Night Of The Demons (1988)(2025 Redo)

 

**This post contains MINOR spoilers**

The Story- On Halloween night, Angela (Amelia Kinkade), with some help from her friend, Suzanne (Linnea Quigley), prepares for a Halloween party at Hull House, an isolated and abandoned funeral home. “Scaring the shit out of” her guests is Angela’s main goal. Judy (Cathy Podewell), Rodger (Alvin Alexis), Helen (Allison Barron), Stooge (Hal Havins), Jay (Lance Fenton), Max (Philip Tanzini), and his girlfriend, Frannie (Jill Terashita) are all invited, but Sal (William Gallo) sneaks in at the last minute. 

A bum stereo temporarily dampens the mood, but Frannie suggests a past life seance. After the seance, the party takes a dark turn, when the group unknowingly unleashes a demon… 

My Thoughts- If you take one look at Angela and Suzanne, you’d never guess the two of them are friends. Linnea Quigley brings a bubbly and enthusiastic spark to Suzanne. She fits the bill for being a wild party girl. 

Angela? You can tell she’s someone, who takes pride in being an outsider, or as Judy says the “weirdo.” Amelia Kinkade’s confident and sharp performance as Angela is just so fun to watch. She relishes in being the evil ring leader after Suzanne passes the demon to her. Angela smiling at Sal after the possession takes a hold of her sticks out as a big moment. It’s a devilish smile, because Angela knows she’s about to cause a lot of trouble. 

But there’s one scene, where Kinkade shows some believable vulnerability. After the seance, Angela realizes the group is in serious danger. Angela is scared, and she realizes she made a mistake. Angela is one of my all-time favorites for horror movie characters. The black wedding dress is a great look for her, and she’s one of those characters that I always have a hard time picturing anyone else playing, because Kinkade is simply phenomenal as Angela. 

Night Of The Demons has a high death count, but it’s not a case where the characters are too thin or disposable, because EVERYONE adds something to the movie. Cathy Podewell nails Judy, playing a humble and innocent protagonist, with a hopeful and positive personality. Judy dressed as Alice from Alice in Wonderland just works on so many levels. Podewell has the perfect look to resemble Alice. On top of that, Judy is stuck in a living nightmare, a nightmare, where’s she forced to fight to stay alive.

For years I couldn’t stand Rodger. He constantly freaks out and panics, he’s whiny, and running away is usually Rodger’s first choice over helping out, or taking a stand to fight. But you know what? I get it now. Imagine being trapped inside an old funeral home, and your possessed friends are trying to kill you. That’s terrifying, so of course Rodger is scared. 

Rodger is smart. While everyone else was more concerned with partying and sex, Rodger was focused on surviving and looking for a way to escape. Rodger’s reactions to everything going on inside Hull House? The way he reacts feels more realistic for how any normal human being would respond to dealing with an unprecedented situation and supernatural threats. 

Stooge? Yes, he’s a wild party animal, and he’s also an asshole. But it’s not that simple with Stooge, because you get the feeling Stooge is someone, who tries way too hard to fit in with the cool kids. There’s one scene, where Suzanne locks herself in the bathroom. Stooge sounds upset and frustrated that he can’t get in. You can hear that disappointed whimper in Hal Havins’ voice, the one moment, where the mask falls off for Stooge.

William Gallo confidently plays the kid, who’s too cool for school and the rebel tough guy, but Sal turns the corner to become one of the heroes towards the end. Lance Fenton’s Jay is kind of a tool, who takes himself too seriously, the guy, who runs into a big problem, because he’s obsessed with chasing sex. 

Philip Tanzini’s Max has an important role here. Max is a jokester, with a snappy and upbeat sense of humor, but he’s also the storyteller, explaining the dark history behind Hull House, and “Old Man Hull’s” unusual lifestyle. And kudos to Donnie Jeffcoat Jr. for a few good laughs during his brief screen time as Billy, Judy’s obnoxious and bratty younger brother.

Hull House is the perfect setting for Night Of The Demons, the old funeral home in the middle of nowhere. Cobwebs, it’s dirty, quiet, and there’s an eerie spookiness throughout Hull House. It’s bad enough you’re being hunted and chased around by demons, and to make matters worse, you’re miles away from civilization. 

The house is not haunted, it’s possessed! Another important layer for Hull House, because emphasizing the dangers of a possessed house over a haunted house separates Night Of The Demons from other haunting films, adding a refreshing nugget to the story. Scary stuff, because Hull House is the absolute last place anyone wants to be, demons or no demons.

Going by Max’s stories, Mr. Hull was obviously a weird and creepy dude, who lived a strange lifestyle. The underground running stream working as a barrier to prevent any demons from leaving Hull House is another nice touch. Screenwriter Joe Augustyn puts a lot of effort into building up the dark mystique of Hull House, stepping over the line for an ordinary abandoned building, and crossing into hell on earth territory. 

Night Of The Demons has a fantastic soundtrack, and each song perfectly complements certain scenes and moments throughout the movie. Computer Date for the start of the party, The Beast Inside for Stooge and Angela’s brief slow dance, and my top pick goes to Stigmata Martyr during Angela’s electric dance in front of Sal.

I can’t say enough about the excellent practical and makeup effects here. So many great picks to choose from, but one that always sticks out for me is, Suzanne pushing the tube of the lipstick into her boob. It’s not just the fact that she did it, but Linnea Quigley jamming her finger all the way inside really adds to the squirming reaction they were going for. Angela “warming her hands in the fire”? Truly a gnarly and shocking moment.

Two big problems with the missing gate and the window. Big plot holes, but Night Of The Demons is still a fun horror comedy. Just the right amount of cheesiness, consistent laughs, and the morbid humor is hilarious. Each character has their own unique brand of comedy, and Stooge (“EAT A BOWL OF FUCK! I AM HERE TO PARTYYYY!”) is easily one of my favorites. And that miserable old codger got what he deserved in the end. 

Night Of The Demons is a great hidden gem, if you’re into 80’s horror movies. And thirty-seven years later, Night Of The Demons still has one of the best horror movie intros!

Rating- 9/10

Night Of The Demons (1988)(2025 Redo)

 

**This post contains spoilers**

The Story- On Halloween night, Angela (Amelia Kinkade), with some help from her friend, Suzanne (Linnea Quigley), prepares for a Halloween party at Hull House, an isolated and abandoned funeral home. “Scaring the shit out of” her guests is Angela’s main goal. Judy (Cathy Podewell), Rodger (Alvin Alexis), Helen (Allison Barron), Stooge (Hal Havins), Jay (Lance Fenton), Max (Philip Tanzini), and his girlfriend, Frannie (Jill Terashita) are all invited, but Sal (William Gallo) sneaks in at the last minute. 

A bum stereo temporarily dampens the mood, but Frannie suggests a past life seance. After the seance, the party takes a dark turn, when the group unknowingly unleashes a demon… 

My Thoughts- If you take one look at Angela and Suzanne, you’d never guess the two of them are friends. Linnea Quigley brings a bubbly and enthusiastic spark to Suzanne. She fits the bill for being a wild party girl. 

Angela? You can tell she’s someone, who takes pride in being an outsider, or as Judy says the “weirdo.” Amelia Kinkade’s confident and sharp performance as Angela is just so fun to watch. She relishes in being the evil ring leader after Suzanne passes the demon to her. Angela smiling at Sal after the possession takes a hold of her sticks out as a big moment. It’s a devilish smile, because Angela knows she’s about to cause a lot of trouble. 

But there’s one scene, where Kinkade shows some believable vulnerability. After the seance, Angela realizes the group is in serious danger. Angela is scared, and she realizes she made a mistake. Angela is one of my all-time favorites for horror movie characters. The black wedding dress is a great look for her, and she’s one of those characters that I always have a hard time picturing anyone else playing, because Kinkade is simply phenomenal as Angela. 

Night Of The Demons has a high death count, but it’s not a case where the characters are too thin or disposable, because EVERYONE adds something to the movie. Cathy Podewell nails Judy, playing a humble and innocent protagonist, with a hopeful and positive personality. Judy dressed as Alice from Alice in Wonderland just works on so many levels. Podewell has the perfect look to resemble Alice. On top of that, Judy is stuck in a living nightmare, a nightmare, where’s she forced to fight to stay alive.

For years I couldn’t stand Rodger. He constantly freaks out and panics, he’s whiny, and running away is usually Rodger’s first choice over helping out, or taking a stand to fight. But you know what? I get it now. Imagine being trapped inside an old funeral home, and your possessed friends are trying to kill you. That’s terrifying, so of course Rodger is scared. 

Rodger is smart. While everyone else was more concerned with partying and sex, Rodger was focused on surviving and looking for a way to escape. Rodger’s reactions to everything going on inside Hull House? The way he reacts feels more realistic for how any normal human being would respond to dealing with an unprecedented situation and supernatural threats. 

Stooge? Yes, he’s a party animal, and he’s also an asshole. But it’s not that simple with Stooge, because you get the feeling Stooge is someone, who tries way too hard to fit in with the cool kids. There’s one scene, where Suzanne locks herself in the bathroom. Stooge sounds upset and frustrated that he can’t get in. You can hear that disappointed whimper in Hal Havins’ voice, the one moment, where the mask falls off for Stooge.

William Gallo confidently plays the kid, who’s too cool for school and the rebel tough guy, but Sal turns the corner to become one of the heroes towards the end. Lance Fenton’s Jay is kind of a tool, who takes himself too seriously, the guy, who runs into a big problem, because he’s obsessed with chasing sex. 

Philip Tanzini’s Max has an important role here. Max is a jokester, with a snappy and upbeat sense of humor, but he’s also the storyteller, explaining the dark history behind Hull House, and “Old Man Hull’s” unusual lifestyle. And kudos to Donnie Jeffcoat Jr. for a few good laughs during his brief screen time as Billy, Judy’s obnoxious and bratty younger brother.

Hull House is the perfect setting for Night Of The Demons, the old funeral home in the middle of nowhere. Cobwebs, it’s dirty, quiet, and there’s an eerie spookiness throughout Hull House. It’s bad enough you’re being hunted and chased around by demons, and to make matters worse, you’re miles away from civilization. 

The house is not haunted, it’s possessed! Another important layer for Hull House, because emphasizing the dangers of a possessed house over a haunted house separates Night Of The Demons from other haunting films, adding a refreshing nugget to the story. Scary stuff, because Hull House is the absolute last place anyone wants to be, demons or no demons.

Going by Max’s stories, Mr. Hull was obviously a weird and creepy dude, who lived a strange lifestyle. The underground running stream working as a barrier to prevent any demons from leaving Hull House is another nice touch. Screenwriter Joe Augustyn puts a lot of effort into building up the dark mystique of Hull House, stepping over the line for an ordinary abandoned building, and crossing into hell on earth territory. 

WHERE’S THE GATE! Escaping Hull House is the main goal, when the madness starts, but the gate disappears? Rodger, digging deep to find his courage to save Judy (“Climb girl, climb!”), works as a good moment of redemption for him. 

But here’s my problem with it, if Rodger and Judy managed to escape by climbing over the wall, then why didn’t everyone, or anyone else try it earlier? What was the point of harping on the gate that magically disappeared as the only means of escaping Hull House? Taking a few steps backwards, Rodger jumps through a window to get outside. Okay, again, WHY didn’t anyone think of jumping through the window, or breaking the glass to get outside? 

Judy and Rodger, exhausted, beaten up and worn down, walking together, and holding hands after sunrise as the only two survivors, is a great visual. Still, it’s impossible to ignore the massive plot holes surrounding the gate (they never give an explanation for why the gate vanished) and the window. 

Night Of The Demons has a fantastic soundtrack, and each song perfectly complements certain scenes and moments throughout the movie. Computer Date for the start of the party, The Beast Inside for Stooge and Angela’s brief slow dance, and my top pick goes to Stigmata Martyr during Angela’s electric dance in front of Sal.

I can’t say enough about the excellent practical and makeup effects here. So many great picks to choose from, but one that always sticks out for me is, Suzanne pushing the tube of the lipstick into her boob. It’s not just the fact that she did it, but Linnea Quigley jamming her finger all the way inside really adds to the squirming reaction they were going for. Angela “warming her hands in the fire”? Truly a gnarly and shocking moment. The razor blades bulging out of the old man’s neck during the final moments? The blood oozing out, and that excruciating look of pain on Harold Ayer’s face lets you know the old man suffered during that scene.

Two big problems with the missing gate and the window. Big plot holes, but Night Of The Demons is still a fun horror comedy. Just the right amount of cheesiness, consistent laughs, and the morbid humor is hilarious. I always laugh at Sal’s tombstone, because the date for his death is marked as “tonight.” Each character has their own unique brand of comedy, and Stooge (“EAT A BOWL OF FUCK! I AM HERE TO PARTYYYY!”) is easily one of my favorites. And that miserable old codger got what he deserved in the end. 

Night Of The Demons is a great hidden gem, if you’re into 80’s horror movies. And thirty-seven years later, Night Of The Demons still has one of the best horror movie intros!

Rating- 9/10

Character Spotlight- Rodger- Night Of The Demons (1988)

 

**This post contains spoilers**

Hull House is crawling with demons! Run, hide, or fight? Well, panic is Rodger’s (Alvin Alexis) first reaction to everything that happens inside and outside of Hull House. If he can’t run from danger, Rodger will do his best to find the best or any available hiding spots, hoping to wait it out until sunrise. 

Suzanne (Linnea Quigley), Sal (William Gallo), Stooge (Hal Havins), Jay (Lance Fenton), Frannie (Jill Terashita), and Max (Philip Tanzini) were all more concerned with partying and sex. Judy (Cathy Podewell) and Helen (Allison Barron)? They knew something was wrong. And Helen actually saw the demon in the mirror.

Rodger? He warned everyone about the dangers of Frannie’s suggested past life séance. Rodger, the son of a preacher, knows playing around with supernatural evil forces is a bad idea. Notice how seriously Rodger approaches everything compared to everyone else. When Angela (Amelia Kinkade) starts the past life séance, Rodger is the only one, who turns his back to the mirror. He didn’t want to take ANY chances of getting caught up in the madness. 

Rodger, with a justifiably nervous Helen, tried to leave Hull House before anyone else. Sure, Sal eventually realized something was off after Angela’s dance and a bizarre encounter with Suzanne, but it’s a case of too little, too late. 

Is Rodger a coward? He did break Judy’s fall from the roof, but it’s hard to ignore the fact that he bailed on her more than once, when the duo was cornered by demons. The scene in the crematorium? Judy is pushing to escape, to quickly find a way out. Rodger wants to sit and pray, and he’s too scared to make a move.

It’s easy to wag the finger of shame at Rodger. Judy and Sal constantly try to motivate and reassure Rodger, but nothing clicks. He still panics, leading to one conclusion: Rodger is a chicken, who’s only concerned with saving himself. Or maybe he’s not? Imagine this, you’re basically trapped inside a creepy and abandoned funeral home. Your best friends are possessed by demons, and they’re all trying to kill you. On top of all that, you only have a slim chance of making it out alive, IF you can outrun and possibly outsmart Angela and her entire crew until sunrise.

That’s A LOT to deal with, so staying calm, or trying to be the brave hero isn’t so easy. For years, he was an annoying character for me, but if you really pay attention, there’s some strong realism for Rodger’s mindset throughout the movie. He’s reacting and responding how almost anyone would, if they were being chased and hunted by demons. 

Alvin Alexis delivers a convincing performance. You can believe Rodger is genuinely scared. Alexis plays a guy, who’s ready to jump out of his own skin, but Rodger also does whatever it takes to survive, including jumping through a window. Alexis’ performance is also good for a few laughs. Rodger’s outbursts are hilarious, ripping on Stooge, and some chuckles for Rodger bolting at the first signs of trouble. 

It’s also ironic how Rodger winds up being the hero to save Judy (“Climb, girl climb!”) during the finale. Yes, Rodger hesitated. He almost ran away, but he found just enough courage to come back and rescue Judy. You can say a lot about Rodger. He’s a wuss, a chicken, or you could say he’s selfish. Still, what’s important about the ending to his story? The one thing Helen, Stooge, Max, Jay, Frannie, Sal, and Suzanne couldn’t do? Rodger survived.