RoboCop (2014)(Minor Spoilers Review)

**This review contains MINOR spoilers. No major character deaths, or reveals.**

I'll do a more thorough compare and contrast review with the original and the remake in the future, because I'm planning on a review series for every RoboCop film. It's similar to my Night Of The Demons and Silent Night, Deadly night review series, if you're wondering. Let's get to it. 

It’s 2028, and OmniCorp is on a mission to change the world. As the world’s largest supplier for robot soldiers and drones in the US military, OmniCorp launches a plan to use robots for crime fighting in the US, but strict laws prevent crime fighting robots in America. Senator Hubert Dreyfuss (Zach Grenier) dedicates his life to fighting OmniCorp, and their plans to use robots in the US. Senator Dreyfuss believes emotionless machines are untrustworthy in the field of battle, and the risk of a malfunctioning product will endanger the lives of innocent US citizens.

At OmniCorp’s headquarters in Detroit, OmniCorp CEO Raymond Sellars (Michael Keaton) devises a plan to fight Senator Dreyfuss, and erase the stigma for dangerous robots. Sellars is making money overseas in wars and occupied countries, but he’s missing out on a big payday with no crime fighting robots on US soil.

Sellars pushes his team to come up with a solution. Liz Kline (Jennifer Ehle) is the head of OmniCorp’s legal affairs, and Tom Pope (Jay Baruchel) controls marketing, but OminCorp’s top sceintist, Dr. Dennett Norton (Gary Oldman) doesn’t like the idea of crossing moral boundaries. Sellars plans to exploit a loophole in America’s robot laws (or the “Dreyfuss Act”)? Sellars wants to put a man inside a machine, but OmniCorp needs the right candidate, someone wholesome, a victimized hero for the people to rally behind and idolize. But Sellars and his team run into a serious of problems for the right candidate after a thorough search on a list of wounded soldiers and police officers.

Meanwhile, two Detroit detectives named Alex Murphy (Joel Kinnaman) and Jack Lewis (Michael K. Williams) form an undercover team to infiltrate Antoine Vallon‘s (Patrick Garrow), a ruthless crime boss, empire. But Jack is stuck in a hospital bed after a fierce shootout with Vallon’s thugs. Alex is motivated by revenge, but Chief Karen Dean (Marianne Jean-Baptiste) warns Alex about the consequences for pursuing Vallon without the proper evidence to convict Vallon.

One night, Alex leaves his house to shut off the alarm on his car, but Alex triggers an explosion from a bomb, when he opens the door. A disfigured Alex has one shot at survival: OmniCorp. During his coma, Alex’s wife, Clara (Abbie Cornish) signs an agreement for Alex’s once in a lifetime procedure with Dr. Dennett leading the way. Alex has trouble adjusting to his new as a half-man, half-machine crime fighter, but more money is the  top priority for Sellars, and using Alex to change American public’s perception for robots. And Alex needs to sharpen his skills as an elite crime fighter, so he receives training from Rick Mattox (Jackie Earle Haley), OmniCorp‘s combat expert.

Pat Novak (Samuel L. Jackson) uses his show (The Novak Element) to push pro robot propaganda, and Novak is an important supporter for Sellars and his never ending mission to use robots in the US. Alex’s new life as a living, breathing crime fighting machine is full of obstacles. Alex is trying to balance his crime fighting duties, and his responsibilities as a father and a husband, and Alex honors his promise to Jack. During Alex’s search for a location on Vallon, Alex exposes corruption at the police station with a few tips from Detective Andre Daniels (K.C. Collins) and Detective John Lake (Daniel Kash), and Alex uncovers the truth behind OmniCorp’s plans for the future…….

Joel Kinnaman is solid in the leading role, and he deserves credit for a strong effort. The new look for RoboCop? Kinnaman sports a sleek look as a modernized version of RoboCop. He’s faster, and Kinnaman’s movements are more fluid. That’s a big difference, when you compare Kinnaman’s RoboCop to the clunky Robocop (i.e. Peter Weller and Robert John Burke) from the originals, but you have to expect some big changes for a modernized version.

Using black as a new color didn’t bother me at all, and you’ll see the original color, but vintage (using that word loosely) RoboCop‘s screen time is very limited. Also, don’t worry about the exposed human hand for Kinnaman. I’m mentioning the hand, because I vividly remember a lot of complaints for the human hand in various places on the internet. Trust me, you’ll barely notice the hand after a while, and it’s not a big deal.

Abbie Cornish is believable as the supportive wife. Jackie Earle Haley delivers an entertaining performance, as the tough and uncompromising trainer, and you’ll see a few funny moments during the little feud with Alex and Rick.

No real complaints about the veterans. Michael Keaton is a decent antagonist, as the greedy and two-faced corporate tycoon. Gary Oldman maintains a streak of reliable consistency  with another quality performance, and Samuel L. Jackson is a nice fit for the Pat Novak character. Novak is this obnoxious loudmouth (“Why is America so Robo-phobic?!?!”), who will do and say anything to push the robot movement, and Jackson delivers another one of his classic tirades during the finale.

Of course, the remake tries to explore the “Man VS Machine” dilemma, and the dangers of trusting an emotionless machine over a rational human being with feelings and reasoning. But the quandary never reaches thought-provoking levels, because the remake favors action and CGI, so the Man VS Machine stuff takes a backseat.

RoboCop is a harmless remake, but they stay in a safe zone here. You won’t see an effort to take any real risks, because RoboCop 2014 never reaches an embarrassingly awful low point. On the flip side of that, there’s no real attempt to create a different film with a bold vision. RoboCop 2014 is a safe and modernized version of the 1987 original, and the remake avoids a nomination for a spot in the Hall Of Shame for terrible remakes (i.e. A Nightmare On Elm Street 2010).

Die hard fans of the ‘87 original will nitpick and tear this one apart, but RoboCop 2014 is a decent action/sci-fi film. Director Jose Padilha deserves credit for a handful of slick and hard hitting action sequences, and the cast is rock solid, featuring a few noteworthy performances from the veterans (Jackson, Haley, and Oldman).

Is RoboCop 2014 perfect? No. Ten years from now, will RoboCop 2014 join a lengthy list of forgettable and harmless remakes? Yeah, there’s a good chance that’s going to happen. Still, RoboCop 2014 could’ve been a lot worse. I set the bar low for this one, but RoboCop 2014 earned a spot on my list of pleasant surprises for 2014, so I‘ll go with a positive score.

Rating: 5/10

Michael Jordan had another run with the Wizards after winning six championships. Brett Favre was one step away from earning a second ring with the Vikings.

As the world's definitive multi-talented superstar athlete, Trisha Bunrastar is taking an unexpected and shocking leap into a new career path. Assuming the identity of Freechelle Fantabulous, Trisha vows to fight crime and battle evildoers as a superheroine. Will she conquer her new mission? Find out more here! http://www.amazon.com/dp/B00EFLI6VK

Or take a trip into my special world of madness that includes comedy, horror, and the supernatural in this collection of short stories- http://www.amazon.com/dp/B00EFMYZ0U

Remember Amazon offers free Kindle App downloads for various platforms. Follow this link to find out more- http://www.amazon.com/gp/feature.html?ie=UTF8&docId=1000493771

And don't forget to follow me on Twitter here- https://twitter.com/LQuigleyFan1

RoboCop (2014)(Spoiler Review)

**This review contains spoilers**

I'll do a more thorough compare and contrast review with the original and the remake in the future, because I'm planning on a review series for every RoboCop film. It's similar to my Night Of The Demons and Silent Night, Deadly night review series, if you're wondering. Let's get to it. 

It’s 2028, and OmniCorp is on a mission to change the world. As the world’s largest supplier for robot soldiers and drones in the US military, OmniCorp launches a plan to use robots for crime fighting in the US, but strict laws prevent crime fighting robots in America. Senator Hubert Dreyfuss (Zach Grenier) dedicates his life to fighting OmniCorp, and their plans to use robots in the US. Senator Dreyfuss believes emotionless machines are untrustworthy in the field of battle, and the risk of a malfunctioning product will endanger the lives of innocent US citizens.

At OmniCorp’s headquarters in Detroit, OmniCorp CEO Raymond Sellars (Michael Keaton) devises a plan to fight Senator Dreyfuss, and erase the stigma for dangerous robots. Sellars is making money overseas in wars and occupied countries, but he’s missing out on a big payday with no crime fighting robots on US soil.

Sellars pushes his team to come up with a solution. Liz Kline (Jennifer Ehle) is the head of OmniCorp’s legal affairs, and Tom Pope (Jay Baruchel) controls marketing, but OminCorp’s top sceintist, Dr. Dennett Norton (Gary Oldman) doesn’t like the idea of crossing moral boundaries. Sellars plans to exploit a loophole in America’s robot laws (or the “Dreyfuss Act”)? Sellars wants to put a man inside a machine, but OmniCorp needs the right candidate, someone wholesome, a victimized hero for the people to rally behind and idolize. But Sellars and his team run into a serious of problems for the right candidate after a thorough search on a list of wounded soldiers and police officers.

Meanwhile, two Detroit detectives named Alex Murphy (Joel Kinnaman) and Jack Lewis (Michael K. Williams) form an undercover team to infiltrate Antoine Vallon‘s (Patrick Garrow), a ruthless crime boss, empire. But Jack is stuck in a hospital bed after a fierce shootout with Vallon’s thugs. Alex is motivated by revenge, but Chief Karen Dean (Marianne Jean-Baptiste) warns Alex about the consequences for pursuing Vallon without the proper evidence to convict Vallon.

One night, Alex leaves his house to shut off the alarm on his car, but Alex triggers an explosion from a bomb, when he opens the door. A disfigured Alex has one shot at survival: OmniCorp. During his coma, Alex’s wife, Clara (Abbie Cornish) signs an agreement for Alex’s once in a lifetime procedure with Dr. Dennett leading the way. Alex has trouble adjusting to his new as a half-man, half-machine crime fighter, but more money is the  top priority for Sellars, and using Alex to change American public’s perception for robots. And Alex needs to sharpen his skills as an elite crime fighter, so he receives training from Rick Mattox (Jackie Earle Haley), OmniCorp‘s combat expert.

Pat Novak (Samuel L. Jackson) uses his show (The Novak Element) to push pro robot propaganda, and Novak is an important supporter for Sellars and his never ending mission to use robots in the US. Alex’s new life as a living, breathing crime fighting machine is full of obstacles. Alex is trying to balance his crime fighting duties, and his responsibilities as a father and a husband, and Alex honors his promise to Jack. During Alex’s search for a location on Vallon, Alex exposes corruption at the police station with a few tips from Detective Andre Daniels (K.C. Collins) and Detective John Lake (Daniel Kash), and Alex uncovers the truth behind OmniCorp’s plans for the future…….

Joel Kinnaman is solid in the leading role, and he deserves credit for a strong effort. The new look for RoboCop? Kinnaman sports a sleek look as a modernized version of RoboCop. He’s faster, and Kinnaman’s movements are more fluid. That’s a big difference, when you compare Kinnaman’s RoboCop to the clunky Robocop (i.e. Peter Weller and Robert John Burke) from the originals, but you have to expect some big changes for a modernized version.

Using black as a new color didn’t bother me at all, and you’ll see the original color, but vintage (using that word loosely) RoboCop‘s screen time is very limited. Also, don’t worry about the exposed human hand for Kinnaman. I’m mentioning the hand, because I vividly remember a lot of complaints for the human hand in various places on the internet. Trust me, you’ll barely notice the hand after a while, and it’s not a big deal.

Abbie Cornish is believable as the supportive wife. Jackie Earle Haley delivers an entertaining performance, as the tough and uncompromising trainer, and you’ll see a few funny moments during the little feud with Alex and Rick.

No real complaints about the veterans. Michael Keaton is a decent antagonist, as the greedy and two-faced corporate tycoon. Gary Oldman maintains a streak of reliable consistency  with another quality performance, and Samuel L. Jackson is a nice fit for the Pat Novak character. Novak is this obnoxious loudmouth (“Why is America so Robo-phobic?!?!”), who will do and say anything to push the robot movement, and Jackson delivers another one of his classic tirades during the finale.

After a flashback from his bombing accident, Alex uses his new equipment to track down and kill Vallon and his men at Vallon’s secret hideout. But there’s something fishy about Vallon’s last stand. Vallon was ready and waiting for Alex, because someone warned him, so Alex returns to the police station for more answers.

Eventually, Andre and John reveal their secrets as dirty cops. They’re on Vallon’s payroll, and both men sabotaged Alex’s attempted murder case and Jack’s shooting to erase any suspicions for Vallon as the prime suspect. And Chief Dean joins the growing list of informants for Vallon, because she’s the one, who warned Vallon about Alex’s raid. Alex forced a confession out of Dean at gunpoint, but Rick pulled the plug at the last second with the shutdown (whenever Alex crosses any lines, OmniCorp uses a shutdown button to stop him) button for Alex to prevent Chief Dean’s certain death.

But it’s not ever yet. Alex fights OminCorp’s mind control, and Sellars jumps into damage control mode. Sellars orders Alex’s death, because Sellars fears the repercussions for the American public knowing the truth about OmniCorp. Sellars wants to kill Alex, and Sellars will use the legacy of a “dead hero” to push his propaganda for robot soldiers on US soil. But Alex escapes his execution with some help from Dr. Norton.

Sellars is holding Clara and David hostage on the roof at OmniCorp. Alex is a broken mess after taking one too many bullets from Sellars’ drones. To make matters worse, Alex struggles to fight Sellars and his mind control device. Long story short, Alex’s programming influences his decisions, and Sellars is wearing a bracelet that prevents any harm. Sellars is about to pull the trigger to kill Clara and David, but Alex’s love for his family overcomes the odds. Alex’s fights Sellars and the mind control device, and Alex shoots and kills Sellars on the roof.

The corrupt dirty cops stuff feels so clichéd and redundant, and there’s no shock value for Andre and John as employees for Vallon, because RoboCop reveals the alliance in the early stages of the movie. But I’ll give RoboCop credit for the Chief Dean twist, because that’s a surprise I didn’t see coming.

The standoff on the roof? The sequence with Murphy fighting off the drones at OmnicCorp to save Clara and David features its fair share of thrills, but the standoff is predictable. You can see the happy ending with Alex fighting Sellars, and Alex’s reunion with his family coming from a mile away, but it’s a passable feel good moment.

Of course, the remake tries to explore the “Man VS Machine” dilemma, and the dangers of trusting an emotionless machine over a rational human being with feelings and reasoning. But the quandary never reaches thought-provoking levels, because the remake favors action and CGI, so the Man VS Machine stuff takes a backseat.

RoboCop is a harmless remake, but they stay in a safe zone here. You won’t see an effort to take any real risks, because RoboCop 2014 never reaches an embarrassingly awful low point. On the flip side of that, there’s no real attempt to create a different film with a bold vision. RoboCop 2014 is a safe and modernized version of the 1987 original, and the remake avoids a nomination for a spot in the Hall Of Shame for terrible remakes (i.e. A Nightmare On Elm Street 2010).

Die hard fans of the ‘87 original will nitpick and tear this one apart, but RoboCop 2014 is a decent action/sci-fi film. Director Jose Padilha deserves credit for a handful of slick and hard hitting action sequences, and the cast is rock solid, featuring a few noteworthy performances from the veterans (Jackson, Haley, and Oldman).

Is RoboCop 2014 perfect? No. Ten years from now, will RoboCop 2014 join a lengthy list of forgettable and harmless remakes? Yeah, there’s a good chance that’s going to happen. Still, RoboCop 2014 could’ve been a lot worse. I set the bar low for this one, but RoboCop 2014 earned a spot on my list of pleasant surprises for 2014, so I‘ll go with a positive score.

Rating: 5/10

Michael Jordan had another run with the Wizards after winning six championships. Brett Favre was one step away from earning a second ring with the Vikings.

As the world's definitive multi-talented superstar athlete, Trisha Bunrastar is taking an unexpected and shocking leap into a new career path. Assuming the identity of Freechelle Fantabulous, Trisha vows to fight crime and battle evildoers as a superheroine. Will she conquer her new mission? Find out more here! http://www.amazon.com/dp/B00EFLI6VK

Or take a trip into my special world of madness that includes comedy, horror, and the supernatural in this collection of short stories- http://www.amazon.com/dp/B00EFMYZ0U

Remember Amazon offers free Kindle App downloads for various platforms. Follow this link to find out more- http://www.amazon.com/gp/feature.html?ie=UTF8&docId=1000493771

And don't forget to follow me on Twitter here- https://twitter.com/LQuigleyFan1

Predators (2010)

**This review contains spoilers**

Abducted and dropped onto the Predator’s alien planet, soldiers, a mercenary, enforcers, a death row inmate, and a doctor are forced to fight for their lives. Taking on the role of a leader, Royce (Adrien Brody) commands the group of Isabelle (Alice Braga), Stans (Walton Goggins), Hanzo (Louis Ozawa Changchien), Nikolai (Oleg Taktarov), Mombasa (Mahershalalhashbaz Ali), Cuchillo (Danny Trejo), and Edwin (Topher Grace).

After an attack from alien dogs, Royce figures out the puzzle of the kidnapping: everyone brought to the alien planet is live bait for the Predators to hunt and kill in a deadly game. The survivors eventually learn more about the blood feud between the bigger Predators and smaller Predators from a survivor of “ten seasons” named Noland (Laurence Fishburne). Royce tries to figure out a way to escape after Noland mentions a ship, but Royce is forced to use his grenade launcher to signal the Predators for help, when Noland reveals himself as a scavenger.

Adrien Brody is a competent leading man, while Topher Grace and Walton Goggins provide some great comic relief. Rest of the cast ranges from so-so to decent, but nobody is noticeably bad here. Laurence Fishburne’s appearance is limited to cameo status, but Fishburne is hilarious, as the paranoid and insane recluse, who talks to an imaginary friend.

Some people might think of Predators as a stand-alone film in the franchise, but it’s actually a sequel. Remember when Royce pushes Isabelle to tell the truth about the Predator tied up at the campsite? Isabelle recalls Dutch’s (Arnold) report of what he saw during his first and only encounter with a Predator.

Mentioning the 1987 original confirms Predators’ status as a sequel, and it’s a cool “remember that!” moment for fans of the franchise. They also reintroduce the gruesome “ripping the spine and skull from the back, and raising it in the air like a trophy” kill with Stans’ death. Plus, using themes and music from the original Predator is a great nostalgia touch.

Nimord Antal (the director) and the writers, Alex Livtak and Michael Finch do a good job of introducing their new vision for the Predator franchise, while paying homage to the 1987 original (I’d like to forget Predator 2 ever happened, and I’m glad they ignored it here). The final duel between Royce and the big Predator is reminiscent of  Dutch’s battle with the Predator, with Royce covering himself in mud to block the Predator’s heat sensors. And Hanzo’s one on one blade to blade duel with the Predator in the open field reminds me of Billy’s stand against the Predator in the ‘87 film. Billy was tired of running, and just said to hell with it, come and get me. Hanzo pretty much did the same thing after everyone else ran from Noland’s hideout. Hanzo stopped, took off his shirt, turned around, and drew his sword for the battle.

Predators is a breath of fresh air, that pays homage to the original, and gives Predator fans some hope for the future. A lot of bloody and gory action sequences with a hard hitting and nasty final battle between Royce and the large Predator. And I LOVE the twist with Topher Grace turning on Isabelle at the end, and revealing himself as a cold-blooded murderer. Truly a shock, and the twist made Grace’s character look like a real weasel after he played the innocent wimp, and Isabelle risked her life to save his.

Rating: 7/10

Silent Night, Deadly Night Part 2 (1987)

**This review contains spoilers**

Following the events of Silent Night, Deadly Night, Billy Chapman is dead after taking a series of gunshots to the back at St. Mary‘s Orphanage. But the sight of his dead brother’s body was too much handle, so as a child, Ricky issued a deadly warning to Mother Superior by placing her on his “naughty” list.

Billy failed in his mission to kill Mother Superior, but Billy’s attack forced the closure of St. Mary’s Orphanage. Bound to a wheelchair, Mother Superior (Jean Miller) is retired and recovering from a stroke, and with the help of Sister Mary (Nadya Wynd), Ricky found a foster family. The Rosenbergs embraced Ricky as their own child, but Ricky still experienced flashbacks from his traumatic childhood.

Heartbroken over his stepfather’s death as a teenager, Ricky tries to fight through the depression, but after witnessing an attempted rape, Ricky embarks on a brutal killing spree. But Ricky runs out of luck after murdering his girlfriend Jennifer (Elizabeth Kaitan), her ex-boyfriend Chip (Ken Weichert), and other innocent  bystanders. During the standoff with the police, Ricky tries to commit suicide, but he runs out of bullets.

As an eighteen year-old man, Ricky’s (Eric Freeman) last name is changed to Caldwell, and he’s a patient at a mental hospital. One day, Ricky receives a tape recorded evaluation from Dr. Henry Bloom (James L. Newman). Ricky already angered other psychiatrists, so after failing numerous evaluations, Dr. Bloom becomes Ricky’s last chance to avoid a trip to the electric chair. But as Ricky recalls his troubled childhood and murders as a teenager, Dr. Bloom slowly shows signs of fear after each story. Ricky takes advantage of Dr. Bloom’s fear, murders him, and Ricky escapes the hospital.

Ricky finds a Salvation Army-like Santa Claus, murders him, steals his suit, and Ricky plans to follow in his brother’s footsteps. Picking up where Billy left off, Ricky plans to take his axe to the retired Mother Superior’s home, and finish his brother’s mission.

Eric Freeman’s Ricky is more devious than Robert Brian Wilson’s Billy. Billy was someone, who snapped, AND he showed remorse during his final moments. Billy’s innocence was believable, because his character was victimized and tormented, but Ricky’s a different story. Mother Superior was nice to Ricky. Ricky had a girlfriend, who cared about him, and The Rosenbergs loved him as a child and a teenager. But Ricky chose his path as a sadistic asshole. He enjoyed killing people, and he embraced the murdering psycho inside of him. With all that said, I enjoyed Eric Freeman’s Ricky more than Wilson’s Billy. Yes, Freeman is hammy, but his dark side is more creepy, in a comical way of course.

Also, they added another layer to the Chapman Brother’s traumatic triggers here. In Part I, Billy’s flashbacks from St. Mary’s Orphanage and his parent’s murders trigger his killing sprees. In Part II, Ricky’s rage is triggered by flashbacks from the same events, but the color red and nuns also play an important factor in causing his tirades.

Unfortunately, my praises for this film stop with Freeman. Kaitan is just eye candy, and Newman is solid enough, but the constant flashbacks (more on that later) kill any chances of momentum for his character. Sister Mary is a caring character, but she can’t measure up to Gilmer McComrik’s Sister Margaret.

And they changed the actress, who portrayed Mother Superior! Miller’s crabby and feeble old lady act is painful to watch. Yes, I understand Mother Superior had a stroke, but Lilyan Chauvin was irreplaceable, because she MADE the Mother Superior character. They tried to use the stroke, and awful, distracting deformed skin make-up to justify  Mother Superior’s new personality, but fuck, if they couldn’t get Chauvin to reprise her role, then they should’ve  just killed off the Mother Superior character altogether. Superior is the main target for Billy and Ricky. She’s the reason why they went on the killing sprees in the first place. You can’t use an underwhelming replacement for such an important character, and try to pass her off as the same person in the original. Superior ‘87 is a major problem, and I usually cringe or face palm before her first appearance, because Superior’s presence just KILLS the final climax in this film.

Flashbacks are okay, if you just use a few CLIPS here and there, but Silent Night, Deadly Night Part 2 literally replays entire scenes from the original. As Ricky retells his story to Dr. Bloom, the story shifts back to Part I, showing select scenes in their entirety (Santa murdering Billy & Ricky’s parents, Billy’s tirades, Billy’s abuse at the orphanage, the ending, etc.). This style of storytelling is just lazy, and it kills all of the momentum for the present story. Yeah, they play flashback footage from the present storyline, but you won’t see it until the forty minute mark. And everything feels so rushed and underdeveloped, when they finally make the transition to Ricky’s escape at the very end. It feels like you’re watching two movies in one, and the constant back and forth shifts to present and past straggle into a giant clustered mess.

I try to stay in suspension of disbelief mode for movies, but Silent Night Part 2 pushes everything too far. SOMEHOW Ricky has vivid memories of his parent’s deaths? Really? How? He was a baby when it all happened. Plus, Ricky was strapped to seat in the car as a baby, and the Santa murdered his mother outside, so he couldn’t see anything. Ricky explains how Billy told him the story of his parent’s murders, but still, I have a hard time buying into an eighteen year-old vividly remembering a tragedy as an infant. They tried to recreate the “flashbacks trigger a tirade” effect with Ricky, but Ricky recalling the tragedies from his childhood was just too far fetched for my taste.

Also, before he reaches the age of eighteen, Ricky is strolling through the woods one day, and he accidentally witnesses a couple having a picnic. The boyfriend tries to rape his girlfriend, but Ricky jumps inside his red jeep, and he runs him over, killing the boyfriend. Umm, why was this necessary? Did they really have to stretch things so far to include a random attempted rape scene to maintain continuity from the first film?

So Ricky EASILY kills Dr. Bloom, and escapes the mental hospital? Umm, if killing psychiatrists and strolling out of the mental hospital is SO easy, then why didn’t Ricky kill one of the psychiatrists before Bloom? I’m suppose to believe Ricky just decided to kill the last psychiatrist out of the blue? No. Just no. 

Ruining the big climax/final showdown with a replacement Mother Superior was bad enough, and Superior’s decapitation just made everything worse. Ricky chops off her head with an axe, but when the cops and Sister Mary arrive at her house, Superior’s body is still in the wheelchair……until Sister Mary’s slight touch causes her head to fall off. AND when the head falls off, you can clearly see signs of a prosthetic dummy head. Ugh, I always roll my eyes at this moment. Unbelievable, just unfuckingbelievable.

Silent Night, Deadly Night 2 is mostly remembered for Ricky’s famous “GARBAGE DAY!” outburst during the wild killing spree towards the end. It’s become a popular and well-known meme over the years, and here’s a pic:

                                

But Part 2 is still a terrible film. Freeman’s nutty raging lunatic act is hilarious, but in good conscience, I can’t give this film a positive score. I just can’t.

Final Rating: 2/10