Showing posts with label Topher Grace. Show all posts
Showing posts with label Topher Grace. Show all posts

Thursday, January 25, 2024

American Ultra (2015)

 


**This post contains spoilers**


The Story- Mike Howell (Jesse Eisenberg) is a convenience store clerk living in a small town in Virginia with his girlfriend, Phoebe Larson (Kristen Stewart). Mike’s peaceful and ordinary life is upended, when he’s attacked by two unknown assailants. 

Mike is targeted and hunted by dangerous operatives, while he’s caught in the middle of a deadly feud between CIA agent Victoria Lasseter (Connie Britton) and her coworker and adversary Adrian Yates (Topher Grace). Phoebe and his drug dealer buddy Rose (John Leguizamo) are Mike’s only allies, but Mike soon learns shocking secrets about himself and the reasons behind the government’s relentless pursuit to eliminate him.


My Thoughts- Jesse Eisenberg plays to his strengths with his familiar quirky and socially awkward persona, and it’s something he always excels at. Mike is a peaceful and carefree pothead. But he’s also a klutz and he’s not too bright at times, so the irony of Mike quickly switching gears to be this lethal and efficient sleeper agent is just hilarious. 


The boyfriend/girlfriend chemistry between Eisenberg and Kristen Stewart is fantastic. Mike is a stoner. He’s clumsy, he continuously makes stupid mistakes, but Phoebe never gives up on him. She knows he’s a good person with a big heart, and she’s willing to risk her life to protect him. Stewart and Eisenberg were believable as an unusual couple. Phoebe plays the role of his protector, and it’s easy to buy into the fact that these two are willing to do anything to keep each other safe.


Topher Grace did a good job as a pompous and condescending weasel. Connie Britton’s Victoria is a perfect foil for Grace’s Yates. Victoria is a kind, hard working, and compassionate person. She wants to protect Mike, because she knows he’s innocent. On the opposite side, Yates is a selfish and cold jerk, who climbed the corporate ladder with brown nosing and butt kissing. He sees Mike as a disposable asset. It’s his chance to further advance his career, and the dynamic between Britton and Grace is one of the true highlights here.


The approach on how to use Bill Pullman’s Raymond Krueger throughout the movie really works. Krueger’s appearances are limited, so when he shows up it’s more of a big deal, and you’re not exactly sure what his precise title is. It’s clear he outranks Yates and Victoria, and Pullman brings a commanding presence to Krueger. You firmly know he’s the boss, and Krueger means business, whenever he shows up.


Walton Goggins delivers one of the top performances as Laugher. You can immediately see Laugher is someone who has a few screws loose. Laugher is a top pick for a lot of the good comedic moments, because he’s a pesky and persistent stinker, who keeps coming back to terrorize Mike and Phoebe. Goggins perfectly sells Laugher’s nutty and violent personality, with that crazed look on his face and the constant cackling. He’s Mike’s main adversary in hand to hand combat and Yates’ got to guy throughout the movie, and Goggins truly nailed this character.


As far as John Leguizamo goes, I could’ve done without the N word stuff with Rose. It’s not malicious at all, but Rose definitely leans more towards the cringey side at times. Leguizamo is solid enough as the paranoid and low level drug kingpin, so the N word stuff just felt unnecessary. 


Tony Hale deserves credit for a noteworthy performance as Pete Douglas. He’s a nice and genuinely good guy, who turns into a nervous mess, because he’s torn between helping his friend (Victoria) and Yates, who bullies him and threatens his life, if he doesn’t fall in line.


When Mike finds out who he truly is, and Yates is still holding Phoebe hostage, it’s easy to guess how things will play out. Phoebe was actually Mike’s handler, and she wasn’t completely honest with him, so you know he’ll go through the dilemma of wanting to trust her again, because he believes she betrayed him. It all leads to the big showdown at the end, where Mike has to take on the rest of Yates’ Toughguy team and rescue Phoebe. It’s a predictable series of events, but the wild finale still delivers some good action and fight sequences. 


They did a good job with the contrast between Yates’ Toughguy sleeper agents and Victoria’s Wiseman sleeper agents. Yates’ agents are cold and more ruthless. On the flip side of that, Mike came from the Wisemam program. He’s someone who’s compassionate. There’s humanity in him, and he’s noticeably different from Laugher, who’s a mindless killing machine following orders. The differences between the Wiseman and Toughguy programs is a reflection of Yates and Victoria’s personalities. It’s a hilarious and ironic twist, with Mike being a stoner and a slacker as the success story over Yates’ supposedly more efficient team with tighter screws. 


The final showdown between Mike and Laugher delivered a satisfying brawl. Mike and Laugher were the two star recruits from their respective programs, so it made perfect sense for both guys to be the last men standing. There’s a heartfelt moment, when Laugher admits defeat and admires Mike’s performance and progress. Laugher talks about being broken (Yates used mental patients for his program), and Mike refuses to kill him, because he finally sees Laugher as a human being, who fell into an unfortunate situation.


There’s more irony when Yates is killed by Krueger for his massive blunder. Early on in the movie, Yates threatened Pete with death by execution outside, and that’s exactly how Yates was killed. The only difference is Yates wasn’t shot in “the f****** head,” but he still got what he deserved.


American Ultra has a happy ending. Victoria clearly receives a promotion with Pete by her side. Phoebe and Mike are working together as agents, and they can finally embrace their relationship. Also, it’s cool and unique how they ended the final moments of the movie with Mike’s The Adventures Of Apollo Ape & Chip The Brick cartoon. The success of Mike and Phoebe working together is shown through the cartoon, and it’s truly a fitting ending for this one.


American Ultra is a sharp and fun action comedy with a solid cast. The laughs and humor are consistent, and Mike trying to propose to Phoebe is a big running gag here. Mike is always trying to find the right moment to pop the question throughout the movie, but something always goes wrong. Mike finally gets his chance and Phoebe accepts after the big fight at the end, but the happy moment gets cut short, when Mike and Phoebe are tased by the agents. American Ultra has a strong pulse. There’s never truly a dull moment here, and after so many years, it’s still one of Jesse Eisenberg’s best films.


Rating- 8/10

Friday, September 27, 2013

Take Me Home Tonight (2011)(Minor Spoilers Review)


**This review contains MINOR spoilers, no big surprises, plot twists, or details are revealed in this review **

In 1980’s Los Angeles, a Young Matt Franklin (Topher Grace) tries to win the heart of  his high school crush, Tori Frederking (Teresa Palmer) with the help of his twin sister, Wendy (Anna Faris), and his best friend, Barry Nathan (Dan Fogler). Working at a Suncoast Video store within the local mall after graduating from MIT, Matt is under pressure from his father, Bill (Micahel Biehn), who also works nights as a police officer, to do something meaningful with his life before it’s too late. Meanwhile, Matt tries to warn Wendy about her boyfriend Kyle Masterson’s (Chris Pratt) controlling habits, and his dreams to confine Wendy to the life of a common housewife.

During Kyle’s annual Labor Day bash, Matt plans to make his move on Tori by devising a plan to convince her of a career at Goldman Sachs as a big time player, and his new and fancy car (which Barry stole), a red Mercedes-Benz convertible. Matt begs the help of an old friend named Carlos (Demetri Martin), who is also a current Goldman Sachs employee, to convince Tori. But Matt runs into a series of problems during the big night, and with a need to conqueror his fears in more ways than one, Matt contemplates taking the risk of riding The Ball.

Looking for a new, exciting, and refreshing romantic comedy/coming of age film? Well, you should look somewhere else, because Take Me Home Tonight isn’t for you. Take Me Home Tonight features the common set of characters you would expect in a coming of age film. Matt is your typical shy and nerdy male teenager, who’s awkward and nervous around women, and he’s trying to break out of his shell, so he can become a man. Tori is the seemingly unattainable perfect ten, who everyone man dreams of being with. Kyle is the meathead/jock, and he’s a bully with a superficial ego. And Barry is the bumbling fool of a sidekick.

Don’t expect any genuine surprises either. Once Matt tells the truth to Tori, you know what’s going to happen. Tori will hate Matt’s guts for a while, but Matt will redeem himself with a big speech (or in this case speeches) at the end, and Tori will forgive him.

Take Me Home Tonight is predictable as predictable can be, but I still love this film. Grace provides one of the best performances I’ve seen from him, as this lost and confused screw-up, who’s trying to find his way in the world. Michael Biehn is a suitable fit for the stern father, Faris and Pratt share some great chemistry as a couple (not surprising, because they’re a couple in real life too), and her performance isn’t something special, but Palmer has the right look for the “dream girl.” Fogler is annoying as shit more often than not, but he has a few funny moments (“he’s got no testes left!”) throughout the movie. Demetri Martin’s screen time is limited, but he’s hilarious, as the paraplegic with an ironic sense of humor. Michael Ian Black’s Pete Bering is good for a few laughs, as Tori’s perverted, geeky, and slimy boss. And I can't forget about Lucy Punch's Shelly. Punch portrays this nutty, delusional, and obsessive stalker, who follows Matt around throughout the night with the hopes of a one night stand. Punch is limited to sporadic appearances, but she provides a nice touch of quirky humor as Shelly during her limited screen time.

Take Me Home Tonight is loaded with a lot of authentic 80’s nostalgia (everything from the intro, to the music, the hairstyles, the cars, the clothes, dances, and the lone Scarface reference), and if (that’s a big IF) you’re willing to overlook the predictability, you can have a lot of fun with this one. Yeah, I know. There’s a good chance a lot of people will roll their eyes at Palmer’s Tori, because some will have a hard time believing in one person being so gullible, and well, stupid, as Matt randomly pulls all of these lies out of left field, while improvising a backstory step by step for his fake career at Goldman Sachs.

Rating: 8/10

Still, Take Me Home Tonight features a rock solid cast, consistent laughs, and despite all the negativity surrounding this film, Take Me Home Tonight isn‘t so unbearably bad to the point, where you can‘t stand to watch it. Take Me Home Tonight won’t raise the bar for coming of age films and romantic comedies, but if you’re looking for a real chance to have some fun and laugh, Take Me Home Tonight isn‘t a bad choice.

Looking for a change from Batman, Spider-Man, and Iron Man? Then get know the world's newest superheroine Freechelle Fantabulous for only $0.99 by following the link- http://www.amazon.com/dp/B00EFLI6VK

Or take a trip into world of madness that includes comedy, horror, and the supernatural in my book of short stories, also only $0.99-  http://www.amazon.com/dp/B00EFMYZ0U

And remember Amazon offers free Kindle App downloads for various platforms. Follow this link to find out more- http://www.amazon.com/gp/feature.html?ie=UTF8&docId=1000493771

Follow me on Twitter here- https://twitter.com/LQuigleyFan1

And don't forget to like both of my Facebook pages, because the Mitch MacReady 2 Facebook page includes quotes from both ebooks that can't fit into Tweets-

https://www.facebook.com/mitch.macready

https://www.facebook.com/pages/Mitch-Macready-2/439846799459035?ref=hl




Take Me Home Tonight (2011)(Spoiler Review)

**This review contains spoilers**

In 1980’s Los Angeles, a young Matt Franklin (Topher Grace) is still trying to find himself. Four years after his high school graduation, Matt is still working at a Suncoast Video store within the local mall. Matt, unsure of his future, recently graduated from MIT, but Matt’s father, Bill (Michael Biehn), who also works nights as a police officer, doesn’t like the idea of Matt wasting precious time and his hard earned life savings by working a dead end job. But Matt focuses all of his energy on a new goal, when his high school crush, Tori Frederking (Teresa Palmer) strolls into Suncoast Video one day.

Meanwhile, Matt’s twin sister, Wendy (Anna Faris), is dreading the thought of another rejection letter after applying to the University Of Cambridge. But Matt is more worried about the reaction from Wendy’s controlling and overbearing boyfriend, Kyle Masterson (Chris Pratt), because Matt knows Kyle will do anything to keep Wendy from chasing her dreams, so she can settle for the life of a common housewife.

Before the night of Kyle’s annual Labor Day bash, Matt’s best friend, Barry Nathan (Dan Fogler) is fired from his job as a car salesman, but later that night, Barry decides to steal a red Mercedes-Benz convertible from the lot for revenge. With Wendy’s help, and an old friend from high school named Carlos (Demetri Martin), who is also a current Goldman Sachs employee, Matt devises a plan to convince Tori of a wealthy lifestyle, including his brand new Mercedes-Benz, and Matt’s successful career as a big time player at Goldman Sachs.

Although, Matt runs into some unexpected problems at Kyle’s party, when Barry finds a bag of cocaine in the Mercedes’ glove compartment, and Matt’s conscience gets the best of him after a romantic night with Tori. But Matt seizes the opportunity for one final chance to prove himself, and earn a second chance from Tori after he volunteers to ride The Ball with Kyle behind the driver’s seat.

Looking for a new, exciting, and refreshing romantic comedy/coming of age film? Well, you should look somewhere else, because Take Me Home Tonight isn’t for you. Take Me Home Tonight features the common set of characters you would expect in a coming of age film. Matt is your typical shy and nerdy male teenager, who’s awkward and nervous around women, and he’s trying to break out of his shell, so he can become a man. Tori is the seemingly unattainable perfect ten, who everyone man dreams of being with. Kyle is the meathead/jock, and he’s a bully with a superficial ego. And Barry is the bumbling fool of a sidekick.

Don’t expect any genuine surprises either. Once Matt tells the truth to Tori, you know what’s going to happen. Tori will hate Matt’s guts for a while, but Matt will redeem himself with a big speech (or in this case speeches) at the end, and Tori will forgive him. Tori sparks a fire in Matt, when she dismisses him as a another “scared little boy,” so Matt takes Tori’s insult as a challenge, and he decides to ride The Ball. Long story short, The Ball is a big metallic ball, and the person inside has to ride it out, as The Ball rolls down a steep hill, once the driver releases The Ball by backing up in a pickup truck. Anyway, Matt’s act of bravery wins Tori’s heart, and she gives him a kiss and her phone number to end the movie.

Take Me Home Tonight is predictable as predictable can be, but I still love this film. Grace provides one of the best performances I’ve seen from him, as this lost and confused screw-up, who’s trying to find his way in the world. Michael Biehn is a suitable fit for the stern father, Faris and Pratt share some great chemistry as a couple (not surprising, because they’re a couple in real life too), and her performance isn’t something special, but Palmer has the right look for the “dream girl.” Fogler is annoying as shit more often than not, but he has a few funny moments (“he’s got no testes left!”) throughout the movie. Demetri Martin’s screen time is limited, but he’s hilarious, as the paraplegic with an ironic sense of humor. Michael Ian Black’s Pete Bering is good for a few laughs, as Tori’s perverted, geeky, and slimy boss. And I can't forget about Lucy Punch's Shelly. Punch portrays this nutty, delusional, and obsessive stalker, who follows Matt around throughout the night with the hopes of a one night stand. Punch is limited to sporadic appearances, but she provides a nice touch of quirky humor as Shelly during her limited screen time.  

For me, Take Me Home Tonight has enough likeable characters, who you can root for to overlook the formulaic pattern here. Matt’s speech before he rides The Ball is a good example. Matt takes all that frustration, fear, and rage, and with one speech, he opens up about what most kids are feeling after they graduate high school (i.e. the fear of a new world, and growing up). 

Faris tones down her usual over the top and goofy persona to portray the nagging and rival twin sister role (she’s still funny, though). But Wendy has one of the better feel good moments, when she finally stands up to Kyle by calling off the planned marriage, and dumping Kyle after Wendy realizes Kyle is more concerned with stroking his own ego. Pratt’s Kyle being a major douchebag and crying afterwards helps, but Faris’ deserves most of the credit for her stern and straightforward delivery.

Take Me Home Tonight is loaded with a lot of authentic 80’s nostalgia (everything from the intro, to the music, the hairstyles, the cars, the clothes, dances, and the lone Scarface reference), and if (that’s a big IF) you’re willing to overlook the predictability, you can have a lot of fun with this one. Yeah, I know. There’s a good chance a lot of people will roll their eyes at Palmer’s Tori, because some will have a hard time believing in one person being so gullible, and well, stupid, as Matt randomly pulls all of these lies out of left field, while improvising a backstory step by step for his fake career at Goldman Sachs.

Still, Take Me Home Tonight features a rock solid cast, consistent laughs, and despite all the negativity surrounding this film, Take Me Home Tonight isn‘t so unbearably bad to the point, where you can‘t stand to watch it. Take Me Home Tonight won’t raise the bar for coming of age films and romantic comedies, but if you’re looking for a real chance to have some fun and laugh, Take Me Home Tonight isn‘t a bad choice.

Rating: 8/10

Looking for a change from Batman, Spider-Man, and Iron Man? Then get know the world's newest superheroine Freechelle Fantabulous for only $0.99 by following the link- http://www.amazon.com/dp/B00EFLI6VK

Or take a trip into world of madness that includes comedy, horror, and the supernatural in my book of short stories, also only $0.99-  http://www.amazon.com/dp/B00EFMYZ0U

And remember Amazon offers free Kindle App downloads for various platforms. Follow this link to find out more- http://www.amazon.com/gp/feature.html?ie=UTF8&docId=1000493771

Follow me on Twitter here- https://twitter.com/LQuigleyFan1

And don't forget to like both of my Facebook pages, because the Mitch MacReady 2 Facebook page includes quotes from both ebooks that can't fit into Tweets-

https://www.facebook.com/mitch.macready

https://www.facebook.com/pages/Mitch-Macready-2/439846799459035?ref=hl

Sunday, June 23, 2013

Predators (2010)


**This review contains spoilers**

Abducted and dropped onto the Predator’s alien planet, soldiers, a mercenary, enforcers, a death row inmate, and a doctor are forced to fight for their lives. Taking on the role of a leader, Royce (Adrien Brody) commands the group of Isabelle (Alice Braga), Stans (Walton Goggins), Hanzo (Louis Ozawa Changchien), Nikolai (Oleg Taktarov), Mombasa (Mahershalalhashbaz Ali), Cuchillo (Danny Trejo), and Edwin (Topher Grace).

After an attack from alien dogs, Royce figures out the puzzle of the kidnapping: everyone brought to the alien planet is live bait for the Predators to hunt and kill in a deadly game. The survivors eventually learn more about the blood feud between the bigger Predators and smaller Predators from a survivor of “ten seasons” named Noland (Laurence Fishburne). Royce tries to figure out a way to escape after Noland mentions a ship, but Royce is forced to use his grenade launcher to signal the Predators for help, when Noland reveals himself as a scavenger.

Adrien Brody is a competent leading man, while Topher Grace and Walton Goggins provide some great comic relief. Rest of the cast ranges from so-so to decent, but nobody is noticeably bad here. Laurence Fishburne’s appearance is limited to cameo status, but Fishburne is hilarious, as the paranoid and insane recluse, who talks to an imaginary friend.

Some people might think of Predators as a stand-alone film in the franchise, but it’s actually a sequel. Remember when Royce pushes Isabelle to tell the truth about the Predator tied up at the campsite? Isabelle recalls Dutch’s (Arnold) report of what he saw during his first and only encounter with a Predator.

Mentioning the 1987 original confirms Predators’ status as a sequel, and it’s a cool “remember that!” moment for fans of the franchise. They also reintroduce the gruesome “ripping the spine and skull from the back, and raising it in the air like a trophy” kill with Stans’ death. Plus, using themes and music from the original Predator is a great nostalgia touch.

Nimord Antal (the director) and the writers, Alex Livtak and Michael Finch do a good job of introducing their new vision for the Predator franchise, while paying homage to the 1987 original (I’d like to forget Predator 2 ever happened, and I’m glad they ignored it here). The final duel between Royce and the big Predator is reminiscent of  Dutch’s battle with the Predator, with Royce covering himself in mud to block the Predator’s heat sensors. And Hanzo’s one on one blade to blade duel with the Predator in the open field reminds me of Billy’s stand against the Predator in the ‘87 film. Billy was tired of running, and just said to hell with it, come and get me. Hanzo pretty much did the same thing after everyone else ran from Noland’s hideout. Hanzo stopped, took off his shirt, turned around, and drew his sword for the battle.

Predators is a breath of fresh air, that pays homage to the original, and gives Predator fans some hope for the future. A lot of bloody and gory action sequences with a hard hitting and nasty final battle between Royce and the large Predator. And I LOVE the twist with Topher Grace turning on Isabelle at the end, and revealing himself as a cold-blooded murderer. Truly a shock, and the twist made Grace’s character look like a real weasel after he played the innocent wimp, and Isabelle risked her life to save his.

Rating: 7/10