Black Mass (2015)

 

**This post contains spoilers**

The Story- Flanked and supported by his enforcers Kevin Weeks (Jesse Plemons), Steve Flemmi (Rory Cochrane), John Martorano (W. Earl Brown), FBI agent John Connolly (Joel Edgerton), and FBI agent John Morris (David Harbour), Irish mobster James “Whitey” Bulger (Johnny Depp) builds a criminal empire in Boston during the 1970s and 1980’s. Bulger’s relationship with his brother William (Benedict Cumberbatch), the President of the Massachusetts Senate, brings some peace to his life. 

Connolly tangles with his superior, Charles McGuire  (Kevin Bacon) over restrictions for Whitey’s rampages, but a bigger problem threatens to expose Connolly’s dirty tactics. Whitey’s seemingly invincible shield is threatened, when Assistant US Attorney Fred Wyshak (Corey Stoll) returns to Boston, fiercely determined to put a stop to Bulger’s tyranny.

My Thoughts- Whoa, that’s really Johnny Depp! That was my reaction to the first Black Mass trailer years ago. It’s not just the makeup, or the thinning white hair, Johnny Depp truly takes a dedicated approach to becoming Whitey Bulger. The voice, the mannerisms, the leering, the cold stares, and Depp does a good job of being a convincing cold blooded and narcissistic killer with sociopathic tendencies. Of course, it’s obvious Depp exaggerates every now and then to play up the tough guy side of Bulger, but he still reels it in just enough so his overall performance isn’t too hammy or ridiculous.

Depp also shows the more normal and human side of Bulger. During scenes and interactions with his brother, William or “Billy,” his mother (Mary Klug), his girlfriend, Lindsey Cyr (Dakota Johnson), and their son, Douglas (Luke Ryan), there’s a slight chance for believing Bulger was capable of being a good guy. That, and Bulger apparently had a soft spot for helping elderly women, namely Mrs. Cody (Jamie Donnelly). But you’re quickly reminded Bulger was an evil and scummy man throughout the movie. Bulger’s cruelty cancels out the possibility of him being a deeply flawed person, with the potential to turn his life around, if he just made some serious changes.

A number of scenes to confirm that Whitey Bulger wasn’t a good bad guy, or a sort of Robin Hood figure, and he surely wasn’t misunderstood. One big scene involves Bulger viciously murdering Deborah Hussey (Juno Temple). There’s also the creepy scene, where Bulger intimidates John Connolly’s wife, Marianne (Julianne Nicholson), another example of Bulger being a petty bully. 

When you see how John Connolly operates, it’s easy to notice just how phony and full of crap he truly is, a man only concerned with feeding his own ego. It’s not a surprise Bulger and Connolly formed a duo. They’re both narcissists, egomaniacs, and pathological liars in their own ways, so of course they’ll form a bond as a well oiled machine for all the wrong reasons. 

Joel Edgerton delivers a strong performance as Connolly. Edgerton is effortlessly convincing, as the flaky FBI agent, who actually believes in his own BS, and there’s no denying that Connolly basically worships Bulger. 

The foundation for Connolly’s loyalty is rooted in Bulger looking out for him as a kid, and Whitey was a hero of sorts for Connolly. Did Connolly take things too far by looking the other way and enabling Bulger to run roughshod through Boston? Of course he did, but you can understand why he did it, and why his need for respect and validation from Bulger was ultimately his undoing.

So Whitey makes a final goodbye call to Bill, then the story fast forwards to Whitey’s arrest in 2011 after the long manhunt, and that’s it? A flat and dull ending for a story that’s loaded with material. I understand they had to condense things, otherwise Black Mass might’ve had a runtime almost hitting four total hours. But there’s no real suspense or drama leading up to the big ending. 

If you don’t know anything about Bulger’s life, you can still easily see where everything is going, when the walls start closing in, and the final series of events ends with a dry whimper. There’s a scene towards the end, where Connolly is heartbroken, and complaining about Whitey using him, when it’s clear lengthy jail sentences are coming. I laughed out loud, because Connolly is trying to play the victim, when he was fully aware of what he was doing.

I circled back around to Black Mass again after reading Whitey: The Life Of America’s Most Notorious Mob Boss, by Dick Lehr and Gerard O’Neill. To be clear, Black Mass is not based on this book. Black Mass is actually based on Black Mass: The True Story Of An Unholy Alliance Between The FBI And The Irish Mob, also written by Dick Lehr and Gerard O’Neill. 

I can understand leaving stuff out or exaggerating certain events and characteristics for entertainment purposes, or to try and help the movie move at a faster pace. But I’m kind of surprised they didn’t mention Teresa Stanley and Catherine Greig, ESPECIALLY Greig. No appearances from Whitey’s girlfriends after things fell apart with Lindsey Cyr. Stanley and Greig played big roles in Whitey’s life, with Stanley eventually talking to authorities, and the fallout from that, including Stanley being shunned and ostracized by Bulger’s family.

Catherine Greig was Whitey Bulger’s loyal ride or die support system. Hell, you could’ve made an entire movie about Bulger and Greig hiding out in Santa Monica for over a decade, freely living the golden years of their lives as retirees, using Charlie and Carol Gasko as aliases. 

Black Mass is a fast tracked and microwaved version of Whitey Bulger’s story. This is a movie that’s supposed to be about an “unholy alliance” between one of the more memorable and ruthless crime bosses using the FBI to strengthen his reign of terror.

The enormity of Bulger’s real life story is something that should’ve packed a more powerful punch. There’s still more meat on the bones for Bulger supposedly being the secret weapon to take down the Italian mafia and Gennaro “Jerry” Angiulo (Bill Haims) in Boston, and how much did Bill Bulger really know about his brother’s life of crime? But Black Mass goes with the routine step by step rise and fall approach to storytelling for a crime lord, concluding with a dull and lifeless ending.

Still, it’s almost impossible to ignore Black Mass’ impeccable ensemble cast, led by an outstanding performance from Johnny Depp. Dakota Johnson and Corey Stoll also made strong impressions with only a handful of appearances and limited screen time. 

Corey Stoll nails Fred Wyshak, the “bulldog,” who flat out refuses to tolerate Connolly’s buffoonery. The scene, where Wyshak meets Connolly for the first time is loaded with so many little nuances. How Wyshak waits for Connolly to lower his guard before tearing him apart, and how Wyshak didn’t fall for Connolly’s smooth talking and his schemes, rejecting a pair of Red Sox tickets and a drink at a bar. His eyes and the look on Corey Stoll’s face tells the whole story: Wyshak immediately sees right through Connolly’s persona, and Wyshsk knows he’s someone, who can’t be trusted. 

Black Mass had the potential and all the ingredients to be a great film, but it’s still a solid biopic. There’s more than enough brutal violence on the crime drama side of things, and the cast is loaded with noteworthy performances. Walking the fine line for embellishing facts and how things played out in real life (e.g. how Whitey murdered Brian Halloran broad daylight), and trying to balance both sides will always be a problem for any kind of biopic. But Black Mass churns out enough positives for mostly successful results. 

Rating- 8/10 

Black Mass (2015)(Minor Spoilers Review)

 **This post contains MINOR spoilers**

The Story- Flanked and supported by his enforcers Kevin Weeks (Jesse Plemons), Steve Flemmi (Rory Cochrane), John Martorano (W. Earl Brown), FBI agent John Connolly (Joel Edgerton), and FBI agent John Morris (David Harbour), Irish mobster James “Whitey” Bulger (Johnny Depp) builds a criminal empire in Boston during the 1970s and 1980’s. Bulger’s relationship with his brother William (Benedict Cumberbatch), the President of the Massachusetts Senate, brings some peace to his life. 

Connolly tangles with his superior, Charles McGuire  (Kevin Bacon) over restrictions for Whitey’s rampages, but a bigger problem threatens to expose Connolly’s dirty tactics. Whitey’s seemingly invincible shield is threatened, when Assistant US Attorney Fred Wyshak (Corey Stoll) returns to Boston, fiercely determined to put a stop to Bulger’s tyranny.

My Thoughts- Whoa, that’s really Johnny Depp! That was my reaction to the first Black Mass trailer years ago. It’s not just the makeup, or the thinning white hair, Johnny Depp truly takes a dedicated approach to becoming Whitey Bulger. The voice, the mannerisms, the leering, the cold stares, and Depp does a good job of being a convincing cold blooded and narcissistic killer with sociopathic tendencies. Of course, it’s obvious Depp exaggerates every now and then to play up the tough guy side of Bulger, but he still reels it in just enough so his overall performance isn’t too hammy or ridiculous.

Depp also shows the more normal and human side of Bulger. During scenes and interactions with his brother, William or “Billy,” his mother (Mary Klug), his girlfriend, Lindsey Cyr (Dakota Johnson), and their son, Douglas (Luke Ryan), there’s a slight chance for believing Bulger was capable of being a good guy. That, and Bulger apparently had a soft spot for helping elderly women, namely Mrs. Cody (Jamie Donnelly). But you’re quickly reminded Bulger was an evil and scummy man throughout the movie. Bulger’s cruelty cancels out the possibility of him being a deeply flawed person, with the potential to turn his life around, if he just made some serious changes.

A number of scenes to confirm that Whitey Bulger wasn’t a good bad guy, or a sort of Robin Hood figure, and he surely wasn’t misunderstood. One big scene involves Bulger, Deborah Hussey (Juno Temple), and the ruse to lure her into a trap. There’s also the creepy scene, where Bulger intimidates John Connolly’s wife, Marianne (Julianne Nicholson), another example of Bulger being a petty bully. 

When you see how John Connolly operates, it’s easy to notice just how phony and full of crap he truly is, a man only concerned with feeding his own ego. It’s not a surprise Bulger and Connolly formed a duo. They’re both narcissists, egomaniacs, and pathological liars in their own ways, so of course they’ll form a bond as a well oiled machine for all the wrong reasons.

Joel Edgerton delivers a strong performance as Connolly. Edgerton is effortlessly convincing, as the flaky FBI agent, who actually believes in his own BS, and there’s no denying that Connolly basically worships Bulger. 

The foundation for Connolly’s loyalty is rooted in Bulger looking out for him as a kid, and Whitey was a hero of sorts for Connolly. Did Connolly take things too far by looking the other way and enabling Bulger to run roughshod through Boston? Of course he did, but you can understand why he did it, and why his need for respect and validation from Bulger was ultimately his undoing.

I circled back around to Black Mass again after reading Whitey: The Life Of America’s Most Notorious Mob Boss, by Dick Lehr and Gerard O’Neill. To be clear, Black Mass is not based on this book. Black Mass is actually based on Black Mass: The True Story Of An Unholy Alliance Between The FBI And The Irish Mob, also written by Dick Lehr and Gerard O’Neill.

I can understand leaving stuff out or exaggerating certain events and characteristics for entertainment purposes, or to try and help the movie move at a faster pace. But I’m kind of surprised they didn’t mention Teresa Stanley and Catherine Greig, ESPECIALLY Greig. No appearances from Whitey’s girlfriends after things fell apart with Lindsey Cyr. Stanley and Greig played big roles in Whitey’s life, with Stanley eventually talking to authorities, and the fallout from that, including Stanley being shunned and ostracized by Bulger’s family.

Catherine Greig was Whitey Bulger’s loyal ride or die support system. Hell, you could’ve made an entire movie about Bulger and Greig hiding out in Santa Monica for over a decade, freely living the golden years of their lives as retirees, using Charlie and Carol Gasko as aliases. 

Black Mass is a fast tracked and microwaved version of Whitey Bulger’s story. This is a movie that’s supposed to be about an “unholy alliance” between one of the more memorable and ruthless crime bosses using the FBI to strengthen his reign of terror.

The enormity of Bulger’s real life story is something that should’ve packed a more powerful punch. There’s still more meat on the bones for Bulger supposedly being the secret weapon to take down the Italian mafia and Gennaro “Jerry” Angiulo (Bill Haims) in Boston, and how much did Bill Bulger really know about his brother’s life of crime? But Black Mass goes with the routine step by step rise and fall approach to storytelling for a crime lord, concluding with a dull and lifeless ending.

Still, it’s almost impossible to ignore Black Mass’ impeccable ensemble cast, led by an outstanding performance from Johnny Depp. Dakota Johnson and Corey Stoll also made strong impressions with only a handful of appearances and limited screen time. 

Corey Stoll nails Fred Wyshak, the “bulldog,” who flat out refuses to tolerate Connolly’s buffoonery. The scene, where Wyshak meets Connolly for the first time is loaded with so many little nuances. How Wyshak waits for Connolly to lower his guard before tearing him apart, and how Wyshak didn’t fall for Connolly’s smooth talking and his schemes, rejecting a pair of Red Sox tickets and a drink at a bar. His eyes and the look on Corey Stoll’s face tells the whole story: Wyshak immediately sees right through Connolly’s persona, and Wyshsk knows he’s someone, who can’t be trusted. 

Black Mass had the potential and all the ingredients to be a great film, but it’s still a solid biopic. There’s more than enough brutal violence on the crime drama side of things, and the cast is loaded with noteworthy performances. Walking the fine line for embellishing facts and how things played out in real life, and trying to balance both sides will always be a problem for any kind of biopic. But Black Mass churns out enough positives for mostly successful results. 

Rating- 8/10

T.I.M. (2023)

 

**This post contains spoilers**

The Story- Abi (Georgina Campbell), a highly skilled prosthetics engineer, prepares for a fresh start with her husband, Paul (Mark Rowley). A new job at Integrate Robotics, a fully equipped smart home, and a cheery neighbor named Rose (Amara Karan)? Abi is also willing to forgive Paul for cheating on her, so everything should be perfect, right?

Abi’s new life takes a strange turn, when T.I.M. (Eamon Farren) arrives at her home. A loyal and efficient robot, T.I.M. (Technologically Integrated Manservant) was supposed to be a simple project from her boss, Dewson (Nathaniel Parker). But T.I.M. slowly develops feelings for Abi, sparking a deadly rift between himself, Paul, and Abi. 

My Thoughts- He cooks, he cleans, and he’s completely nuts? Eamon Farren delivers an excellent performance as Tim, the seemingly helpful and obedient robot with a dark side. Farren absolutely nails the polite mannerisms of a programmed servant. Not too robotic to the point, where T.I.M. sounds clunky and stiff, just enough believable human qualities to convince you he’s passable as a real person. 

One good scene to go back to involves T.I.M. being enamored with an old black and white movie. You start to see how T.I.M. develops emotions and human feelings, because he’s fascinated with the “tragic inevitability” and the “beauty of love” in the movie. A big warning sign for what happens towards the end. 

As the story progresses, you see the darker and more sinister side of Tim, as his obsession with Abi spirals out of control. Farren smoothly switches gears to being a cold and calculating miscreant, a machine deluded into believing he’s doing the right thing to protect his mistress. 

Rose and Dewson are two important characters, and their perspectives really paint a clearer picture for what the movie should’ve been all about. Dewson is all for technological advancements and artificial intelligence taking over. He believes human beings are too “messy,” preferring loyal, obedient, and mindless robots. He’s a rich businessman, a jerk, and Dewson has a strange obsession with beating the Chinese.

Rose? Her actions speak louder than her words, no big speeches or angry rants about technology. Rose lives in a cottage, not a smart home. She loves gardening, and she prefers to use landlines over cellphones. Dewson is far more cynical, but Rose finds happiness living a simple life, without relying on a T.I.M. to get all of her chores done, appointments booked, and she doesn’t use gadgets or devices. 

Rose risks her life to save Abi, Abi barely survives Tim’s final attack, and Abi is pregnant! That’s a loaded finale. Things get a little bit loopy, when Rose tries to save Abi. Rose using a gardening fork to impale T.I.M. was a bit too on the nose for me. And how was she able to run, after slamming her car into the window? I know she collapsed shortly after stabbing T.I.M. with the gardening fork, but come on now. 

Abi, saying “I love you, T.I.M.” to finally shut him down with T.I.M.’s new safe phrase works a clever and ironic final blow for T.I.M.’s demise. T.I.M. secretly changed his safe phrase, because he was certain Abi would never profess her love for him. The methodical and quick-witted machine with super human strength was outsmarted by the human, who used his newfound emotions against him. 

A decent ending that’s almost undone by teasing the possibility that T.I.M. is still alive, because the light flickers (T.I.M. is directly connected to the smart home) on the lamp to end the movie. Why? There’s zero chance of a sequel ever happening, so why would you tease it? 

Closing out the movie, with Abi finding out she’s pregnant, while crying and smiling after defeating T.I.M. was more than enough. That image alone perfectly encapsulates everything Abi went through. Abi suffered, including T.I.M. attempting to murder her twice, T.I.M. killing Paul, and Abi watching T.I.M. repeatedly stab Rose in front of her. 

T.I.M. is loaded with material for a potentially good sci-fi/thriller. Abi’s line about not wanting to put things out into the world that aren’t ready helps signal the fact that there’s trouble coming soon, and there’s some realism behind her words. The dangers of trusting artificial intelligence, deepfake videos, relying on machines, robots, and leaping too far into the future to change the old ways of the world and everyday life. And Paul expresses concerns about giving a robot access to his personal emails. Yes, it’s cliched, but the material is still right there, and it’s hard to ignore. 

But T.I.M. weirdly focuses on the romance drama between Abi and Paul too much to the point, where it basically strangles the story. The going back and forth with Abi’s paranoia about Paul possibly cheating on her with Rose, and Abi constantly having second thoughts about giving Paul a second chance. 

Of course, things escalate, when Abi’s paranoia causes her to become more attached to Tim, pushing Paul to the side. It gets to a point, where it’s easy to feel some sympathy for Paul. He’s unemployed, his wife questions everything he does, and a robot is ruining his marriage. 

Paul and Abi are also trying to have a baby, but of course Abi has her doubts, because she’s still not sure, if Paul is worth trusting. I understand the psychology behind T.I.M. weaponizing Abi’s paranoid thoughts to cut Paul out of the picture, but if they wanted to purely make a romance drama, they should’ve scrapped all of the sci-fi elements. 

The moment T.I.M. steps out of his container at Abi’s house, you just know something bad is going to happen. Robot learns what it feels like to be human, robot goes on a rampage, when he can’t control his emotions, lots of violence follows after T.I.M. figures out his own solutions to fix Abi’s problems. That’s fine. You should know what to expect from a movie about a killer robot. 

The problem is, there’s no subtlety for the foreshadowing. T.I.M. using the deepfake video to deceive Abi is a swerve that just doesn’t work, because it’s too obvious, and it’s hard to believe that Paul could be that stupid. T.I.M. is very predictable, slogging through each scene, and it’s easy to see what’s going to happen step by step, when T.I.M. realizes he needs to save Abi. 

Georgina Campbell plays a believably sympathetic character, who’s easy to root for, and T.I.M. features a solid supporting cast. The big finale is a strange mix of tense and borderline silly moments, but T.I.M. is still a decent sci-fi/thriller. There’s just enough entertainment in the “good robot turns bad, and attacks the humans” department, but it’s impossible to overlook the wasted potential for a gold mine’s worth of material.

Rating- 5/10

T.I.M. (2023)(Minor Spoilers)

 

**This post contains MINOR spoilers**

The Story- Abi (Georgina Campbell), a highly skilled prosthetics engineer, prepares for a fresh start with her husband, Paul (Mark Rowley). A new job at Integrate Robotics, a fully equipped smart home, and a cheery neighbor named Rose (Amara Karan)? Abi is also willing to forgive Paul for cheating on her, so everything should be perfect, right?

Abi’s new life takes a strange turn, when T.I.M. (Eamon Farren) arrives at her home. A loyal and efficient robot, T.I.M. (Technologically Integrated Manservant) was supposed to be a simple project from her boss, Dewson (Nathaniel Parker). But T.I.M. slowly develops feelings for Abi, sparking a deadly rift between himself, Paul, and Abi. 

My Thoughts- He cooks, he cleans, and he’s completely nuts? Eamon Farren delivers an excellent performance as Tim, the seemingly helpful and obedient robot with a dark side. Farren absolutely nails the polite mannerisms of a programmed servant. Not too robotic to the point, where T.I.M. sounds clunky and stiff, just enough believable human qualities to convince you he’s passable as a real person. 

One good scene to go back to involves T.I.M. being enamored with an old black and white movie. You start to see how T.I.M. develops emotions and human feelings, because he’s fascinated with the “tragic inevitability” and the “beauty of love” in the movie. A big warning sign for what happens towards the end. 

As the story progresses, you see the darker and more sinister side of Tim, as his obsession with Abi spirals out of control. Farren smoothly switches gears to being a cold and calculating miscreant, a machine deluded into believing he’s doing the right thing to protect his mistress. 

Rose and Dewson are two important characters, and their perspectives really paint a clearer picture for what the movie should’ve been all about. Dewson is all for technological advancements and artificial intelligence taking over. He believes human beings are too “messy,” preferring loyal, obedient, and mindless robots. He’s a rich businessman, a jerk, and Dewson has a strange obsession with beating the Chinese.

Rose? Her actions speak louder than her words, no big speeches or angry rants about technology. Rose lives in a cottage, not a smart home. She loves gardening, and she prefers to use landlines over cellphones. Dewson is far more cynical, but Rose finds happiness living a simple life, without relying on a T.I.M. to get all of her chores done, appointments booked, and she doesn’t use gadgets or devices. 

T.I.M. is loaded with material for a potentially good sci-fi/thriller. Abi’s line about not wanting to put things out into the world that aren’t ready helps signal the fact that there’s trouble coming soon, and there’s some realism behind her words. The dangers of trusting artificial intelligence, deepfake videos, relying on machines, robots, and leaping too far into the future to change the old ways of the world and everyday life. And Paul expresses concerns about giving a robot access to his personal emails. Yes, it’s cliched, but the material is still right there, and it’s hard to ignore. 

But T.I.M. weirdly focuses on the romance drama between Abi and Paul too much to the point, where it basically strangles the story. The going back and forth with Abi’s paranoia about Paul possibly cheating on her with Rose, and Abi constantly having second thoughts about giving Paul a second chance. 

Of course, things escalate, when Abi’s paranoia causes her to become more attached to Tim, pushing Paul to the side. It gets to a point, where it’s easy to feel some sympathy for Paul. He’s unemployed, his wife questions everything he does, and a robot is ruining his marriage. 

Paul and Abi are also trying to have a baby, but of course Abi has her doubts, because she’s still not sure, if Paul is worth trusting. I understand the psychology behind T.I.M. weaponizing Abi’s paranoid thoughts to cut Paul out of the picture, but if they wanted to purely make a romance drama, they should’ve scrapped all of the sci-fi elements. 

The moment T.I.M. steps out of his container at Abi’s house, you just know something bad is going to happen. Robot learns what it feels like to be human, robot goes on a rampage, when he can’t control his emotions, lots of violence follows after T.I.M. figures out his own solutions to fix Abi’s problems. That’s fine. You should know what to expect from a movie about a killer robot. 

The problem is, there’s no subtlety for the foreshadowing. T.I.M. using the deepfake video to deceive Abi is a swerve that just doesn’t work, because it’s too obvious, and it’s hard to believe that Paul could be that stupid. T.I.M. is very predictable, slogging through each scene, and it’s easy to see what’s going to happen step by step, when T.I.M. realizes he needs to save Abi. 

Georgina Campbell plays a believably sympathetic character, who’s easy to root for, and T.I.M. features a solid supporting cast. The big finale is a strange mix of tense and borderline silly moments, but T.I.M. is still a decent sci-fi/thriller. There’s just enough entertainment in the “good robot turns bad, and attacks the humans” department, but it’s impossible to overlook the wasted potential for a gold mine’s worth of material. 

Rating- 5/10

Abigail (2024)

 

**This post contains spoilers**

The Story- Tasked with kidnapping, Abigail (Alisha Weir), the young daughter of a wealthy crime lord named Kristof Lazaar (Matthew Goode), a team of six criminals successfully abducts Abigail from her home. 

Lambert (Giancarlo Esposito), the organizer for the operation, issues Rat Pack inspired nicknames for the crew to avoid any problems. Joey (Melissa Barrera), Frank (Dan Stevens), Rickles (Will Catlett), Dean (Angus Cloud), Sammy (Kathryn Newton), and Peter (Kevin Durand) all have one simple mission: “Babysit” and secure Abigail for twenty-four hours, and each member of the team will receive their equal share of the ransom money. Sounds easy enough, right? But the crew encounters a deadly surprise, when Abigail reveals herself as a ballerina vampire!

My Thoughts- Smart, devious, and a remorseless calculating mastermind, Abigail is a uniquely layered character. Sure, she’s been around for centuries, but Abigail still has the appearance of a little girl. Alisha Weir does a wonderful job of switching between the mannerisms of a scared and helpless kid to taunt or deceive the crew, to the vicious vampire, with a demented sense of humor, who enjoys torturing her victims. Mixing the ballerina moves in with Abigail’s attacks works as a quirky approach for some good laughs. It’s not just a game for Abigail. She’s also putting on a performance as a ballerina for her own amusement. 

Yes, you could say Abigail is pure evil, but it’s rooted in heartache. When she’s not having fun tearing apart her prey, Weir can be vulnerable, humanizing Abigail, because she’s a child, who feels neglected by her father. All the killing, eliminating his enemies, people, who betrayed him, or others who made costly mistakes. No matter how hard Abigail tries, it’s never enough to truly impress her father for the seal of approval that she desperately wants from him. 

The Rat Pack is loaded with polarizing personalities. Peter is an oaf, but be careful, because he’s a big guy, with a mean streak, if you push him too far. Sammy is spoiled and bratty. You’d have to drag Sammy kicking and screaming to work a nine-to-five, or a regular job. Dean, the wheelman and a carefree stoner, likes to joke around, and he’s more focused on his botched attempts at flirting with Sammy. And Joey pointed it out, but Dean has sociopathic tendencies. Rickles? He quickly realizes, when something’s wrong, the silent professional, who knows how to keep his composure.

One of the more intriguing conflicts throughout the movie involves a power struggle of sorts between Joey and Frank. Going back and forth to decide, who’s the best choice to lead the group, the bickering between Frank and Joey provides some funny moments. Dan Stevens is a good fit for the slimy and hard-nosed jerk. 

Melissa Barrera’s Joey is tough, but she’s smart and patient. Frank initially tries an aggressive approach to dealing with Abigail, preferring a guns blazing style attack that fails miserably, but Joey is more levelheaded and strategic. Joey, a recovering addict, also realizes she’s made a lot of mistakes, but she’s motivated by a chance to possibly reunite with her son. 

The kill count is high, but the bloodshed and the attacks from a seemingly unstoppable Abigail never feels tedious. The non-stop in-fighting within The Rat Pack, Dean’s shenanigans, Frank losing his cool, Peter taking one hit after another, because he’s an easy target to make fun of, and Joey struggling to keep everyone on the same page. The calamity to figure out a solution to defeat Abigail or survive her attacks, mixed in with a good variety of entertaining characters with depth really works, because Abigail never hits a dull stretch. 

Lambert is working for Abigail? He’s basically her slave? Not too surprising, because it’s obvious Lambert was hiding something. Although, Abigail previously turning him into a vampire did catch me off a guard. 

Frank double-crossing and killing Lambert after he was turned by Lambert? Yeah, not too shocking. It’s also not a surprise that Frank wanted to use his vampire powers to control a bitten Joey, forcing her to kill her own son. Frank was always a power-hungry scumbag, and Joey bruised his fragile ego. He was pissed, because Joey wasn’t a pushover, and she wasn’t scared of him. 

Kristof Lazaar finally appears! Matthew Goode brings the necessary imposing presence for Lazaar. Goode’s also a bit goofy, when he interacts with Joey, resisting the urge to feed, because it’s getting close to “dinner time”. It’s heavily implied that Lazaar is Dracula. Remember, Abigail started out as a reimagining of Dracula’s Daughter (1936), and Lazaar himself told Joey that he’s gone by many names throughout the years. Simply going by Dracula obviously draws too much unwanted attention in the criminal underworld, so it makes sense to use aliases to protect his true identity. 

Saving Lazaar’s only appearance for the aftermath of the big final battle makes perfect sense. Lazaar is supposed to be this mighty evil figure, stacking up a list of dastardly deeds for an urban legend. A man so terrible and powerful it’s almost hard to believe he actually exists. His only appearance should really mean something.

Joey and Abigail have a full circle moment together after teaming up to defeat and kill Frank. Joey honored her pinky promise to Abigail. The image of Melissa Barrera, soaked in blood, sitting in the van alone, with the lollipop in her mouth perfectly encapsulates the absolute hell she endured to escape as the sole survivor.

My only real complaint about Abigail is, it’s predictable. You know who’s going to be the sole survivor, and the attempted swerves were easy to predict. I understand marketing, and the need to promote a movie, but I really wish they never revealed Abigail was a vampire in the trailers, because it could’ve been a great surprise in the movie.

Still, Abigail is a fun and bloody horror comedy. Quick! We need garlic, wooden stakes, and crosses. Then, we can stop Abigail! Or maybe not? I love the one scene, where Frank, Sammy, and Peter ambush Abigail, planning to use some of the usual traditional weapons to fight a vampire. And what happens? The garlic has no effect on her, and she uses the cross and the makeshift wooden stake as weapons against the trio. Great stuff, and a playful approach for toying around with a few vampire movie cliches. 

Abigail is consistently funny, loaded with some good gruesome humor. Abigail dancing with Dean’s headless corpse, and Abigail puppeteering Sammy with her powers, when Sammy attacks and kills Peter are two of my top picks. A solid supporting cast, and Alisha Weir is outstanding in the leading role. 

Completely bonkers and over the top, it’s a vampire movie about a little girl, who’s basically a brat and acting out, because she feels neglected by her father. Lots of carnage, gallons and gallons of blood, EXPLODING vampires, and a satisfying finale. Abigail checks off just about every box you can possibly think of for an offbeat vampire flick, easily one the best horror films of 2024.

Rating- 8/10

Abigail (2024)(Minor Spoilers)

 **This post contains MINOR spoilers**

The Story- Tasked with kidnapping, Abigail (Alisha Weir), the young daughter of a wealthy crime lord named Kristof Lazaar (Matthew Goode), a team of six criminals successfully abducts Abigail from her home. 

Lambert (Giancarlo Esposito), the organizer for the operation, issues Rat Pack inspired nicknames for the crew to avoid any problems. Joey (Melissa Barrera), Frank (Dan Stevens), Rickles (Will Catlett), Dean (Angus Cloud), Sammy (Kathryn Newton), and Peter (Kevin Durand) all have one simple mission: “Babysit” and secure Abigail for twenty-four hours, and each member of the team will receive their equal share of the ransom money. Sounds easy enough, right? But the crew encounters a deadly surprise, when Abigail reveals herself as a ballerina vampire!

My Thoughts- Smart, devious, and a remorseless calculating mastermind, Abigail is a uniquely layered character. Sure, she’s been around for centuries, but Abigail still has the appearance of a little girl. Alisha Weir does a wonderful job of switching between the mannerisms of a scared and helpless kid to taunt or deceive the crew, to the vicious vampire, with a demented sense of humor, who enjoys torturing her victims. Mixing the ballerina moves in with Abigail’s attacks works as a quirky approach for some good laughs. It’s not just a game for Abigail. She’s also putting on a performance as a ballerina for her own amusement. 

Yes, you could say Abigail is pure evil, but it’s rooted in heartache. When she’s not having fun tearing apart her prey, Weir can be vulnerable, humanizing Abigail, because she’s a child, who feels neglected by her father. All the killing, eliminating his enemies, people, who betrayed him, or others who made costly mistakes. No matter how hard Abigail tries, it’s never enough to truly impress her father for the seal of approval that she desperately wants from him. 

The Rat Pack is loaded with polarizing personalities. Peter is an oaf, but be careful, because he’s a big guy, with a mean streak, if you push him too far. Sammy is spoiled and bratty. You’d have to drag Sammy kicking and screaming to work a nine-to-five, or a regular job. Dean, the wheelman and a carefree stoner, likes to joke around, and he’s more focused on his botched attempts at flirting with Sammy. And Joey pointed it out, but Dean has sociopathic tendencies. Rickles? He quickly realizes, when something’s wrong, the silent professional, who knows how to keep his composure.

One of the more intriguing conflicts throughout the movie involves a power struggle of sorts between Joey and Frank. Going back and forth to decide, who’s the best choice to lead the group, the bickering between Frank and Joey provides some funny moments. Dan Stevens is a good fit for the slimy and hard-nosed jerk. 

Melissa Barrera’s Joey is tough, but she’s smart and patient. Frank initially tries an aggressive approach to dealing with Abigail, preferring a guns blazing style attack that fails miserably, but Joey is more levelheaded and strategic. Joey, a recovering addict, also realizes she’s made a lot of mistakes, but she’s motivated by a chance to possibly reunite with her son. 

The kill count is high, but the bloodshed and the attacks from a seemingly unstoppable Abigail never feels tedious. The non-stop in-fighting within The Rat Pack, Dean’s shenanigans, Frank losing his cool, Peter taking one hit after another, because he’s an easy target to make fun of, and Joey struggling to keep everyone on the same page. The calamity to figure out a solution to defeat Abigail or survive her attacks, mixed in with a good variety of entertaining characters with depth really works, because Abigail never hits a dull stretch. 

My only real complaint about Abigail is, it’s predictable. You know who’s going to be the sole survivor, and the attempted swerves were easy to predict. I understand marketing, and the need to promote a movie, but I really wish they never revealed Abigail was a vampire in the trailers, because it could’ve been a great surprise in the movie.

Still, Abigail is a fun and bloody horror comedy. Quick! We need garlic, wooden stakes, and crosses. Then, we can stop Abigail! Or maybe not? I love the one scene, where Frank, Sammy, and Peter ambush Abigail, planning to use some of the usual traditional weapons to fight a vampire. And what happens? The garlic has no effect on her, and she uses the cross and the makeshift wooden stake as weapons against the trio. Great stuff, and a playful approach for toying around with a few vampire movie cliches. 

Abigail is consistently funny, loaded with some good gruesome humor. A solid supporting cast, and Alisha Weir is outstanding in the leading role. Completely bonkers and over the top, it’s a vampire movie about a little girl, who’s basically a brat and acting out, because she feels neglected by her father. Lots of carnage, gallons and gallons of blood, EXPLODING vampires, and a satisfying finale. Abigail checks off just about every box you can possibly think of for an offbeat vampire flick, easily one the best horror films of 2024.

Rating- 8/10

Character Spotlight- Dr. Dan Challis- Halloween III: Season Of The Witch

 **This post contains spoilers**

Ellie Grimbridge (Stacey Nelkin) needs help to solve the mystery behind her father, Harry’s (Al Berry) death. The police? A private investigator? Maybe a detective? What about a divorced doctor with two kids? After a chance encounter with Harry at the hospital, and the discovery of one of the many infamous Silver Shamrock Halloween masks, Dr. Dan Challis (Tom Atkins) takes an impromptu trip to the quiet town of Santa Mira with Ellie.

Dan’s helping Ellie find closure and answers for her father’s murder. He’s trying to stop Conal Cochran (Dan O’Herlihy), the evil mastermind behind Silver Shamrock, before the big giveaway happens, hopefully saving the lives of unsuspecting children. Surely he’s a good guy, right? 

Dan’s story is a bit unusual. He’s a doctor, so you could say he likes helping people. But Dan has a noticeably icy and strained relationship with his ex-wife, Linda (Nancy Kyes). Another big problem? Dan has a bad habit of breaking promises to spend time with his son, Willie (Joshua Miller) and his daughter, Bella (Michelle Walker). Towards the end, Dan actually had a good excuse. He was being held captive by Cochran and his army of androids, and Dan was trying to stop a nationwide sacrifice. Still, that’s the only legitimate excuse for Dan’s unfortunate streak of carelessness. 

Dan is a ladies’ man! The coroner’s assistant, Teddy (Wendy Wessberg), playful flirting with Nurse Agnes (Maidie Norman), and his fling with Ellie in Santa Mira. Dan, in spite of all his faults, has a laid-back personality and a knack for smooth talking at the right moments. And let’s not forget, he is a doctor. Dan is a seemingly irresistible Casanova, but on the other side of that, it’s easy to take a guess that infidelity might’ve played a role in his divorce from Linda.

Is Dan a screwup? Sure, he’s a bit selfish. He lied about going to Santa Mira with Ellie, but Dan Challis is not a mean-spirited person. You always get the feeling his heart is in the right place, but he just can’t get out of his own way. One self-induced mistake after another, because Dan would’ve been able to take his kids trick-or-treating, if he never went to Santa Mira with Ellie. 

Tom Atkins brings a likable and cool everyman charm to Dan. It’s almost impossible to not laugh at this guy. His ex-wife hates him. He’s not spending time with his kids, so what does Dan decide to do? He runs off to a town that he’s never been to, with a woman, who’s at least half his age and a six pack of beer. 

Dan is not your typical hero, but he’s a scrappy and resourceful fighter, who won’t quit. He outsmarted Cochran, defeated his androids, and Dan is responsible for destroying the factory. And Dan managed to survive an attack from the android version of Ellie, Cochran’s final curveball. 

It’s ironic how Dan’s irresponsible decisions weirdly leads to him possibly saving everyone from Cochran’s evil scheme. His actions angered Linda, he neglected his kids, and you could say he’s responsible for Teddy’s death. But Dan still puts his life on the line to fight Cochran. 

A man who benefited from a series of lucky breaks, Dan Challis also endures a number of setbacks. Android Ellie, and Dan pleading with the networks to remove (“STOP IIIIIIIITTTT!!”) the Silver Shamrock jingle commercial. Did Dan succeed in stopping the final commercial? We’ll never know for sure, but it doesn’t hurt to believe in the possibility that Dan was able to pull off one last Hail Mary. 

Character Spotlight- Conal Cochran- Halloween III: Season Of The Witch

 

**This post contains spoilers**

Conal Cochran (Dan O’ Herlihy), a savvy Irish gentleman, the proprietor of Silver Shamrock Novelties, and the savior of a small town named Santa Mira. A toymaker, the master of gags, practical jokes, and Halloween masks, Cochran is seemingly a charming businessman with a big heart. Rafferty (Michael Currie), the hotel manager and one of Cochran’s loyal subordinates, adores Cochran, praising him as a benevolent icon. The big secret? Cochran is an evil mastermind, who’s planning to use Silver Shamrock masks to carry out brutal ritual human sacrifices targeting children.

No underboss. Nobody to claim the title of the right hand man or woman. Conal Cochran is the unquestioned decision maker. He’s the final boss, so it’s easy to understand why Cochran uses androids as his enforcers, an efficient hit squad obeying his orders. 

Cochran, a sharp and obsessive control freak, demands unwavering loyalty. The wiretapped phones, the surveillance cameras, the curfews, and the androids. He’s not going to take any chances trusting flawed humans. No debates, no arguments, and no committees. Need an example? Starker (Jonathan Terry), a “local boy,” was bitter about Cochran denying him a job at the factory. Starker loudly vented about his plans to burn down the factory and eliminate Cochran. Big mistake, because Cochran obviously ordered two of his androids to kill Strarker moments after his rant. 

Cochran mastered the art of being a wolf in sheep’s clothing. Buddy Kupfer (Ralph Strait), his wife, Betty (Jadeen Barbor), and his son, Little Buddy (Brad Schacter) believed they were about to watch a harmless commercial. Buddy was ready to take notes, and Little Buddy was excited to be the first kid to participate in the big giveaway! The bad news here is, it was all a setup, or a “demonstration” for Cochran to test his deadly Halloween masks. Little Buddy was a guinea pig, suffering a brutal death via his new pumpkin Halloween mask.

That’s what makes Cochran so dangerous. He lures you in with his charisma and his endearing personality. You believe he’s a trustworthy and kind old man, but there’s an insidious monster waiting for the right moment to strike underneath his welcoming persona. Just think about that sinister smile, as Cochran watched Buddy and his family suffer. He enjoyed every second of it, and you could say Cochran had a strong sense of pride knowing his masks actually worked.

Dan O’ Herlihy does a wonderful job of quickly switching gears as Cochran. The aftermath of the “misfire” scene and Marge Guttman’s (Garn Stephens) death sticks out. When Cochran arrives, he’s upbeat and reassuring about Marge’s condition. Of course, it’s all lies. Notice how Cochran’s demeanor changes, when he turns his back and wants to know what happened to Marge. You can hear the tone of his voice change. He’s angry, disappointed, and you can tell Conal Cochran is not the kind of man, who tolerates mistakes, loose ends, or any cracks in the foundation. 

The scene, where Cochran explains why he’s doing what he’s doing is another good one. Listen to the rumbly tone in O’ Herlihy’s voice. It’s sick, but he’s serious about completing his mission. Cochran is disgusted by the reality of Halloween being reduced to children begging for candy, because for Cochran, Halloween has a deeper meaning and a bigger purpose. 

Cochran is unstoppable! Or is he? Cochran is a calculating and cerebral villain. His greatest adversary? Dr. Dan Challis (Tom Atkins)! Cochran, a thinking man, was always one step ahead of Dan and Ellie (Stacey Nelkin). Cochran knew they were lying about being a married couple, and he knew Dan wouldn’t leave the factory without trying to save Ellie. That’s why there’s an android version of Ellie, conveniently waiting for Dan to rescue her. No locked doors, no security protocols, no android guards outside her door. It was almost too easy to rescue “Ellie,” and Dan took the bait. 

Cochran is smart, so what happened? His ego got the best of him. Showing Dan the demise of The Kupfer Family was a big mistake. Dan learned how to use the Silver Shamrock emblems against Cochran and his cronies, because he watched how everything unfolded step by step. 

Taking a few steps back, Cochran could’ve easily ordered the androids to kill Dan, when he snuck into the factory. Dan’s immediate execution would’ve saved Cochran a lot of trouble. Instead, Cochran was more concerned with gloating and celebrating. Ellie (the android version), his plan b or the ace up his sleeve, didn’t stop Dan from warning the networks about his plans.

Cochran realizes he’s been defeated, but something strange happens. Cochran looks up at Dan, smiles, and he gives Challis a final round of applause before his demise. Why? I’ve always believed Cochran was able to respect and admire Dan’s gritty and persistent efforts. Cochran never believed Dan could’ve pulled it off. He was bested by someone, who didn’t stand a chance. Dan, the unlikely and lucky hero, with a fighting spirit, and you could say Cochran graciously accepted his defeat, while acknowledging Dan’s victory. 

But let’s not forget about the final channel playing the dangerous Silver Shamrock jingle commercial. Did Dan really win in the end? Maybe it was a case of too little, too late? We don’t know if the network pulled the last commercial. There’s a chance that Cochran, the ultimate devious prankster, succeeded. You always want to believe everything worked out for the best. The big feel good happy ending, but you simply can’t underestimate Conal Cochran, whether he’s alive or dead.