**This post contains MINOR spoilers**
The Story- In Ontario, Canada, Troy (Liam Leone) takes a locket necklace hanging above Johnny’s (Ry Barrett) grave at an old abandoned fire tower. The necklace, a gift from Johnny’s father, belonged to his deceased mother. Removing the necklace, the only item capable of keeping Johnny’s soul at rest, resurrects Johnny.
Troy, his girlfriend, Kris (Andrea Pavlovic), their friends, Ehren (Sam Roulston), Aurora (Charlotte Creaghan), Brodie (Lea Rose Sebastianis), Evan (Alexander Oliver), and Colt (Cameron Love) are all enjoying a peaceful getaway at a cabin in the wilderness. Armed with dragging hooks, an axe, and wearing an old firefighter mask, Johnny attacks the group, determined to retrieve his mother’s locket, by any means necessary.
My Thoughts- Johnny checks off just about every box that you could possibly think of for a slasher villain. He’s a vicious hulking brute with superhuman strength. Bullets? They only slow him down.
You can take one look at Johnny before he starts his killing spree, and you’ll quickly notice he’s seemingly invincible. Johnny’s nightmarish appearance really pulls everything together, with the dirty clothes, the bullet holes on his body, and his rough hands. Johnny is a big guy, but he’s also smart. He’s a tactical killer, setting traps, or patiently waiting for the right moment to strike.
But the monster has a tragic backstory. Johnny, living with a mental disorder, was targeted as a kid, collateral damage because his father, a shop owner, raised his prices. Bullets, traps, Johnny being outnumbered. None of it matters, because a mother’s love is the only thing that’s capable of stopping Johnny and bringing him any kind of peace.
No jump scares, or surprises before the kills throughout the movie, because In A Violent Nature mostly plays out from Johnny’s perspective. You know he’s coming, and more often than not, you know what’s going to happen, when Johnny corners his victims. It’s a refreshing approach to largely show the movie from Johnny’s POV.
Jump scares in horror movies are fine, when they’re limited, but In A Violent Nature flips things around. Early on you can see just how dangerous Johnny truly is, a killer, who won’t stop until he finds his locket. The protagonists are unaware of Johnny lurking in the background or in the shadows, and when he finally pops up, it’s too late. That’s still terrifying, knowing the killing machine is marching towards his targets, who have slim chances of survival, and you’re seeing everything unfold from his perspective.
Showing the vast majority of the movie from the killer’s perspective helps In A Violent Nature stand out from other slashers, but that doesn’t cancel out the fact that the movie still features some of the usual slasher tropes. And the characters are pretty thin without any real depth.
Still, In A Violent Nature is a solid slasher, featuring bloody and gruesome gore and a high kill count. There’s one death scene that’s truly an all-timer. It’s BY FAR one of the nastiest and more extreme kills I’ve ever seen in any kind of horror film, and you’ll know it, when you see it. A few moments of humor in the early stages. Chuck (Timothy Paul McCarthy), his “#1 mother******” trucker cap, followed by Johnny mistaking his mother’s locket for Chuck’s locket. And the goofing around between the group at the campfire and teasing Ehren.
Writer/director Chris Nash cleverly ties together a lot of plot points and events from Johnny’s past. The toy car is a big one. Remember, Johnny’s toy car injured a worker, sparking the incident that caused so much trouble. You’ll notice a red electric toy car outside of Chuck’s house, and Johnny plays with a red toy car on the keychain in the woods. The firefighter mask Johnny wears? It’s the same kind of mask that was used in a prank to scare him. Good irony for Johnny using something that was meant to hurt him, and turning it into his own symbol of fear and intimidation.
There’s also no denying In Violent Nature is a beautifully shot film with an artsy feel to it. I can maybe understand someone getting bored watching Johnny constantly stomping through the woods, but there’s a strange irony for so many horrible murders happening in the quiet and peaceful wilderness. I’m also glad there’s no theme music throughout the movie, because In A Violent Nature still manages to be a tense film. The scene, where Kris is running from Johnny at night is one good example for the eerie silence and the sounds of nature working.
Rating- 7/10
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