Showing posts with label Paul Rudd. Show all posts
Showing posts with label Paul Rudd. Show all posts

Sunday, December 28, 2025

Death Of A Unicorn (2025)(Minor Spoilers)

 

**This review contains MINOR spoilers**

The Story- During a business trip with his daughter, Ridley (Jenna Ortega), Elliot (Paul Rudd) hits a unicorn with his rental car. Nervous and determined to make a good impression on his boss, Odell (Richard E. Grant), his wife, Belinda (Tea Leoni), and their son, Shepard (Will Poulter), Elliot decides to hide the body in the back of the car, but the unicorn suddenly awakes, sparking a series of chaotic events. Survival becomes the main goal, when the unicorn’s parents arrive at Odell’s ranch, determined to retrieve their child. Can Ridley’s research save Elliot, Odell, his family, and the others?

My Thoughts- Blood, guts, and unicorns! I’ll admit, I’m not an expert on unicorns, or the mythology behind them, so putting those words together sounds strange. Whimsical, mysterious, or majestic? Going by everything I’ve seen over the years, whether it’s in movies, TV shows, or commercials, that’s what pops into my head, when I think about unicorns. 

Sure, you can see the awe-inspiring aura for the unicorns throughout the movie. There’s no denying that, but when the parents enter the picture, things change. We’re introduced to two large and ferocious beasts. Yeah, you CAN wound the unicorns. Maybe you can slow them down to buy yourself some more time to run and hide. The “if it bleeds, we can kill it” approach doesn’t work here, adding another layer to how the unicorns are presented as an unstoppable force. Lots of purple blood from the unicorns is spilled after Elliot hits the child, and guess what? The humans (the bad ones) pay the price with their lives.

It’s impossible to ignore the hilarity of watching everyone running from unicorns, because, well, they’re unicorns. But writer/director Alex Scharfman still manages to toe the line in a way, where escaping the unicorns never looks too silly or goofy. The unicorns are a dangerous and deadly threat. It’s true you can look at the galloping creatures with a big smile and a stunned wide-eyed expression, but they’re also capable of easily ripping your guts out. Unicorns in Death Of A Unicorn are treated with the highest levels of respect. Also, the lore and the mythology for the unicorns is just excellent, telling the story of a mystical and brutal past, filled with rich details and clever tales about the history between humans and unicorns.

Elliot? In the early stages of the movie, you’ll get the impression the guy is just a shameless ass-kisser. He’s a pushover, who’s willing to do anything to get the seal of approval from Odell and his family. But towards the end, you’ll see a man and a father, who’s just trying to do his best. Maybe he went about doing it the wrong way, but Elliot swore to honor a promise to Ridley’s mother.

Paul Rudd is genuinely hilarious here. Elliot is goofy. He’s constantly nervous and walking on eggshells, and Elliot is kind of a klutz. But Rudd has more believable serious moments, when he has to protect Ridley, and when Elliot finally realizes he’s just an expendable asset for Odell, Shepard, and Belinda.

Jenna Ortega’s character is a bit cliched. Ridley is a bratty teenager, who’s not afraid to speak her mind, and she’s into vaping! But you’ll also see there’s more to her character as the story progresses. Ridley is smart. She’s not afraid to speak her mind, and Ridley quickly realizes Odell and his family are nothing more than rich and greedy snobs. She’s rebellious, but we’re also talking about a kid, who’s still hurting inside, because she misses her mom. 

Ortega delivers a noticeably confident performance, and she brings some good humor to Ridley. The awkward and rocky bonding experience between Ridley and Elliot is one the bigger highlights for this one. Lots of good laughs, and a satisfying full circle ending during the home stretch of the movie.

Odell, Shepard, and Belinda? They’re all terrible people. It’s easy to feel sympathy for Odell. He’s old, he’s sick, he’s dying, and he’s a fragile dude, who’s one bad fall away from kicking the bucket. But Odell shows his true colors after receiving a big boost from hefty amounts of blood from the baby unicorn. He’s a nasty and greedy old man. A dying man should use his second chance at life to be more appreciative and cherish the world around him more, right? Nope. Odell is too wrapped up in his massive ego. After everything that happened in the woods, Odell thinks it’s perfectly okay to try and touch the unicorn’s horn? Idiot. 

Tea Leoni plays the sympathetic figure in the family. Yes, she’s complicit in the family’s ill deeds, and she’s a pompous and pretentious character. But Belinda actually cares about her husband and her son. Leoni hams it up with Belinda’s exaggerated accent to the point, where you’ll either laugh, or start shaking your head at how silly it is, but she still delivers a solid overall performance. 

Will Poulter easily steals the show here. Poulter embodies everything you’d expect from a rich and spoiled brat as Shepard. He’s entitled, whiny, a coward, and on top of all that, Shepard’s personality is a mix of an annoying douchebag frat boy and a cocky dude-bro. From one scene to the next, Poulter’s performance is truly fun to watch, as the situation spirals out of control. The guy actually gets hooked on snorting and smoking unicorn parts to replace his bad drug habit. Priceless.

Odell and his family had the chance to do the right thing. You find UNICORNS, creatures that have blood that’s full of magical healing powers, blood that also has the ability to cure cancer. Saving lives should’ve been the top priority, but they only had one main goal: profit. But what else would you expect from a group of wealthy elitists, completely disconnected from the real world, while living in a large estate with servants, who are ready to obey any commands without any real resistance.

Odell, Shepard, and Belinda? They all got what they deserved in the end. Poetic justice hits hard for Odell and his family. It’s also hilariously ironic, when you remember the nature preserve is named after Odell. Protecting the unicorns would’ve been so much easier and simple, but having a god complex was his downfall. 

The CGI and the special effects for the unicorns loses its wow factor during the daytime scenes, but Death Of A Unicorn is still a good film. Paul Rudd and Jenna Ortega share terrific chemistry as a father/daughter duo. The cast is excellent from top to bottom, including performances from Sunita Mani, Stephen Park, and Jessica Hynes. Anthony Carrigan’s Griff is one of the more entertaining characters here. Griff is a jittery mess, the butler, who’s scared of disobeying his employers. But Griff has his moments towards the end, when he finally decides to stand up for himself. 

Consistent laughs, a handful of gnarly kills and death scenes, lots of blood and gore, and an emotional story about a father and his daughter trying to live a normal life again after a tragedy. Death Of A Unicorn checks off more than enough boxes for a wild and bizarre horror comedy.

And I can’t forget about the strong similarities to Jurassic Park, just Replace raptors with unicorns, complete with bloody and graphic death scenes. There’s also a scene that’s eerily similar to a scene from The Lost World. Julianne Moore, Jeff Goldblum, and Vince Vaughn are together. They’re nervous, and they’re trying to return the baby T-Rex to his parents, hoping it’ll be a smooth peace offering transaction. Well, Ridley comes up with a plan that mirrors what happened in The Lost World. But the big difference is, poor Dr. Bhatia (Sunita Mani) doesn’t have the luxury of relying on a skilled and experienced team to save her.

Rating- 9/10

Death Of A Unicorn (2025)

 

**This review contains spoilers**

The Story- During a business trip with his daughter, Ridley (Jenna Ortega), Elliot (Paul Rudd) hits a unicorn with his rental car. Nervous and determined to make a good impression on his boss, Odell (Richard E. Grant), his wife, Belinda (Tea Leoni), and their son, Shepard (Will Poulter), Elliot decides to hide the body in the back of the car, but the unicorn suddenly awakes, sparking a series of chaotic events. Survival becomes the main goal, when the unicorn’s parents arrive at Odell’s ranch, determined to retrieve their child. Can Ridley’s research save Elliot, Odell, his family, and the others?

My Thoughts- Blood, guts, and unicorns! I’ll admit, I’m not an expert on unicorns, or the mythology behind them, so putting those words together sounds strange. Whimsical, mysterious, or majestic? Going by everything I’ve seen over the years, whether it’s in movies, TV shows, or commercials, that’s what pops into my head, when I think about unicorns. 

Sure, you can see the awe-inspiring aura for the unicorns throughout the movie. There’s no denying that, but when the parents enter the picture, things change. We’re introduced to two large and ferocious beasts. Yeah, you CAN wound the unicorns. Maybe you can slow them down to buy yourself some more time to run and hide. The “if it bleeds, we can kill it” approach doesn’t work here, adding another layer to how the unicorns are presented as an unstoppable force. Lots of purple blood from the unicorns is spilled after Elliot hits the child, and guess what? The humans (the bad ones) pay the price with their lives.

It’s impossible to ignore the hilarity of watching everyone running from unicorns, because, well, they’re unicorns. But writer/director Alex Scharfman still manages to toe the line in a way, where escaping the unicorns never looks too silly or goofy. The unicorns are a dangerous and deadly threat. It’s true you can look at the galloping creatures with a big smile and a stunned wide-eyed expression, but they’re also capable of easily ripping your guts out. Unicorns in Death Of A Unicorn are treated with the highest levels of respect. Also, the lore and the mythology for the unicorns is just excellent, telling the story of a mystical and brutal past, filled with rich details and clever tales about the history between humans and unicorns.

Elliot? In the early stages of the movie, you’ll get the impression the guy is just a shameless ass-kisser. He’s a pushover, who’s willing to do anything to get the seal of approval from Odell and his family. But towards the end, you’ll see a man and a father, who’s just trying to do his best. Maybe he went about doing it the wrong way, but Elliot swore to honor a promise to Ridley’s mother.

Paul Rudd is genuinely hilarious here. Elliot is goofy. He’s constantly nervous and walking on eggshells, and Elliot is kind of a klutz. But Rudd has more believable serious moments, when he has to protect Ridley, and when Elliot finally realizes he’s just an expendable asset for Odell, Shepard, and Belinda.

Jenna Ortega’s character is a bit cliched. Ridley is a bratty teenager, who’s not afraid to speak her mind, and she’s into vaping! But you’ll also see there’s more to her character as the story progresses. Ridley is smart. She’s not afraid to speak her mind, and Ridley quickly realizes Odell and his family are nothing more than rich and greedy snobs. She’s rebellious, but we’re also talking about a kid, who’s still hurting inside, because she misses her mom. 

Ortega delivers a noticeably confident performance, and she brings some good humor to Ridley. The awkward and rocky bonding experience between Ridley and Elliot is one the bigger highlights for this one. Lots of good laughs, and a satisfying full circle ending during the home stretch of the movie.

Odell, Shepard, and Belinda? They’re all terrible people. It’s easy to feel sympathy for Odell. He’s old, he’s sick, he’s dying, and he’s a fragile dude, who’s one bad fall away from kicking the bucket. But Odell shows his true colors after receiving a big boost from hefty amounts of blood from the baby unicorn. He’s a nasty and greedy old man. A dying man should use his second chance at life to be more appreciative and cherish the world around him more, right? Nope. Odell is too wrapped up in his massive ego. After everything that happened in the woods, Odell thinks it’s perfectly okay to try and touch the unicorn’s horn? Idiot. 

Tea Leoni plays the sympathetic figure in the family. Yes, she’s complicit in the family’s ill deeds, and she’s a pompous and pretentious character. But Belinda actually cares about her husband and her son. Leoni hams it up with Belinda’s exaggerated accent to the point, where you’ll either laugh, or start shaking your head at how silly it is, but she still delivers a solid overall performance. 

Will Poulter easily steals the show here. Poulter embodies everything you’d expect from a rich and spoiled brat as Shepard. He’s entitled, whiny, a coward, and on top of all that, Shepard’s personality is a mix of an annoying douchebag frat boy and a cocky dude-bro. From one scene to the next, Poulter’s performance is truly fun to watch, as the situation spirals out of control. The guy actually gets hooked on snorting and smoking unicorn parts to replace his bad drug habit. Priceless.

Odell and his family had the chance to do the right thing. You find UNICORNS, creatures that have blood that’s full of magical healing powers, blood that also has the ability to cure cancer. Saving lives should’ve been the top priority, but they only had one main goal: profit. But what else would you expect from a group of wealthy elitists, completely disconnected from the real world, while living in a large estate with servants, who are ready to obey any commands without any real resistance.

Odell, Shepard, and Belinda? They all got what they deserved in the end. Poetic justice hits hard for Odell and his family. It’s also hilariously ironic, when you remember the nature preserve is named after Odell. Protecting the unicorns would’ve been so much easier and simple, but having a god complex was his downfall. 

I never believed Elliot was truly dead after Shepard stabbed him, not for one second. Jenna Ortega did a fantastic job of selling Ridley’s devastated reaction, but after everything they went through, Elliot dying would’ve been too much of a downer for the ending. Was it predictable? Yes, there’s no ifs, ands, or buts about it. Still, it’s a feel-good moment to see Elliot and Ridley together, rounding out the surviving trio. And I did get a good laugh out of Shepard being on the receiving end of a fatal mule kick from one of the unicorns. Similar to his father, a crazed ego cost Shepard his life.

The CGI and the special effects for the unicorns loses its wow factor during the daytime scenes, but Death Of A Unicorn is still a good film. Paul Rudd and Jenna Ortega share terrific chemistry as a father/daughter duo. The cast is excellent from top to bottom, including performances from Sunita Mani, Stephen Park, and Jessica Hynes. Anthony Carrigan’s Griff is one of the more entertaining characters here. Griff is a jittery mess, the butler, who’s scared of disobeying his employers. But Griff has his moments towards the end, when he finally decides to stand up for himself. 

Consistent laughs, a handful of gnarly kills and death scenes, lots of blood and gore, and an emotional story about a father and his daughter trying to live a normal life again after a tragedy. Death Of A Unicorn checks off more than enough boxes for a wild and bizarre horror comedy.

And I can’t forget about the strong similarities to Jurassic Park, just Replace raptors with unicorns, complete with bloody and graphic death scenes. There’s also a scene that’s eerily similar to a scene from The Lost World. Julianne Moore, Jeff Goldblum, and Vince Vaughn are together. They’re nervous, and they’re trying to return the baby T-Rex to his parents, hoping it’ll be a smooth peace offering transaction. Well, Ridley comes up with a plan that mirrors what happened in The Lost World. But the big difference is, poor Dr. Bhatia (Sunita Mani) doesn’t have the luxury of relying on a skilled and experienced team to save her.

Rating- 9/10


Sunday, March 16, 2025

Coming Attractions- Death Of A Unicorn

 


Director- Alex Scharfman

Release Date- March 28, 2025

I’m all in for Death Of A Unicorn. 

Good choices for the cast, with Paul Rudd, Jenna Ortega, Will Poulter, Tea Leoni, and Richard E. Grant. Grant seemingly playing a tycoon, who’s obsessed with the secret to immortality is loaded with potential. Usually, you think of unicorns as majestic and awe-inspiring creatures, so flipping the ideas for what everyone expects from unicorns works for a unique and unconventional premise. 

The trailer doesn’t take itself too seriously, a lot of comedic moments, and that’s a good thing. A dark story, or something that’s too serious probably wouldn’t work. Sure, there’s obviously violence involving unicorns, and they’re treated as deadly and serious threats. But on the other side of that, you’re reminded of the mystique for unicorns, creatures that are supposed to exist in their own special realm of individuality. 


Wednesday, March 12, 2014

Anchorman 2: The Legend Continues: Super-Sized R-Rated Version (2013)(Minor Spoilers Review)


**This review contains MINOR spoilers. No major reveals.**

Ron Burgundy (Will Ferrell) and Veronica Conrningstone (Christina Applegate) are working together as a happy married couple. Together, they work as co-anchors for a first-rate news station in New York City, but an unexpected meeting complicates their relationship.

As the man in charge at the network, Mack Tannen (Harrison Ford) decides to promote Veronica to an unprecedented position as the first female anchor on the nightly news. On the other hand, Ron was expecting a retirement announcement from Mack, but Tannen fires Ron. After the meeting, Ron gives Veronica an ultimatum: Veronica refuses Mack Tannen’s job offer out of respect to Ron, or Ron promises to leave Veronica, and their son, Walter (Judah Nelson) without looking back. Veronica ignores  Ron’s request, so Ron abandons Veronica and Walter.

Six months later, Ron relocates to San Diego again. Ron embarrasses himself during a drunken fit at his new job for the local oceanarium, and the manager fires Ron. Ron tries to commit suicide after the incident, but Freddie Shapp (Dylan Baker) approaches Ron with an irresistible offer. Freddie is an employee for GNN, a revolutionary twenty-four hour news network, and Freddie wants to hire Ron as an anchorman. Ron accepts the offer under one non-negotiable condition: Ron has the right to assemble his own hand picked news team with no questions asked. Freddie agrees to Ron’s terms, and Ron accepts the offer.

After a lengthy search mission, Ron convinces Brian Fantana (Paul Rudd), Brick Tamland (Steve Carell), and Champ Kind (David Koechner) to join him at GNN. But Ron and his team run into a series of a hurdles at GNN. Ron is stuck in a rivalry with a hot-shot anchorman named Jack Lime (James Marsden), and Ron complicates the working relationship with his new boss, Linda Jackson (Meagan Good).

To make matters worse, Veronica’s in a comfortable relationship with a psychiatrist named Gary (Greg Kinnear). And to add to his growing list of problems, Ron’s team is stuck on the graveyard shift, and a distracted Brick is falling in love with Chani Lastname (Kristen Wiig), a GNN secretary.

But Ron devises a scheme to beat Jack Lime’s ratings on the primetime edition of GNN. Burgundy plans to broadcast mindless stories (random car chases, homerun highlight reels, etc.) as a ploy to spike the ratings. Ron’s plan is a success, but he’ll have to choose between a trusted friend and Kench Allenby (Josh Lawson), the slimy owner of GNN, in a moral dilemma that could change the course of GNN forever. Ron’s plate is full, as he struggles with blindness, repairing his relationship with Veronica and Walter, and the troubles of raising a pet shark.

Will Ferrell delivers another entertaining and hilarious performance as the delusional blowhard with a massive ego. Koechner, Carell, and Rudd provide their fair share of laughs, and Wiig is a nice fit in the role for Brick’s female counterpart. Meagan Good is my pick for the standout star from the supporting cast of new additions. Good takes control of Linda, as the sassy and aggressive foxy lady, who’s in charge. And Marsden is solid, as the obnoxious pretty boy with a snobbish superiority complex.

It’s hard to keep track of all the sub-plots for the sequel. Ron’s blindness, Ron exiling himself to a lighthouse with Veronica and Walter, Ron’s feud with Jack, Ron’s romantic relationship with Linda during the split with Veronica, Ron raising a shark as a pet at the lighthouse, and the love story between Brick and Chani.

It’s not an easy choice, but Ron and Linda’s relationship is my pick for the best sub-plot. At first, a sexist Ron dismisses Linda as his boss, and Linda intimidates Ron. But after the ratings spike with Ron’s crew, Linda pursues Ron. Ron fights off Linda at first, but Ron succumbs to Linda‘s advances in the end. There’s a dinner table scene, where Linda introduces Ron to her family, and all hell breaks loose after a series of racial insults from Ron. Watching the chaos during the dinner unfold is a real treat. Ron crosses so many inappropriate lines, and he’ll surprise you with every outburst in a jaw dropping back and forth duel of racial insults with Linda’s family.

I enjoyed the Super-Sized R-Rated Version, but I’ll throw out a fair warning, this version of Anchorman is NOT for everyone. The runtime clocks in at 2hrs. & 33min., this new version features 763 new jokes, and you‘ll hear a few f-bombs.

So I’m telling you right now, if you’re indifferent to Anchorman, or if you’re on the fence about the sequel, this version is not for you, and it’s that simple, because there’s a good chance you’ll remember the Super-Sized Version as an overlong, tiresome, and bloated comedy. Me? I loved every second of this one week only special. It’s a riot from start to finish, and I can honestly say I laughed all the way through until the credits started rolling at the end.

I only have one complaint about The Legend Continues: The teased feud between Veronica and Linda. Remember that scene in the trailers, where Linda and Veronica exchange insults? Well, that’s all you’ll see for a feud here. It’s a shame, because the love triangle feud between Ron (with Ron playing the role of an instigator) had some real potential. But Anchorman is LOADED with sub-plots, so you’re taking an unnecessary chance of creating a big mess with a full blown Veronica VS Linda feud.

Anchorman 2: The Legend Continues takes the top spot for the best comedy in 2013. The absurd lunacy is still whacky and over the top, and The Legend Continues delivers consistent laughs with some help from a top notch cast. And the cameos during the big battle at the end are mind-blowing. It’s one big surprise after another, and the barrage of celebrity appearances are guaranteed to pull more than one “Wow!” reaction out of you.

If you read my reviews on here, you’ll know I’m against unnecessary or cash grab sequels. Is The Legend Continues the end of the line film for the Anchorman franchise? Well, I’m hoping the answer to this question is no, but director/co-writer Adam McKay drove the nail into the coffin with a recent interview. His response to a Part III in a recent interview? “It’s done.” Usually, I’m against more sequels, but if there’s a good chance of keeping the core cast together, with some cameos from the past, then I don’t see a real sense of urgency for pulling the plug to preserve Anchorman’s legacy (no pun intended).

Yeah, I know you’re taking a risk of damaging Anchorman’s reputation  with another sequel, and the critical success rate for number threes (Return Of The Jedi, and….) raises a few red flags, but there’s a lot of gas left in the tank for Anchorman. I’m not the only one, who noticed Brian’s “breaking the fourth wall” moment at the end, right? Ron and everyone else express their concerns for the future of the news team, and Rudd gives a brief explanation about box office profits. Brian reminds everyone about the sequel’s success at the box office playing a major role in the production of a sequel.

Are Brian’s words food for thought? Am I reading too much into this scene after McKay seemingly drove the nail into the coffin with his interview? Perhaps, but think about like this, The Legend Continues enjoyed a successful box office run, and I like to keep a “never say never” or “time will tell” mindset  for sequels. Die hard Anchorman fans will have to wait and see as the years pass, and I’m keeping my fingers crossed for a Ron Burgundy return to the big screen.

Rating: 8/10

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Anchorman 2: The Legend Continues: Super-Sized R-Rated Version (2013)(Spoiler Review)


**This review contains spoilers**

Ron Burgundy (Will Ferrell) and Veronica Conrningstone (Christina Applegate) are working together as a happy married couple. Together, they work as co-anchors for a first-rate news station in New York City, but an unexpected meeting complicates their relationship.

As the man in charge at the network, Mack Tannen (Harrison Ford) decides to promote Veronica to an unprecedented position as the first female anchor on the nightly news. On the other hand, Ron was expecting a retirement announcement from Mack, but Tannen fires Ron. After the meeting, Ron gives Veronica an ultimatum: Veronica refuses Mack Tannen’s job offer out of respect to Ron, or Ron promises to leave Veronica, and their son, Walter (Judah Nelson) without looking back. Veronica ignores  Ron’s request, so Ron abandons Veronica and Walter.

Six months later, Ron relocates to San Diego again. Ron embarrasses himself during a drunken fit at his new job for the local oceanarium, and the manager fires Ron. Ron tries to commit suicide after the incident, but Freddie Shapp (Dylan Baker) approaches Ron with an irresistible offer. Freddie is an employee for GNN, a revolutionary twenty-four hour news network, and Freddie wants to hire Ron as an anchorman. Ron accepts the offer under one non-negotiable condition: Ron has the right to assemble his own hand picked news team with no questions asked. Freddie agrees to Ron’s terms, and Ron accepts the offer.

After a lengthy search mission, Ron convinces Brian Fantana (Paul Rudd), Brick Tamland (Steve Carell), and Champ Kind (David Koechner) to join him at GNN. But Ron and his team run into a series of a hurdles at GNN. Ron is stuck in a rivalry with a hot-shot anchorman named Jack Lime (James Marsden), and Ron complicates the working relationship with his new boss, Linda Jackson (Meagan Good).

To make matters worse, Veronica’s in a comfortable relationship with a psychiatrist named Gary (Greg Kinnear). And to add to his growing list of problems, Ron’s team is stuck on the graveyard shift, and a distracted Brick is falling in love with Chani Lastname (Kristen Wiig), a GNN secretary.

But Ron devises a scheme to beat Jack Lime’s ratings on the primetime edition of GNN. Burgundy plans to broadcast mindless stories (random car chases, homerun highlight reels, etc.) as a ploy to spike the ratings. Ron’s plan is a success, but he’ll have to choose between a trusted friend and Kench Allenby (Josh Lawson), the slimy owner of GNN, in a moral dilemma that could change the course of GNN forever. Ron’s plate is full, as he struggles with blindness, repairing his relationship with Veronica and Walter, and the troubles of raising a pet shark.

Will Ferrell delivers another entertaining and hilarious performance as the delusional blowhard with a massive ego. Koechner, Carell, and Rudd provide their fair share of laughs, and Wiig is a nice fit in the role for Brick’s female counterpart. Meagan Good is my pick for the standout star from the supporting cast of new additions. Good takes control of Linda, as the sassy and aggressive foxy lady, who’s in charge. And Marsden is solid, as the obnoxious pretty boy with a snobbish superiority complex.

It’s hard to keep track of all the sub-plots for the sequel. Ron’s blindness, Ron exiling himself to a lighthouse with Veronica and Walter, Ron’s feud with Jack, Ron’s romantic relationship with Linda during the split with Veronica, Ron raising a shark as a pet at the lighthouse, and the love story between Brick and Chani.

It’s not an easy choice, but Ron and Linda’s relationship is my pick for the best sub-plot. At first, a sexist Ron dismisses Linda as his boss, and Linda intimidates Ron. But after the ratings spike with Ron’s crew, Linda pursues Ron. Ron fights off Linda at first, but Ron succumbs to Linda‘s advances in the end. There’s a dinner table scene, where Linda introduces Ron to her family, and all hell breaks loose after a series of racial insults from Ron. Watching the chaos during the dinner unfold is a real treat. Ron crosses so many inappropriate lines, and he’ll surprise you with every outburst in a jaw dropping back and forth duel of racial insults with Linda’s family.

The cameos during the big battle between all the news teams during the finale? Incredible. It’s the only word to describe the fiasco. Ron has a change of heart, and he quits GNN to catch Walter’s recital. During Ron’s frantic journey to the recital, Jack Lime (with his team) confronts Ron in a park. Jack wants to put an end to Ron, because he destroyed his career, but Ron’s team pops up out of nowhere to help their buddy.

But it’s not over yet. News teams from all over the US and around the world interrupt the personal feud between Jack and Ron to start a war between all the news teams. Take a look at this list of cameos for the big fight:

Will Smith
Marion Cotillard
Jim Carrey
Kirsten Dunst
Sacha Baron Cohen
Tina Fey
Liam Neeson
John C. Reilly (as Stonewall Jackson’s ghost)
Amy Poehler
Kanye West
Vince Vaughn

On top of all that, Harrison Ford transforms into werehyena to join the fight, a minotaur pops up, and Gary lends a helping hand for Ron with his telekinetic powers (earlier in the movie, Ron accused Gary of having psychic powers). Oh, and Drake has a small cameo at the very beginning. Ron and Veronica are still together, and Drake compliments Veronica’s figure.

I enjoyed the Super-Sized R-Rated Version, but I’ll throw out a fair warning, this version of Anchorman is NOT for everyone. The runtime clocks in at 2hrs. & 33min., this new version features 763 new jokes, and you‘ll hear a few f-bombs.

So I’m telling you right now, if you’re indifferent to Anchorman, or if you’re on the fence about the sequel, this version is not for you, and it’s that simple, because there’s a good chance you’ll remember the Super-Sized Version as an overlong, tiresome, and bloated comedy. Me? I loved every second of this one week only special. It’s a riot from start to finish, and I can honestly say I laughed all the way through until the credits started rolling at the end.

And speaking of the ending, there’s a noticeable change in the Super Sized R-Rated Version. You won’t see the battle between Ron and the pet shark at the end. Instead, they end the movie after Brick and Chani’s wedding on the beach, and for the closing shot, you’ll see Chani and Brick running towards the camera. Also, they actually show the beatdown during the dinner with Linda's family in the Super Sized film. They only show the aftermath with a battered  Ron in the back of a taxi with Linda in the original version.

I only have one complaint about The Legend Continues: The teased feud between Veronica and Linda. Remember that scene in the trailers, where Linda and Veronica exchange insults? Well, that’s all you’ll see for a feud here. It’s a shame, because the love triangle feud between Ron (with Ron playing the role of an instigator) had some real potential. But Anchorman is LOADED with sub-plots, so you’re taking an unnecessary chance of creating a big mess with a full blown Veronica VS Linda feud.

Anchorman 2: The Legend Continues takes the top spot for the best comedy in 2013. The absurd lunacy is still whacky and over the top, and The Legend Continues delivers consistent laughs with some help from a top notch cast. And the cameos during the big battle at the end are mind-blowing. It’s one big surprise after another, and the barrage of celebrity appearances are guaranteed to pull more than one “Wow!” reaction out of you.

If you read my reviews on here, you’ll know I’m against unnecessary or cash grab sequels. Is The Legend Continues the end of the line film for the Anchorman franchise? Well, I’m hoping the answer to this question is no, but director/co-writer Adam McKay drove the nail into the coffin with a recent interview. His response to a Part III in a recent interview? “It’s done.” Usually, I’m against more sequels, but if there’s a good chance of keeping the core cast together, with some cameos from the past, then I don’t see a real sense of urgency for pulling the plug to preserve Anchorman’s legacy (no pun intended).

Yeah, I know you’re taking a risk of damaging Anchorman’s reputation  with another sequel, and the critical success rate for number threes (Return Of The Jedi, and….) raises a few red flags, but there’s a lot of gas left in the tank for Anchorman. I’m not the only one, who noticed Brian’s “breaking the fourth wall” moment at the end, right? Ron and everyone else express their concerns for the future of the news team, and Rudd gives a brief explanation about box office profits. Brian reminds everyone about the sequel’s success at the box office playing a major role in the production of a sequel.

Are Brian’s words food for thought? Am I reading too much into this scene after McKay seemingly drove the nail into the coffin with his interview? Perhaps, but think about like this, The Legend Continues enjoyed a successful box office run, and I like to keep a “never say never” or “time will tell” mindset  for sequels. Die hard Anchorman fans will have to wait and see as the years pass, and I’m keeping my fingers crossed for a Ron Burgundy return to the big screen.

Rating: 8/10

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