**This review contains spoilers**
The Story- Selene (Kate Beckinsale) searches for answers with Michael (Scott Speedman), after Viktor’s death. Meanwhile, Markus Corvinus (Tony Curran), a vampire elder, and the first-ever vampire, awakens from his hibernation, assisted by Singe’s (Erwin Leder) blood. A determined and enraged Markus pursues Selene and Michael with plans to free his brother, William (Brian Steele), the first-ever and most powerful werewolf, from his centuries-old prison.
Andreas Tanis (Steven Mackintosh), a vampire and a historian, reluctantly helps Selene. Tanis warns Selene about the severity of William’s possible rampage, and Selene holds half of the key to William’s prison. Eventually, Markus corners Selene and Michael, but Alexander Corvinus (Derek Jacobi), the forefather of all vampires and Lycans, and Markus and William’s father, makes one last desperate attempt to tip the scales in Selene’s favor……
My Thoughts- Viktor was a liar, a false idol, and a ruthless leader, so who could possibly be worse? Enter Markus. Markus is completely nuts, more vicious, and he’s willing to kill anyone during his relentless mission to free William from his prison.
But Markus’ evil mindset is rooted in pain. Yes, he’s delusional for believing he can control William, but William is his brother. On top of that, his father turned his back (“You are unwelcome in my presence!”) on him. A solid performance from Tony Curran, complete with cold stares, and Curran brings the believability for a violent and obsessive maniac.
As bad as Markus is, you could say William is far worse. They did a good job of playing up the fact that William can’t control himself, the mindless and extremely dangerous werewolf, with an insatiable hunger for destruction. William himself, and anyone who’s been bitten by William, is incapable of reverting back to their human body. A good little caveat that adds another strong layer to William’s character. During the opening and towards the end, you’ll see why a bite from William has disastrous consequences.
Derek Jacobi’s performance is mainly centered Alexander Corvinus’ prestigious aura and his strong presence. Jacobi confidently plays the wise and heavily flawed forefather. Yeah, it’s a selfish choice to allow William and Markus to wreak havoc, but the all-powerful forefather is conflicted, because he doesn’t want to murder his own sons.
Steven Mackintosh’s Tanis is a real hoot. The disgraced historian, living a life of luxury and debauchery in exile, with lavish decor, women, and Lycan bodyguards? The jokes write themselves. Mackintosh is good for a few laughs, as the jumpy and shameless opportunist, who’s determined to survive by any means necessary, even if that includes trading UV ammunition designed to specifically kill vampires with Lucian.
Selene gets a big power-up to fight Markus, drinking a dying Alexander Corvinus’ blood, still containing the last drops of his “legacy.” Nasty double back to back deaths for William and Markus. First, Michael rips William’s head off, and Selene finishes off Markus, with one hard blow, knocking Markus straight into spinning helicopter blades, ending Markus’ plans to start a new hybrid race. Cutting off half of Viktor’s head, and chopping Markus into pieces (with the big assist from the helicopter blades)? Selene always definitively finishes the job.
Michael’s miraculous recovery is my only gripe for the big finale. I understand the irony they were going for. Remember, in the previous film, Selene saved Michael from Viktor, when Viktor was close to murdering him. In Evolution, Selene was struggling against William and William’s group of infected werewolves, but Michael springs into action to save her. Still, the timing of Michael’s arrival was a little bit too convenient for me.
Still, it’s a feel-good ending, packed with more than enough thrills. The simultaneous fights between, Markus, Selene, William, and Michael, Markus’ reaction to William’s death, and that enormous moment of relief between Selene and Michael, when they realize the madness is over for now. And of course there’s the cool moment, when Selene is finally able to safely stand in the sunlight after so many years.
Director Len Wiseman gets carried away with the slow motion shots, and I’ve always wished they would’ve done more with Michael in this one. They made a big deal about Michael being a hybrid in the original, but in Evolution he’s more of an afterthought, or he’s just Selene’s trusty sidekick. But you also have to remember, we’re dealing with TWO hybrids in the sequel, because Singe’s blood, the blood of a Lycan, revived Markus.
Underworld: Evolution is a good and entertaining sequel. The dark and snowy atmosphere adds a nice aesthetic throughout the movie, a perfect fit for an Underworld film. Lots of fast-paced and hard-hitting action sequences (the fight between Markus, Selene, and Michael on the road, while Selene is driving the truck is my personal favorite), a handful of gnarly deaths, tons of bloody and gruesome violence, and there’s a refreshing spark for introducing new characters, including Andreas Tanis, Markus, William, and Alexander Corvinus. Evolution’s stylish gunplay, easily the best in the entire series, is terrific. Another strong final showdown to end the movie, and they delivered a satisfying conclusion (an emotional Selene standing in the sunlight is a great visual).
The sequel picks up right after the conclusion of the events in the original. It’s an immediate and smooth transition, and there’s a highlight reel during the early stages, recapping all of the big events from Underworld (2003). The highlight package and the numerous flashbacks covers everything, so you don’t necessarily need to watch the first film to know what’s going on.
A big upgrade in the villains department, featuring the terrible duo of Markus and William, two seemingly unstoppable forces. Markus is the only vampire throughout the movie, who has the ability to use a man-bat form, and the hulking white wolf form is exclusively for William. The forms for the first-ever vampire and the first-ever werewolf should feel special, and Markus and William should be the only ones, who are capable of using those forms.
Underworld nails the rich lore for Markus, William, Alexander Corvinus, and the fine details in the sequel. I loved the snowy opening, starting off in 1202 A.D., with Viktor in full control during his reign, and you get to see a little bit more of Amelia. Viktor was NOT the original vampire. That title belongs to Markus. And there’s another bizarre twist, because a dying Viktor accepted Markus’ bite for immortality in exchange for Viktor’s army to stop and capture William!
There’s a lot of noticeable changes for the main characters, and Evolution ties up loose ends from the previous film. Now we know the exact reason why Viktor killed Selene’s family, and why he decided to spare and turn Selene. And Kraven got what he deserved for his treachery.
It’s revealed Alexander Corvinus (using the alias Lorenz Macaro), in effort to contain the war between vampires and Lycans, leads and uses a top secret team/clean up crew to remove dead bodies. Corvinus’ team erases any and all forms of evidence, so you could point directly to him as the reason why humans don’t know about the existence of vampires and Lycans.
Selene is still a scrappy and confident ass-kicker, but they also put a lot of effort into humanizing her here. I had a lot of trouble buying into Selene and Michael’s relationship in the original. In Evolution, there’s a more concentrated approach to flesh out the bond between Michael and Selene.
Michael was basically a puppy, who had to be protected by Selene, and led around by the hand from place to place in the original Underworld. Michael is more confident and fierce in Evolution, but he’s also struggling to accept his new life as a hybrid on the run. Michael almost goes into his full transformation during the scene at the tavern, and he’s about to attack one of the cops. But he sees his reflection in the mirror, realizes he’s becoming a monster, and snaps out of it.
Enhanced powers for Selene, and Michael finds his footing as a hybrid. Michael and Selene will have bigger problems (Selene is now on the hook for killing TWO vampire elders), and more seemingly insurmountable challenges to deal with going forward. Two films in, and there’s still a good amount of momentum for another Underworld sequel. The follow-up sequel is a crucial film in any series. After Evolution, it’s clear there’s still a lot of gas in the tank for Selene’s new adventures.
Rating- 7/10
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