Escape Room: Tournament Of Champions (2021)

 

**This post contains spoilers, including thoughts on the alternate opening and ending **

The Story- Continuing their pursuit to expose Minos, Zoey (Taylor Russell) and Ben (Logan Miller) travel to New York to find more evidence. But things take an unexpected turn, when a homeless man lures Zoey and Ben into another one of Minos’ games by stealing Zoey’s necklace.

Zoey and Ben are forced to survive another series of escape rooms with former winners including, Theo (Carlito Olivero), Brianna (Indya Moore), Rachel (Holland Rode), and Nathan (Thomas Cocquerel). The players are put to the test and pushed to their limits, and a surprising return forces Zoey to make a difficult decision.

My Thoughts- Tournament Of Champions knocks it out of the park again with a different set of more grandiose escape rooms. Each escape room is uniquely different and has its own brand of chaotic life or death danger, especially the bank and vault escape room. The subway train, the bank and vault, the beach, and the outdoor New York City escape rooms all had genuine awe-inspiring atmospheres, but the smaller and more modest escape rooms also worked here. The water cage and the sauna escape rooms fit within the story to play up the claustrophobia and anxiety more, so you still get that strong sense of panic and dread, just on a smaller scale.

Escape Room 2019 took the clever approach to use the participant’s personal tragedies and traumas as tie-ins for the escape rooms and the clues within the rooms to add an emotional layer, but that’s not the case in the sequel. They were clearly going with a bigger razzle-dazzle style for the escape rooms here and more complex problem solving. It’s a noticeably different approach that still works. The strong sense of urgency is intact, and there’s a few believable tense moments, with a lot of good close calls in the NYC acid rain and the bank escape rooms. Including two exits during the beach escape room delivered more hysteria, because when you consider everything she’s been through, it’s easy to buy into Zoey’s desperation to finally escape the game.

The teamwork in Tournament Of Champions is more cohesive and fluid, and you won’t see any selfish characters resembling Jason from the original. Everyone in the sequel is a former champion. They know how dangerous the games are, and they know Minos means business. You can say the stunt he pulled in the bank escape room was stupid, but Nathan solely risked his life twice to help the group.

We already know about Zoey and Ben’s stories and their motivations, and I was hoping for more character depth for the rest of the contestants. Brianna is a social media influencer and a travel blogger, and that’s it? Rachel has a high tolerance for pain, but they never go into any details about her being a “pain freak.” Nathan is traumatized. He’s an alcoholic, and something about his life as a priest is clearly bothering him.

The original did a good job of exploring the traumas behind each contestant, and working their traumatic experiences into the escape rooms. With the exception of Nathan and to a lesser extent, Theo (he loves his wife and doesn’t want to be late to her birthday party), there’s no real attempts to explore the backstories behind the contestants. So if we’re talking about performances, the cast is basically limited to frantic shouting and panicky reactions.

Amanda is alive! That’s the big surprise towards the end. But it’s not a happy reunion with Zoey and Ben, because it’s revealed Amanda has been working with Minos to design escape rooms. We know for sure the beach escape room was Amanda’s brainchild, and she’s only working as an escape room builder, because Minos kidnapped her daughter. Of course, Amanda comes to her senses and helps Zoey and Ben escape, after Zoey refuses Minos offer to work for them.

So they’re in the clear and Minos is done for, right? Well, Zoey and Ben are stuck in another escape room on a plane to end the movie. Zoey realizes something is wrong, when she sees her therapist (Lucy Newman-Williams) on the flight, who’s revealed to be a plant from Minos. It’s the plane crash escape room that was teased at the end of the first movie, and it plays into Zoey’s fears of flying.

But wait there’s more! In the alternate opening and ending, we learn more about the Puzzle Maker, Henry (James Frain) his daughter, Claire (Isabelle Fuhrman), and his wife, Sonya (Tanya Van Graan). There’s a twist, where it’s revealed Claire is the true Puzzle Maker and architect behind the escape rooms, and Henry’s been stealing her ideas and passing them off his own for years. All the escape rooms were inspired by events during Claire’s childhood, and as a child, Claire is the one who killed her mother with the sauna escape room.

So which ending is better? I have to go with the ending in the alternate version. It’s a definitive ending with more closure. Claire helps Ben and Zoey escape. There’s no cliffhanger for their ending, and Amanda and her storyline are completely cut out of this version. There’s also a slight crack in the door to continue the story. Claire presumably kills Henry, and she promises to fulfill her true potential after she escapes from her prison. 

Fuhrman and Frain delivered a pair of solid performances, and their characters added a good emotional layer to the movie, with the unusual and dysfunctional family dynamic. The extended cut also shows more footage, with Zoey struggling to get on a plane again. The scene where Zoey envisions her mother warmly encouraging her to join her on the flight did a good job of  showing why Zoey is still paranoid, and you can understand why it’s not so easy for her to move on.

I don’t hate the theatrical ending, but it’s too wide open. All of the struggles Zoey and Ben went through are meaningless. On the plane, Zoey mentioned the escape rooms were “too easy” this time around, and Amanda revealed the reason for that earlier. It was all one big recruitment scheme to get Zoey to work for Minos. Going back to the NYC acid rain room, it’s easy to see how things were set up for Zoey to be the winner. Rachel and Brianna never had a chance to get inside the taxi. 

So if we’re going by the theatrical ending, everything was a ruse to get Zoey to lower her guard and finally get on a plane. Zoey and Ben didn’t really accomplish anything, and Amanda’s shocking return is wasted.

I never believed Zoey and Ben were in any real danger, but Tournament Of Champions is still a satisfying sequel. Following in the footsteps of its predecessor, Tournament Of Champions delivers consistent thrills and suspense with a speedy pace. The sequel is also loaded with amazing set pieces and good eye candy. Logan Miller and Taylor Russell share believable chemistry as best friends, and there’s slight teases for a possible romance. Zoey and Ben developed a tight bond, and they’re genuinely willing to risk their lives to keep each other safe. 

The theatrical ending and the extended ending are completely different with two separate paths. The big difference is, and I’ve said this before, but the extended version’s ending gives you the impression a sequel could happen. The theatrical version’s ending will leave you with the impression that a sequel NEEDS to happen. The theatrical ending shows the start of an escape room game, and Henry’s identity is never revealed. 

 I know it’ll probably never happen, but personally, I was holding out hope for an Escape Room 3. There’s untapped potential with mainstream game horror movies. Escape Room could’ve been a nice alternative to Saw, if you’re not into the more extreme gory stuff. Zoey and Ben worked as a duo, and it’s easy to fit them into future films, as two players who managed to survive Minos.

Rating- 7/10

Escape Room (2019)

 

**This post contains spoilers**

The Story- The Minos Corporation chooses Zoey (Taylor Russell), Ben (Logan Miller), Amanda (Deborah Ann Woll), Danny (Nik Dodani), Mike (Tyler Labine), and Jason (Jay Ellis) to participate in an escape room game. Playing the game seems like a fun challenge at first, but as the rooms become more dangerous, it’s clear Minos has sinister motivations.

My Thoughts- Escape Room features the usual cast of characters you’ll see in a survival game horror movie. Zoey is the wholesome protagonist, who wants to help and hopefully save everyone from certain death. Jason? Well, he’s a jerk. Jason represents the kind of relentless participant, who will do anything to win the game and stay alive. He’s selfish and heartless, and Jason only wants to be a team player, if it’ll help his chances of survival. But his mindset is also understandable, because if we’re being honest, not too many people are going to risk their lives to save and protect complete strangers.

Personal tragedies play a big part in the games for Escape Room. Amanda is a combat veteran with PTSD, so you can easily see why she’s the first member of the group to panic. There’s also the red jacket from Jason’s story in the outdoor winter room. Jason used that jacket to keep himself from freezing to death after he murdered his friend. In the winter room, the red jacket is shared amongst the group to fight off hypothermia, something Jason selfishly refused to do with his friend.

The clever interweaving for using personal hardships as tie-ins for the games adds an emotional layer to Escape Room. The main cast of characters are forced to face their demons. The majority of the escape rooms have their own brands of uniqueness and deadly creativity. Starting things off with the oven room was a good choice to set the tone for the rest of the movie. The upside down room with the bar and the pool table was truly unreal. It’s easily the only room, where I could buy into the possibility of anyone dying, because of how extremely dangerous everything was, a true nail biter.

Something to pay close attention to is how the mood changes, as the game progresses. At first, the banter and jokes throughout the group are playful, but that changes as things get more serious. The insults are more personal and nasty, because the group realizes death is a realistic possibility. Jason gets more belligerent with his finger wagging, while constantly trying to expose the weak links, and everyone’s moral compass is put to the test.

The second to last escape room was a big letdown for me. It’s down to Jason and Ben for the final two survivors, and Zoey is presumably dead. The whole sequence inside this boring and plain room didn’t do anything for me. I get the whole idea behind the distorted POV, because Jason and Ben were heavily drugged, but it’s just too whacky overall. And to make matters worse, the placement they chose for this room didn’t fit. It’s toward the end of the movie, so I was expecting something more complex to reflect the high stakes to make it to the finish line.

The Gamemaster’s (Yorick van Wageningen) explanation to Ben for Minos’ motivations might be a tad bit cliched, but it still works. Minos’ clients are rich and powerful, and they’re willing to pay top dollar for more extreme content. The Gamemaster believes most of the world has gone soft, and that’s where Minos steps in. You can believe the rich and powerful see ordinary people as disposable toys for their amusement, and The Gamemaster also uses gladiator games and public executions for examples. That specific group of spectators never vanished, they were just pushed further into the shadows as the world changed.

Ben making it to the end as the “dark horse” survivor was a decent enough surprise, because you knew Jason’s selfishness and his arrogance would come back to bite him sooner or later. I didn’t buy Zoey’s death in the carbon monoxide poisoning room for one second. They tried a swerve, but they invested too much in Zoey, as the shy and scrappy protagonist with a fighting spirit. She’s too smart, and Zoey was going to find a way to make it. 

Escape Room has an alternate ending, where Zoey is lured back into one of her college classrooms. She gets the $10k grand prize check (she defiantly tears it up) and her mother’s compass, and the Puzzle Maker traps her inside for another game. This ending just feels flat, when you compare it to the theatrical ending. Zoe and Ben continuing their pursuit to expose Minos, while the Puzzle Maker prepares another game for both of them with the crashing flight simulator is a far more intriguing cliffhanger and ending.

Escape Room is a fun and entertaining game horror movie, with a lot of energy and brisk pacing. The thrills are consistent, and the entire cast delivers solid performances. I almost wish Yorick van Wageningen had more screen time. I understand the idea behind saving his only appearance until the end for the big reveal, but Wageningen is genuinely evil, cold, and cruel as The Gamemaster, truly a perfect fit to represent Minos. He does a lot with a little amount of time, and Wageningen would’ve made a great villain to showcase throughout the movie.

Rating- 7/10

Catch .44 (2011)

In Louisiana, three women prepare for a drug heist. Tes (Malin Akerman), Dawn (Deborah Ann Woll), and Kara (Nikki Reed) work for Mel (Bruce Willis), a ruthless and powerful druglord. After botching a previous assignment, Mel gives his trusted associates one more chance: go to a diner out in the middle of nowhere, wait for the driver of a rival cartel, who’s carrying a large shipment of cocaine, hijack the truck, and bring the cocaine back to Mel.

Tes is the leader of the group, and she shares a trusted bond with Mel, Dawn just follows the blueprint for the plan without asking any questions, but Kara suspects something fishy. Dawn is able to play the role of a peacemaker after a heated argument between Tes and Kara, but the driver doesn’t show up, as Tes, Dawn, and Kara wait inside the diner.

Anxious and eager for answers, Tes decides to uncover the truth by drawing guns on the diner employees. During the standoff, Kara and Dawn are shot to death by a diner employee and a “truck driver,” but Tes emerges as the only survivor from Mel‘s group. Confused and devastated, Tes pressures Billy (Shea Whigham), the remaining diner employee, into telling her the truth, but Ronny‘s (Mel’s right hand man)   unexpected appearance complicates Tes’ life-or-death dilemma. Ronny (Forest Whitaker) tries to convince Tes and Billy to drop their guns, but they refuse. Ronny pulls out his gun, and he urges Tes to kill Billy. Tes hesitates, as Billy explains the trap Mel set up, but Tes will have to make up her mind before it’s too late. Who will she choose? Billy or Ronny?

Bruce Willis is believable, as the cold-hearted drug lord. Tes is the strongest female character in this film, and Malin Akerman’s performance is spot on. I couldn’t comprehend the reason behind his Spanish accent, but Forest Whitaker is entertaining as Ronny.

Acting isn’t the problem here, because the cast is rock solid. But the nonlinear storyline is very, very, very, VERY annoying. The storytelling for Catch .44 isn’t cool or stylistic, it’s just fucking irritating. For example, they replay the standoff scene at the diner over and over and over again. Yes, I get the whole “we want to show you everything from different points of view” ideology, but come on, I don’t need to see the same fucking scene four or  fives times.

Of course, if you make a crime drama with a nonlinear storyline now a days, you’re going to draw comparisons to Tarantino and Pulp Fiction (or Reservoir Dogs), it’s unavoidable. Was Aaron Harvey (the writer and director for this film) trying to mimic Tarantino’s style? Probably, because you can’t ignore the similarities, but if Harvey was trying to create a Tarantino-esque film, he failed. It’s that simple, and I can’t sugar coat it.

Also, the sidebar conversations and jokes in this film are TERRIBLE. The sidebar conversations aren’t funny, thought-provoking, or insightful, and they didn’t add anything to the story. Harvey opens Catch .44 with a pointless and unfunny conversation between Tes, Dawn, and Kara about leaving the toilet seat up and the rules of sex. Later on, Dawn tells this horribly corny joke about a priest, nuns, and the consequences for touching a man’s genitals. Maybe I just have a bad sense of humor, but I tired, and I still couldn’t laugh at this joke.   

It’s a damn shame, because Catch .44 had the right cast, and a decent enough premise, but the ass-backwards style of storytelling is too frustrating. Catch .44 features a few scenes of graphic bloody violence, and during the beginning, the “who done it?” mystery is intriguing, but overall, Harvey’s attempt at creating a clever crime drama falls flat.  

Final Rating: 2/10