the root of her problems: Skye hates herself. You’ll hear bits and pieces of it, when Skye is urging Gemma to stay away from her, after Skye leaves the clinic. But Skye lets it all out in the freezer. She basically believes she’s a cancer, poisoning and ruining anything that she touches. 

Skye is a disappointment, because she couldn’t live up to the high expectations that everyone else set for her. This is what she believes, and of course the entity feasts off of Skye’s tortured soul. To make matters worse, Skye can’t forgive herself for causing the accident that killed Paul. 

Naomi Scott deserves a round of applause for her performance in the sequel. You can see and feel everything Skye is going through, including the stress, the anxiety, and the fear of not knowing what’s coming next. Scott delivers an energetic and appropriately frazzled performance. You would think Scott pounded energy drinks, or chugged a pot of coffee, because she never slows down or takes her foot off of the gas pedal, after the curse grabs a hold of Skye.

Rose Cotter was unknowingly targeted by the curse after Laura Weaver (Caitlin Stasey) committed suicide in front of her. Joel died, because he tried to help Rose. Skye? While it’s true there’s no way she could’ve known about the curse, or how truly dangerous it is, all of her troubles could’ve been avoided, if she wasn’t sneaking around to buy Vicodin from Lewis Fregoli (Lukas Gage).

You’re lead to believe Skye ALMOST defeated the curse. But in reality, Skye wasn’t seconds away from getting the better of the entity. She was trapped in an illusion. And Skye came face to face with a final boss, who was just too much to overcome: Herself. The entity took the form of the old Skye, bloody and battered, fresh off of the tragic car accident that acted as an anchor in her mind for so many years. 

There’s a lot of irony for Skye Riley’s gory and cruel ending. Under the influence of the curse, she bludgeoned herself to death with a microphone in front of thousands of her fans, while her mother, Joshua, and Darius watched in the audience. You can’t say Skye died doing what she loved, because her gas tank was empty for a number of reasons. She needed a breather, but Skye lost her life during a concert. 

Skye was trying to get away from the bright lights, the big stage, and all the fame, but doing whatever she had to do to (e.g. popping pain pills) keep her career going killed her. A screaming arena full of fans, and her loved ones watching her first concert after a hiatus wasn’t enough to break the entity’s tight grip. Instead, a shell-shocked Skye was frozen as she watched the entity, taking on the form of her current self, smiling at her seconds before The Monstrosity made its grand entrance to devour another victim.