Showing posts with label Ethan Hawke. Show all posts
Showing posts with label Ethan Hawke. Show all posts

Wednesday, September 10, 2025

Coming Attractions- Black Phone 2

 

Director- Scott Derrickson 

Release Date- October 17, 2025

Ethan Hawke’s excellent performance was the big highlight in the original Black Phone. Hawke’s The Grabber was a villain, who was equal parts creepy and menacing, and the mask was the perfect accessory.

Heavy Freddy Krueger-esque vibes for the sequel. They’re going with the supernatural route for The Grabber, and the snowy setting looks like a good fit for this one. Considering the fact that The Grabber is now able to attack his victims in their dreams, I’m guessing this won’t be a one and done sequel. 

I honestly don’t have a problem with the possibility of more Black Phone films. Of course, keeping the core together is important. After the original Sinister and the first Black Phone film, it’s easy to see Scott Derrickson and Ethan Hawke’s potential as a promising actor/director duo. On the writing side of things, if Robert Cargill is still involved with the scripts, we’re hopefully looking at a horror franchise that won’t completely fall off the rails after two films.

Sunday, December 15, 2013

Daybreakers (2009)(Minor Spoilers Review)


**This review contains MINOR spoilers, no character deaths, major reveals, surprises, or plot twists**

In 2019, the world’s population is stuck in an age of darkness after an outbreak of vampirism. The remaining humans are hunted and harvested for blood to feed the vampires, and the humans, who refused to turn are forced to live a life of secrecy in the night shadows and daylight for their only chances at survival.

As a vampire, Edward Dalton (Ethan Hawke) works for Bromley Marks, a powerful corporation that remains at the top of the list for the largest blood supplier in the United States, as the Chief Hematologist. With help from his trusted colleague, Chris (Vince Colosimo) Edward plans to invent a blood substitute to salvage what’s left of the human population. But the first human test for the blood substitute is a failure, after the test subject is forced to suffer a painful death.

The world’s blood supply is running low, and without a proper feeding source, the vampires will transform into subsiders, a mindless and feral creature. Fearing the worst, Charles Bromley (SamNeill), Edward’s boss and the owner of Bromely Marks, urges Edward to work out all the kinks for the blood substitute.

The vampires are forced to deal with a dwindling human population and a shortage of blood, and recent projections uncover a startling discovery: the vampires will run out of blood in less than a month, if Edward and his team are unable to perfect a new substitute. Edward pushes for a cure, but Mr. Bromely is more concerned with making money from blood sales. On top of that, Mr. Bromley rejects Edward’s proposal to use the substitute as a primary source of blood with the promise of allowing humans to roam free in a vampire world with no worries, because customers will always pay extra for the “real thing.”

With a limited number of options in front of him, Edward takes a risky chance, when he agrees to join a vampire resistance movement. Audrey Bennett (Claudia Karvan) and Lionel “Elvis” Cormac (Willem Dafoe) work with other dedicated team members to find a cure to end the vampire plague once and for all. Elvis plans to use sunlight for the cure, and Edward is willing to help with the tests.

But Edward’s brother is a loyal and dedicated solider in the US Vampire Army, a force dedicated to hunting all humans for the never ending harvest. Frankie Dalton (Michael Dorman) makes a promise to Mr. Bromley: he will bring Edward and his partners to justice for his crimes as a traitor. And Mr. Bromley needs some help with his estranged daughter, Alison (Isabel Lucas), so he asks Frankie for a favor. With each passing second, the world’s blood supply is running low, and Edward is running out of time to come up with a cure, as military search parties monitor his every move……

Ethan Hawke is a solid leading man, as the conflicted hematologist, who’s motivated by a newfound sense of morality. Willem Dafoe delivers an entertaining performance as Elvis. Elvis is a cocky warhorse, who won’t back down from a fight, and Dafoe brought an enjoyable sense of humor to this character. Claudia Karvan’s Audrey isn’t bad at all, but in the grand scheme of things, her character is a third wheel most of the time.

Sam Neill’s Charles Bromley is your typical greedy and soulless business tycoon, who’s obsessed with making more money at all costs. Neill is a suitable fit for this character, and Bromley is a respectable antagonist. Dorman’s Frankie is a shameless loyalist to Bromley and the vampire population. You can see Frankie’s change of heart coming from a mile away, but Dorman’s performance is decent enough. Isabel Lucas? I can’t say too much about her, because Alison is limited to a few sporadic appearances here, so it’s not fair to judge Lucas’ performance.

I appreciate the noticeable attempts to authenticate Daybreakers’ all vampire world. Vampire patrons have the choice of adding blood to their coffee, and of course, the amounts of blood are regulated to 5% during the blood shortage. At the subway station, you’ll see an Uncle Sam-esque poster urging citizens to join the US Vampire Army, so they can help with the hunt for humans. Cars feature a “daylight” mode, so vampires can drive safely in the daytime, and each car is equipped with dark tinted windows and monitors to see everything on the outside.

And you get to feel the burden of unwilling vampire citizens, who can’t live with the guilt of feeding on humans. The movie opens with an intro of a small vampire girl, who commits suicide by sitting outside during sunrise, and in her journal, she explains how she couldn’t live with the shame anymore.

Will Daybreakers change the landscape of vampire films forever? No. No it won’t. In fact, I think it’s safe to say Daybreakers is on the forgotten list for vampire films, and this one was released in 2009. You can blame some of that on the influx of vampire films over they years (same thing happened with zombie flicks), because Daybreakers is stuck in a crowded bunch now. On the flip-side, Daybreakers succumbs to a lot of familiar genre tropes and a few generic characters. It’s a shame, because Daybreakers could’ve been that one film that changed everything.

Still, Daybreakers is a satisfying treat for horror fans. I’ll give credit, where credit is due, because Daybreakers takes a refreshing chance on being something different. Daybreakers gushes blood as a viscerally violent vampire flick, and the disgusting finale should please any gore fiend. Daybreakers is one of my personal all-time favorites from any genre, and if you love vampires and bloody horror, you NEED to give Daybreakers a try, because it’s worth the time.

Rating: 7/10

Michael Jordan had another run with the Wizards after winning six championships. Brett Favre was one step away from earning a second ring with the Vikings.

As the world's definitive multi-talented superstar athlete, Trisha Bunrastar is taking an unexpected and shocking leap into a new career path. Assuming the identity of Freechelle Fantabulous, Trisha vows to fight crime and battle evildoers as a superheroine. Will she conquer her new mission? Find out more here! http://www.amazon.com/dp/B00EFLI6VK

Or take a trip into my special world of madness that includes comedy, horror, and the supernatural in this collection of short stories- http://www.amazon.com/dp/B00EFMYZ0U

Remember Amazon offers free Kindle App downloads for various platforms. Follow this link to find out more- http://www.amazon.com/gp/feature.html?ie=UTF8&docId=1000493771

And don't forget to follow me on Twitter here- https://twitter.com/LQuigleyFan1


Daybreakers (2009)(Spoiler Review)


**This review contains spoilers**

In 2019, the world’s population is stuck in an age of darkness after an outbreak of vampirism. The remaining humans are hunted and harvested for blood to feed the vampires, and the humans, who refused to turn are forced to live a life of secrecy in the night shadows and daylight for their only chances at survival.

As a vampire, Edward Dalton (Ethan Hawke) works for Bromley Marks, a powerful corporation that remains at the top of the list for the largest blood supplier in the United States, as the Chief Hematologist. With help from his trusted colleague, Chris (Vince Colosimo) Edward plans to invent a blood substitute to salvage what’s left of the human population. But the first human test for the blood substitute is a failure, after the test subject is forced to suffer a painful death.

The world’s blood supply is running low, and without a proper feeding source, the vampires will transform into subsiders, a mindless and feral creature. Fearing the worst, Charles Bromley (SamNeill), Edward’s boss and the owner of Bromely Marks, urges Edward to work out all the kinks for the blood substitute.

The vampires are forced to deal with a dwindling human population and a shortage of blood, and recent projections uncover a startling discovery: the vampires will run out of blood in less than a month, if Edward and his team are unable to perfect a new substitute. Edward pushes for a cure, but Mr. Bromely is more concerned with making money from blood sales. On top of that, Mr. Bromley rejects Edward’s proposal to use the substitute as a primary source of blood with the promise of allowing humans to roam free in a vampire world with no worries, because customers will always pay extra for the “real thing.”

With a limited number of options in front of him, Edward takes a risky chance, when he agrees to join a vampire resistance movement. Audrey Bennett (Claudia Karvan) and Lionel “Elvis” Cormac (Willem Dafoe) work with other dedicated team members to find a cure to end the vampire plague once and for all. Elvis plans to use sunlight for the cure, and Edward is willing to help with the tests.

But Edward’s brother is a loyal and dedicated solider in the US Vampire Army, a force dedicated to hunting all humans for the never ending harvest. Frankie Dalton (Michael Dorman) makes a promise to Mr. Bromley: he will bring Edward and his partners to justice for his crimes as a traitor. And Mr. Bromley needs some help with his estranged daughter, Alison (Isabel Lucas), so he asks Frankie for a favor. With each passing second, the world’s blood supply is running low, and Edward is running out of time to come up with a cure, as military search parties monitor his every move……

Ethan Hawke is a solid leading man, as the conflicted hematologist, who’s motivated by a newfound sense of morality. Willem Dafoe delivers an entertaining performance as Elvis. Elvis is a cocky warhorse, who won’t back down from a fight, and Dafoe brought an enjoyable sense of humor to this character. Claudia Karvan’s Audrey isn’t bad at all, but in the grand scheme of things, her character is a third wheel most of the time.

Sam Neill’s Charles Bromley is your typical greedy and soulless business tycoon, who’s obsessed with making more money at all costs. Neill is a suitable fit for this character, and Bromley is a respectable antagonist. Dorman’s Frankie is a shameless loyalist to Bromley and the vampire population. You can see Frankie’s change of heart (more on that later) coming from a mile away, but Dorman’s performance is decent enough. Isabel Lucas? I can’t say too much about her, because Alison is limited to a few sporadic appearances here, so it’s not fair to judge Lucas’ performance.

I appreciate the noticeable attempts to authenticate Daybreakers’ all vampire world. Vampire patrons have the choice of adding blood to their coffee, and of course, the amounts of blood are regulated to 5% during the blood shortage. At the subway station, you’ll see an Uncle Sam-esque poster urging citizens to join the US Vampire Army, so they can help with the hunt for humans. Cars feature a “daylight” mode, so vampires can drive safely in the daytime, and each car is equipped with dark tinted windows and monitors to see everything on the outside.

And you get to feel the burden of unwilling vampire citizens, who can’t live with the guilt of feeding on humans. The movie opens with an intro of a small vampire girl, who commits suicide by sitting outside during sunrise, and in her journal, she explains how she couldn’t live with the shame anymore.

So Elvis accidentally discovered the cure for vampirism after a failed attempt at suicide one day. Exposure to the sun is capable of reversing the effects, and Elvis carries the cure in his veins. After an experiment with sunlight, Edward cures himself, and Edward joins Elvis as the second person in the world, who carries the cure. During a standoff with Frankie, Frankie bites Elvis in the neck, because he’s desperate for blood. But Frankie isn’t aware of Elvis’ condition, and Elvis’ blood cures Frankie. Here, it’s revealed vampires are capable of becoming normal again, if they bite a cured victim.

But it’s not over yet, Bromley is holding Audrey hostage, and he’s draining her blood at the same time. Edward sets a trap by willingly walking through the doors of Bromley Marks. In Bromley’s office, Edward goads Charles into biting him by mentioning a dead Alison. Long story short, Charles used Frankie to turn Alison against her will, but Alison refused to drink any blood, so she transformed into a subsider. After a while, Alison was sentenced to death with other subsiders during a march into the sunlight.

Unbeknownst to Charles, Edward is carrying the cure, so Edward heals Charles after the bite. Human Charles suffers a brutal demise afterwards. He’s tied up in a chair that’s sitting in the elevator. The doors open, and a pack of starved vampire soldiers literally tear him apart, and they drink every ounce of blood from his body.

In the lobby, Frankie sacrifices himself to give Edward a chance to save Audrey. The vampire soldiers devour what’s left of him in a matter of moments, but remember this, Frankie is carrying the cure, so after a round of bites, the vampire soldiers are transformed into humans again…..and the vampire soldiers murder the human soldiers until there’s nobody left. It’s a nasty cycle of vampires turn human, vampires eat and kill humans, rinse and repeat, and it goes on and on until Chris shows up. But Elvis returns to save Audrey and Edward with a crossbow through Chris’ chest. For the final shot of the movie, Edward, Audrey, and Elvis ride off into the sunrise together, with newfound hope for the future.

I alluded to this before, but Frankie turning on Bromley and the vampire movement was a predictable swerve. You knew Frankie would dig down deep, and find the courage to do the right thing, and close up any open wounds with his brother (remember, Frankie turned Edward against his will). Although, I will say this, Daybreakers deserves some credit for a clever spin, when they turned Bromely.

What’s the plan? This was the big question on my mind, when Edward was sitting in Bromley’s office with Audrey. How in the hell is he going to escape this? After Edward mentioned Bromley’s daughter, and after Edward pushed a red button by calling Bromley a “coward,” I knew what was coming next. Still, it’s a cunning and genuinely surprising set up, because I couldn’t predict Edward’s methods for an exit strategy.

Back to Audrey for a minute. I called her a third wheel earlier, and my feelings for this label are reinforced during the finale. Daybreakers NEVER hints at a developing relationship between these two, but you get the feeling Edward risked everything for the love of his life? To make matters worse, Elvis is the one, who saves the day at the end, not Audrey. I know I sound really nitpicky here, but the Audrey character feels really useless most of the time.

Will Daybreakers change the landscape of vampire films forever? No. No it won’t. In fact, I think it’s safe to say Daybreakers is on the forgotten list for vampire films, and this one was released in 2009. You can blame some of that on the influx of vampire films over they years (same thing happened with zombie flicks), because Daybreakers is stuck in a crowded bunch now. On the flip-side, Daybreakers succumbs to a lot of familiar genre tropes and a few generic characters. It’s a shame, because Daybreakers could’ve been that one film that changed everything.

Still, Daybreakers is a satisfying treat for horror fans. I’ll give credit, where credit is due, because Daybreakers takes a refreshing chance on being something different. Daybreakers gushes blood as a viscerally violent vampire flick, and the disgusting finale should please any gore fiend. Daybreakers is one of my personal all-time favorites from any genre, and if you love vampires and bloody horror, you NEED to give Daybreakers a try, because it’s worth the time.

Rating: 7/10

Michael Jordan had another run with the Wizards after winning six championships. Brett Favre was one step away from earning a second ring with the Vikings.

As the world's definitive multi-talented superstar athlete, Trisha Bunrastar is taking an unexpected and shocking leap into a new career path. Assuming the identity of Freechelle Fantabulous, Trisha vows to fight crime and battle evildoers as a superheroine. Will she conquer her new mission? Find out more here! http://www.amazon.com/dp/B00EFLI6VK

Or take a trip into my special world of madness that includes comedy, horror, and the supernatural in this collection of short stories- http://www.amazon.com/dp/B00EFMYZ0U

Remember Amazon offers free Kindle App downloads for various platforms. Follow this link to find out more- http://www.amazon.com/gp/feature.html?ie=UTF8&docId=1000493771

And don't forget to follow me on Twitter here- https://twitter.com/LQuigleyFan1


Thursday, September 5, 2013

Getaway (2013)


**SOME slight and minor spoilers, but no plot twists or reveals are included in this review**

During the Christmas season, an ex race-car driver named Brent Magna (Ethan Hawke) is forced into a series of missions to save his kidnapped wife, Leanne (Rebecca Budig). Following the orders of a mysterious voice, Brent steals a Shelby Mustang Super Snake equipped with surveillance cameras out of a parking garage, but Brent runs into some trouble, when a teenage girl threatens him at gunpoint.

The Kid (Selena Gomez) wants the car, but The Voice commands Brent to take the girl as a hostage and an assistant for his planned missions. If Brent is caught by the police, or if he doesn’t succeed in his missions, The Voice promises to kill his wife. Time is running out as Brent races through the city with the uncooperative Kid, but who is The Voice, and why is he determined to torture Brent?

I’m always indifferent to Ethan Hawke. I don’t think he’s a horrible actor or anything like that, but I’ve never seen one truly great performance from him. As usual, Hawke portrays a conflicted man, who’s torn between doing the right thing to save his loved ones, or doing something unethical to make lots of money and/or save his family  (think Training Day, and more recently Sinister). Brent mentions how he fell on hard times after an accident on the race track, and how he had to turn to a life of crime to put some money in his pocket and provide a living for himself and his wife. Hawke is believable here, but his performance isn’t good enough to elevate the quality of this film.

Selena Gomez? She seems like a real nice and humble person in real life to the point, where I almost feel bad saying something negative about her. But she’s not believable in her role, at all. The Kid (they never mention her real name) is supposed to be this tough, rebellious, and savvy tech expert, and there’s a scene where Gomez flips off a garbage truck driver, that almost crashed into the Mustang. Yeah, I’m sorry, but Gomez’s look is far too innocent and cute to pull off such a character. Gomez looks like the type of person, who enjoys blueberry muffins and all things pink, not someone who uses foul language, and holds a gun to your head.

By now you should know Getaway is being panned by the critics, and it’s a box office flop. Well, Getaway is a generic action/thriller for the most part, and Getaway is by far one of the most preposterous films I’ve seen this year. I love how every time Brent and The Kid run into some trouble while trying to outrun the cops, Brent conveniently finds an open alleyway, a spot to hide the car, and a flight of stairs to drive down into parks and open fields. I know the Mustang is supposed to be an armored car, but come on now. I can’t count the number of times other cars crash into the Mustang, the Mustang runs into some blockade, or other cars run the Mustang off the road, and SOMEHOW Brent just keeps driving along, as he escapes the cop’s numerous attempts to catch him. And towards the end, Brent is able to drive through a huge traffic jam, when damn near every street in the city is blocked off.

You’ll see plenty of complaints out there about the hectic editing and quick cuts during Brent’s high speed chases through the city. Well, I can sort of understand the logic behind that. You see, The Voice had his people attach cameras to the Mustang, so you’re not only seeing Brent and The Kid’s point of view from the Mustang, you’re seeing The Voice’s POVs also, as he watches everything on different cameras. I’ll admit, watching the chases from the POV of the cameras can be nauseating at times, but overall, I thought it was a unique technique to see everything from The Voice’s eyes.

Getaway is LOADED with problems, but I’ll give the writers some credit for a few surprising twists surrounding Gomez’s character and The Voice. They don’t show The Voice’s face until the end, so until the finale, they tease you with sporadic shots of his mouth and eyes. I mean, you should know, who he is. It’s not that hard to figure out if you pay attention to the trailers and TV spots, and the man behind The Voice is someone, who’s been around for a while. But my praise for the twists surrounding The Voice aren’t towards concealing his identity. It’s for the genuinely shocking bait-and-switch trick they pull at the end.

Hard rating, because I’d be lying to you, if I said I didn’t laugh my ass off throughout this film. The chase scenes are repetitive. Brent somehow finds an open alleyway or a flight of stairs, and as Brent swerves around the cops, their cars crash into something else, causing an endless barrage of cop cars doing 360 flips in the air. Still, I really don’t think Getaway is as bad as people are making it out to be. I had some fun with this one as a guilty pleasure, but I couldn’t live with myself if I went with a positive score.

Rating: 4/10

Only two days left to have a chance to know the world's newest superheroine Freechelle Fantabulous for free, no strings attached. Just follow this link!  http://www.amazon.com/dp/B00EFLI6VK

Or you can download my collection of short stories for free within the next two days. No strings attached. Just follow this link! http://www.amazon.com/dp/B00EFMYZ0U

Follow me on Twitter here- https://twitter.com/LQuigleyFan1

And don't forget you can like both of my Facebook pages by following these links. Plus, my my Mitch MacReady 2 Facebook page features quotes from both ebooks that can't fit into tweets!

https://www.facebook.com/mitch.macready

https://www.facebook.com/pages/Mitch-Macready-2/439846799459035



Sunday, June 9, 2013

The Purge (2013)


**This review contains spoilers**

In 2022, America is prospering by reaching all-time lows for unemployment and crime rates. The catch? Each year, willing American citizens participate in The Purge, an annual event where all crime, including savage beatings, torture, and murder are legal within a twelve hour period. All emergency services are suspended within the twelve hour period, so American citizens can cleanse themselves of the hatred, aggression, and rage built up inside of them.

In a suburban community, James Sandin (Ethan Hawke), a successful salesman for home security systems that protect unwilling Americans from bloodthirsty Purge enthusiasts, prepares his family for The Purge. Placing a bouquet of blue flowers (blue flowers signify support for The Purge) in front of the house, James lectures his bratty teenage daughter, Zoey (Adelaide Kane) and his young son, Charlie (Max Burkholder), while his wife, Mary (Lena Headey) tries to back him up. Charlie questions the morals behind The Purge, and unbeknownst to James and Mary, Zoey’s older boyfriend, Henry (Tony Oller) snuck into the house during lockdown.

During the early stages of The Purge, when he finally reveals himself, Henry tries to kill James, so he can be with Zoey without any problems, but James fires back with his own gun during the shootout, killing Henry. Although, Henry’s death becomes a minor problem, when Charlie makes a risky choice. Noticing a homeless man and former US soldier begging for help and shelter, Charlie disarms the security system, giving him a chance to come inside the house. But after a few inside tips from unidentified neighbors, The Purge group tracking the homeless man surround at the Sandin’s home, and the leader delivers an ultimatum: The Sandin’s have one hour to release the homeless man, or he will lead his group into the house to kill the homeless man, and the entire Sandin family. 

As usual, Ethan Hawke is a competent leading man. Nothing spectacular, but I always give Hawke credit for being able to hold his own without too much help. Lena Headey provides the most noteworthy performance from the supporting cast. I REALLY want to give more credit to Rhys Wakefield (the clean cut lunatic and prep school kid, who leads his Purge group, and he delivers the ultimatum, aka the guy smiling with the mask in the peephole POV in the trailers and TV spots), but once The Purge group breaks into the house, his character loses a lot of steam. Wakefield had so much potential as the delightful murderer, but this character gets caught up, and eventually lost in the whirlwind of social commentary and The Sandin’s fight for survival.

So murder can solve all of our problems? That’s a flawed message, and James DeMonaco (the writer and director) did a good job of covering this problem from different perspectives. When you get to the core of motivations for different characters participating in The Purge, the answer is the same on all fronts: everyone is using The Purge to feed and justify their own selfish and animalistic desires. The rich snobs, who are trying to kill the homeless man, feel like they’re providing a service to society by getting rid of the homeless “pigs.” Motivated by jealousy, neighbors try and use The Purge as the perfect cover to kill off the entire Sandin family for James’ financial success. And during the beginning, an angry and disgruntled employee brags about his plans to kill his boss on a radio show.

IF The Purge didn’t fall into a predictable step by step process, I would go with a higher score. I’ll give DeMonaco credit for throwing in a nice twist at the very end, but once James decides to do the right thing and fight, you kind of get a good feeling for where the story is going to go. And on top of all that, you can see every “learned lesson” coming from a mile away.

Still, I really enjoyed The Purge as a home invasion thriller. They’re few, far, and between, but DeMonaco provides a handful of hard-hitting and bloody action sequences. More importantly, it’s not an ordinary and boring “random group of weirdos break into a house to torment, and eventually murder the innocent victims” home invasion thriller. The Purge TRIES to be something different, with DeMonaco using the setting of a dystopian America, and forcing everyone into a lawless hellhole to fight for survival.

The Purge was a nice surprise for me, but I have very LOW expectations for the planned sequel. Sorry, but the premise feels like a one and done type of deal to me. Also, I’m shocked another quality film (The Texas Chainsaw Massacre 2003 and the Friday The 13th remake are my other two picks. Although, others might throw Pain & Gain into the mix.) came out of Michael Bay’s shit factory of a production company known as Platinum Dunes.

Rating: 8/10