Sunday, June 30, 2024

Coming Attractions- The Killer’s Game (2024)

 



Director- J.J. Perry 


Cast- Dave Bautista, Terry Crews, Sofia Boutella, Ben Kingsley, Drew McIntyre, Pom Klementieff, Lee Hoon, Marko Zaror, Daniel Bernhardt, Lucy Cork, Raffaello Degruttola, Shaina West, Scott Adkins


Release Date- September 13, 2024


The wrestling fan in me is pumped to see Drew McIntyre and Dave Bautista squaring off against each other!


Dave Bautista is a consistent actor. Whether it’s a leading or supporting role, I honestly can’t remember one truly awful film from him over the years after he got his big break in Guardians Of The Galaxy.


The assassin having a moral awakening, and deciding that it’s time to get out of the life is a cliched and overused storyline. The Killer’s Game makes an attempt to put a comedic spin on things, with Joe realizing he has to fight back.


A solid cast, and the trailer shows a promising mix of brutal hard hitting action and playful humor. One day I’ll have to read the novel the movie is based on, because it’s always interesting to see what changes are made, or how far the powers that be will go with tie-ins and staying true to the source material. 

Coming Attractions- Nosferatu (2024)

 



Director- Robert Eggers


Cast- Willem Dafoe, Nicholas Hoult, Lily-Rose Depp, Bill Skarsgard, Aaron Taylor-Johnson, Emma Corrin, Ralph Ineson, Simon McBurney


Release Date- December 25, 2024 


A gothic mainstream horror film, with a Christmas Day release date? They obviously have big hopes for Nosferatu. Robert Eggers is the right choice for a director, because his style perfectly fits for what you would expect from a Nosferatu film. 

It’s been years since I’ve rewatched Nosferatu 1922, and I’ve never seen Nosferatu The Vampyre (1979). The trailer for Nosferatu (2024) is phenomenal. A spooky and creepy trailer, and I’m glad they only showed a slight glimpse of Bill Skarsgard as Nosferatu. Save the full reveal for the movie. 

Coming Attractions- The Front Room (2024)

 


Directors- Max Eggers, Sam Eggers


Cast- Brandy, Kathryn Hunter, Andrew Burnap, Neal Huff


Release Date- September 6, 2024


Based on the short story of the same name, The Front Room has realism and relatability for a storyline involving a woman, who’s struggling to deal with a pesky in-law. You can tell Belinda (Brandy) is kind of hesitant to cross that line of really tearing into Solange (Kathryn Hunter) at first out of respect for her husband, but there comes a point, where you need to stand up for yourself. 

The first trailer for The Front Room is kooky and creepy. Kathryn Hunter looks fantastic, and religion and racism will obviously play a big role in the story. Another potentially good or possibly great horror film, and A24 is known for its track record of consistency. 


Coming Attractions- Oddity (2024)

 




Director- Damian Mc Carthy


Cast- Gwilym Lee, Steve Wall, Joe Rooney, Jonathan French, Carolyn  Bracken, Caroline Menton, Tadhg Murphy


Release Date- July 19, 2024


A spooky wooden mannequin and other toys? Paranormal horror films featuring toys or dolls are too hokey sometimes, but Oddity’s trailer maintains a serious tone. 


Potentially a creepy and tense paranormal horror film, the trailer for Oddity shows just enough without spoiling any major plot points. It’s one of those trailers, where you have to try and put the pieces of the puzzle together. Are evil forces responsible for the sinister events? Or is this a case of heartbreak and grief causing extreme paranoid delusions? It’s easy to lean on the side of supernatural evil, because it’s obvious that’s the direction they’re going in with the trailer, but there’s always a chance for a curveball. 





Coming Attractions- Wolfs (2024)




Director- Jon Watts


Cast- George Clooney, Brad Pitt, Richard Kind, Amy Ryan, Zlatko Buric, Poorna Jagannathan, Austin Abrams


Release Date- September 20, 2024


The story is basic enough, but it’s clear the superstar duo of George Clooney and Brad Pitt is the main attraction for Wolfs. There’s some promise with Pitt and Clooney’s odd couple relationship as expert fixers, the banter, and the playful one-upmanship between the two. Wolfs should be a fun and stylish action/comedy, and it’s Jon Watts’ first film outside of the MCU/Spider-Man world in seven years. 

Thursday, June 27, 2024

Fantasy Island (2020)

 

**This post contains spoilers**


The Story- Contest winners Gwen (Maggie Q), Melanie (Lucy Hale), Patrick (Austin Stowell), J.D. (Ryan Hansen), and his step brother, Brax (Jimmy O. Yang) journey to Fantasy Island, an island with mysterious powers capable of turning guest’s fantasies into reality. Mr. Roarke (Michael Pena), the host and the island’s ambassador, lays out two strict rules: only one fantasy per guest is allowed, and each guest must see their fantasy through to its natural conclusion, no matter what. 


The island is a seemingly fun getaway for the guests, but things take a bizarre turn, when Melanie encounters her kidnapped childhood bully, Sloane (Portia Doubleday). Melanie teams up with Sloane, and a private investigator named Damon (Michael Rooker) to escape the island. Damon reveals the secrets behind the island’s dark powers, leading to a startling revelation about Roarke’s motivations and his top assistant, Julia (Parisa Fitz-Henley). 


My Thoughts- The performances were really hit and miss for me. Ryan Hansen and Jimmy O. Yang’s routine as obnoxious dude-bros was okay for a few cheap laughs. Maggie Q and Austin Stowell carry a lot of the emotional weight with their performances. Gwen and Patrick are haunted by missed opportunities from their pasts and heartbreaking tragedies, so you can easily understand why it’s not so easy for them to move on. 


Lucy Hale plays a confident Melanie, who just wants to have a good time on the island. Melanie realizes she made a mistake seeking vengeance on Sloane, but it’s all a ruse (more on that later), and Hale did a good job of believably showing Melanie’s twisted side, when she reveals her true intentions.


Michael Rooker adds to the pulse of the cast, with his grizzled and rugged performance as the cagey private investigator. Mr. Roarke? It’s a strange case, because I just didn’t get anything out of Michael Pena’s performance. Roarke is supposed to be a mysterious, important, and powerful man. But Pena weirdly sounds like a guy just plainly reading lines off of a script throughout the movie. A noticeable lack of energy, so I couldn’t buy into the obvious enigmatic presence they were going for with Roarke.


Overkill is always a problem. It’s a bigger problem, when you’re constantly beating a dead horse for something that’s just not working. Dr. Torture is the evil physical manifestation of Melanie’s hated psychiatrist, complete with lips that are stapled shut. He’s supposed to be the unstoppable monster, who tortures and hunts Sloane. Dr. Torture should be scary, a frightening menace. Overall, he’s a character who’s just too goofy, with the muffled grunting behind the face mask, and the sleeveless scrubs to show off his muscles. 


The sight of Nick’s (Evan Evagora) burnt corpse could’ve been shocking, IF they limited his appearances. I get it. Everyone is haunted by Nick’s tragic death, especially Gwen. But seeing a lifeless and charred Nick over and over again killed any chances for a strong reaction. 


The zombies oozing black goo from their eyes is a sign the guest’s fantasies are making a disturbing transition from dreams to a living nightmare. The zombies are supposed to be an unstoppable threat, but the running mascara look is too silly.


As far as spooky stuff goes, Sloane has a creepy doppelgänger. It’s a simple idea. Sloane having to face herself, including all the bad mean girl parts of her past, shows Sloane actually had remorse, and she wanted to make a serious effort to change. 


Fantasy Island has all the right ingredients, but it’s also a film that tries way too hard to do too much. Gwen regrets rejecting Allen’s (Robbie Jones) marriage proposal, and she’s directly responsible for the fire that killed Nick. Patrick has a deep wound for growing up without his father, Lieutenant Sullivan (Mike Vogel), who sacrificed himself to save his troops by jumping onto an exploding grenade. 


The drama between Melanie and Sloane, and Sloane cheating on her husband is a storyline that could’ve been its own movie. There’s also the revelation involving Julia. She’s actually Roarke’s wife, weakened by an illness. A living but sickened Julia is Roarke’s fantasy, a fantasy that only remains intact, if Roarke faithfully serves the island. 


You can easily take your pick between Gwen, Roarke, or Patrick, because either one of their stories is strong enough to be the sole focus for the movie. Melanie’s troubles with Sloane and Melanie regretting missing a date with Nick is another worthy candidate. Fantasy Island actually did a decent enough job of connecting the guest’s backstories, including piecing everything together to show how everyone had some kind of involvement with Nick’s death. But it’s also a lot to digest, and it’s kind of hard to do that, when you jump from scene to scene with different characters and stories.


Revealing Melanie as the mastermind, who planned for everyone to arrive at the island is a decent surprise and a swerve. Melanie is holding a grudge against the guests for Nick’s death, and she still wants revenge for Sloane’s bullying. Lucy Hale is definitely convincing as the unhinged and bitter psychopath. While you can understand why Melanie is hurting, it’s obvious she went overboard with her quest for revenge and Nick’s justice. Melanie got what she deserved in the end. 

The big finale is a whirlwind of cluttered events. Roarke actually listening to Julia’s pleas to do the right thing is a big moment. Patrick fighting the evil version of his father, Sloane fighting her doppelgänger, Gwen facing her demons, Brax struggling to accept J.D.’s death, and Melanie’s vengeance? That’s SIX stories all playing out back to back. 


Some breathing room between the different stories would’ve helped, a chance to truly feel the impact of the tough decisions the main characters were forced to make. Instead, they rushed through the finale to tie up all the loose ends in an obvious attempt to avoid any plot holes before the clock ran out. 

Fantasy Island had a lot of potential. There’s some noticeable messages about dealing with regret, moving on after tragedies, and learning to forgive yourself. Patrick’s sacrifice ironically mirrors his father’s sacrifice. Patrick found the courage to save lives, something he didn’t do, when he was a cop, while Nick was trapped in the fire. 


But Fantasy Island lacks excitement and thrills, moving from one scene to the next without any real tension or suspense. It’s a dull film, where the negatives greatly outweigh the positives. They sort of tease a sequel that’ll never happen, when Brax chooses to stay on the island as Roarke’s assistant in exchange for J.D.’s resurrection. Brax chooses the name Tattoo for a connection and a nod to the show, and it’s a nice way of paying tribute to Herve Villechaize. It’s also a tie-in and a joke for Brad’s tattoo, which is literally a tattoo of the word tattoo.


I do wonder if working in the confines of a PG-13 rating hurt Fantasy Island, because for a PG-13 film it’s still too tamed. You don’t need extreme amounts of blood and gore to make a good horror film, but if you’re truly going with a horror approach for a prequel and a Fantasy Island reimagining, maybe a touch of gruesomeness could’ve helped during certain scenes. 


Rating- 3/10



Bones And All (2022)

 


**This post contains spoilers**


The Story- A young Maren (Taylor Russell) flees Virginia with her father, Frank (Andre Holland) after she tries to eat a friend’s finger at a slumber party. Frank, feeling the pressure of constantly covering up Maren’s cannibalistic attacks, eventually abandons his daughter. 


Maren meets another cannibal named Sully (Mark Rylance) during her journey. Sully, offering his help and guidance, informs Maren that she is an eater, and the urge to feed on human flesh is too strong to ignore, a problem that’ll only get worse as Maren ages. 


Maren crosses paths with Lee (Timothee Chalamet), another young eater, who agrees to help Maren find her estranged mother, Janelle (Chloe Sevingy). Maren and Lee develop feelings for each other, but Maren runs into trouble, when Sully returns with hopes of rekindling their partnership.


My Thoughts- Taylor Russell delivers an excellent performance, bringing the necessary vulnerability to Maren. There’s a noticeable layer of innocence to Maren’s character, but it’s also hard to ignore the fact that she’s willfully ignorant about the lifestyle of a cannibal. Russell did a good job of showing frustration and anger, because after all the eating and the deaths, Maren slowly realizes there’s no real moral high ground to stand on, when you’re attacking and killing innocent people. 


Timothee Chalamet plays the edgy bad boy loner type, but he’s also a kid, who’s hurting inside, a broken young man. Choosing the path of a self imposed exile from his family, Lee wants to reconnect and bond with his sister, Kayla (Anna Cobb), but he’s carrying around the heavy burden of being an eater and killing his father. Chalamet nails a wide variety of emotions with a good performance. Lee is dangerous, but he can also be endearing and charismatic.


Taylor Russell and Timothee Chalamet share believable chemistry together. Maren and Lee are two people, who need each other, sharing a dark secret and a highly unusual lifestyle that only both of them can truly understand. Lee and Maren’s relationship feels real. A lot of ups and downs, with Maren slowly trusting Lee to the point, where she feels safe enough to lower her guard.


Mark Rylance is phenomenal as Sully, easily delivering the best performance here. Rylance brings a charming  presence to Sully, complete with a soft southern accent. But there’s also a dangerous side to Sully, and there’s no denying he’s extremely creepy. 

Rylance smoothly switches gears between the seemingly wise and helpful old man and a menacing threat. Sully wants to be the mentor and father figure that Maren needs. You’re isolated and alone in the world as an eater, so that’s why Sully was heartbroken, when Maren ran away from him after they ate the old lady. Great facial expressions from Rylance. The scene where a frozen and shocked Sully watches Maren leave on the bus with that devastated look on his face is just perfect. 


Loneliness, abandonment, and how it affects people plays a big role in Bones And All. Frank was put in a tough spot, but you can understand why he left Maren. Still, it’s rough for a teenage girl to go out in the world alone after her father leaves without a warning, or any real preparations for survival. To make matters worse, Barbara (Jessica Harper), Maren’s adoptive grandmother, insists she honors her promise to never visit her again.


Sully is old. Living so many years alone with a secretive lifestyle will inevitably take its toll on anyone. That’s why Sully lashed out, when Maren sternly rejected his friendship. And it’s clear Sully was depressed about his family choosing not to look for him after he ran away as a child. 


A lot of important details to pay attention to, as Sully and Maren are eating the old lady. You’ll see a bunch of pictures telling the story of a woman, who once had a family and friends. Imagine dying alone in that big house, while two strangers literally eat what’s left of you, leaving your mangled corpse on the ground surrounded by flies. That’s a depressing ending for anyone. 


Maren has a rocky transition into adulthood, because she’s quickly forced to learn lessons about life on the fly. Maren runs away from Sully, and she runs away from Lee, when she panics for different reasons. Eventually, Maren realizes she can’t just run away from all of her problems. Confrontations and reconciling are cornerstones for adult life. Maren’s no longer in a position, where she can hide behind her father, while he takes care of everything. 


Two big moments for Maren, starting with telling Sully that she no longer wants to be around him, and patching things up with Lee at the lake. Standing up for yourself and burying the hatchet takes guts. It’s uncomfortable, and Taylor Russell did a good job of showing how nervous Maren was with Sully, while also realizing shutting him out of her life was something that needed to be done.


She starts her journey into the world alone, only to wind up alone after killing Sully with Lee’s help. The timing of Sully’s attack was impeccable. Maren and Lee are living a normal and peaceful life together, but it’s all ripped away from them in an instant. It’s an unfortunate ending, with Maren eating a dying Lee. If anyone was going to eat Lee, he’d obviously choose Maren to do it, someone who cared about and understood him. 


There’s also a callback to Jake’s (Michael Stuhlbarg) “bones and all” line at the campfire during Lee’s death scene. Lee wants Maren to eat him, bones and all, an experience that Jake romanticized as something special. According to Jake, leaving a bare bones corpse counts as the first real experience as an eater, passing the stage of foreplay, and transitioning to a legitimate achievement that’s basically a badge of honor. 


Did Maren and Lee actually deserve a happy ending? Yeah, you could say they were young, two people with a strange condition doing what they had to do to survive, but that doesn’t erase the fact that they’re also murderers. The ending works as a full circle moment and karma coming to collect. Sully and Lee got what they deserved, while Maren is left to deal with the emotional and devastating aftermath alone.


Too many examples throughout the movie that clearly showed there’s no real happy ending for an eater. Maren was disgusted by Brad (David Gordon Green) and Jake’s joyous approach to cannibalism, especially Brad, who’s not an eater, but he still gets a kick out of the lifestyle. Sully and Lee were both predators. The big difference is, Lee was more of a cerebral tactician, manipulating his victim’s emotions before he attacked. And you can’t forget about Maren’s mother, Janelle. She’s alone, heavily medicated and deranged, living out the rest of her days in an institution.


So when you look at the big picture, Maren’s options are she can either spend the rest of her life running, hiding, or basically living off the grid. It’s a vicious cycle to literally feed her addiction. One problem after another, and not spending the rest of her life in prison or an institution is the best that Maren could hope for. I’m sure one of the reasons why Sully made Maren’s skin crawl is, she didn’t want to follow the same path during the later stages of her life: a monster, who was too enamored with the lifestyle, collecting locks of hair (including Kayla’s hair) from his victims. 


Bones And All is a bloody and brutal love story, with a grotesque horror twist. All of the storylines and themes seamlessly connected for a smooth style of storytelling, leading to a gut-wrenching finale. Bones And All shows how having an addiction can ruin your life, and how it affects those closest to you. A bleak and genuinely emotional film, featuring a superb cast, and a number of creepy and unsettling scenes. Jake chasing after Maren and Lee in the darkness, and the sight of a distributed Janelle, including her mangled arms, because she couldn’t control her cravings and ate her own hands are two of my top picks.


And maybe I’m looking too deep into this, but I do wonder if the little girl at the diner was an eater? Sully did say eaters can locate each other by picking up on a peculiar scent. The child seemingly gave Maren a knowing look, so I guess it’s a possibility, an intriguing what if, without any definitive clues or hints.


So much blood and graphic gore, but Bones And All ironically feels homely and nostalgic. Placing the story in the 1980’s helps, while Maren and Lee traveled along the quiet backroads, passing through all the small and quaint towns. 


Rating- 10/10